American singer-songwriter Woody Guthrie's published recordings are culled from a series of recording sessions in the 1940s and 1950s. At the time they were recorded they were not set down for a particular album, so are found over several albums not necessarily in chronological order. The more detailed section on recording sessions lists the song by recording date.
The list here is organized by recording session and is mostly sourced from the discography put together by Dr. Guy Lodgson in 1990-1991 at the Smithsonian Institution as it appears in the book "Hard Travelin' The Life and Legacy of Woody Guthrie". [24]
Title | Catalogue No. | Recording Date | Notes / Instrument |
---|---|---|---|
United States Department of Interior, Radio Broadcasting Division, interviewed by Alan Lomax [25] | |||
Monologue; Boyhood of Woody Guthrie | 3407 & 3408 | March 21, 1940 | |
The Train (Lost Train Blues) | 3407-A | Guitar / Harmonica | |
Railroad Blues | 3407-B | Harmonica | |
Rye Whiskey | 3408-A,B1 | Vocals / Guitar | |
Old Joe Clark | 3408-B2 | Vocals / Guitar | |
Beaumont Rag | 3408-B3 | Vocals / Guitar | |
Dialogue on the "Green Valley Waltz" | 3408-B4 | ||
Green Valley Waltz | 3409-A | Vocals / Guitar | |
Monologue on the youth of Woody Guthrie | 3409-A,B1 | ||
Greenback Dollar | 3409-B1 | Vocals / Guitar / Harmonies | |
Boll Weevil Song | 3409-B2 | Vocals / Guitar / Harmonies | |
Midnight Special | 3410-A1 | Vocals / Guitar / Harmonies | |
Dialogue on Dust Storms | 3410-A2,B1 | ||
So Long, It's Been Good to Know You | 3410-B2 | Vocals / Guitar | |
Dialogue on the Dust Bowl | 3410-B3 | ||
Dialogue on the Dust Bowl, cont. | 3411-A1 | ||
Talking Dust Bowl Blues | 3411-A2,B1 | ||
Dialogue on Experiences in California | 3411-B2 | ||
Do-Re-Mi | 3411-B3 | Vocals /Guitar / Harmonica | |
Hard Times | 3412-A1 | March 22, 1940 | Vocals / Guitar |
Bring Me Back to My Blue Eyed Boy | 3412-A2 | Vocals / Guitar | |
Dialogue on Love Songs | 3412-A3 | ||
Dialogue on Outlaws | 3412-B1 | ||
Billy the Kid | 3412-B2 | Vocals / Guitar (Fragment) | |
Pretty Boy Floyd | 3412-B3 | Vocals / Guitar | |
Pretty Boy Floyd, cont | 3413-A | ||
Dialogue about Jesse James | 3413-B1 | Vocals / Guitar | |
They Laid Jesus Christ in His Grave | 3413-B2 | Vocals / Guitar | |
They Laid Jesus Christ in His Grave, cont. | 3414-A1 | Vocals / Guitar | |
I'm a Jolly Banker | 3414-A2 | ||
Dialogue on Bankers | 3414-A2,3 | ||
I Ain't Got No Home in This World Anymore | 3414-A3B1 | Vocals / Guitar / Harmonica | |
Dirty Overhauls | 3414-B2 | Vocals / Guitar | |
Dirty Overhauls, cont | 3415-A1 | ||
'Mary Fagen' and Dialogue | 3415-A2B1 | Vocals / Guitar | |
Chain Around My Leg | 3415-B2 | Vocals / Guitar | |
Dialogue on the Blues | 3416-A1 | ||
The Bluest Blues (900 Miles?) | 3416-A2 | ||
Worried Man Blues | 3416-B1 | Vocals / Guitar | |
Church House Blues - Lonesome Valley | 3416-B2 | Vocals / Guitar | |
Dialogue on Walking Railroad Ties | 3416-B2 | ||
Monologue Railroads and Men Out of Work | 3417-A | ||
Railroad Line Blues | 3417-B1 | Vocals / Guitar | |
Goin' Down the Frisco Line | 3417-B2 | Vocals / Guitar | |
I'm Goin' Down the Road Feelin' Bad | 3418-A1 | Vocals / Guitar | |
Seven Cent Cotton | 3418-A2 | Vocals / Guitar (fragment) | |
Wagon Yard Blues | 3418-A3 | Vocals / Guitar (fragment) | |
Dust Bowl Refugees | 3418-B1 | Vocals / Guitar | |
Dialogue about man going to California for contract work | 3418-B2 | ||
Dialogue about man going to California for contract work, cont. | 3419-A | ||
Great Dust Storm (Dust Storm Disaster) and dialogue | 3419-B1 | Vocals / Guitar | |
I'm Sittin' on the Foggy Mountain Top | 3419-B2 | Vocals / Guitar | |
Story Of Oil Booms and Dust Storms | 3420-A1 | March 27, 1940 | |
Dust Pneumonia Blues | 3420-A2 | Vocals / Guitar | |
Dust Bowl Blues | 3420-B1 | Vocals / Guitar | |
Dialogue about California | 3420-B1 | ||
California Blues | 3420-B2 | Vocals / Guitar | |
Dialogue about Jimmy Rogers and "California Blues" | 3421-A | ||
Do-Re-Mi | 3421-B1 | Vocals / Guitar | |
Living conditions in California | 3421-B1 | ||
Dust Bowl Refugees | 3422-A | Vocals / Guitar | |
Dialogue about Okies in California, Pride in Oklahoma, and Wil Rogers | 3422-B1 | ||
Highway 66 / Wil Rogers Highway | 3423-A1 | Vocals / Guitar | |
New Years Flood | 3423-A2 | Vocals / Guitar | |
Songs by Woody Guthrie and Guitar, Recorded in the Phonoduplication Studio by Alan Lomax and John Langenegger | |||
Stewball | 4491-A1 | Jan 4 1941 | Vocals / Guitar |
Stagolee | 4491-A2 | Vocals / Guitar | |
One Dime Blues | 4491-A3 | Vocals / Guitar | |
Woopie Ti Yi Yo, Git Along Little Doggies | 4491-B1 | Vocals / Guitar | |
Trail To Mexico | 4491-B2 | Vocals / Guitar (fragment) | |
The Gypsy Davy | 4491-B3 | Vocals / Guitar | |
There is a House in this Old Town | 4491-B4 | Vocals / Guitar |
Title | Catalogue No. | Recording Date | Notes / Instrument |
---|---|---|---|
Boll Weevil | Library of Congress (LOC) 4507A4 | April 2, 1940 | Harmonica / Vocals / Guitar with the Golden Gate Quartet |
It's Hard on We Poor Farmers | LOC 4507A3 | Harmonica / Alan Lomax on Guitar & Vocals | |
Train Blues | LOC 4508A1 | Harmonica | |
So Long, It's Been Good to Know You | LOC 4508A2 | Harmonica / Vocals / Alan Lomax on Guitar | |
Talking Dust Storm | LOC 4508A3 | Vocals Guitar |
Title | Catalogue No. | Recording Date | Notes / Instrument |
---|---|---|---|
*The Great Dust Storm ("Dust Storm Disaster") | (26622-A) BS-050145-1 | April 26, 1940 | Guitar |
*Talking Dust Bowl Blues | (26619-A) BS-050146-2 | Guitar | |
Dust Pnemunonia Blues | (26623-B) BS-050147-1 | Guitar | |
*Dusty Old Dust ("So Long, It's Been Good to Know You") | (26622-B) BS-050148-1 | Guitar | |
Dust Bowl Blues | LPV-502, BS-050149-1 | Guitar | |
*Blowin Down This Road ("I Ain't Gonna Be Treated This Way") | (26619-B) BS-050150-1 | Guitar / Harmonica | |
*Tom Joad pt 1 | (26621-A) BS-050151-1 | Guitar / Harmonica | |
*Tom Joad pt 2 | (26621-B) BS-050152-1 | Guitar | |
Do Re Mi | (26620-A) BS-050153-1 | Guitar | |
*Dust Bowl Refugee | (26623-A) BS-050154-1 | Guitar / Harmonica | |
I Ain't Got No Home in This World Anymore | (26624-A) BS-050155-1 | Guitar / Harmonica | |
"Vigilante Man" | (26624-B) BS-050156-1 | Guitar / Harmonica | |
*Dust Can't Kill Me | (26620-B) BS-050600-1 | Guitar / Harmonica | |
Pretty Boy Floyd | LPV 502, BS-050601-1 | Guitar |
* These recording were released on the record Talking Dust Bowl on Folkways Records in 1950 by Moe Asch, but without RCA's licences. All these recordings were made by RCA Records in 1940 and released on the albums Dust Bowl Ballads vol 1 and 2. These records have been subsequently reissued in 1964 and 1977. [24]
The masters of this session were lost, but a collection of 6 discs was collected from BPA employee copies from the time. Most were eventually released on Rounder Records Woody Guthrie, Columbia River Collection C1036 in 1987. [26] The 6 discs are housed in the National Archives, Washington D.C. The catalogue numbers here relate to National Archive listings.
Title | Catalogue No. | Recording Date | Notes / Instrument |
---|---|---|---|
Pastures of Plenty | 305.01 | May 1941 | Vocals / Guitar |
The Biggest Thing Man Has Ever Done | 305.01 | Vocals / Guitar | |
Roll Columbia, Roll | 305.01 | Vocals / Guitar | |
Washington Talkin' Blues | 305.02 | Vocals / Guitar | |
The Biggest Thing Man Has Ever Done | 305.02 | Vocals / Guitar | |
Ramblin' Blues (Portland Town) | 305.03 | Vocals / Guitar | |
It Takes a Married Man to Sing A Worried Song | 305.03 | Vocals / Guitar | |
Song of the Grand Coulee Dam ("Way Up in That Northwest") | 305.03 | Vocals / Guitar | |
Roll On, Columbia | 305.04 | Vocals / Guitar | |
The Grand Coulee Dam | 305.04 | Vocals / Guitar | |
Jackhammer Blues | 305.05 | Vocals / Guitar | |
The Grand Coulee Dam | 305.05 | Vocals / Guitar | |
Columbia Waters | 305.05 | Vocals / Guitar | |
Talking Columbia Blues | 305.05 | Vocals / Guitar |
Series of Discs for the Library of Congress, recorded by the Almanac Singers, only those written by or featuring Woody Guthrie are included here. Notes are Woody's parts.
Title | Catalogue No. | Recording Date | Notes / Instrument |
---|---|---|---|
Round and Round Hitler's Grave | 6100-B | February 1942 | Guitar |
Hulaballobalay | 6101-A | Guitar | |
Taking it Easy | 6101-B | Guitar | |
Biggest Thing Man Has Ever Done | 6102-B | Guitar / Vocals | |
High Cost of Living | 6103-A | Guitar | |
Sinking of the Ruben James | 6103-B | Guitar | |
Goin' Down the Road Feelin' Bad | 6105-A | Guitar | |
Pretty Boy Floyd | 4793-A | August 1941 | Vocals |
Title | Catalogue No. | Recording Date | Notes / Instrument |
---|---|---|---|
Song for Bridges | QB 1548 | June 1941 | Guitar / Vocals |
* Babe O' Mine | QB 1549 | Guitar / Vocals | |
* Boomtown Bill | x-5000 | June 1942 | |
* Keep That Oil a Rollin' | QB 1548 | June 1942 | Vocals |
* Songs that have been released on Songs for Political Action, Bear Family Records BCD 15270
Title | Catalogue No. | Recording Date | Notes / Instrument |
---|---|---|---|
Blow Ye Winds, Heigh Ho | 5015-A, R-4160 | July 1941 | |
Away Rio | 5017-A, R-4161 | Harmonica | |
Blow the Man Down | 5016-A, R-4162 | Vocals | |
The Golden Vanity | 5017-B, R-4174 | Harmonica | |
The Coast of Old Barbary | 5015-B, R-4176 | Harmonica | |
Haul Away Joe | 5015-B, R-4176 | ||
House of the Rising Sun | 5020-B, R-4163 | ||
Ground Hog | 5018-B, R-4164 | ||
State of Arkansas | 5019-B, R-4165 | ||
I Ride an Old Paint | 5020-A, R-4169 | Vocals / Guitar | |
Hard Ain't It Hard | 5019-B, R-4170 | Harmonica | |
The Dodger Song | 5018-A, R-4171 | Harmonica | |
The Weavers Song | R-4168 | ||
Greenland Fishing | R-4172 |
Recorded by Decca Records in March 1944, and written by Elizabeth Lomax. Alan Lomax shopped this around but no stations were interested, eventually it was sold the BBC. The recordings included Woody as well as several members of the Almanac singers.
Title | Catalogue No. | Recording Date | Notes / Instrument |
---|---|---|---|
You Better Get Ready | March 1944 | Vocal / Guitar w/Sonny Terry on Harmonica | |
You Fascists Are Bound to Lose | Vocal / Guitar w/Sonny Terry on Harmonica | ||
Bound for the Mountains | Group Vocals | ||
Run Boys Run | |||
Black is the Color of My True Love's Hair | |||
On Top of Old Smokey | |||
Gonna Take Everybody (All Work Together) | |||
When We March Into Berlin | |||
How Many Biscuts Can You Eat? | |||
Smokey Mountain Girls | |||
Turtle Dove | |||
Round and Round Hitler's Grave | |||
The Martins and the Coys |
Possibly Guthrie's most famous recordings, conducted over a series of days by Moses "Moe" Asch in 1944 and 1945. They were issued on a variety of labels under Asch, Asch-Stinson, Asch-Signature-Stinson, Disc, Folkways and Verve/Folkways.
Title | Catalogue No. | Recording Date | Notes / Instrument |
---|---|---|---|
Hard Ain't It Hard | LM-1 | April 16, 1944 | |
More Pretty Girls Than One | LM-2 | ||
Golden Vanity | MA 1 | April 19, 1944 | Recordings on this date w/ Cisco Houston |
When the Yanks Go Marching In | MA 2 | ||
So Long, It's Been Good to Know You | MA3 | ||
Dollar Down Dollar a Week | MA4 | ||
Hen Cackle | MA5 | ||
I Ain't Got Nobody | MA6 | ||
Ida Red | MA7 | ||
Columbus Stockade | MA8 | ||
Whistle Blowing | MA9 | ||
John Henry | MA10 | ||
Hammer Ring ("Union Hammer") | MA11 | ||
Muleskinner Blues ("New Road Line") | MA12 | ||
What are We Waiting On ("Great and Bloody Fight") | LM-2 | ||
More Pretty Girls Than One | MA13 | ||
Ship in the Sky ("My Daddy") | MA14 | ||
The Biggest Thing Man Has Ever Done | MA15 | ||
Stewball | MA16 | ||
Grand Coulee Dam | MA17 | ||
Talking Sailor ("Talking Merchant Marine") | MA18 | ||
Talking Sailor ("Talking Merchant Marine") | MA19 | ||
Talking Sailor ("Talking Merchant Marine") | MA20 | ||
New York Town ("My Town") | MA21 | ||
Talking Sailor ("Talking Merchant Marine") | MA22 | ||
Reckless Talk | MA23 | ||
Reckless Talk | MA24 | ||
Last Nickel Blues | MA25 | ||
Guitar Rag | MA26 | ||
Who's Gonna Shoe Your Pretty Little Feet ("Don't Need No Man") | MA27 | ||
(Those) Brown Eyes | MA28 | ||
Chisholm Trail | MA29 | ||
Sowing on the Mountains | MA30 | ||
Sowing on the Mountains | MA31 | ||
Right Now | MA32 | ||
Train-Harmonica | MA33 | ||
Sally Don't You Grieve | MA34 | ||
Take a Wiff on Me | MA35 | ||
Philadelphia Lawyer | MA36 | ||
Kissing On ("Gave Her Kisses") | MA37 | ||
Little Darling | MA38 | ||
Baltimore to Washington ("Troubles Too") | MA39 | ||
Poor Boy | MA40 | ||
Poor Boy | MA41 | ||
Ain't Nobody's Business | MA42 | ||
Take Me Back Babe | MA43 | ||
Goin' Down the Road Feelin' Bad ("Lonesome Road Blues") | MA44 | ||
Bed on the Floor | MA45 | ||
One Big Union ("Join It Yourself") | MA46 | ||
Worried Man Blues | MA47 | ||
What Did the Deep Say? | MA48 | ||
Foggy Mountain Top | MA49 | ||
21 Years | MA50 | ||
Roving Gambler ("Gambling Man") | MA51 | ||
Cindy | MA52 | ||
Into Season | MA53 | ||
Red River Valley | MA55 | ||
Dead or Alive ("Poor Lazarus") | MA56 | ||
Pretty Boy | MA57 | ||
John Hardy | MA58 | ||
Bad Lee Brown ("Cocaine Blues") | MA59 | ||
Whistle Blowing | MA66 | ||
Billy The Kid | MA67 | ||
"Stagger Lee" | MA68 | ||
Down Yonder | 674 | April 20, 1944 | |
Guitar Blues | 675 | ||
Harmonica Breakdown | 676 | ||
Fox Chase | 677 | ||
Train | 678 | ||
Lost John | 679 | ||
Pretty Baby | 680 | ||
Old Dog a Bone | 681 | ||
"Turkey in the Straw" | 687 | ||
Give Me That Old Time Religion | 688 | ||
Glory ("Walk and Talk with Jesus") | 689 | ||
Hard Time Blues | 690 | ||
Bus Blues | 691 | ||
Devilish Mary | 692 | ||
Cripple Creek | 693 | ||
Sandy Land | 694 | ||
Old Dan Tucker | 695 | April 24, 1944 | |
Bile Them Cabbage Down | 696 | ||
Old Joe Clark | 697 | ||
Buffalo Girls | 698 | ||
Rain Crow Bill | 699 | ||
Skip to my Lou | 700 | ||
Lonesome Train | 701, 702 | ||
Blues, Harmonica Breakdown | 703, 704 | ||
Harmonica Rag | 705,706 | ||
Crawdad Hole | 707 | ||
Bury Me Beneath the Willow | 708 | ||
I Ride an Old Paint | 709 | ||
Blue Eyes | 710 | ||
Going Down the Road Feeling Bad ("Lonesome Road Blues") | 711 | ||
Old Dog a Bone | 712 | ||
Having Fun | 713 | ||
Blues | 714 | ||
Talking Fishing Blues | MA75 | April 25, 1944 | |
Talking Sailor ("Talking Merchant Marine") | MA76 | ||
Union Burial Ground | MA77 | ||
Jesse James | MA78 | ||
Rangers Command | MA79 | ||
Sinking of the Ruben James | MA80 | ||
Put My Little Shoes Away | MA81 | ||
Picture From Life's Other Side | MA82 | ||
Will You Miss Me | MA83 | ||
Bed on the Floor | MA84 | ||
900 Miles | MA85 | ||
Sourwood Mountain | MA86 | ||
Hoecake Baking | MA87 | ||
Ezekiel Saw the Wheel | MA88 | ||
Little Darling | MA89 | ||
Lonesome Day | MA90 | ||
Cumberland Gap | MA91 | ||
Fiddling Piece | MA92 | ||
"Carry Me Back to Old Virginny" | MA93 | ||
Step Stone | MA94 | ||
"House of the Rising Sun" | MA96 | ||
Browns Ferry Blues | MA98 | ||
What Would You Give in Exchange For Your Soul? | MA99 | ||
When That Great Ship Went Down | MA99-1 | ||
Dust Bowl | MA100 | ||
Guitar Rag | MA101 | ||
I Ain't Got Nobody | MA102 | ||
Going Down This Road Feeling Bad ("Lonesome Road Blues") | MA103 | ||
Polly Wolly Doodle | MA104 | ||
Guitar Rag | 1230 | ||
Blowin' Down This Old Dusty Road | 1231 | ||
Hey Lolly Lolly | MA105 | ||
Budded Roses | MA106 | ||
"House of the Rising Sun" | MA107 | ||
I Don't Feel at Home in the Bowery | MA108 | ||
Hobo's Lullaby | MA109 | ||
Froggy Went a Courtin' | MA110 | ||
Bad Reputation | MA111 | ||
Snow Deer | MA112 | ||
Ladies Auxiliary | MA113 | ||
"This Land Is Your Land" | MA114 | ||
Hang Knot ("Slip Knot") | MA115 | ||
Breakdown | MA116 | ||
Go Tell Aunt Rhody | MA117 | ||
Union Going to Roll | MA118 | ||
Who Broke the Lock on the Hen House Door | MA119 | ||
What Did the Deep Sea Say | MA120 | ||
Strawberry Roan | MA121-1 | ||
When the Yanks Go Marching in | MA122-1 | ||
Bed on the Floor | MA123-1 | ||
We Shall Be Free | MA124-1 | ||
Right Now | MA125-1 | ||
Jackhammer John | MA126-1 | ||
Woody | MA127-1,127-2 | ||
Keep Your Skillit Good and Greasy | MA129-1 | ||
Home | MA130-1 | ||
Lost You | MA131 | ||
Slip Knot ("Hang Knot") | MA134 | ||
Jesus Christ | MA135 | ||
Hobo Bill | MA136 | ||
Little Black Train | MA137 | ||
Cannon Ball | MA138 | ||
Gypsy Davy | MA139 | ||
Bile Them Cabbage Down | MA140 | ||
Woody | MA1240 | May 8, 1944 | |
Get Along Little Dogies | 860 | March 1, 1945 | |
Waltz | 861,862 | ||
Union Breakdown | 863 | ||
Cackling Hen | 864 | ||
Chisholm Trail | 865 | ||
Bed on Your Floor | 866 | ||
Rye Whiskey | 867 | ||
Old Joe Clark | 868 | March 23, 1945 | |
Long Way to France | 869 | ||
Woody Blues | 870 | ||
Down Yonder | 871 | ||
Gal I Left Behind | 872 | ||
Mean Talking Blues | 900 | May 24, 1945 | |
"1913 Massacre" | 901 | ||
Ludlow Massacre | 902 | ||
Buffalo Skinners | 903 | ||
Harriet Tubman | 904,905 |
Many recordings have unknown session dates. These are included in a list available at the United States Library of Congress titled "Surviving Recordings in the Smithsonian Folklife Archive Made by Woody Guthrie for Moses Asch". Moe Asch says Woody's kids song were recorded sometime in early 1947 and the Sacco and Vanzetti ballads were recorded January 1947.
The recording dates for the Songs to Grow On series of children's song are mostly lost due to the record keeping of Moe Asch, but the tracks are included here as they are some of Guthrie's most well known tracks. In this case the Date is the release date of the original 78 records.
Title | Catalogue No. | Recording Date | Notes / Instrument |
---|---|---|---|
Songs to Grow On: Nursery Days issued 1947,1950,1951 | |||
Wake Up | 5050A (D301) | 1947 | |
Clean-O | 5050B (D302) | ||
Dance Around | 5051A (D304) | ||
Put Your Finger in the Air | 5051B (D303) | ||
Don't Push Me | 5052A (D305) | ||
Jig Along Home | 5052B (D306) | ||
My Dolly | F52B1 | ||
Come See | F52B2 | ||
Race You Down the Mountain | F53A1 | ||
Pick it up | F53A2 | ||
Merry Go Round | F53B1 | ||
Sleepy Eyes | F53B2 |
On September 6, 2007, Woody Guthrie Publications, Inc., in cooperation with the Woody Guthrie Foundation released The Live Wire: Woody Guthrie in Performance 1949, accompanied by a 72-page book describing the performance and the project. Paul Braverman, a student at Rutgers University in 1949, made the recordings himself using a small wire recorder at a Guthrie concert in Newark, New Jersey.[10] On February 10, 2008, the release was the recipient of a Grammy Award in the category Best Historical Album.[11]
Woodrow Wilson Guthrie was an American singer-songwriter and composer who was one of the most significant figures in American folk music. His work focused on themes of American socialism and anti-fascism. He inspired several generations both politically and musically with songs such as "This Land Is Your Land".
Gilbert Vandine "Cisco" Houston was an American folk singer and songwriter, who is closely associated with Woody Guthrie due to their extensive history of traveling and recording together.
Dust Bowl Ballads is an album by American folk singer Woody Guthrie. It was released by Victor Records, in 1940. All the songs on the album deal with the Dust Bowl and its effects on the country and its people. It is considered to be one of the first concept albums. It was Guthrie's first commercial recording and the most successful album of his career.
Smithsonian Folkways is the nonprofit record label of the Smithsonian Institution. It is a part of the Smithsonian's Smithsonian Center for Folklife and Cultural Heritage, located at Capital Gallery in downtown Washington, D.C. The label was founded in 1987 after the family of Moses Asch, founder of Folkways Records, donated the entire Folkways Records label to the Smithsonian. The donation was made on the condition that the Institution continue Asch's policy that each of the more than 2,000 albums of Folkways Records remain in print forever, regardless of sales. Since then, the label has expanded on Asch's vision of documenting the sounds of the world, adding six other record labels to the collection, as well as releasing over 300 new recordings. Some well-known artists have contributed to the Smithsonian Folkways collection, including Pete Seeger, Ella Jenkins, Woody Guthrie, and Lead Belly. Famous songs include "This Land Is Your Land", "Goodnight, Irene", and "Midnight Special". Due to the unique nature of its recordings, which include an extensive collection of traditional American music, children's music, and international music, Smithsonian Folkways has become an important collection to the musical community, especially to ethnomusicologists, who utilize the recordings of "people's music" from all over the world.
Marjorie Guthrie, who used Marjorie Mazia as her professional name, was a dancer, dance teacher, and health science activist. She was married to folk musician Woody Guthrie. Her children with him include folk musician Arlo Guthrie and Woody Guthrie Publications president Nora Guthrie.
Ballads of Sacco & Vanzetti is a set of ballad songs, written and performed by Woody Guthrie, related to the trial, conviction and execution of Sacco and Vanzetti. The series was commissioned by Moe Asch in 1945 and recorded in 1946 and 1947. Guthrie never completed the project and was unsatisfied by the result. The project was released later in its abandoned form by Asch.
"1913 Massacre" is a topical ballad written by American folk singer Woody Guthrie, and recorded and released in 1945 for Moses Asch's Folkways label. The song originally appeared on Struggle, an album of labor songs. It was re-released in 1998 on Hard Travelin', The Asch Recordings, Vol.3 and other albums. The song is about the death of striking copper miners and their families in Calumet, Michigan, on Christmas Eve, 1913, in what is commonly known as the Italian Hall disaster.
The Asch Recordings, recorded between 1944 and 1949, are a series of albums featuring some of the most famous recordings of US folk musician Woody Guthrie. These sessions were recorded by Moses "Moe" Asch in New York City.
The Union Boys was an American folk music group, formed impromptu in 1944, to record several songs on an album called Songs for Victory: Music for Political Action. Its "all-star leftist" members were Josh White, Sonny Terry, Brownie McGhee, Pete Seeger, Burl Ives, Tom Glazer.
"Cumberland Gap" is an Appalachian folk song that likely dates to the latter half of the 19th century and was first recorded in 1924. The song is typically played on banjo or fiddle, and well-known versions of the song include instrumental versions as well as versions with lyrics. A version of the song appeared in the 1934 book, American Ballads and Folk Songs, by folk song collector John Lomax. Woody Guthrie recorded a version of the song at his Folkways sessions in the mid-1940s, and the song saw a resurgence in popularity with the rise of bluegrass and the American folk music revival in the 1950s. In 1957, the British musician Lonnie Donegan had a No. 1 UK hit with a skiffle version of "Cumberland Gap".
Folkways Records was a record label founded by Moses Asch that documented folk, world, and children's music. It was acquired by the Smithsonian Institution in 1987 and is now part of Smithsonian Folkways.
Moses Asch was an American recording engineer and record executive. He founded Asch Records, which then changed its name to Folkways Records when the label transitioned from 78 RPM recordings to LP records. Asch ran the Folkways label from 1948 until his death in 1986. Folkways was very influential in bringing folk music into the American cultural mainstream. Some of America's greatest folk songs were originally recorded for Asch, including "This Land Is Your Land" by Woody Guthrie and "Goodnight Irene" by Lead Belly. Asch sold many commercial recordings to Verve Records; after his death, Asch's archive of ethnic recordings was acquired by the Smithsonian Institution, and released as Smithsonian Folkways Records.
Woody At 100: The Woody Guthrie Centennial Collectionis a 150-page large-format book with three CDs containing 57 tracks, including Woody Guthrie's most important recordings such as the complete version of "This Land Is Your Land," "Pretty Boy Floyd," "I Ain't Got No Home in This World Anymore," and "Riding in My Car." The set also contains 21 previously unreleased performances and six never-before-heard original songs, including Woody's first known—and recently discovered—recordings. It is an in-depth commemorative collection of songs, photos and essays released by Smithsonian Folkways in June 2012.
Struggle is an album released by Folkways Records as a vinyl LP in 1976 and as a CD in 1990. It contains recordings by folk artist Woody Guthrie, accompanied on some of the tracks by Cisco Houston and Sonny Terry. Songs on this album are commonly referred to as protest music, songs that are associated with a movement for social change.
My Dusty Road is a 4 CD box set of Woody Guthrie music containing 54 tracks and a book. It is a collection of the newly discovered Stinson master discs. It was released by Rounder Records in 2009.
Stinson Records was an American record label formed by Herbert Harris and Irving Prosky in 1939, initially to market, in the US, recordings made in the Soviet Union. Between the 1940s and 1960s, it mainly issued recordings of American folk and blues musicians, including Woody Guthrie and Josh White.
Bound for Glory is a 1956 album by Woody Guthrie and Will Geer. It consists of a selection of songs from Guthrie's Dust Bowl Ballads of 1940 and his Asch recordings of 1944–45, each introduced briefly by Geer with spoken relevant extracts from Guthrie's writings.
"Vigilante Man" is a song by Woody Guthrie, recorded and released in 1940 as one of his Dust Bowl Ballads.
Jeff Place is the American writer and producer, and a curator and senior archivist with the Smithsonian Center for Folklife and Cultural Heritage. He has won three Grammy Awards and six Indie Awards.
Midnight Special is an album by Lead Belly, Woody Guthrie, and Cisco Houston, recorded in 1946 and released as an album in 1947.
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