"The World Turns All Around Her" | |
---|---|
Song by the Byrds | |
from the album Turn! Turn! Turn! | |
Released | December 6, 1965 |
Recorded | August 28, 1965 |
Studio | Columbia, Hollywood, California |
Genre | Folk rock |
Length | 2:13 |
Label | Columbia |
Songwriter(s) | Gene Clark |
Producer(s) | Terry Melcher |
"The World Turns All Around Her" is a song written by Gene Clark that was first recorded by the Byrds' for their second album Turn! Turn! Turn! (1965).
"The World Turns All Around Her" is one of several songs written by Clark with lyrics about broken love and the pain of teenage romance. [1] [2] The song has been described as being about "the unrealized potential of womanhood." [3] According to music critic Johnny Rogan, the theme of the song is "understanding through loss." [2] The singer has lost his girlfriend, but doesn't feel jealous or resentful. [3] Rather than expressing the cliche of asking her new boyfriend to care for his ex-girlfriend, he instead asks that he help her realize her potential. [3] The song ends with the singer suggesting that the new boyfriend may eventually recognize that he too must set her free in order for her to become all that she can be. [3]
Despite the sad and philosophical content, the music is set to a rock beat. [2] Byrds biographer Christopher Hjort described the tune as one of Clark's "catchiest." [4] Rolling Stone Album Guide contributor Rob Sheffield described the music as being "morosely uptempo." [5] Rogan feels that applying this music to "a plaintive love song" reinforces the impact of the lyrics. [2] Clark was reportedly pleased with the effect, stating "I liked the song very much. I thought the fast, electric treatment worked out OK." [2]
Something Else! contributor Beverly Paterson described the music as having "sparkling sheen and needle-sharp hooks." [6] Rogan praised the vocal harmonies but felt that the instrument playing was a little too loose. [2]
"The World Turns All Around Her" was recorded on August 28, 1965, at Columbia Recording Studio A in Hollywood, California. [4] The Byrds also recorded "She Don't Care About Time" at that session. [4]
AllMusic critic Richie Unterberger describes "The World Turns All Around Her" as a "strong composition." [7] Clark biographer John Einarson described it as "indicative of [Clark's] expanding poetic vision" and one of the highlights of Turn! Turn! Turn!. [8] Pitchfork contributor Joe Tangari describes it as "exquisite pop" and Rolling Stone contributor Billy Altman described it as "thoughtful, original pop." [9] [10] Writer Jeremy Simmonds described it as a "timeless number." [11]
"The World Turns All Around Her" appeared on several Byrds' compilation albums, including The Byrds (1990 box set), The Very Best of The Byrds' (1997), and The Essential Byrds (2003). [12] [13] [14]
The Byrds recorded an alternate mix of "The World Turns All Around Her" that incorporated bongo drums. [2] [4] This version was included as a bonus track on the 1996 CD release of Turn! Turn! Turn!. [2]
"The World Turns All Around Her" has been recorded by several artists including Skydiggers and Johnny Winter. [15] [16]
The Byrds were an American rock band formed in Los Angeles, California in 1964. The band underwent multiple lineup changes throughout its existence, with frontman Roger McGuinn remaining the sole consistent member. Although their time as one of the most popular groups in the world only lasted for a short period in the mid-1960s, the Byrds are today considered by critics to be among the most influential rock acts of their era. Their signature blend of clear harmony singing and McGuinn's jangly twelve-string Rickenbacker guitar was "absorbed into the vocabulary of rock" and has continued to be influential.
Folk rock is a hybrid music genre combining elements of folk music and rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival and the influence that the Beatles and other British Invasion bands had on members of that movement. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music.
"Mr. Tambourine Man" is a song written by Bob Dylan, released as the first track of the acoustic side of his March 1965 album Bringing It All Back Home. The song's popularity led to Dylan recording it live many times, and it has been included in multiple compilation albums. It has been translated into other languages, and has been used or referenced in television shows, films, and books.
Clarence White was an American bluegrass and country guitarist and singer. He is best known as a member of the bluegrass ensemble the Kentucky Colonels and the rock band the Byrds, as well as for being a pioneer of the musical genre of country rock during the late 1960s.
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Mr. Tambourine Man is the debut studio album by the American rock band the Byrds and was released on June 21, 1965 by Columbia Records. The album is characterized by the Byrds' signature sound of Jim McGuinn's 12-string Rickenbacker guitar and the band's complex harmony singing. The material on the album mostly consists of cover versions of folk songs, primarily composed by Bob Dylan, and originals written or co-written by singer Gene Clark. Along with the Dylan-penned single of the same name, Mr. Tambourine Man established the band as an internationally successful act and is widely regarded by critics as representing the first effective American challenge to the chart dominance of the Beatles and other British Invasion bands during the mid-1960s.
The Notorious Byrd Brothers is the fifth album by the American rock band the Byrds, and was released in January 1968, on Columbia Records. The album represents the pinnacle of the Byrds' late-‘60s musical experimentation, with the band blending together elements of psychedelia, folk rock, country, electronic music, baroque pop, and jazz. With producer Gary Usher, they made extensive use of a number of studio effects and production techniques, including phasing, flanging, and spatial panning. The Byrds also introduced the sound of the pedal steel guitar and the Moog modular synthesizer into their music, making it one of the first LP releases on which the Moog appears.
Turn! Turn! Turn! is the second studio album by American rock band the Byrds, released on December 6, 1965 by Columbia Records. Like its predecessor, Mr. Tambourine Man, the album epitomized the folk rock genre and continued the band's successful mix of vocal harmony and jangly twelve-string Rickenbacker guitar. The album's lead single and title track, "Turn! Turn! Turn!", is a Pete Seeger adaptation of text from the Book of Ecclesiastes that had previously been arranged in a chamber-folk style by the band's lead guitarist Jim McGuinn, while working with folk singer Judy Collins. The arrangement that McGuinn used for the Byrds' version utilizes the same folk rock style as the band's previous hit singles.
Fifth Dimension is the third album by the American folk rock band the Byrds and was released in July 1966 on Columbia Records. Most of the album was recorded following the February 1966 departure of the band's principal songwriter Gene Clark. In an attempt to compensate for Clark's absence, guitarists Jim McGuinn and David Crosby stepped into the breach and increased their songwriting output. In spite of this, the loss of Clark resulted in an album with a total of four cover versions and an instrumental, which critics have described as "wildly uneven" and "awkward and scattered". However, the album is notable for being the first by the Byrds not to include any songs written by Bob Dylan, whose material had previously been a mainstay of the band's repertoire.
"Eight Miles High" is a song by the American rock band the Byrds, written by Gene Clark, Jim McGuinn, and David Crosby. It was first released as a single on March 14, 1966. Musically influenced by sitar player Ravi Shankar and jazz saxophonist John Coltrane, the song was influential in developing the musical styles of psychedelia and raga rock. Accordingly, critics often cite "Eight Miles High" as being the first bona fide psychedelic rock song, as well as a classic of the counterculture era.
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The Byrds' Greatest Hits Volume II is the second greatest hits album by the American rock band the Byrds. It was released in the United Kingdom and Europe on October 29, 1971, by CBS Records as a follow-up to the band's first compilation album, The Byrds' Greatest Hits. The album appeared following the band's successful appearance at the Lincoln Folk Festival in England on July 24, 1971, and according to band biographer Johnny Rogan may have been issued by CBS as a reaction to the band's previous studio album, Byrdmaniax, having failed to chart in the UK.
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