William Holly Johnson[1] (born 9 February 1960) is an English artist, musician, and writer, best known as the lead vocalist of Frankie Goes to Hollywood, who achieved huge commercial success in the mid-1980s. Prior to that, in the late 1970s he was a bassist for the band Big in Japan. In 1989, Johnson's debut solo album, Blast, reached number one in the UK albums chart. Two singles from the album – "Love Train" and "Americanos" – reached the top 5 of the UK Singles Chart. In the 1990s, he also embarked on writing, painting, and printmaking careers.[2]
Johnson was born on 9 February 1960 in Liverpool, England, to Eric and Pat (née McGlouchlin) Johnson. His paternal grandfather Patrick was Irish and his maternal grandfather Patrick McGlouchlin was of 3/4 Indian descent.[3] Johnson was the third of four children and was nicknamed Billy as a child. He started his education in Liverpool at St Mary's Church of England primary school and at age eleven went to the Liverpool Collegiate School in Everton. At fourteen, Johnson took on the name Holly, inspired by actress Holly Woodlawn, a friend of Andy Warhol.[4][5]
During his second year at the Liverpool Collegiate, Johnson and his friend were teased and nicknamed "Jolly Johnson" and "Honey Heath". The two shared an interest in Marc Bolan and David Bowie. While he attended Liverpool Collegiate, Johnson was actively involved in that city's punk rock/new wave scene of the late 1970s. Johnson played bass with the local band Big in Japan[6] and also released two solo singles on the Eric's label. Both "Yankee Rose" and "Hobo Joe" failed to chart, however. Johnson met his partner, Wolfgang Kuhle, in the early 1980s.
Kuhle, Johnson's personal manager, became a successful art dealer and collected paintings by Duncan Grant and Vanessa Bell. In 1982, Johnson joined Frankie Goes to Hollywood, and he later found fame as the lead singer and lyricist of the band. In 1987, tension grew between Johnson and the rest of his group. He also had an argument with his record company and won a case in court against them on restraint of trade. He left Frankie Goes to Hollywood and the other members of the band were eventually let go by the label after the court case ZTT and Perfect Songs v Holly Johnson.[7]
After gaining some measure of local celebrity from being a member of Big In Japan, Johnson became involved with a group of younger musicians who together would become the nucleus of Frankie Goes to Hollywood. Johnson himself named the new band[8] after seeing the headline of an article about Frank Sinatra. This new band quickly gained a reputation for their stage show which had strong sadomasochistic overtones. It was during this period that guitarist Brian Nash and backing vocalist Paul Rutherford completed the band's established lineup.[citation needed]
Commercial success and fame
After the band's reputation grew large enough to attract record company interest, they were eventually signed to a new record company, ZTT.[9] Johnson became exposed to the general public via the phenomenal success of their debut single "Relax", which was a huge, and controversial, hit in 1984. The band's first three singles - "Relax" (1983), "Two Tribes" (1984), and "The Power of Love" (1984) all reached #1 of the UK Singles Chart; their fourth single, "Welcome to the Pleasuredome" (1985) reached #2. Frankie's debut album Welcome to the Pleasuredome, released in October 1984, sold around a quarter of a million copies in its first week, peaked at #1 on the UK Albums Chart, and was a top-10 seller internationally.
After such success during 1984, when the band spent nearly four months at the top of the singles chart, Johnson was firmly established as a household name. By autumn 1986, his star had faded considerably. Frankie Goes to Hollywood had not released any material since early 1985 and were absent from that year's Live Aid event. In addition, Johnson did not perform on the successful charity single "Do They Know It's Christmas?" by Band Aid in December 1984.
Recorded in March-July 1986, Frankie Goes to Hollywood's second album, Liverpool, was released the following October. Liverpool peaked at #5 in the UK Albums Chart and spawned three singles: "Rage Hard" (1986), "Warriors of the Wasteland" (1986), and "Watching the Wildlife" (1987). "Rage Hard" was a top 5 hit in the UK Singles Chart, peaking at #4, but "Warriors of the Wasteland" and "Watching the Wildlife" peaked at #19 and #28 respectively, suggesting Frankie's popularity was waning. Furthermore, the band was wracked by infighting; by 1987, Johnson's relationship with the rest of the band had broken down irretrievably, not helped by his decision to gain legal rights to exclusive use of the band's name, without consultation with other members.[8] The UK Intellectual Property Office ruled against Johnson, however. During a reunion on the TV show Bands Reunited many years later, when the five members of Frankie Goes to Hollywood were invited to play together using equipment that had been set up for them, he (and guitarist Brian Nash) declined to take part, but he did not rule out the possibility in the future. In his own words; "If it happens, we do it properly. We have a reputation. I'm not a wedding singer!"[10]
Johnson left Frankie Goes to Hollywood in 1987 because of disagreements regarding their musical direction. He became the subject of an injunction from the group's record company, ZTT Records, and its sister publishing company, Perfect Songs, which cited a breach of his prior recording and publishing contracts, thus barring him from pursuing a solo career with any other new label.[11] He embarked on a two-year legal battle with ZTT, the case being settled in Johnson's favour on 10 February 1988, the judge ruling that the original contracts had constituted an unreasonable restraint of trade, remarking that "Mr. Johnson could be 70 years old and still be bound to this contract".[11]
ZTT unsuccessfully appealed against the judge's decision, the Appeal Court concluding on 26 July 1989 that the original recording and publishing contracts were "not a fair bargain".[12] The result represented a landmark legal outcome, contemporary press reports stating that the result "set a legal precedent which rocked the music business", adding that ZTT had by this time released most of its artists from their original contracts.[11]
Johnson's relationship with ZTT owners Trevor Horn and Jill Sinclair broke down irretrievably due to the court case: "They, [Horn and Sinclair] have never really forgiven me for winning my freedom in the law courts", the singer said in 2001, adding that the worst part of being in FGTH was "the contract we signed with ZTT."[11]
After the 1990 remix albumHollelujah, Johnson released his second solo album in 1991. Dreams That Money Can't Buy was a commercial failure and did not chart in the UK, while the singles "Where Has Love Gone?" and "Across the Universe" performed very poorly on UK singles chart. In November 1991, Johnson learned that he was HIVpositive.[14] This triggered a temporary withdrawal from the music business and public life in general, with one of his last TV performances around the time being at the Diamond Record Awards, Antwerp, where he performed "Americanos" and "Where Has Love Gone?".[15] His HIV status was made public during an interview with The Times in April 1993.[11]
In March 1994, Johnson's critically acclaimed autobiography A Bone in My Flute was published, in which he discusses his struggle with, and acceptance of, his homosexuality.[16][17][18] The same year, he recorded a new single, "Legendary Children (All of Them Queer)", whose lyrics referred to famous LGBT people throughout history. During 1994, he performed live at London's Gay Pride show, where he performed "Relax", "Legendary Children" and "The Power of Love".[19] The same month Johnson featured on and co-wrote the single "Love and Hate" by Ryuichi Sakamoto for his album Sweet Revenge.
In April 1998, he performed "The Power of Love" live at the Easter Gay Happening in Krefeld, Germany at Club Königsburg.[20]
Since the mid-1990s, Johnson has worked primarily as a painter. His works have been exhibited at the Tate Liverpool and the Royal Academy. He has contributed to Modern Painters and the Paul Smith-sponsored Carlos magazine. He made a musical comeback in 1999, with a self-released album called Soulstream, preceded by the 1998 promo only single "Hallelujah!". The video for the first available single "Disco Heaven" featured a cameo performance from Boy George. However, the album passed fairly unnoticed and didn't chart. The only charting single from Soulstream was a new version of "The Power of Love". For the release of Soulstream, Johnson appeared on the Jools Holland Show performing "The Power of Love" and performed the song again in 2004 for ZDF Love Songs.[21]
In August 2009, Johnson presented an hour-long show "In the Beginning" on BBC Radio 2 about the Beatles, whilst he also appeared in the new video for Frankie Goes to Hollywood's "Relax" as the DJ. Since then, he has performed The Power of Love twice in Germany, also performing the song at the opening of Life Ball 2011 in Vienna. In an interview at the Q Awards, Johnson announced plans for an album of new material. In 2010, Johnson performed "Americanos" on German TV,[22] and "Relax" on French TV. During February 2011, Johnson joined Jools Holland and his band for a version of the Animals' "The House of the Rising Sun" song, a track that Johnson covered on his Soulstream album. In August 2011, he performed a full set live at the Rewind Festival, using a mix of Frankie Goes to Hollywood songs together with some of his solo hits "Americanos", "Heaven's Here" and "Love Train".
On 5 December 2013, Johnson performed at Save The Children’s Christmas Tree Sessions at London’s Union Chapel. He closed the evening with ‘The Power Of Love’ accompanied by Gaz Coombes on guitar.
In May 2014, Johnson announced his first UK solo tour, named "Dancing with No Fear". The seven-date tour was preceded by a new solo album, released on 15 September.[23] The album, titled Europa, was preceded by a lead single, "Follow Your Heart".[24]
The second single from Europa, "In And Out Of Love", was released on 4 September 2014 with a special pop promo directed by Chris Shepherd.[21] In October 2014 Europa entered the UK Album Chart at # 63, becoming Johnson's first album to chart in the UK since his debut Blast.[25] In December 2014, Johnson released a live album, only available as merchandise during the tour and his website titled Unleashed From the Pleasuredome.[26]
In late 2015, Johnson co-wrote a song with Gary Barlow for the film Eddie The Eagle. The song "Ascension" was released in March 2016 as the focus track for the album Fly (songs inspired by the film Eddie The Eagle) and appears on the end credits for the film.[27]
In 2018, Johnson guest starred throughout the final episode of the British TV series Benidorm.[28]
In 2021, he appeared in the British TV series Never Mind the Buzzcocks and performed “The Power of Love”.
In May 2023, Johnson and the other members of Frankie Goes to Hollywood reunited for a one-off performance at the opening night of Eurovision, in their hometown of Liverpool. They performed a single song, "Welcome to the Pleasuredome", from their inaugural album.[29]
In May 2023 Working Title Films announced production of Relax, a musicalbiopic about Frankie Goes to Hollywood, based upon Holly Johnson's autobiography A Bone in My Flute (1994), and starring Callum Scott Howells as Johnson.[30] The film is to be written and directed by Bernard Rose, who directed the original music videos for the band's songs "Relax" (1983) and "Welcome to the Pleasuredome" (1985).
Personal life
Johnson has been referred to as a "monumental LGBTQ+ icon".[31] In 1991, Johnson was diagnosed with HIV[32][14] and wrote an autobiography, A Bone In My Flute; he did not expect to live much longer.[14] Johnson remained creative working as a painter and printmaker and writing songs until 1994 when he returned to performing music occasionally.[33] One of Johnson's paintings appears as the cover to the Kirsty MacColl single "Angel".
Frankie Goes to Hollywood are an English pop band that formed in Liverpool in 1980. They comprise Holly Johnson (vocals) and Paul Rutherford, Mark O'Toole (bass), Brian Nash (guitar) and Peter Gill (drums).
"Relax" is the debut single by English synth-pop band Frankie Goes to Hollywood, released in the United Kingdom by ZTT Records in 1983.
"Two Tribes" is an anti-war song by British band Frankie Goes to Hollywood, released in the UK by ZTT Records on 4 June 1984. The song was later included on the album Welcome to the Pleasuredome. Presenting a nihilistic, gleeful lyric expressing enthusiasm for nuclear war, it juxtaposes a relentless pounding bass line and guitar riff inspired by American funk and R&B pop with influences of Russian classical music, in an opulent arrangement produced by Trevor Horn.
"Welcome to the Pleasuredome" is the title track to the 1984 debut album by English pop band Frankie Goes to Hollywood. The lyrics of the song were inspired by the poem Kubla Khan by Samuel Taylor Coleridge.
"Rage Hard" is the fifth single by English pop band Frankie Goes to Hollywood. It was released on 25 August 1986 as the first single from their second album Liverpool. The song was a radical departure for the band, going for an edgier rock approach with thumping drums, guitar solos and scaled back synths. The lyrics and title take inspiration from the poem Do Not Go Gently Into That Good Night by Dylan Thomas: it reflects heavily on death and not giving up even in the darkest moments.
Liverpool is the second and final studio album by British band Frankie Goes to Hollywood, released in October 1986. Produced by Stephen Lipson and mixed by Trevor Horn, the album showcases a heavy rock sound in contrast to the synth dance tone found in its predecessor, Welcome to the Pleasuredome. The recording sessions would be marred by the radical change in musical direction creating tension within the band.
ZTT Records is a British record label founded in 1983 by the record producer Trevor Horn, the businesswoman Jill Sinclair and the NME journalist Paul Morley. They released music by acts including Frankie Goes to Hollywood, Grace Jones, the Art of Noise and Seal.
"The Power of Love" is a song originally recorded and released by British band Frankie Goes to Hollywood. It was written by Holly Johnson, Peter Gill, Mark O'Toole and Brian Nash, four of the five members of the band. It was released by the group as their third single.
"Warriors of the Wasteland" is the sixth single by English pop band Frankie Goes to Hollywood, released on 10 November 1986. It was taken from the album Liverpool. Having already referenced literary poets such as Coleridge in "Welcome to the Pleasuredome" and Thomas in "Rage Hard", for "Warriors of the Wasteland" Holly Johnson turned to T. S. Eliot for inspiration. Johnson cited Eliot's The Waste Land poem, the 1981 Mel Gibson film, Mad Max 2, and the 1979 film, The Warriors as inspirations.
Welcome to the Pleasuredome is the debut studio album by English synth-pop band Frankie Goes to Hollywood, first released on 29 October 1984 by ZTT Records. Originally issued as a vinyl double album, it was assured of a UK chart entry at number one due to reported advance sales of over one million. It actually sold around a quarter of a million copies in its first week. The album was also a top-10 seller internationally in countries such as Switzerland, Sweden, Australia and New Zealand.
"War" is a counterculture-era soul song written by Norman Whitfield and Barrett Strong for the Motown label in 1969. Whitfield first produced the song – a self-evident anti-Vietnam War statement – with The Temptations as the original vocalists. After Motown began receiving repeated requests to release "War" as a single, Whitfield re-recorded the song with Edwin Starr as the vocalist, with the label deciding to withhold the Temptations' version from single release so as not to alienate that group's more conservative fans. Starr's version of "War" was a No. 1 hit on the Billboard Hot 100 chart in 1970, and is not only the most successful and well-known record of his career, but it is also one of the most popular protest songs ever recorded. It was one of 161 songs on the no-play list issued by Clear Channel following the events of September 11, 2001.
"Ferry Cross the Mersey" is a song written by Gerry Marsden. It was first recorded by his band Gerry and the Pacemakers and released in late 1964 in the UK and in 1965 in the United States. It was a hit on both sides of the Atlantic, reaching number six in the United States and number eight in the UK. The song is from the film of the same name and was released on its soundtrack album. In the mid-1990s, a musical theatre production, also titled Ferry Cross the Mersey, related Gerry Marsden's Merseybeat days; it premiered in Liverpool and played in the UK, Australia, and Canada.
Bang!... The Greatest Hits of Frankie Goes to Hollywood is a compilation album by Frankie Goes to Hollywood, released in 1993 during a spate of reissuing and remixing of Frankie Goes to Hollywood products by ZTT Records, hence the appearance of "classic" 1993 versions of two tracks, and the addition of one contemporary remix on the American CD version of 1994.
Maximum Joy is a greatest hits album by Frankie Goes to Hollywood, released on 25 October 2000 by ZTT Records.
Frankie Goes to Hollywood were a British band who released two studio albums and seven singles before disbanding in 1987. Since then, almost all of their tracks have been rereleased on compact disc, including various compilation albums and CD singles. In recent years, their record company has also released original material that wasn't released during the band's heyday.
Soulstream is the third studio album by British singer-songwriter Holly Johnson, which was released in 1999 on Johnson's own label, Pleasuredome. The album, which was recorded at Johnson's own home studio, contains a re-working of his hit song with Frankie Goes to Hollywood, "The Power of Love", as well as a re-working of his 1994 single "Legendary Children ".
"The People Want to Dance" is a single from former Frankie Goes to Hollywood singer Holly Johnson, taken as the third and final single from his 1991 album Dreams That Money Can't Buy. The track would be Johnson's last release until 1994.
"Hallelujah!" is a song by former Frankie Goes to Hollywood singer Holly Johnson, which was released in 1998 as a promotional single and included on his third studio album Soulstream (1999). The song was written by Johnson and Nick Bagnall (music).
Frankie Say Greatest is a compilation album by Frankie Goes to Hollywood, released in 2009 by ZTT Records. The album is available in various formats: single CD, double CD, double LP, and DVD. The latter contains the music videos to the band's singles, while the LP version focusses on remixes only.
Europa is the fourth studio album by English singer-songwriter Holly Johnson, released in 2014.
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