Talking Union | ||||
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Studio album by | ||||
Released | 1941 | |||
Genre | Folk | |||
Label | Keynote 1941 Release, Folkways Records 1955 | |||
Producer | Eric Bernay | |||
Almanac Singers chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Talking Union is a 1941 album by the Almanac Singers: Millard Lampell, Lee Hays and Pete Seeger. It is a collection of union songs and ballads, written by many different labor songwriters over the years. The liner notes include an introduction by Pete Seeger and song explanations by Philip Foner. [2] In 2010 it was selected by the Library of Congress as an addition to the National Recording Registry, which selects recordings annually that are "culturally, historically, or aesthetically significant". [3]
In 1955 the album was rereleased on Folkways Records as The Original Talking Union & Other Union Songs, expanded with seven songs recorded in 1955 by Pete Seeger and a chorus dubbed "the Song Swappers" that included Erik Darling, later of The Weavers, and Mary Travers, later of Peter, Paul and Mary.
No. | Title | Writer(s) | Length |
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1. | "All I Want" | Words: Jim Garland, Tune: traditional | 3:00 |
2. | "Get Thee Behind Me, Satan" | Almanac Singers | 2:36 |
3. | "Talking Union" | Almanac Singers | 2:59 |
4. | "Union Maid" | Words: Woody Guthrie, Tune: Kerry Mills | 2:12 |
5. | "Union Train" | Traditional | 2:20 |
6. | "Which Side Are You On" | Words: Florence Reece, Tune: traditional | 2:11 |
No. | Title | Writer(s) | Performer(s) | Length |
---|---|---|---|---|
1. | "We Shall Not Be Moved" | Traditional | Pete Seeger and the Song Swappers | 2:19 |
2. | "Roll the Union On" | Words: John Handcox, Tune: traditional | Pete Seeger and the Song Swappers | 2:05 |
3. | "Casey Jones (The Union Scab)" | Words: Joe Hill, Tune: traditional | Pete Seeger and the Song Swappers | 1:59 |
4. | "Miner's Lifeguard" | Words: traditional, Tune: Charles Davis Tillman | Pete Seeger and the Song Swappers | 3:54 |
5. | "Solidarity Forever" | Words: Ralph Chaplin, Tune: traditional | Pete Seeger and the Song Swappers | 2:55 |
6. | "You've Got to Go Down and Join the Union" | Words: Woody Guthrie, Tune: traditional | Pete Seeger and the Song Swappers | 2:43 |
7. | "Hold the Fort" | Thomas W. "Old Beeswax" Taylor | Pete Seeger and the Song Swappers | 2:26 |
8. | "Get Thee Behind Me, Satan" | Almanac Singers | Almanac Singers | 2:36 |
9. | "Union Maid" | Words: Woody Guthrie, Tune: Kerry Mills | Almanac Singers | 2:12 |
10. | "I Don't Want Your Millions, Mister (All I Want)" | Words: Jim Garland, Tune: traditional | Almanac Singers | 3:00 |
11. | "Talking Union" | Almanac Singers | Almanac Singers | 2:59 |
12. | "Union Train" | Traditional | Almanac Singers | 2:20 |
13. | "Which Side Are You On" | Words: Florence Reece, Tune: traditional | Almanac Singers | 2:11 |
Woodrow Wilson Guthrie was an American singer-songwriter and composer who was one of the most significant figures in American folk music. His work focused on themes of American socialism and anti-fascism. He inspired several generations both politically and musically with songs such as "This Land Is Your Land".
Peter Seeger was an American folk singer-songwriter, musician and social activist. He was a fixture on nationwide radio in the 1940s, and had a string of hit records in the early 1950s as a member of The Weavers, notably their recording of Lead Belly's "Goodnight, Irene," which topped the charts for 14 weeks in 1950. Members of the Weavers were blacklisted during the McCarthy Era. In the 1960s, Seeger re-emerged on the public scene as a prominent singer of protest music in support of international disarmament, civil rights, workers' rights, counterculture, environmental causes, and ending the Vietnam War.
The Weavers were an American folk music quartet based in the Greenwich Village area of New York City originally consisting of Lee Hays, Pete Seeger, Ronnie Gilbert, and Fred Hellerman. Founded in 1948, the group sang traditional folk songs from around the world, as well as blues, gospel music, children's songs, labor songs, and American ballads. The group sold millions of records at the height of their popularity, including the first folk song to reach No. 1 on popular music charts, their recording of Lead Belly's "Goodnight, Irene." Despite their popularity, the Weavers were blacklisted during much of the 1950s.
Thomas Zachariah Glazer was an American folk singer and songwriter known as a composer of ballads, including: "Because All Men Are Brothers", recorded by The Weavers and Peter, Paul and Mary, "Talking Inflation Blues", recorded by Bob Dylan, "The Ballad of FDR" and "A Dollar Ain't A Dollar Anymore". He wrote the lyrics to the songs "Melody of Love" (1954), and "Skokian" (1954). He is perhaps best remembered as the writer of the classic children’s song “On Top of Spaghetti.”
The Almanac Singers was an American New York City-based folk music group, active between 1940 and 1943, founded by Millard Lampell, Lee Hays, Pete Seeger, and were joined by Woody Guthrie. The group specialized in topical songs, mostly songs advocating an anti-war, anti-racism and pro-union philosophy. They were part of the Popular Front, an alliance of liberals and leftists, including the Communist Party USA, who had vowed to put aside their differences in order to fight fascism and promote racial and religious inclusiveness and workers' rights. The Almanac Singers felt strongly that songs could help achieve these goals.
Mike Seeger was an American folk musician and folklorist. He was a distinctive singer and an accomplished musician who mainly played autoharp, banjo, fiddle, dulcimer, guitar, harmonica, mandolin, dobro, jaw harp, and pan pipes. Seeger, a half-brother of Pete Seeger, produced more than 30 documentary recordings, and performed in more than 40 other recordings. He desired to make known the caretakers of culture that inspired and taught him. He was posthumously inducted into the International Bluegrass Music Hall of Fame in 2018.
Joan Baez, also known as Joan Baez, Vol. 1, is the debut solo album by folk singer Joan Baez. The album was recorded in the summer of 1960 and released the same year. The original release featured 13 traditional folk songs. Later reissues included three additional songs.
Elizabeth "Libba" Cotten was an influential American folk and blues musician. She was a self-taught left-handed guitarist who played a guitar strung for a right-handed player, but played it upside down. This position meant that she would play the bass lines with her fingers and the melody with her thumb. Her signature alternating bass style has become known as "Cotten picking". NPR stated "her influence has reverberated through the generations, permeating every genre of music."
The National Recording Registry is a list of sound recordings that "are culturally, historically, or aesthetically significant, and inform or reflect life in the United States." The registry was established by the National Recording Preservation Act of 2000, which created the National Recording Preservation Board, whose members are appointed by the Librarian of Congress. The recordings preserved in the United States National Recording Registry form a registry of recordings selected yearly by the National Recording Preservation Board for preservation in the Library of Congress.
"Michael, Row the Boat Ashore" is a traditional spiritual first noted during the American Civil War at St. Helena Island, one of the Sea Islands of South Carolina. The best-known recording was released in 1960 by the U.S. folk band The Highwaymen; that version briefly reached number-one hit status as a single.
"Where Have All the Flowers Gone?" is a folk song written by American singer-songwriter Pete Seeger in 1955. Inspired lyrically by the traditional Cossack folk song "Koloda-Duda", Seeger borrowed an Irish melody for the music, and published the first three verses in Sing Out! magazine. Additional verses were added in May 1960 by Joe Hickerson, who turned it into a circular song. Its rhetorical "where?" and meditation on death place the song in the ubi sunt tradition. In 2010, the New Statesman listed it as one of the "Top 20 Political Songs".
The American folk music revival began during the 1940s and peaked in popularity in the mid-1960s. Its roots went earlier, and performers like Josh White, Burl Ives, Woody Guthrie, Lead Belly, Big Bill Broonzy, Richard Dyer-Bennet, Oscar Brand, Jean Ritchie, John Jacob Niles, Susan Reed, Paul Robeson, Bessie Smith, Ma Rainey and Cisco Houston had enjoyed a limited general popularity in the 1930s and 1940s. The revival brought forward styles of American folk music that had in earlier times contributed to the development of country and western, blues, jazz, and rock and roll music.
"Mary Don't You Weep" is a Spiritual that originates from before the American Civil War. As such, scholars sometimes refer to it as a "slave song", "a label that describes their origins among the enslaved", and it contains "coded messages of hope and resistance". It is considered one of the most important Negro spirituals. It is listed as number 11823 in the Roud Folk Song Index.
"Worried Man Blues" is a folk song in the roots music repertoire. It is catalogued as Roud Folk Song Index No. 4753. Like many folk songs passed by oral tradition, the lyrics vary from version to version, but generally all contain the chorus "It takes a worried man to sing a worried song/It takes a worried man to sing a worried song/I'm worried now, but I won't be worried long." The verses tell the story of a man imprisoned for unknown reasons "I went across the river, and I lay down to sleep/When I woke up, had shackles on my feet", who pines for his lost love, who is "on the train and gone."
"Union Maid" is a union song, with lyrics written by Woody Guthrie in response to a request for a union song from a female point of view. The melody is the 1907 standard "Red Wing" by Kerry Mills, which was in turn adapted from Robert Schumann's piano composition "The Happy Farmer, Returning From Work" in his 1848 Album for the Young, Opus 68.
The Union Boys was an American folk music group, formed impromptu in 1944, to record several songs on an album called Songs for Victory: Music for Political Action. Its "all-star leftist" members were Josh White, Sonny Terry, Brownie McGhee, Pete Seeger, Burl Ives, Tom Glazer.
"I Shall Not Be Moved", also known as "We Shall Not Be Moved", is an African-American slave spiritual, hymn, and protest song dating to the early 19th century American south. It was likely originally sung at revivalist camp-meetings as a slave jubilee. The song describes being "like a tree planted by the waters" who "shall not be moved" because of faith in God. Secularly, as "We Shall Not Be Moved" it gained popularity as a labor union song and a protest song of the Civil Rights Movement.
The discography of Pete Seeger, an American folk singer, consists of 52 studio albums, 23 compilation albums, 22 live albums, and 31 singles. Seeger's musical career started in 1940 when he joined The Almanac Singers. He stayed with the group for two years until he was drafted into the Army to fight in the Second World War. After the end of World War II in 1945, Seeger helped found an organization known as People's Songs, along with the influential folk music magazine People's Songs Bulletin. He published several singles and a studio album with the magazine. Seeger would play at People's Songs events, called hootenannies, until the organization folded in 1949. After People's Songs, Seeger and another former member of the Almanacs, Lee Hays, founded the Weavers, who achieved commercial success. In 1952, The Weavers went on hiatus due to the Red Scare; Seeger and Hays both had Communist ties. After the demise of the Weavers, Seeger released a solo album, American Folk Songs for Children, in 1953 on Folkways Records. He continued to release albums on Folkways until he signed with Capitol in 1961.
"Talking Union" is a talking blues song written by members of the Almanac Singers. The song tells of the common struggles that a union organizer faces while starting a new labor union. The song helped name the record album Talking Union & Other Union Songs.
If I Had a Hammer: Songs of Hope & Struggle is a 1998 compilation album by Pete Seeger and was released on Smithsonian Folkways as SFW40096.