"The Bells of Rhymney" | |
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Song by Pete Seeger | |
from the album Pete Seeger and Sonny Terry | |
Released | July 1958 |
Recorded | December 27, 1957 |
Genre | Folk |
Label | Folkways |
Songwriter(s) | Pete Seeger, Idris Davies |
"The Bells of Rhymney" is a song by the folk singer Pete Seeger, which consists of Seeger's own music accompanying words written by the Welsh poet Idris Davies. Seeger first released a recording of the song on a live album in 1958, but it is the American folk rock band the Byrds' 1965 recording that is the best known version of the song.
The lyrics to the song were drawn from part of Davies' poetic work Gwalia Deserta, which was first published in 1938. [1] The work was inspired by a local coal mining disaster and by the failure of the 1926 General Strike, with the "Bells of Rhymney" stanzas following the pattern of the nursery rhyme "Oranges and Lemons". [1] [2] In addition to Rhymney, the poem also refers to the bells of a number of other places in South Wales, including Merthyr, Rhondda, Blaina, Caerphilly, Neath, Swansea, Newport, Cardiff, and the Wye Valley. [1] [3]
Two decades after Gwalia Deserta was published, Seeger used one part of the work as lyrics for his song after discovering them in a book by Dylan Thomas. [4] The song was first released as part of a suite of songs, including "Sinking of the Ruben James" and "There Was an Old Lady Who Swallowed a Fly", on Seeger and Sonny Terry's 1958 live album, Pete Seeger and Sonny Terry. [5] Another live version of the song was included on Seeger's 1967 compilation album, Pete Seeger's Greatest Hits. [6]
"The Bells of Rhymney" | |
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Song by the Byrds | |
from the album Mr. Tambourine Man | |
Released | June 21, 1965 |
Recorded | April 14, 1965 |
Studio | Columbia, Hollywood, California |
Genre | Folk rock |
Length | 3:30 |
Label | Columbia |
Songwriter(s) | Pete Seeger, Idris Davies |
Producer(s) | Terry Melcher |
Arguably the most famous rendition of the song is the version recorded by the American folk rock band the Byrds. [2] The Byrds' recording of "The Bells of Rhymney" was committed to tape on April 14, 1965, and released as part of the band's debut album, Mr. Tambourine Man . [2] [7]
At the time of recording, the song was a relative newcomer to the Byrds' repertoire, having first been performed during the band's March 1965, pre-fame residency at Ciro's nightclub on the Sunset Strip in Los Angeles. [8] [9] Lead guitarist Roger McGuinn (at that time known as Jim McGuinn) had brought the song to the band after becoming familiar with it as an arranger on Judy Collins' third album, Judy Collins 3 , which itself included a cover version of "The Bells of Rhymney". [4] [10] Although the Byrds were anxious to correctly pronounce the Welsh place-names in the song's lyrics on their recording, they, like Seeger, actually mispronounced the name Rhymney as "Rimney" (it should be pronounced as "Rumney"). [8]
Author Chris Smith has made mention of the presence of a number of the Byrds' early musical trademarks in their recording of "The Bells of Rhymney", including their complex harmony singing and McGuinn's jangly twelve-string Rickenbacker guitar playing. [11] In his book Icons of Rock: An Encyclopedia of the Legends Who Changed Music Forever, author Scott Schinder has noted that the band's rendition of the song "managed to craft the dour subject matter into a radio-friendly pop song without sacrificing the song's haunting message." [12]
The Byrds' recording of "The Bells of Rhymney" was also influential on the Beatles, particularly George Harrison, who constructed his song "If I Needed Someone" around the same guitar riff that the Byrds had used in the song. [13]
"The Bells of Rhymney" was also covered by Cher, soon after the release of the Byrds' version, on her All I Really Want to Do album. [14] Bob Dylan and the Band recorded the song in 1967, although it wasn't released until 2014 on The Bootleg Series Vol. 11: The Basement Tapes Complete .
Other artists who have recorded the song include: Judy Collins, the Serendipity Singers, the Alarm, the Ian Campbell Folk Group, Murray Head, John Denver, Weddings Parties Anything, Tommy Makem, Jim Hendricks, Fifth Avenue, Robyn Hitchcock, Beck and Jakob Dylan, Oysterband, Ralph McTell and Chris Hillman. [15]
The Byrds was an American rock band formed in Los Angeles, California in 1964 by Roger McGuinn, Gene Clark, David Crosby, Chris Hillman, and Michael Clarke (drums). The Byrds are among the most influential rock acts of the 1960s, with their signature blend of vocal harmonies and McGuinn's electric 12-string Rickenbacker guitar.
Sweetheart of the Rodeo is the sixth album by American rock band the Byrds and was released in August 1968 on Columbia Records. Recorded with the addition of country rock pioneer Gram Parsons, it became the first album widely recognized as country rock as well as a seminal progressive country album, and represented a stylistic move away from the psychedelic rock of the band's previous LP, The Notorious Byrd Brothers. The Byrds had occasionally experimented with country music on their four previous albums, but Sweetheart of the Rodeo represented their fullest immersion into the genre up to that point in time. The album was responsible for bringing Parsons, who had joined the Byrds in February 1968 prior to the start of recording, to the attention of a mainstream rock audience for the first time. Thus, the album is an important chapter in Parsons' crusade to make country music fashionable for a young audience.
"Mr. Tambourine Man" is a song written by Bob Dylan, released as the first track of the acoustic side of his March 1965 album Bringing It All Back Home. The song's popularity led to Dylan recording it live many times, and it has been included in multiple compilation albums. It has been translated into other languages and has been used or referenced in television shows, films, and books.
Rhymney is a town and a community in the county borough of Caerphilly, South Wales. It is within the historic boundaries of Monmouthshire. With the villages of Pontlottyn, Fochriw, Abertysswg, Deri and New Tredegar, Rhymney is designated as the 'Upper Rhymney Valley' by the local Unitary Authority, Caerphilly County Borough Council. As a community, Rhymney includes the town of Rhymney, Pontlottyn, Abertysswg, Butetown and Twyncarno.
Younger Than Yesterday is the fourth studio album by the American rock band the Byrds and was released on February 6, 1967, on Columbia Records. It saw the band continuing to integrate elements of psychedelia and jazz into their music, a process they had begun on their previous album, Fifth Dimension. In addition, the album captured the band and record producer Gary Usher experimenting with new musical textures, including brass instruments, reverse tape effects and an electronic oscillator.
Mr. Tambourine Man is the debut studio album by the American rock band the Byrds and was released on June 21, 1965, by Columbia Records. The album is characterized by the Byrds' signature sound of Jim McGuinn's 12-string Rickenbacker guitar and the band's complex harmony singing. The material on the album mostly consists of cover versions of folk songs, primarily composed by Bob Dylan, and originals written or co-written by singer Gene Clark. Along with the Dylan-penned single of the same name, Mr. Tambourine Man established the band as an internationally successful act and is widely regarded by critics as representing the first effective American challenge to the chart dominance of the Beatles and other British Invasion bands during the mid-1960s.
The Notorious Byrd Brothers is the fifth album by the American rock band the Byrds, and was released in January 1968, on Columbia Records. The album represents the pinnacle of the Byrds' late-'60s musical experimentation, with the band blending together elements of psychedelia, folk rock, country, electronic music, baroque pop, and jazz. With producer Gary Usher, they made extensive use of a number of studio effects and production techniques, including phasing, flanging, and spatial panning. The Byrds also introduced the sound of the pedal steel guitar and the Moog modular synthesizer into their music, making it one of the first LP releases on which the Moog appears.
Turn! Turn! Turn! is the second studio album by American rock band the Byrds, released on December 6, 1965, by Columbia Records. Like its predecessor, Mr. Tambourine Man, the album epitomized the folk rock genre and continued the band's successful mix of vocal harmony and jangly twelve-string Rickenbacker guitar. The album's lead single and title track, "Turn! Turn! Turn!", which was adapted by Pete Seeger from text in the Book of Ecclesiastes, had previously been arranged in a chamber-folk style by the Byrd's lead guitarist Jim McGuinn for folk singer Judy Collins' third album, but the arrangement he used for the Byrds' recording of the song utilizes the same folk-rock style as the band's previous hit singles.
Fifth Dimension is the third album by the American rock band the Byrds and was released in July 1966 on Columbia Records. Most of the album was recorded following the February 1966 departure of the band's principal songwriter Gene Clark. In an attempt to compensate for Clark's absence, guitarists Jim McGuinn and David Crosby increased their songwriting output. In spite of this, the loss of Clark resulted in an album with four cover versions and an instrumental, which critics have described as "wildly uneven" and "awkward and scattered". However, it was the first Byrds album not to include any songs written by Bob Dylan, whose material had previously been a mainstay of the band's repertoire.
The Byrds' Greatest Hits is the first greatest hits album by the American rock band the Byrds and was released in August 1967 on Columbia Records. It is the top-selling album in the Byrds' catalogue and reached number 6 on the Billboard Top LPs chart, but failed to chart in the UK.
The Byrds is a four-CD box set by the American rock band the Byrds. It features music that had previously been released between the mid-1960s and early 1970s, along with a number of previously unreleased tracks and some new recordings from 1990. The box set was issued on October 19, 1990, by Columbia/Legacy and reached number 151 on the Billboard albums chart.
"All I Really Want to Do" is a song written by Bob Dylan and featured on his Tom Wilson-produced 1964 album, Another Side of Bob Dylan. It is arguably one of the most popular songs that Dylan wrote in the period immediately after he abandoned topical songwriting. Within a year of its release on Another Side of Bob Dylan, it had also become one of Dylan's most familiar songs to pop and rock audiences, due to hit cover versions by Cher and the Byrds.
"Turn! Turn! Turn!", also known as or subtitled "To Everything There Is a Season", is a song written by Pete Seeger in 1959. The lyrics – except for the title, which is repeated throughout the song, and the final two lines – consist of the first eight verses of the third chapter of the biblical Book of Ecclesiastes. The song was originally released in 1962 as "To Everything There Is a Season" on the folk group the Limeliters' album Folk Matinee, and then some months later on Seeger's own The Bitter and the Sweet.
"You Ain't Goin' Nowhere" is a song written by American musician Bob Dylan in 1967 in Woodstock, New York, during the self-imposed exile from public appearances that followed his July 29, 1966 motorcycle accident. A recording of Dylan performing the song in September 1971 was released on the Bob Dylan's Greatest Hits Vol. II album in November of that year, marking the first official release of the song by its author. Earlier 1967 recordings of the song, performed by Dylan and the Band, were issued on the 1975 album The Basement Tapes and the 2014 album The Bootleg Series Vol. 11: The Basement Tapes Complete.
"So You Want to Be a Rock 'n' Roll Star" is a song by the American rock band the Byrds. Written by Jim McGuinn and Chris Hillman, it was included on the band's 1967 album, Younger Than Yesterday. The song was inspired by the manufactured nature of the Monkees and was released as a single on January 9, 1967, reaching number 29 on the Billboard Hot 100, but failing to chart in the United Kingdom.
Judy Collins #3 is the third studio album by the American singer and songwriter Judy Collins. It was issued by Elektra Records in December 1963. It spent 10 weeks on the Billboard Pop album charts in 1964, peaking at No. 126.
"It Won't Be Wrong" is a song by the American folk rock band the Byrds, which appeared as the second track on their 1965 album, Turn! Turn! Turn! It was also coupled with the song "Set You Free This Time" for a single release in 1966, resulting in "It Won't Be Wrong" charting at number 63 on the Billboard Hot 100. The song was written by Byrds band member Jim McGuinn and his friend Harvey Gerst in 1964.
Preflyte is a compilation album by the American folk rock band the Byrds and was released in July 1969 on Together Records. The album is a collection of demos recorded by the Byrds at World Pacific Studios in Los Angeles during late 1964, before the band had signed to Columbia Records and become famous. It includes early demo versions of the songs "Here Without You", "You Won't Have to Cry", "I Knew I'd Want You", and "Mr. Tambourine Man", all of which appeared in re-recorded form on the band's 1965 debut album.
"Why" is a song by the American rock band the Byrds, written by David Crosby and Jim McGuinn and first released as the B-side of the band's "Eight Miles High" single in March 1966. The song was re-recorded in December 1966 and released for a second time as part of the band's Younger Than Yesterday album.
"She Don't Care About Time" is a song by American folk rock band the Byrds. It was released on a non-album single in October 1965, as the B-side to "Turn! Turn! Turn!". The song was written by Gene Clark, the Byrds' main songwriter between 1964 and early 1966. "She Don't Care About Time" was recorded during sessions for the group's second album Turn! Turn! Turn!. The song is on most of the band's hits compilations.