"Pittsburgh Town", sometimes titled as "Pittsburgh" or "Pittsburgh is a Great Old Town", is a folk song written by Woody Guthrie and originally recorded by Pete Seeger. The song was written during a Pittsburgh, Pennsylvania stop on an Almanac Singers' tour; both Seeger and Guthrie were members of the band at this time. The song speaks of the labor and environmental problems that the city was facing in 1941, when the song was written. In the time since, environmental legislation has reduced the pollution problem that plagued Pittsburgh; because of this, the song's mentions of pollution in Pittsburgh have been sometimes been replaced with verses extolling the city.
There are several stories behind the origin of the song. Several historians trace "Pittsburgh Town" to the Almanac Singers' 1941 national tour. [1] According to the liner notes of Pete Seeger's American Industrial Ballads , originally released in 1956, [2] on July 7, 1941, the group recorded fourteen songs for a small record label in New Jersey. The $250 that they were paid was used to purchase a 1932 Buick in which they traveled on their subsequent tour. [3] While stopped in Pittsburgh, Pennsylvania, the group decided to play for steel workers who were in the process of unionizing. [4] They played two nights of concerts in a steel patch, spending the night there in a cockroach-infested hotel. During the second concert, Woody Guthrie impulsively started to improvise lyrics to the tune of the folk song "Crawdad Hole". [1] The song's entire body came out of this jam session. Millard Lampell continued improving and created the second verse of the song from that point. [4]
The liner notes of Seeger's Songs of Struggle and Protest, 1930–50 tell a different story of the song's creation; [5] they state that Guthrie wrote the song while airborne on a flight into Pittsburgh. While looking out the window at the smoky skies, he quickly jotted down the lyrics. [6]
Pittsburgh town is a smoky ol' town
Solid iron from McKeesport down [7]
The song's verses alternate between ones that speak of the environmental problems of Pittsburgh and ones that speak of its labor problems.
The first verse refers to Pittsburgh as a "smoky ol' town", and the third complains that the speaker does nothing more than "cough and choke" because of the steel industry's output. [8] The smoke was an ever-present part of life in Pittsburgh at the time of the song's writing; steel mills on the banks of the city's three rivers made the sky glow red and continually released smoke. [4] Modern environmentalist reviewers of the song believe that the pollution-oriented verses show that the song was written to protest the environmental conditions in which workers were forced to live. [9]
The second and fourth verses focus on the labor disputes that the city was experiencing at the time. The second verse uses a pun on the name of Jones and Laughlin Steel to ask what the company stole from its workers ("What did Jones and Laughlin steal?"), [4] while the fourth and final verse ends with the statement that all of the mill workers are "joining up with the CIO." [10]
The song has been covered by several artists and community groups. Pete Seeger Released a studio version on his 1956 album American Industrial Ballads [11] and a live version of the song on his 1964 album Songs of Struggle and Protest, 1930–50. [12] Both versions by Seeger feature him singing and playing the banjo without any additional accompaniment. In the live version, the crowd's clapping and singing along can be heard. Folk bands in the Pittsburgh area, such as the NewLanders, have both recorded and performed Seeger's version of the song. [10]
Composer Paul Hindemith's Pittsburgh Symphony, written in 1958 for the 200th anniversary of the city's founding, quotes the melody of Pittsburgh Town, named "Pittsburgh Is a Great Old Town" by the composer, in the final movement. [13] Gunther Schuller described the use of the tune in the symphony in his review as "the ultimate in paucity of imagination and tastelessness." [14] However, Stephen Luttmann felt that Schuller's criticism misses the point of why Hindemith decided to the motif. [15]
In 1959, Vivien Richman released an adaptation of the song on her album Vivien Richman Sings Folk Songs of West Pennsylvania; [16] her version of the song includes several additional verses about the landscape and geography of the region. The song has also been covered by students at Pittsburgh Public Schools, [11] using verses that are less political than the original Guthrie composition and closer to the Richman version than the Seeger version. The change in verses was partly because by the middle of the 1950s, enforcement of the Smoke Control Ordinance of 1941 cleaned up the air. [16] Lyrics about the smokiness of the town were replaced with the line "Pittsburgh Town is a Great Old Town."
Woodrow Wilson Guthrie was an American singer-songwriter and composer who was one of the most significant figures in American folk music. His work focused on themes of American socialism and anti-fascism. He inspired several generations both politically and musically with songs such as "This Land Is Your Land".
Peter Seeger was an American folk singer-songwriter, musician and social activist. He was a fixture on nationwide radio in the 1940s, and had a string of hit records during the early 1950s as a member of The Weavers, notably their recording of Lead Belly's "Goodnight, Irene," which topped the charts for 14 weeks in 1950. Members of the Weavers were blacklisted during the McCarthy Era. In the 1960s, Seeger re-emerged on the public scene as a prominent singer of protest music in support of international disarmament, civil rights, counterculture, workers' rights, and environmental causes.
The Almanac Singers was an American New York City-based folk music group, active between 1940 and 1943, founded by Millard Lampell, Lee Hays, Pete Seeger, and were joined by Woody Guthrie. The group specialized in topical songs, mostly songs advocating an anti-war, anti-racism and pro-union philosophy. They were part of the Popular Front, an alliance of liberals and leftists, including the Communist Party USA, who had vowed to put aside their differences in order to fight fascism and promote racial and religious inclusiveness and workers' rights. The Almanac Singers felt strongly that songs could help achieve these goals.
"This Land Is Your Land" is a song by American folk singer Woody Guthrie. One of the United States' most famous folk songs, its lyrics were written in 1940 in critical response to Irving Berlin's "God Bless America". Its melody is based on a Carter Family tune called "When the World's on Fire". When Guthrie was tired of hearing Kate Smith sing "God Bless America" on the radio in the late 1930s, he sarcastically called his song "God Blessed America for Me" before renaming it "This Land Is Your Land".
"The Bourgeois Blues" is a blues song by American folk and blues musician Lead Belly. It was written in June 1937 in response to the discrimination and segregation that he faced during a visit to Washington, D.C. to record for Alan Lomax. It rails against racism, the Jim Crow laws, and the conditions of contemporary African Americans in the southern United States. The song was recorded in December 1938 for the Library of Congress and re-recorded in 1939 for commercial release.
Dust Bowl Ballads is an album by American folk singer Woody Guthrie. It was released by Victor Records, in 1940. All the songs on the album deal with the Dust Bowl and its effects on the country and its people. It is considered to be one of the first concept albums. It was Guthrie's first commercial recording and the most successful album of his career.
Smithsonian Folkways is the nonprofit record label of the Smithsonian Institution. It is a part of the Smithsonian's Smithsonian Center for Folklife and Cultural Heritage, located at Capital Gallery in downtown Washington, D.C. The label was founded in 1987 after the family of Moses Asch, founder of Folkways Records, donated the entire Folkways Records label to the Smithsonian. The donation was made on the condition that the Institution continue Asch's policy that each of the more than 2,000 albums of Folkways Records remain in print forever, regardless of sales. Since then, the label has expanded on Asch's vision of documenting the sounds of the world, adding six other record labels to the collection, as well as releasing over 300 new recordings. Some well-known artists have contributed to the Smithsonian Folkways collection, including Pete Seeger, Ella Jenkins, Woody Guthrie, and Lead Belly. Famous songs include "This Land Is Your Land", "Goodnight, Irene", and "Midnight Special". Due to the unique nature of its recordings, which include an extensive collection of traditional American music, children's music, and international music, Smithsonian Folkways has become an important collection to the musical community, especially to ethnomusicologists, who utilize the recordings of "people's music" from all over the world.
The American folk music revival began during the 1940s and peaked in popularity in the mid-1960s. Its roots went earlier, and performers like Josh White, Burl Ives, Woody Guthrie, Lead Belly, Big Bill Broonzy, Richard Dyer-Bennet, Oscar Brand, Jean Ritchie, John Jacob Niles, Susan Reed, Paul Robeson, Bessie Smith, Ma Rainey and Cisco Houston had enjoyed a limited general popularity in the 1930s and 1940s. The revival brought forward styles of American folk music that had in earlier times contributed to the development of country and western, blues, jazz, and rock and roll music.
Sarah Lee Guthrie and Johnny Irion were a musical duo. Guthrie and Irion were married on October 16, 1999, and began performing together as an acoustic duo in late 2000, performing together until they divorced in the mid-2010s. Their music combined Irion's love of rock and blues with Guthrie's roots of folk and country.
"Worried Man Blues" is a folk song in the roots music repertoire. It is catalogued as Roud Folk Song Index No. 4753. Like many folk songs passed by oral tradition, the lyrics vary from version to version, but generally all contain the chorus "It takes a worried man to sing a worried song/It takes a worried man to sing a worried song/I'm worried now, but I won't be worried long." The verses tell the story of a man imprisoned for unknown reasons "I went across the river, and I lay down to sleep/When I woke up, had shackles on my feet", who pines for his lost love, who is "on the train and gone."
Frank Hamilton is an American folk musician, collector of folk songs, and educator. He co-founded the Old Town School of Folk Music in Chicago, Illinois in 1957. As a performer, he has recorded for several labels, including Folkways Records. He was a member of the folk group The Weavers in the early 1960s, and appeared at the first Newport Folk Festival in 1959. He was the house musician – playing guitar and other folk instruments – for Chicago's Gate of Horn, the nation's first folk music nightclub. After many years of teaching, playing, and singing in California he married a third time, and with his wife relocated to Atlanta, where he performs on banjo, guitar, ukulele, voice, and other instruments and co-founded the Frank Hamilton School in 2015.
"On the Trail of the Buffalo", also known as "The Buffalo Skinners" or "The Hills of Mexico", is a traditional American folk song in the western music genre. It tells the story of an 1873 buffalo hunt on the southern plains. According to Fannie Eckstorm, 1873 is correct, as the year that professional buffalo hunters from Dodge City first entered the northern part of the Texas panhandle. It is thought to be based on the song Canaday-I-O.
Folkways: A Vision Shared – A Tribute to Woody Guthrie & Leadbelly is a 1988 album featuring songs by Woody Guthrie and Lead Belly interpreted by leading folk, rock, and country recording artists. It won a Grammy Award the same year.
The Union Boys was an American folk music group, formed impromptu in 1944, to record several songs on an album called Songs for Victory: Music for Political Action. Its "all-star leftist" members were Josh White, Sonny Terry, Brownie McGhee, Pete Seeger, Burl Ives, Tom Glazer.
"Cumberland Gap" is an Appalachian folk song that likely dates to the latter half of the 19th century and was first recorded in 1924. The song is typically played on banjo or fiddle, and well-known versions of the song include instrumental versions as well as versions with lyrics. A version of the song appeared in the 1934 book, American Ballads and Folk Songs, by folk song collector John Lomax. Woody Guthrie recorded a version of the song at his Folkways sessions in the mid-1940s, and the song saw a resurgence in popularity with the rise of bluegrass and the American folk music revival in the 1950s. In 1957, the British musician Lonnie Donegan had a No. 1 UK hit with a skiffle version of "Cumberland Gap".
Folkways Records was a record label founded by Moses Asch that documented folk, world, and children's music. It was acquired by the Smithsonian Institution in 1987 and is now part of Smithsonian Folkways.
Larry Long is an American singer-songwriter. Author Studs Terkel called him “a true American Troubadour.” His non-profit organization "Community Celebration of Place" encourages community building through music and intergenerational story-telling. He lives in Minneapolis, Minnesota.
Woody At 100: The Woody Guthrie Centennial Collectionis a 150-page large-format book with three CDs containing 57 tracks, including Woody Guthrie's most important recordings such as the complete version of "This Land Is Your Land," "Pretty Boy Floyd," "I Ain't Got No Home in This World Anymore," and "Riding in My Car." The set also contains 21 previously unreleased performances and six never-before-heard original songs, including Woody's first known—and recently discovered—recordings. It is an in-depth commemorative collection of songs, photos and essays released by Smithsonian Folkways in June 2012.
Robert Watson Schmertz was a Pittsburgh-based architect and folk musician whose music has been covered by Pete Seeger, Burl Ives, Tennessee Ernie Ford, Bill and Gloria Gaither, The Statler Brothers, The Cathedrals, Dailey & Vincent, the River City Brass Band, and Ernie Haase & Signature Sound. Born in Squirrel Hill, Pittsburgh, Pennsylvania, Schmertz attended the Carnegie Institute of Technology, where he wrote the Carnegie Tartans' fight song, "Fight for the Glory of Carnegie," and played the banjo in a jazz orchestra; after he graduated with an architecture degree in 1921, Schmertz designed buildings. He taught at Carnegie for more than thirty-five years before his retirement.
Jeff Place is the American writer and producer, and a curator and senior archivist with the Smithsonian Center for Folklife and Cultural Heritage. He has won three Grammy Awards and six Indie Awards.