Huddie William Ledbetter, better known by the stage name Lead Belly, was an American folk and blues singer notable for his strong vocals, virtuosity on the twelve-string guitar, and the folk standards he introduced, including his renditions of "In the Pines", "Goodnight, Irene", "Midnight Special", "Cotton Fields", and "Boll Weevil".
Peter Seeger was an American folk singer and social activist. A fixture on nationwide radio in the 1940s, Seeger also had a string of hit records during the early 1950s as a member of The Weavers, notably their recording of Lead Belly's "Goodnight, Irene," which topped the charts for 13 weeks in 1950. Members of the Weavers were blacklisted during the McCarthy Era. In the 1960s, Seeger re-emerged on the public scene as a prominent singer of protest music in support of international disarmament, civil rights, counterculture, workers' rights, and environmental causes.
Guy Hughes Carawan Jr. was an American folk musician and musicologist. He served as music director and song leader for the Highlander Research and Education Center in New Market, Tennessee.
"We Shall Overcome" is a gospel song that is associated heavily with the U.S. civil rights movement. The origins of the song are unclear; it was thought to have descended from "I'll Overcome Some Day," a hymn by Charles Albert Tindley, while the modern version of the song was first said to have been sung by tobacco workers led by Lucille Simmons during the 1945–1946 Charleston Cigar Factory strike in Charleston, South Carolina.
Applied folklore is the branch of folkloristics concerned with the study and use of folklore and traditional cultural materials to address or solve real social problems. The term was coined in 1939 in a talk by folklorist Benjamin A. Botkin who, along with Alan Lomax, became the foremost proponent of this approach over the next thirty years. Applied folklore is similar in its rationale and approach to applied anthropology and other applied social sciences, and like these other applied approaches often distinguishes itself from "pure" research, that which has no explicit problem-solving aims.
"Sinner Man" or "Sinnerman" is an African American traditional spiritual song that has been recorded by a number of performers and has been incorporated in many other media and arts. The lyrics describe a sinner attempting to hide from divine justice on Judgment Day. It was recorded in the 1950s by Les Baxter, the Swan Silvertones, the Weavers and others, before Nina Simone recorded an extended version in 1965.
"Midnight Special" is a traditional folk song thought to have originated among prisoners in the American South. The song refers to the passenger train Midnight Special and its "ever-loving light."
"Michael, Row the Boat Ashore" is a traditional African-American spiritual first noted during the American Civil War at St. Helena Island, one of the Sea Islands of South Carolina. The best-known recording was released in 1960 by the U.S. folk band The Highwaymen; that version briefly reached number-one hit status as a single.
Freedom songs were songs which were sung by participants in the civil rights movement. They are also called "civil rights anthems" or, in the case of songs which are more hymn-like, they are called "civil rights hymns."
"Skip to My (The) Lou" is a popular American partner-stealing dance from the 1840s.
The American folk music revival began during the 1940s and peaked in popularity in the mid-1960s. Its roots went earlier, and performers like Josh White, Burl Ives, Woody Guthrie, Lead Belly, Big Bill Broonzy, Richard Dyer-Bennet, Oscar Brand, Jean Ritchie, John Jacob Niles, Susan Reed, Paul Robeson, Bessie Smith, Ma Rainey and Cisco Houston had enjoyed a limited general popularity in the 1930s and 1940s. The revival brought forward styles of American folk music that had in earlier times contributed to the development of country and western, blues, jazz, and rock and roll music.
Zilphia Horton was an American musician, community organizer, educator, Civil Rights activist, and folklorist. She is best known for her work with her husband Myles Horton at the Highlander Folk School where she is generally credited with turning such songs as "We Shall Overcome", "We Shall Not Be Moved," and "This Little Light of Mine" from hymns into protest songs of the Civil Rights Movement.
"Gospel Plow" is a traditional African American spiritual. It is listed in the Roud Folk Song Index, number 10075. The title is biblical, based on Luke 9:62.
"Children, Go Where I Send Thee" is a traditional African-American spiritual song. Among the many different versions of the song, a defining feature is the cumulative structure, with each number accompanied by a biblical reference. Today, many Americans know it as a Christmas carol.
The Freedom Singers originated as a quartet formed in 1962 at Albany State College in Albany, Georgia. After folk singer Pete Seeger witnessed the power of their congregational-style of singing, which fused black Baptist a cappella church singing with popular music at the time, as well as protest songs and chants. Churches were considered to be safe spaces, acting as a shelter from the racism of the outside world. As a result, churches paved the way for the creation of the freedom song. After witnessing the influence of freedom songs, Seeger suggested The Freedom Singers as a touring group to the SNCC executive secretary James Forman as a way to fuel future campaigns. Intrinsically connected, their performances drew aid and support to the Student Nonviolent Coordinating Committee (SNCC) during the emerging civil rights movement. As a result, communal song became essential to empowering and educating audiences about civil rights issues and a powerful social weapon of influence in the fight against Jim Crow segregation. Rutha Mae Harris, a former freedom singer, speculated that without the music force of broad communal singing, the civil rights movement may not have resonated beyond of the struggles of the Jim Crow South. Their most notable song “We Shall Not Be Moved” translated from the original Freedom Singers to the second generation of Freedom Singers, and finally to the Freedom Voices, made up of field secretaries from SNCC. "We Shall Not Be Moved" is considered by many to be the "face" of the Civil Rights movement. Rutha Mae Harris, a former freedom singer, speculated that without the music force of broad communal singing, the civil rights movement may not have resonated beyond of the struggles of the Jim Crow South. Since the Freedom Singers were so successful, a second group was created called the Freedom Voices.
"Poor Paddy Works on the Railway" is a popular Irish folk and American folk song. Historically, it was often sung as a sea shanty. The song portrays an Irish worker working on a railroad.
The Union Boys was an American folk music group, formed impromptu in 1944, to record several songs on an album called Songs for Victory: Music for Political Action. Its "all-star leftist" members were Josh White, Sonny Terry, Brownie McGhee, Pete Seeger, Burl Ives, Tom Glazer.
We Shall Overcome is a 1963 album by Pete Seeger. It was recorded live at his concert at Carnegie Hall, New York City, on June 8, 1963, and was released by Columbia Records.
Carolanne Marie "Candie" Carawan (née Anderson) is an American civil rights activist, singer and author known for popularizing the protest song "We Shall Overcome" to the American Civil Rights Movement with her husband Guy Carawan in the 1960s.
Janie Hunter was an American singer and storyteller who worked to preserve Gullah culture and folkways in her home of Johns Island, South Carolina. She received a 1984 National Endowment for the Arts National Heritage Fellowship in recognition of her contributions to folk art and traditions.
