History
Big in Japan began from the same Merseyside scene that would produce Echo & the Bunnymen, the Teardrop Explodes, Orchestral Manoeuvres in the Dark, and Dalek I Love You. It took its name from the expression "big in Japan", which denotes Western bands who become more popular in Japan than other parts of the world, including their own countries.
Big in Japan started off playing gigs in Liverpool and the surrounding areas, such as Ruffwood School in Kirkby along with Wah! Heat, but most notably at Eric's Club. [2] Their stage show was unique: lead singer Jayne Casey would perform with a lampshade over her shaved head, guitarist Bill Drummond wore a kilt, and bassist Holly Johnson performed in a flamboyant manner that he would later take further in Frankie Goes to Hollywood.
As an initial idea of Deaf School's Clive Langer, his friend Bill Drummond (guitar, vocals), Kevin Ward (bass, vocals), and Phil Allen (drums) formed the band in May 1977, playing only three gigs, the first of them at Bretton Hall College in Yorkshire. [3] In August, the line-up grew to include Jayne Casey (vocals), Ian Broudie (guitar), and Clive Langer (guitar), who quit in September, but not before the band recorded their first song, "Big in Japan", which appeared on the split single "Brutality, Religion and a Dance Beat" released the same year. In October, Ambrose Reynolds joined to replace Ward who then left that December, but Reynolds himself quit shortly afterwards and was replaced by Johnson. [4]
In January 1978, Budgie (previously in the Spitfire Boys and later a member of the Slits and Siouxsie and the Banshees) replaced Allen on drums. In early June, Johnson was replaced with ex-Deaf School member Steve Lindsey, who was in turn replaced in July by Dave Balfe (previously in Dalek I Love You), the last member to join. [5] [6]
Hatred of the band reached such a level that a petition calling on them to split up was launched by a jealous young Julian Cope resulting from a rivalry with the Crucial Three. [7] Displayed in local shop Probe Records, the petition gathered numerous signatures, including those of the band themselves. [8] According to Cope's autobiography, "Of course, Bill Drummond was into the whole thing and told us we needed 14,000 signatures, then they'd split up. We got about nine." [9] In the 1980s, Drummond became the manager of Cope's band the Teardrop Explodes.
The band broke up after a last gig at Eric's on 26 August 1978. During their time, Big in Japan recorded four songs which were included on the From Y to Z and Never Again EP, released after their split to pay off their debts. The unintentional consequence of the EP's release was the formation of Zoo Records, which went on to release early material by Echo & the Bunnymen and the Teardrop Explodes, amongst others. They also recorded a Peel session on 12 February 1979 with a line-up of Casey, Broudie, Johnson, and Budgie; the session was broadcast on 6 March 1979. [10] Balfe and Drummond then formed the short-lived Lori and the Chameleons.
Big in Japan left a legacy of just seven recorded songs: one on a single, four on From Y to Z and Never Again, and two released on compilation albums. As of 2005, only five of these recorded songs are commercially available, on the compilation album The Zoo: Uncaged 1978–1982. [11]
The debut single by German band Alphaville was "Big in Japan", named after the band. [12] Coincidentally, Frankie Goes to Hollywood's single "Relax" was knocked off the top of the German charts by the song in 1984. [13] [14] Frontman Marian Gold later said, "We never got to speak with him [Holly Johnson] but he must have wondered, 'Who is this German group with a song named after my band?'" [15]
Jayne Casey later stated, "We were all a bit too eccentric at a time when punk was quite macho and clear cut... a bit too much for people to handle. We always wanted to be like the Monkees or something. We wanted to be a cartoon, and that's how we tried to sell ourselves to the record companies." [16]
Ian Broudie later said, "It was more performance art than rock and roll. But it gave me a healthy disregard for musicianship. It's ideas that are important, not proficiency." [17]
Bill Drummond later recalled, "The group only lasted 12 months but that's about as long as any punk band should last. We never got anywhere, but all went on to success later on with bands like Siouxsie and the Banshees and the Teardrop Explodes." [18]
