"Lady Friend" | ||||
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Single by the Byrds | ||||
B-side |
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Released | July 13, 1967 | |||
Recorded | April 26, June 14 and 21, 1967 | |||
Studio | Columbia, Hollywood | |||
Genre | Rock, pop | |||
Length | 2:30 | |||
Label | Columbia | |||
Songwriter(s) | David Crosby | |||
Producer(s) | Gary Usher | |||
The Byrds USsingles chronology | ||||
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The Byrds UKsingles chronology | ||||
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"Lady Friend" is a song by the American rock band the Byrds, written by band member David Crosby and released as a single on July 13, 1967. [1] [2] The single was commercially unsuccessful, only charting at number 82 on the Billboard Hot 100 and failing to chart in the United Kingdom at all. [3] [4]
The song was written by Crosby in early 1967 at his home in Beverly Glen in Los Angeles. [5] A demo of the song dating from this period, featuring Crosby accompanying himself on acoustic guitar, was included in the KPFA program The Crosby Connection, during the radio station's February 3, 2001 Grateful Dead marathon. [6]
The Byrds' recording of the song has been described by Tim Connors as having a quick tempo and featuring a chiming guitar riff, while band biographer Johnny Rogan made note of its complex vocal harmonies and brass instrumentation. [7] [5] Rogan also described it as the fastest and rockiest single the Byrds had released up to that point. [5] Crosby closely oversaw the protracted recording of the song, much to the consternation of his bandmates Roger McGuinn and Chris Hillman. [8] [9] Tensions in the band increased in the late stages of production when Crosby replaced Hillman and McGuinn's backing vocals with his own vocal overdubs. [9]
"Lady Friend" was released as a single on Columbia Records on July 13, 1967. [2] Crosby was hopeful that the single would return the Byrds to the upper reaches of the chart, but the record received insufficient airplay and media exposure, despite the band appearing on The Tonight Show Starring Johnny Carson to perform it. [5] Ultimately, the single failed commercially, reaching number 82 on the Billboard charts and failing to reach the charts in the United Kingdom. [3] [4] Crosby was bitterly disappointed by the single's lack of success and cited producer Gary Usher's mixing of the song as a contributing factor, stating in a contemporary interview with disc jockey B. Mitchel Reed, "The final mix of 'Lady Friend' sounds like mush." [5] "Lady Friend" is the only song penned solely by Crosby to appear on the A-side of a Byrds' single. [5]
In the press, Billboard magazine described "Lady Friend" as an "infectious wild rocker" with a "strong dance beat" and predicted that it would climb the Billboard Hot 100 "in short order". [10] Cash Box said that it "crams exciting instrumental work with snappy vocals." [11] Record World said that the Byrds "play their instruments with effect and their song builds into quite an experience." [12]
The Byrds performed the song during their appearance at the Monterey Pop Festival and a recording of this performance can be found on the 1992 The Monterey International Pop Festival CD box set. [13] The song was omitted from the Byrds' next album, The Notorious Byrd Brothers, partly due to its lack of commercial success as a single and partly due to Crosby having been fired from the band by McGuinn and Hillman midway through the recording of the album. [7] [8]
Having initially been mixed in mono for its release as a single in 1967, "Lady Friend" wasn't released in stereo until its inclusion on the 1987 compilation album, Never Before . [14] However, this version of the song also featured the addition of overdubbed drums, played by an unnamed session musician during preparation of the album. [15] [16] Rogan has described fan reaction to the new drumming as almost universally negative, with many listeners feeling that the addition of then-modern sounding drums was completely inappropriate and incongruous. [15] Subsequently, this doctored version of the song has not appeared on any other album release.
A new stereo remix of the song, without the drum overdubs, was released on The Byrds box set in 1990. [17] The song was also added as a bonus track to the 1996 Columbia/Legacy reissue of the Younger Than Yesterday album. [18] In addition to its appearance on the expanded reissue of Younger Than Yesterday, "Lady Friend" also appears on several Byrds' compilations, including History of The Byrds , The Original Singles: 1967–1969, Volume 2 , The Essential Byrds , and There Is a Season . [19]
"Lady Friend" has been covered by a number of bands and artists, including Bill Plummer and the Cosmic Brotherhood on their 1968 self-titled album, [20] Little John on their self-titled 1971 album, the Flamin' Groovies on their 1979 album Jumpin' in the Night , [21] and the Posies on their Nice Cheekbones and a Ph.D EP in 2001. [21] The song was also covered by Static on the 1989 Byrds' tribute album, Time Between – A Tribute to The Byrds . [22] In addition, Kenny Howes has also recorded a version of the song as the title track of his 2004 album, Lady Friend. [23]
The Byrds were an American rock band formed in Los Angeles, California, in 1964. The band underwent multiple lineup changes throughout its existence, with frontman Roger McGuinn remaining the sole consistent member. Although their time as one of the most popular groups in the world only lasted for a short period in the mid-1960s, the Byrds are considered by critics to be among the most influential rock acts of their era. Their signature blend of clear harmony singing and McGuinn's jangly 12-string Rickenbacker guitar was "absorbed into the vocabulary of rock" and has continued to be influential.
"My Back Pages" is a song written by Bob Dylan and included on his 1964 album Another Side of Bob Dylan. It is stylistically similar to his earlier folk protest songs and features Dylan's voice with an acoustic guitar accompaniment. However, its lyrics—in particular the refrain "Ah, but I was so much older then/I'm younger than that now"—have been interpreted as a rejection of Dylan's earlier personal and political idealism, illustrating his growing disillusionment with the 1960s folk protest movement with which he was associated, and his desire to move in a new direction. Although Dylan wrote the song in 1964, he did not perform it live until 1988.
Younger Than Yesterday is the fourth studio album by the American rock band the Byrds and was released on February 6, 1967, on Columbia Records. It saw the band continuing to integrate elements of psychedelia and jazz into their music, a process they had begun on their previous album, Fifth Dimension. In addition, the album captured the band and record producer Gary Usher experimenting with new musical textures, including brass instruments, reverse tape effects and an electronic oscillator.
The Notorious Byrd Brothers is the fifth album by the American rock band the Byrds, and was released in January 1968, on Columbia Records. The album represents the pinnacle of the Byrds' late-'60s musical experimentation, with the band blending together elements of psychedelia, folk rock, country, electronic music, baroque pop, and jazz. With producer Gary Usher, they made extensive use of a number of studio effects and production techniques, including phasing, flanging, and spatial panning. The Byrds also introduced the sound of the pedal steel guitar and the Moog modular synthesizer into their music, making it one of the first LP releases on which the Moog appears.
The Byrds' Greatest Hits is the first greatest hits album by the American rock band the Byrds and was released in August 1967 on Columbia Records. It is the top-selling album in the Byrds' catalogue and reached number 6 on the Billboard Top LPs chart, but failed to chart in the UK.
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The Byrds is a four-CD box set by the American rock band the Byrds. It features music that had previously been released between the mid-1960s and early 1970s, along with a number of previously unreleased tracks and some new recordings from 1990. The box set was issued on October 19, 1990, by Columbia/Legacy and reached number 151 on the Billboard albums chart.
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"So You Want to Be a Rock 'n' Roll Star" is a song by the American rock band the Byrds. Written by Jim McGuinn and Chris Hillman, it was included on the band's 1967 album, Younger Than Yesterday. The song was inspired by the manufactured nature of the Monkees and was released as a single on January 9, 1967, reaching number 29 on the Billboard Hot 100, but failing to chart in the United Kingdom.
"Mr. Spaceman" is a song by the American rock band the Byrds and was the third track on their 1966 album, Fifth Dimension. It was released as the third single from the album in September 1966, reaching number 36 on the Billboard Hot 100, but failing to chart in the United Kingdom. Upon its release as a single, the music press coined the term "space-rock" to describe it, although since then, this term has come to refer to a genre of rock music originating from 1970s progressive and psychedelic music.
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