"Old John Robertson" | ||||
---|---|---|---|---|
Single by the Byrds | ||||
from the album The Notorious Byrd Brothers | ||||
A-side | "Lady Friend" | |||
Released | July 13, 1967 | |||
Recorded | June 21, 1967 | |||
Studio | Columbia, Hollywood, California | |||
Genre | ||||
Length | 1:49 | |||
Label | Columbia | |||
Songwriter(s) | Chris Hillman, Roger McGuinn | |||
Producer(s) | Gary Usher | |||
The Byrds singles chronology | ||||
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"Old John Robertson" is a song by the American rock band the Byrds, written by band members Chris Hillman and Roger McGuinn, and first released in July 1967, as the B-side to the non-album single "Lady Friend". [1] It was also later included on the band's 1968 album, The Notorious Byrd Brothers . [2] The version of "Old John Robertson" featured on the single is a substantially different mix from the version that appeared on The Notorious Byrd Brothers. [3]
The song was inspired by the retired film director John S. Robertson who lived in the small town near San Diego where the Byrds' bassist Chris Hillman grew up. Robertson was an aberrant figure around the rural area, frequently being seen wearing a Stetson hat, and sporting a white handlebar mustache, which gave him the appearance of an American frontiersman out of the Wild West. [4] In the song's lyrics, Hillman recalls how the town's children cruelly laughed at Robertson's appearance, and the combination of shock and awe that he provoked in the townspeople. [4]
Hillman attempted to capture the visual eccentricity of Robertson by having the band record the song as a country-western two-step. On the album version of the song, an unnamed session musician underscores the visual representation by playing a fiddle, mixed deep within the track. [1] Writer Ric Menck has speculated that the fiddle player is Byron Berline, who had recently moved to Los Angeles and mingled with the Byrds' crowd, as well as appearing on various other country rock albums of the period. [1] The country-tinged nature of "Old John Robertson", like a handful of other Byrds' songs from the period, foresaw the Byrds' later experimentation with country rock. [2] [5]
During the recording of the song, Hillman switched instruments with band member David Crosby to play rhythm guitar, instead of his usual bass. In press conferences, Hillman explained that he was beginning to improve upon his guitar playing, and since he wrote "Old John Robertson" with the instrument, he wanted to carry it over to the recording, even though Crosby had not played bass since the early days of the group. [1] [4]
The album version of the song makes broad use of the audio effects known as phasing and flanging, particularly during the orchestral middle section and third verse. [6]
The single version of "Old John Robertson", without the fiddle playing and phasing effects, was issued on the B-side of the Byrds' "Lady Friend" single in the United States on July 13, 1967. It was also released in this way in mainland Europe, but in the United Kingdom the B-side of "Lady Friend" was switched to "Don't Make Waves", another Hillman and McGuinn penned song. [7] The album version of the song appeared in January 1968, on the band's The Notorious Byrd Brothers album. [2]
The single mix was first issued on an album in 1982, with the release of the compilation The Original Singles: 1967–1969, Volume 2 . [8] This version of the song was also added as a bonus track to the 1996 Columbia/Legacy reissue of the album Younger Than Yesterday . [9] Additionally, "Old John Robertson" appears on several other Byrds compilations, including History of The Byrds , Nashville West, The Essential Byrds , and There Is a Season . [8]
The Byrds were an American rock band formed in Los Angeles, California, in 1964. The band underwent multiple lineup changes throughout its existence, with frontman Roger McGuinn remaining the sole consistent member. Although their time as one of the most popular groups in the world only lasted for a short period in the mid-1960s, the Byrds are considered by critics to be among the most influential rock acts of their era. Their signature blend of clear harmony singing and McGuinn's jangly 12-string Rickenbacker guitar was "absorbed into the vocabulary of rock" and has continued to be influential.
Sweetheart of the Rodeo is the sixth album by American rock band the Byrds and was released in August 1968 on Columbia Records. Recorded with the addition of country rock pioneer Gram Parsons, it became the first album widely recognized as country rock as well as a seminal progressive country album, and represented a stylistic move away from the psychedelic rock of the band's previous LP, The Notorious Byrd Brothers. The Byrds had occasionally experimented with country music on their four previous albums, but Sweetheart of the Rodeo represented their fullest immersion into the genre up to that point in time. The album was responsible for bringing Parsons, who had joined the Byrds in February 1968 prior to the start of recording, to the attention of a mainstream rock audience for the first time. Thus, the album is an important chapter in Parsons' crusade to make country music fashionable for a young audience.
Harold Eugene Clark was an American singer-songwriter and founding member of the folk rock band the Byrds. He was the Byrds' principal songwriter between 1964 and early 1966, writing most of the band's best-known originals from this period, including "I'll Feel a Whole Lot Better", "She Don't Care About Time", "Eight Miles High" and "Set You Free This Time". Although he did not achieve commercial success as a solo artist, Clark was in the vanguard of popular music during much of his career, prefiguring developments in such disparate subgenres as psychedelic rock, baroque pop, newgrass, country rock, and alternative country. He was inducted into the Rock and Roll Hall of Fame in 1991 as a member of the Byrds.
Michael Clarke was an American musician, best known as the drummer for the 1960s rock group the Byrds from 1964 to 1967. He died in 1993, at age 47, from liver failure, a direct result of more than three decades of heavy alcohol consumption.
Younger Than Yesterday is the fourth studio album by the American rock band the Byrds and was released on February 6, 1967, on Columbia Records. It saw the band continuing to integrate elements of psychedelia and jazz into their music, a process they had begun on their previous album, Fifth Dimension. In addition, the album captured the band and record producer Gary Usher experimenting with new musical textures, including brass instruments, reverse tape effects and an electronic oscillator.
Mr. Tambourine Man is the debut studio album by the American rock band the Byrds and was released on June 21, 1965, by Columbia Records. The album is characterized by the Byrds' signature sound of Jim McGuinn's 12-string Rickenbacker guitar and the band's complex harmony singing. The material on the album mostly consists of cover versions of folk songs, primarily composed by Bob Dylan, and originals written or co-written by singer Gene Clark. Along with the Dylan-penned single of the same name, Mr. Tambourine Man established the band as an internationally successful act and is widely regarded by critics as representing the first effective American challenge to the chart dominance of the Beatles and other British Invasion bands during the mid-1960s.
The Notorious Byrd Brothers is the fifth album by the American rock band the Byrds, and was released in January 1968, on Columbia Records. The album represents the pinnacle of the Byrds' late-'60s musical experimentation, with the band blending together elements of psychedelia, folk rock, country, electronic music, baroque pop, and jazz. With producer Gary Usher, they made extensive use of a number of studio effects and production techniques, including phasing, flanging, and spatial panning. The Byrds also introduced the sound of the pedal steel guitar and the Moog modular synthesizer into their music, making it one of the first LP releases on which the Moog appears.
Fifth Dimension is the third album by the American rock band the Byrds and was released in July 1966 on Columbia Records. Most of the album was recorded following the February 1966 departure of the band's principal songwriter Gene Clark. In an attempt to compensate for Clark's absence, guitarists Jim McGuinn and David Crosby increased their songwriting output. In spite of this, the loss of Clark resulted in an album with four cover versions and an instrumental, which critics have described as "wildly uneven" and "awkward and scattered". However, it was the first Byrds album not to include any songs written by Bob Dylan, whose material had previously been a mainstay of the band's repertoire.
Dr. Byrds & Mr. Hyde is the seventh studio album by the American rock band the Byrds and was released in March 1969 on Columbia Records. The album was produced by Bob Johnston and saw the band juxtaposing country rock material with psychedelic rock, giving the album a stylistic split-personality that was alluded to in its title. It was the first album to feature the new band line-up of Clarence White (guitar), Gene Parsons (drums), John York (bass), and founding member Roger McGuinn (guitar). Dr. Byrds & Mr. Hyde is unique within the band's discography for being the only album on which McGuinn sings the lead vocal on every track.
Byrds is the twelfth and final studio album by the American rock band the Byrds and was released in March 1973 on Asylum Records. It was recorded as the centerpiece of a reunion among the five original band members: Roger McGuinn, Gene Clark, David Crosby, Chris Hillman, and Michael Clarke. The last time that all five members had worked together as the Byrds was in 1966, prior to Clark's departure from the band. During the reunion, the current, latter-day lineup of the band continued to make live appearances until February 1973, with McGuinn being the only member common to both versions of the group.
The Byrds is a four-CD box set by the American rock band the Byrds. It features music that had previously been released between the mid-1960s and early 1970s, along with a number of previously unreleased tracks and some new recordings from 1990. The box set was issued on October 19, 1990, by Columbia/Legacy and reached number 151 on the Billboard albums chart.
The Original Singles: 1967–1969, Volume 2 is a compilation album by American rock band the Byrds.
There Is a Season is a four-CD and one DVD box set by the American rock band the Byrds that was released on September 26, 2006 by Columbia/Legacy. It comprises 99 tracks and includes material from every one of the band's twelve studio albums, presented in roughly chronological order. The bonus DVD features ten clips of the Byrds lip-synching their hits on television programs between 1965 and 1967. Upon release, the box set failed to reach the Billboard 200 chart or the UK Albums Chart. There Is a Season supplants the band's earlier box set, The Byrds, which was released in October 1990.
"Triad" is a song written by American singer-songwriter David Crosby in 1967 about a ménage à trois. It was recorded by the Byrds that year, while Crosby was a member of the band, but their version went unreleased at the time and was not issued until twenty years later. Jefferson Airplane released a version of the song in 1968 on their Crown of Creation album and a live version performed by Crosby was included on Crosby, Stills, Nash & Young's 4 Way Street in 1971.
"Have You Seen Her Face" is a song by the American rock band the Byrds, written by the group's bass player Chris Hillman and included on their 1967 album Younger Than Yesterday.
"Lady Friend" is a song by the American rock band the Byrds, written by band member David Crosby and released as a single on July 13, 1967. The single was commercially unsuccessful, only charting at number 82 on the Billboard Hot 100 and failing to chart in the United Kingdom at all.
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"Why" is a song by the American rock band the Byrds, written by David Crosby and Jim McGuinn and first released as the B-side of the band's "Eight Miles High" single in March 1966. The song was re-recorded in December 1966 and released for a second time as part of the band's Younger Than Yesterday album.
Never Before is a compilation album by the American rock band the Byrds, consisting of previously unreleased outtakes, alternate versions, and rarities. It was initially released by Re-Flyte Records in December 1987 and was subsequently reissued on CD in 1989, with an additional seven bonus tracks.
McGuinn, Clark & Hillman were an American rock group consisting of Roger McGuinn, Gene Clark, and Chris Hillman, who were all former members of the band the Byrds. The group formed in 1977 and was partly modeled after Crosby, Stills, Nash & Young and, to a lesser extent, the Eagles. They were reasonably successful commercially in the United States, with their debut album reaching number 39 on the Billboard Top LPs & Tapes chart and the single "Don't You Write Her Off" reaching number 33 on the Billboard Hot 100.