Peter Seeger was an American folk singer and social activist. A fixture on nationwide radio in the 1940s, Seeger also had a string of hit records during the early 1950s as a member of the Weavers, notably their recording of Lead Belly's "Goodnight, Irene", which topped the charts for 13 weeks in 1950. Members of the Weavers were blacklisted during the McCarthy Era. In the 1960s, Seeger re-emerged on the public scene as a prominent singer of protest music in support of international disarmament, civil rights, counterculture, workers' rights, and environmental causes.
Guy Hughes Carawan Jr. was an American folk musician and musicologist. He served as music director and song leader for the Highlander Research and Education Center in New Market, Tennessee.
"We Shall Overcome" is a gospel song which became a protest song and a key anthem of the American civil rights movement. The song is most commonly attributed as being lyrically descended from "I'll Overcome Some Day", a hymn by Charles Albert Tindley that was first published in 1901.
"Guantanamera" is perhaps the best-known Cuban song and that country's most-noted patriotic song, especially when using a poem by the Cuban poet José Martí for the lyrics. The official writing credits have been given to Joseíto Fernández, who first popularized the song on radio as early as 1929. In 1966, a version by American vocal group the Sandpipers, based on an arrangement by the Weavers from their May 1963 Carnegie Hall Reunion concert, became an international hit.
Agnes "Sis" Cunningham was an American musician, best known for her involvement as a performer and publicist of folk music and protest songs. She was the founding editor of Broadside magazine, which she published with her husband Gordon Friesen and their daughters.
Thomas Richard Paxton is an American folk singer-songwriter who has had a music career spanning more than fifty years. In 2009, Paxton received a Grammy Lifetime Achievement Award. He is a music educator as well as an advocate for folk singers to combine traditional songs with new compositions.
Joan Baez in Concert, Part 2 was a second installment of live material, recorded during Joan Baez' concert tours of early 1963. It peaked at number 7 on the Billboard Pop Albums chart.
Rare, Live & Classic is a 1993 box set compilation by Joan Baez. Released on Vanguard, where Baez had recorded her most influential work during the first twelve years of her career, the set also included material from her subsequent record labels, A&M, Columbia and Gold Castle Records, as well as a number of previously unreleased studio and live recordings. Bob Dylan, Bob Gibson, Mimi Fariña, Judy Collins, Odetta and Kris Kristofferson are among those who make guest appearances on the various tracks; also included were two tracks from a never-released album recorded in 1981 with the Grateful Dead.
Harold Leventhal was an American music manager. He died in 2005 at the age of 86. Leventhal's career began as a song plugger for Irving Berlin and then Benny Goodman. While working for Goodman, he connected with a new artist, Frank Sinatra, booking him as a singer for a Benny Goodman event. Leventhal later managed The Weavers, Woody Guthrie, Pete Seeger, Alan Arkin, Judy Collins, Theodore Bikel, Arlo Guthrie, Joan Baez, Mary Travers, Tom Paxton, Don McLean and many others, and promoted major concert events in the genre, thus playing a significant role in the popularization and influence of American folk music in the 1950s and 1960s.
Carry It On is the first soundtrack album by Joan Baez to the documentary film of the same name, released in 1971. Its title is taken from one of its songs, "Carry It On", which was written by Gil Turner.
Freedom songs were songs which were sung by participants in the civil rights movement. They are also called "civil rights anthems" or, in the case of songs which are more hymn-like, they are called "civil rights hymns."
The American folk music revival began during the 1940s and peaked in popularity in the mid-1960s. Its roots went earlier, and performers like Josh White, Burl Ives, Woody Guthrie, Lead Belly, Big Bill Broonzy, Billie Holiday, Richard Dyer-Bennet, Oscar Brand, Jean Ritchie, John Jacob Niles, Susan Reed, Paul Robeson, Bessie Smith, Ma Rainey and Cisco Houston had enjoyed a limited general popularity in the 1930s and 1940s. The revival brought forward styles of American folk music that had in earlier times contributed to the development of country and western, blues, jazz, and rock and roll music.
Zilphia Horton was an American musician, community organizer, educator, Civil Rights activist, and folklorist. She is best known for her work with her husband Myles Horton at the Highlander Folk School where she is generally credited with turning such songs as "We Shall Overcome", "We Shall Not Be Moved," and "This Little Light of Mine" from hymns into protest songs of the Civil Rights Movement.
Rainbow Quest (1965–66) was a U.S. television series devoted to folk music and hosted by Pete Seeger. It was videotaped in black-and-white and featured musicians playing in traditional American music genres such as traditional folk music, old-time music, bluegrass and blues. The show's title is drawn from the lyrics of the song by Seeger "Oh, Had I A Golden Thread".
Odetta in Japan is a live album by American folk singer Odetta, released in 1966. It was her final album for RCA Victor.
Portrait of Joan Baez is the first compilation album by Joan Baez, released in the UK in 1967. It includes material from her early 1960s traditional folk and her Bob Dylan and Phil Ochs covers. The album is mono and was released on Vinyl in the UK. It features a mix of studio and live recordings.
Folkways: A Vision Shared – A Tribute to Woody Guthrie & Leadbelly is a 1988 album featuring songs by Woody Guthrie and Lead Belly interpreted by leading folk, rock, and country recording artists. It won a Grammy Award the same year.
Twice Upon a Time is a live album by the American folk music group The Kingston Trio, recorded in 1966 and released in 2008.
The Montreal Tapes: Liberation Music Orchestra is a live album by the American jazz bassist Charlie Haden's Liberation Music Orchestra recorded in 1989 at the Montreal International Jazz Festival and released on the Verve label.
Peter, Paul & Mommy, Too, released on Warner Bros. in 1993, is a children's album by the trio Peter, Paul and Mary. It was recorded on October 31 and November 1, 1992 at the Brooklyn Academy of Music's Harvey Theater. The album follows from the first children's album they released in 1969, Peter, Paul and Mommy.
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