Liverpool | ||||
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Studio album by | ||||
Released | 20 October 1986 [1] | |||
Recorded | November 1985 – June 1986 | |||
Studio | Sarm Studios (London) | |||
Genre | ||||
Length | 43:43 | |||
Label | ZTT | |||
Producer | Stephen Lipson | |||
Frankie Goes to Hollywood chronology | ||||
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Singles from Liverpool | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
The Encyclopedia of Popular Music | [3] |
Record Mirror | [4] |
The Rolling Stone Album Guide | [5] |
Spin Alternative Record Guide | 1/10 [6] |
Liverpool is the second and final studio album by British band Frankie Goes to Hollywood, released in October 1986. Produced by Stephen Lipson and mixed by Trevor Horn, the album showcases a heavy rock sound in contrast to the synth dance tone found in its predecessor, Welcome to the Pleasuredome . The recording sessions would be marred by the radical change in musical direction creating tension within the band.
The album received mixed reviews from critics and was a commercial disappointment compared to its predecessor, but it charted at number 5 in the United Kingdom and was a modest success in other countries. It would be supported by the lead single “Rage Hard”, a UK number 5 and number 1 in Germany. Liverpool would be the band's final album as lead singer Holly Johnson would leave the band followed by a flurry of lawsuits from ZTT.
Johnson was distant from the band during the sessions and was unhappy about the album's focus on rock over dance. [7] Jill Sinclair, Horn's wife and one of the ZTT founders, later alleged that Johnson had been uncooperative and absent for most of the sessions. [7] According to Nash, Johnson was preoccupied with the serious illness of Wolfgang Kuhle, then Johnson's boyfriend, but he did not tell the band. [8] Johnson's distancing and disinterest came to the point that the band members concluded he was "finished and were in the market for a new singer". [8] They invited Duran Duran singer Simon Le Bon but he declined, Pete Wylie was also approached, but Johnson eventually remained with the band and completed Liverpool. [8] [9] The session studio recordings were made in Ibiza, Holland and London. [10]
The album's production was handled by Trevor Horn's engineer Stephen Lipson, who urged the band to play their own instruments on this album (Horn having replaced many of the band's performances and arrangements with his session musicians or his own performances on Welcome to the Pleasuredome ). According to Nash, the band was given contradicting information, with Horn considered as a producer or executive producer. [8] In the end Horn took over mixing it on which "spent a whopping £500,000 (making £840,000 in all) tidying it up". [7] [11] The band was so much in debt that they had to sell at least a million copies to start earning "a penny". [8]
Liverpool features a heavier rock sound than its predecessor. Frankie Goes to Hollywood have not released any more studio albums since Liverpool. The cover photo was different depending on what format was purchased (LP, cassette, or compact disc).
The album was a commercial disappointment compared to the band's previous effort, though it charted generally high at No. 5 in the United Kingdom and Germany, No. 7 on the Austrian and Swiss music charts and No. 8 in Norway. It produced the top 5 single "Rage Hard" (No. 1 in Germany), top 20 single "Warriors of the Wasteland" and top 30 single "Watching the Wildlife". By March 1988, the album had sold around 800,000 copies. [7] On 20 June 2011 was released a 2xCD reissue including session recordings, mixes and covers of David Bowie, the Doors and Rolling Stones. [10]
In the 80s and 90s the album received poor critical reception. The Rolling Stone Album Guide wrote: "Like most of the era's one-hit wonders, the group did make a second album, though God only knows why anyone would want to hear it." [5]
Alex S. Garcia writing 2.5/5 review for AllMusic considered that "on many accounts, Liverpool can be considered as an improvement over its predecessor", that being shorter duration and almost the same quality of all songs, and "the production is impeccable ... worth a listen if you like the band or have an interest for 80s music—of which this is not such a bad sample". [2]
Paul Lester in BBC review of 2011 reissue noted how "many of the [original] tracks are straight hard rock/metal, with the lavish sonics and orchestral pomp typical of the ZTT label dropped on top", and that the reissue is "a superb repackage of what remains one of the great anticlimaxes in pop". [10] Lester compared the original album to the similar "climb-down" records ABC's Beauty Stab (1983) and Simple Minds' Sparkle in the Rain (1984), "those other early-80s albums where the bands in question retreated from studio opulence towards a more 'authentic' approach that proved they could reproduce the music live; that they were Proper Rock Bands." [10]
Steve Howe, who played on the album, said in a 2023 interview, "I just was hoping so much that Liverpool [...] would [...] make a meaningful dent in the [...] success of the band because it was just great." [12]
All tracks are written by Peter Gill, Holly Johnson, Brian Nash and Mark O'Toole.
No. | Title | Length |
---|---|---|
1. | "Warriors of the Wasteland" | 4:53 |
2. | "Rage Hard" | 5:08 |
3. | "Kill the Pain" | 6:16 |
4. | "Maximum Joy" | 5:32 |
5. | "Watching the Wildlife" | 4:18 |
6. | "Lunar Bay" | 5:42 |
7. | "For Heaven's Sake" | 4:29 |
8. | "Is Anybody Out There?" | 7:25 |
Additional personnel
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
France (SNEP) [31] | Gold | 100,000* |
Germany (BVMI) [32] | Gold | 250,000^ |
New Zealand (RMNZ) [33] | Gold | 7,500^ |
United Kingdom (BPI) [34] | Gold | 100,000^ |
* Sales figures based on certification alone. |
Frankie Goes to Hollywood were an English pop band that formed in Liverpool in 1980. They comprised Holly Johnson (vocals), Paul Rutherford, Mark O'Toole (bass), Brian Nash (guitar) and Peter Gill (drums). They were among the first openly gay pop acts and made gay rights and sexuality a theme of their music and performances.
"Relax" is the debut single by English new wave band Frankie Goes to Hollywood, released in the United Kingdom by ZTT Records in 1983.
"Two Tribes" is an anti-war song by British band Frankie Goes to Hollywood, released in the UK by ZTT Records on 4 June 1984. The song was later included on the album Welcome to the Pleasuredome. Presenting a nihilistic, gleeful lyric expressing enthusiasm for nuclear war, it juxtaposes a relentless pounding bass line and guitar riff inspired by American funk and R&B pop with influences of Russian classical music, in an opulent arrangement produced by Trevor Horn.
"Welcome to the Pleasuredome" is the title track to the 1984 debut album by English pop band Frankie Goes to Hollywood. The lyrics of the song were inspired by the poem Kubla Khan by Samuel Taylor Coleridge.
"Rage Hard" is the fifth single by English pop band Frankie Goes to Hollywood. It was released on 25 August 1986 as the first single from their second album Liverpool. The song reached number 4 in the UK Singles Chart and number 1 in Germany and it was also a massive success in other countries.
Trevor Charles Horn is an English record producer and musician. His influence on pop and electronic music in the 1980s was such that he has been called "the man who invented the eighties".
ZTT Records is a British record label founded in 1983 by the record producer Trevor Horn, the businesswoman Jill Sinclair and the NME journalist Paul Morley. They released music by acts including Frankie Goes to Hollywood, Grace Jones, the Art of Noise and Seal.
William "Holly" Johnson is an English artist, musician, and writer, best known as the lead vocalist of Frankie Goes to Hollywood, who achieved huge commercial success in the mid-1980s. Prior to that, in the late 1970s he was a bassist for the band Big in Japan. In 1989, Johnson's debut solo album, Blast, reached number one in the UK albums chart. Two singles from the album – "Love Train" and "Americanos" – reached the top 5 of the UK Singles Chart. In the 1990s, he also embarked on writing, painting, and printmaking careers.
Propaganda is a German synth-pop band formed in Düsseldorf in 1982. They signed a recording contract with ZTT Records as early as 1983 and released their first single "Dr Mabuse" in 1984. Followed by their debut studio album, the critically acclaimed A Secret Wish, in 1985. Two of the album's singles, "Dr. Mabuse" and "Duel", were UK Top 30 hits. A second studio album, 1234 (1990), was recorded with a markedly different line-up and released by Virgin Records to less success. There have been several partial reformations of the group in the 21st century, with the original vocalists currently active as xPropaganda, and the remaining members releasing an album in 2024 with a guest vocalist Thunder Bae.
"The Power of Love" is a song originally recorded and released by British band Frankie Goes to Hollywood. It was written by Holly Johnson, Peter Gill, Mark O'Toole and Brian Nash, four of the five members of the band. It was released by the group as their third single.
"Warriors of the Wasteland" is the sixth single by English pop band Frankie Goes to Hollywood. Released on 10 November 1986 as the second single from their album Liverpool, it stalled at number 19 in the UK Singles Chart, number 7 in Germany and number 13 in Switzerland.
Welcome to the Pleasuredome is the debut studio album by English synth-pop band Frankie Goes to Hollywood, first released on 29 October 1984 by ZTT Records. Originally issued as a vinyl double album, it was assured of a UK chart entry at number one due to reported advance sales of over one million. It actually sold around a quarter of a million copies in its first week. The album was also a top-10 seller internationally in countries such as Switzerland, Sweden, Australia and New Zealand.
Frankie Goes to Hollywood is a computer game that was developed by Denton Designs and published by Ocean Software Ltd in 1985 for the Commodore 64, Amstrad CPC and ZX Spectrum home computers. The game is based on the music of UK band Frankie Goes to Hollywood.
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Slave to the Rhythm is the seventh studio album by Jamaican singer Grace Jones, released on 28 October 1985 by Island Records. Subtitled a biography in the liner notes, Slave to the Rhythm is a concept album, produced by ZTT Records founder and producer Trevor Horn, that went on to become one of Jones' most commercially successful albums and spawned her biggest hit, "Slave to the Rhythm".
Bang!... The Greatest Hits of Frankie Goes to Hollywood is a compilation album by Frankie Goes to Hollywood, released in 1993 during a spate of reissuing and remixing of Frankie Goes to Hollywood products by ZTT Records, hence the appearance of "classic" 1993 versions of two tracks, and the addition of one contemporary remix on the American CD version of 1994.
Set the Mood is the debut studio album of British singer-songwriter David Jordan. Before the release of the album, Jordan had written between 60 and 100 songs. These songs were then whittled down to 11 for the final track listing of Set the Mood. The album was produced by Trevor Horn, who has also worked with Seal and the English dance-pop band Frankie Goes To Hollywood. "Place in My Heart" was released as Set the Mood's lead single on 22 October. The album was released simultaneously in the UK, France and Germany a week later. Set the Mood and Jordan received many positive reviews following the album's 29 October release. The singer was dubbed the British version of Justin Timberlake, and compared with artists such as Lenny Kravitz, Prince and Michael Jackson.
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Frankie Goes to Hollywood were a British band who released two studio albums and seven singles before disbanding in 1987. Since then, almost all of their tracks have been rereleased on compact disc, including various compilation albums and CD singles. In recent years, their record company has also released original material that was not released during the band's heyday.
Ian Peel is a British music journalist. He is founder of the magazines Classic Pop and Long Live Vinyl and is a writer with special interests in Eighties pop music, ZTT Records, and Paul McCartney's experimental works.