"You Showed Me" | |
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Song by the Byrds | |
from the album Preflyte | |
Released | July 29, 1969 |
Recorded | 1964 |
Studio | World Pacific (Los Angeles) |
Genre | Pop |
Length | 2:05 |
Label | Together |
Songwriter(s) | Gene Clark, Jim McGuinn |
Producer(s) | Jim Dickson |
"You Showed Me" is a song written by Gene Clark and Jim McGuinn (later known as Roger) of the Byrds in 1964. [1] It was recorded by the Turtles and released as a single at the end of 1968, becoming the group's last big hit in the U.S. [2] The song has also been covered or partially incorporated into other songs by a number of other acts over the years, including the Lightning Seeds, Salt-N-Pepa, Lutricia McNeal and Madison Beer. [3]
The song was composed by Clark and McGuinn in early 1964 at a time when the pair were performing as a duo at The Troubadour and other folk clubs in and around Los Angeles. [1] [4] Critic Matthew Greenwald has described "You Showed Me" as "a minor-key romantic ballad", while also commenting that "the song has a near-Beach Boys feel and ends up being an effervescent piece of moody pop." [5] Music historian Richie Unterberger has remarked that "You Showed Me", like many of the songs that Clark had a hand in writing during the 1960s, contains a mix of major and minor chords arranged in unexpected progressions. [2] He also stated that the song recounts the tale of a lover who is being tutored in the ways of love by a more experienced partner. [2]
Soon after writing "You Showed Me", Clark and McGuinn formed a trio with David Crosby and named themselves the Jet Set. [4] The trio began rehearsing at World Pacific Studios under the guidance of their manager Jim Dickson, with Michael Clarke and Chris Hillman joining the group soon afterward. [6] Dickson recorded many of the Jet Set's rehearsal sessions at World Pacific and it was during this time that demos of "You Showed Me" were recorded by the band. [1] [7] The song was soon abandoned by the group, who had now changed their name to the Byrds, and was not included on their debut album, Mr. Tambourine Man . [8] [9] However, recordings of "You Showed Me" by the Byrds, dating from 1964, were released on the archival albums Preflyte , In the Beginning , The Prefylte Sessions, and Preflyte Plus. [1] [10]
"You Showed Me" | ||||
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Single by the Turtles | ||||
from the album The Turtles Present the Battle of the Bands | ||||
B-side | "Buzz Saw" | |||
Released | December 1968 | |||
Genre | Psychedelic pop [11] | |||
Length | 3:16 | |||
Label | White Whale | |||
Songwriter(s) | Jim McGuinn, Gene Clark | |||
Producer(s) | Chip Douglas | |||
The Turtles singles chronology | ||||
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In 1968, the song was recorded by the Turtles as part of their album The Turtles Present the Battle of the Bands . [12] It was also released as a single in 1968, reaching No. 6 on the Billboard Hot 100. [13]
"You Showed Me" had been introduced to the Turtles by their producer and former bass player, Chip Douglas, who had first become acquainted with the song after hearing Clark, McGuinn, and Crosby perform it at The Troubadour in 1964. [14] Douglas had also performed the song with Clark during 1966, while he was a member of Gene Clark and the Group. [2] Although the song had originally been an uptempo number, Douglas first demonstrated it for the Turtles' vocalists Howard Kaylan and Mark Volman on a harmonium with a broken bellows, requiring him to play the song slowly. [15] The slower tempo impressed Kaylan and Volman and consequently, the Turtles' recording of the song uses this slower arrangement. Their version features an accompaniment of strings, including violins, violas, and cellos.
Weekly charts
| Year-end charts
|
"You Showed Me" | ||||
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Single by Salt-n-Pepa | ||||
from the album Blacks' Magic | ||||
B-side | "Let's Talk About Sex" (remix) | |||
Released | November 18, 1991 [23] | |||
Length | 3:23 | |||
Label | Next Plateau | |||
Songwriter(s) | Gene Clark, Jim McGuinn | |||
Producer(s) | The Invincibles, Excalibar | |||
Salt-n-Pepa singles chronology | ||||
|
American rap trio Salt-N-Pepa incorporated parts of the song into their version, also called "You Showed Me", on their 1990 album, Blacks' Magic . It was released as the sixth and final single from that album. This single charted on the US Hot 100 and also reached No. 15 on the UK Singles Chart when it was released as a single in 1991. [24]
Ian Gittins from Melody Maker wrote, "The always vaguely-likeable Salt 'N' Pepa return with a sharp and sassy track which uses the same farty horn motif as their "Tramp" debut of three years back." [25]
Weekly charts
| Year-end charts
|
"You Showed Me" | ||||
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Single by the Lightning Seeds | ||||
from the album Dizzy Heights | ||||
Released | 14 April 1997 | |||
Genre | ||||
Length | 4:09 | |||
Label | Epic | |||
Songwriter(s) | ||||
The Lightning Seeds singles chronology | ||||
| ||||
Music video | ||||
"You Showed Me" on YouTube |
In 1996, the song was covered in a trip hop style [48] by British alternative rock band the Lightning Seeds on their album Dizzy Heights , and released as the album's fourth and final single in April 1997. It was originally intended to be a B-side to their single "What If..." (1996), and utilises loops and samplers from the Turtles original. The song became the Lightning Seeds' most successful chart release (not including the two versions of "Three Lions") reaching No. 8 in the UK. [49] By the time the single was released, drummer Chris Sharrock had left the band to join Robbie Williams' backing group, and new percussionist Zak Starkey took his place in its music video. Additionally, it peaked at No. 4 in Iceland and No. 42 on the Eurochart Hot 100. It was also included on the Austin Powers: International Man of Mystery soundtrack. [48]
Dave Sholin from the Gavin Report wrote, "One of the Turtles' biggest hits comes out of its shell to be artfully re-invented by the Lightning Seeds. A gigantic hit in 1969, it plays well in Mike Myers' newest comedy, Austin Powers: International Man of Mystery . The film, like the song, doesn't disappoint." [50] A reviewer from Music Week rated it four out of five, adding, "Remixed and reshaped from the version included on Dizzy Heights , it's a moody, atmospheric offering." [51] David Sinclair from The Times viewed it as a "workmanlike version of the song written by Gene Clark and James McGuinn of the Byrds, complete with strings and "scratches"." [52]
The accompanying black-and-white music video for "You Showed Me" was directed by Pedro Romhanyi. [53]
No. | Title | Length |
---|---|---|
1. | "You Showed Me" (Radio Edit) | 3:32 |
2. | "You Showed Me" (Tee's Alternative Mix) | 3:29 |
3. | "You Showed Me" (Tee's Club Mix) | 7:29 |
4. | "You Showed Me" (Tee's Freeze Mix) | 7:24 |
5. | "You Showed Me" (TNT's Frozen Dub) | 7:46 |
6. | "You Showed Me" (Bonus Beats) | 4:06 |
7. | "You Showed Me" (Tee's Radio) | 3:26 |
Chart (1996–1997) | Peak position |
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Europe (Eurochart Hot 100) [54] | 42 |
Iceland (Íslenski Listinn Topp 40) [55] | 4 |
Scotland (OCC) [56] | 13 |
UK Singles (OCC) [57] | 8 |
"Showed Me (How I Fell in Love with You)" | ||||
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Single by Madison Beer | ||||
from the album Silence Between Songs | ||||
Released | October 14, 2022 | |||
Genre | ||||
Length | 3:16 | |||
Label |
| |||
Songwriter(s) |
| |||
Producer(s) |
| |||
Madison Beer singles chronology | ||||
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Madison Beer made a psychedelic pop and neo soul cover of the song, in a version with noticeable lyrical and musical differences to the original, and released it under the title of "Showed Me (How I Fell in Love with You)" (also known as just Showed Me) on October 14, 2022 through Epic Records. It was the ninth track on Beer's second studio album, Silence Between Songs , and was the third single to be taken from the album.
The music video was directed by Lauren Dunn.
Chart (2023) | Peak position |
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UK Singles Downloads (OCC) [60] | 15 |
The Turtles version also features a gently rising and falling string section, which was sampled by U2 in 1997 for their song "The Playboy Mansion" on their album Pop . [15] Madison Beer's song "Showed Me (How I Fell in Love with You)" for her album Silence Between Songs also sampled the Turtles' recording. [61]
The American hip hop group De La Soul also sampled the Turtles' recording of "You Showed Me" for their song "Transmitting Live From Mars (Interlude)" on their 1989 album, 3 Feet High and Rising , but did not ask permission or clear the sample. The Turtles took litigation against the group, suing them for $1.7 million. An out-of-court settlement was reached for an undisclosed sum. It is said to be the first time that a hip hop act was ever sued for unethical use of another artist's music. [2]
The song was covered by Québécois singer Claude Steben in French under the title "Vous" in 1972. The song has also been covered by Lutricia McNeal on her 2002 album, Metroplex. [62] In addition, Kanye West based his song Gorgeous, from his 2010 album My Beautiful Dark Twisted Fantasy , on elements derived from "You Showed Me". [63] In 2011, the alternative country duo the Watson Twins offered a free download of their cover of "You Showed Me" on their website. [64]
The Byrds were an American rock band formed in Los Angeles, California, in 1964. The band underwent multiple lineup changes throughout its existence, with frontman Roger McGuinn being the sole consistent member. Although their time as one of the most popular groups in the world only lasted for a short period in the mid-1960s, the Byrds are considered by critics to be among the most influential rock acts of their era. Their signature blend of clear harmony singing and McGuinn's jangly 12-string Rickenbacker guitar sound was "absorbed into the vocabulary of rock" and has continued to be influential.
"Mr. Tambourine Man" is a song written by Bob Dylan, released as the first track of the acoustic side of his March 1965 album Bringing It All Back Home. The song's popularity led to Dylan recording it live many times, and it has been included in multiple compilation albums. It has been translated into other languages and has been used or referenced in television shows, films, and books.
Younger Than Yesterday is the fourth studio album by the American rock band the Byrds, released on February 6, 1967, by Columbia Records. It saw the band continuing to integrate elements of psychedelia and jazz into their music, a process they had begun on their previous album, Fifth Dimension. In addition, the album captured the band and record producer Gary Usher experimenting with new musical textures, including brass instruments, reverse tape effects and an electronic oscillator.
Ballad of Easy Rider is the eighth album by the American rock band the Byrds and was released in November 1969 on Columbia Records. The album was named after the song "Ballad of Easy Rider", which had been written by the Byrds' guitarist and singer, Roger McGuinn, as the theme song for the 1969 film, Easy Rider. The title was also chosen in an attempt to capitalize on the commercial success of the film, although the majority of the music on the album had no connection with it. Nonetheless, the association with Easy Rider heightened the Byrds' public profile and resulted in Ballad of Easy Rider becoming the band's highest charting album for two years in the U.S.
Mr. Tambourine Man is the debut studio album by the American rock band the Byrds, released on June 21, 1965, by Columbia Records. The album is characterized by the Byrds' signature sound of Jim McGuinn's 12-string Rickenbacker guitar and the band's complex harmony singing. The material on the album mostly consists of cover versions of folk songs, primarily composed by Bob Dylan, and originals written or co-written by singer Gene Clark. Along with the Dylan-penned single of the same name, Mr. Tambourine Man established the band as an internationally successful act and is widely regarded by critics as representing the first effective American challenge to the chart dominance of the Beatles and other British Invasion bands during the mid-1960s.
Turn! Turn! Turn! is the second studio album by the American rock band the Byrds, released on December 6, 1965, by Columbia Records. Like its predecessor, Mr. Tambourine Man, the album epitomized the folk rock genre and continued the band's successful mix of vocal harmony and jangly twelve-string Rickenbacker guitar. The album's lead single and title track, "Turn! Turn! Turn!", which was adapted by Pete Seeger from text in the Book of Ecclesiastes, had previously been arranged in a chamber-folk style by the Byrd's lead guitarist Jim McGuinn for folk singer Judy Collins' third album, but the arrangement he used for the Byrds' recording of the song utilizes the same folk-rock style as the band's previous hit singles.
Fifth Dimension is the third studio album by the American rock band the Byrds, released on July 18, 1966, by Columbia Records. Most of the album was recorded following the February 1966 departure of the band's principal songwriter Gene Clark. In an attempt to compensate for Clark's absence, guitarists Jim McGuinn and David Crosby increased their songwriting output. In spite of this, the loss of Clark resulted in an album with four cover versions and an instrumental, which critics have described as "wildly uneven" and "awkward and scattered". However, it was the first Byrds album not to include any songs written by Bob Dylan, whose material had previously been a mainstay of the band's repertoire.
Byrds is the twelfth and final studio album by the American rock band the Byrds and was released in March 1973 on Asylum Records. It was recorded as the centerpiece of a reunion among the five original band members: Roger McGuinn, Gene Clark, David Crosby, Chris Hillman, and Michael Clarke. The last time that all five members had worked together as the Byrds was in 1966, prior to Clark's departure from the band. During the reunion, the current, latter-day lineup of the band continued to make live appearances until February 1973, with McGuinn being the only member common to both versions of the group.
"Eight Miles High" is a song by the American rock band the Byrds, written by Gene Clark, Jim McGuinn, and David Crosby. It was first released as a single on March 14, 1966. Musically influenced by sitar player Ravi Shankar and jazz saxophonist John Coltrane, the song was influential in developing the musical styles of psychedelia and raga rock. Accordingly, critics often cite "Eight Miles High" as being the first bona fide psychedelic rock song, as well as a classic of the counterculture era.
"All I Really Want to Do" is a song written by Bob Dylan and featured on his Tom Wilson-produced 1964 album, Another Side of Bob Dylan. It is arguably one of the most popular songs that Dylan wrote in the period immediately after he abandoned topical songwriting. Within a year of its release on Another Side of Bob Dylan, it had also become one of Dylan's most familiar songs to pop and rock audiences, due to hit cover versions by Cher and the Byrds.
"Push It" is a song by American hip hop group Salt-N-Pepa. It was first released as the B-side of the "Tramp" single in 1987. Then released by Next Plateau and London Records, it peaked at number 19 on the US Billboard Hot 100 in early 1988 and, after initially peaking at number 41 in the UK, it re-entered the charts after the group performed the track at Nelson Mandela's 70th birthday concert, eventually peaking at number two in the UK in July 1988. The song has also been certified platinum by the Recording Industry Association of America (RIAA). The song is ranked number 446 on Rolling Stone's list of the "500 Greatest Songs of All Time" and was ranked number nine on VH1's "100 Greatest Songs of Hip Hop".
"Let's Talk About Sex" is a song by American hip hop trio Salt-N-Pepa, released in August 1991 by Next Plateau as the fourth single from their third studio album, Blacks' Magic (1990). It was written and co-produced by Hurby Azor, and achieved great success in many countries, including Australia, Austria, Germany, the Netherlands, Portugal, Switzerland and Zimbabwe where it was a number-one hit. Its music video was directed by Millicent Shelton. In 1992, "Let's Talk About Sex" earned a nomination in the category for Best Rap Performance by a Duo or Group at the Grammy Award.
"You Ain't Goin' Nowhere" is a song written by the American musician Bob Dylan in 1967 in Woodstock, New York, during the self-imposed exile from public appearances that followed his July 29, 1966 motorcycle accident. A recording of Dylan performing the song in September 1971 was released on the Bob Dylan's Greatest Hits Vol. II album in November of that year, marking the first official release of the song by its author. Earlier 1967 recordings of the song, performed by Dylan and the Band, were issued on the 1975 album The Basement Tapes and the 2014 album The Bootleg Series Vol. 11: The Basement Tapes Complete.
"5D (Fifth Dimension)" is a song by the American rock band the Byrds, written by band member Jim McGuinn. It was released as a single in June 1966, and also included as the title track on the Byrds' third album, Fifth Dimension.
"Shoop" is the lead single released from American hip hop group Salt-N-Pepa's fourth studio album, Very Necessary (1993). The song was produced by group members Sandra "Pepa" Denton and Cheryl "Salt" James with Mark Sparks. Released in September 1993 by Next Plateau, the song became one of the group's more successful singles, reaching numbers four and five on the US Billboard Hot 100 and Cash Box Top 100, and topping the Billboard Hot Rap Singles chart at number one. Two months after its release, "Shoop" was certified gold by the RIAA; it went on to sell 1.2 million copies. Its accompanying music video was directed by Scott Kalvert. The success of both this single and the follow-up single "Whatta Man" propelled Very Necessary to sell over 5 million copies in the US, becoming the group's best-selling album.
"It Won't Be Wrong" is a song by the American folk rock band the Byrds, which appeared as the second track on their 1965 album, Turn! Turn! Turn! It was also coupled with the song "Set You Free This Time" for a single release in 1966, resulting in "It Won't Be Wrong" charting at number 63 on the Billboard Hot 100. The song was written by Byrds band member Jim McGuinn and his friend Harvey Gerst in 1964.
"Mr. Spaceman" is a song by the American rock band the Byrds and was the third track on their 1966 album, Fifth Dimension. It was released as the third single from the album in September 1966, reaching number 36 on the Billboard Hot 100, but failing to chart in the United Kingdom. Upon its release as a single, the music press coined the term "space-rock" to describe it, although since then, this term has come to refer to a genre of rock music originating from 1970s progressive and psychedelic music.
Preflyte is a compilation album by the American folk rock band the Byrds and was released in July 1969 on Together Records. The album is a collection of demos recorded by the Byrds at World Pacific Studios in Los Angeles during late 1964, before the band had signed to Columbia Records and become famous. It includes early demo versions of the songs "Here Without You", "You Won't Have to Cry", "I Knew I'd Want You", and "Mr. Tambourine Man", all of which appeared in re-recorded form on the band's 1965 debut album.
"Do You Want Me" is a song by American R&B-hip hop group Salt-N-Pepa, released in February 1991 as the third single from their 1990 album, Blacks' Magic. It reached No. 21 on the US Billboard Hot 100 and charted at No. 5 on the UK Singles Chart. The song also peaked at No. 9 in Portugal, No. 16 in the Netherlands, and No. 19 in Australia.
In the Beginning is a compilation album by the American folk rock band the Byrds and was released in August 1988 by Rhino Records. It features demo recordings made during 1964, before the band became famous.
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