Preflyte | ||||
---|---|---|---|---|
Compilation album by | ||||
Released | July 29, 1969 | |||
Recorded | c. September 1964 –January 1965 [1] | |||
Studio | World Pacific, Los Angeles | |||
Genre | Folk rock [2] | |||
Length | 25:38 | |||
Label | Together | |||
Producer | Jim Dickson | |||
The Byrds chronology | ||||
| ||||
Alternative cover | ||||
Preflyte is a compilation album by the American folk rock band the Byrds and was released in July 1969 on Together Records. [3] The album is a collection of demos recorded by the Byrds (then named the Jet Set) at World Pacific Studios in Los Angeles during late 1964, before the band had signed to Columbia Records and become famous. [4] It includes early demo versions of the songs "Here Without You", "You Won't Have to Cry", "I Knew I'd Want You", and "Mr. Tambourine Man", all of which appeared in re-recorded form on the band's 1965 debut album. [5]
The album peaked at number 84 on the Billboard Top LPs chart upon its initial release, but failed to chart in the UK when it was issued there in 1973. [6] [3] [7] The album's title is a deliberate misspelling of "pre-flight", meant to emulate the misspelling of "birds" that the band had used for their name.
Initially inspired by the success of the Beatles, folk singers Jim McGuinn and Gene Clark began playing as a duo in Los Angeles folk clubs in early 1964 and were soon joined by fellow folkie, David Crosby. [8] The trio named themselves the Jet Set, a name chosen by McGuinn and inspired by his love of aeronautics. [9] Crosby introduced McGuinn and Clark to his associate Jim Dickson who had access to World Pacific Studios, where he had been recording demos of Crosby. [9] Dickson was impressed enough by the trio to take on management duties for the group and to utilize World Pacific as a rehearsal studio, where he recorded the band as they honed their craft and perfected their blend of Beatles pop and Bob Dylan-style folk. [4] [10]
Dickson arranged a one-off deal with Elektra Records' founder, Jac Holzman, for two songs from the World Pacific sessions, "Please Let Me Love You" and "Don't Be Long", to be released as a single on Elektra in October 1964. [11] In an attempt to cash in on the British Invasion that was then dominating the U.S. music scene, the single was issued under the suitably British sounding pseudonym of the Beefeaters, but it failed to chart. [12] Both songs on the Beefeaters' single featured McGuinn, Clark and Crosby, along with "Wrecking Crew" session musicians Ray Pohlman on bass and Earl Palmer on drums. [12]
Soon after, the Jet Set expanded their ranks to include drummer Michael Clarke and bass player Chris Hillman. [12] The rehearsal and recording sessions at World Pacific studios came to a close when the Jet Set (soon to be renamed the Byrds) signed a recording contract with Columbia Records on November 10, 1964. [4]
In 1969, the manager of rock music for RCA Records on the West Coast, Dick Moreland, heard about the existence of these early Byrds' demo recordings from Jim Dickson and immediately told producer Gary Usher about them. [13] Usher, who had produced the Byrds' Younger Than Yesterday , The Notorious Byrd Brothers and Sweetheart of the Rodeo albums, had recently formed Together Records with colleagues Curt Boettcher and Keith Olsen. [14] [15] Prior to the formation of Together, Usher had been involved with the Columbia Records' release of Conspicuous Only in its Absence , a collection of previously unheard live recordings by the psychedelic band the Great Society (featuring Grace Slick of Jefferson Airplane). [13] The album had enjoyed moderate success and Usher was keen to continue issuing previously unreleased, historically significant material on his new record label. [13] Usher met with Dickson and was able to acquire all of the Byrds' World Pacific tapes that still existed for a reasonable sum. [13] The tapes were then edited and compiled into an eleven track running order, before being remixed and mastered by Keith Olsen. [13]
Dickson approached the five original members of the Byrds in order to have them sign a letter of permission to authorize the release of these early recordings. [16] [17] Crosby was initially reluctant to sanction the release, but he was eventually persuaded by his friend and singing partner, Graham Nash, who convinced Crosby of the musical worth and historical value of the recordings. [17] Dickson later recalled Nash's involvement during a 1977 interview: "Graham Nash said that the songs were charming baby pictures. You have to get a little older before you can tolerate seeing your baby pictures out there. We were all babies once! Graham just charmed David's socks off." [17] With the permission of all five original members of the band secured, Together Records released the album in July 1969 with a great deal of publicity. [13] As a collection of previously unreleased demo recordings, Preflyte can be seen as one of the earliest examples of issuing outtakes by popular artists, a practice that is now commonplace in the reissue market. [13]
All of the music on Preflyte predates the release of the Byrds' debut single for Columbia, a cover version of Bob Dylan's "Mr. Tambourine Man", which topped the charts in America and the United Kingdom during 1965. [4] Of the album's eleven songs, seven had never before been released by the Byrds. These previously unreleased songs included five written solely by Gene Clark: "The Reason Why", "She Has a Way", "For Me Again", "Boston", and "You Movin'". Of these, "She Has a Way" had been re-recorded by the Byrds during sessions for their debut album, Mr. Tambourine Man . [18] However, this Columbia recording of the song was discarded at the eleventh hour and remained unreleased until its appearance on the Byrds' archival album, Never Before , in 1987. [18] [19]
"The Reason Why", a brooding, Beatles and Everly Brothers influenced ballad, and the melancholy "For Me Again", would both be jettisoned from the band's repertoire by early 1965 to make way for higher quality material. [18] The uptempo "Boston" and "You Movin'" were never seriously intended for release by the band and had been written purely to give fans something to dance to during the Byrds' early concert performances. [18]
A further two Clark compositions included on Preflyte, "Here Without You" and "I Knew I'd Want You", had appeared in re-recorded versions on the band's debut album, with the latter also appearing on the B-side of the "Mr. Tambourine Man" single. [20] In total, there were nine songs included on Preflyte that were either written or co-written by Clark, highlighting his early songwriting dominance over the group. [5]
The album also featured the Crosby and McGuinn penned "The Airport Song", a hauntingly romantic composition with subtle jazz overtones, highlighted by Crosby's clear lead vocal and Clark's wistful harmonica playing. [18] The song was inspired by the time that Crosby and McGuinn had spent hanging out at Los Angeles International Airport, watching planes come in to land. [18]
The album also included two McGuinn and Clark compositions, "You Showed Me" and "You Won't Have to Cry", the latter of which had already appeared in a different version on the band's debut album. [5] [20] "You Showed Me" had not been released by the Byrds, but a cover of it had been a hit single for the Turtles in early 1969 and had peaked at number 6 on the Billboard Hot 100. [18] [21]
The embryonic version of "Mr. Tambourine Man" included on Preflyte illustrated how the song sounded prior to its recording as the band's debut single for Columbia Records. [18] The Byrds' biographer Johnny Rogan has stated that McGuinn's distinctive Bach-inspired guitar intro is already present in this early version, but Crosby's harmony singing displays signs of uncertainty. [18] Rogan has also remarked that perhaps the most striking difference between the version of the song found on Preflyte and the more famous Columbia recording is Michael Clarke's use of a militaristic drumming style. [18] This military band style of drumming was abandoned when the song was recorded for the Columbia single on January 20, 1965, with session drummer Hal Blaine adopting a standard rock beat instead.
Review scores | |
---|---|
Source | Rating |
AllMusic | [5] |
Classic Rock | [22] |
entertainment.ie | [23] |
Rolling Stone | (favorable) [24] |
Preflyte was released on July 29, 1969 in the United States on Together Records (catalogue item ST-T-1001), but it was not issued in the United Kingdom until January 1973, when it was released by Kim Fowley's Bumble record label (catalogue item GEXP 8001). [3] It was then reissued in the U.S. in April 1973 by Columbia Records (catalogue item C 32183), [3] [25] with alternative cover artwork by British comic book artist Barry Windsor-Smith, depicting the five original members of the Byrds as futuristic astronauts. [26]
Upon initial release, sales of Preflyte were fairly good in the U.S., resulting in the album outperforming the Byrds' most recent studio offering, Dr. Byrds & Mr. Hyde . [16] The album managed to climb to number 84 on the Billboard Top LPs chart in 1969, and again charted in America at number 183 when it was reissued by Columbia in 1973. [6] It was less successful in the United Kingdom, however, where it failed to enter the UK Albums Chart when it was issued there in 1973. [3] [7]
The album was met with mixed reviews, with Lester Bangs in Rolling Stone magazine criticizing the sub-standard sound quality of the recordings, but also noting that the songs on the album "still overflow with that unique unschmaltzy beauty and lyricism that has been the Byrds' trademark." [16] Lenny Kaye, writing in Jazz & Pop magazine, praised the album, noting that "One of the more interesting things about Preflyte is the consistency of the Byrds sound, especially when compared with their later post-Tambourine Man days." [16]
In more recent years, Classic Rock reviewer Rob Hughes praised "the purring harmonies, the extraordinary songcraft of frontman Gene Clark and the smooth exhalations of what became the California folk-rock sound", despite the fact that the Byrds had "yet to become competent musicians". [22] Andrew Lynch, writing for the entertainment.ie website, described the album as "a fascinating slice of pop history and a pretty good album in its own right too." [23]
In 1988 Rhino Records released another compilation of recordings from the Byrds' 1964 World Pacific sessions, entitled In the Beginning , which consisted largely of previously unreleased recordings. [3] [27] The first CD release of Preflyte came in 2001 from Alan McGee's Poptones record label. [5] Later that year Sundazed Records released a 2 CD compilation of tracks from the World Pacific era titled The Preflyte Sessions. [28] This double CD compilation included all of the tracks originally released on Preflyte, along with other tracks that had first appeared on In the Beginning and fourteen previously unreleased recordings. [28] The Preflyte Sessions also included four recordings made by David Crosby at World Pacific studios in 1963 and 1964, before the formation of the Jet Set. [28] In tandem with the release of The Preflyte Sessions, Sundazed also issued a 7" single featuring previously unreleased 1964 recordings of "You Movin'" and "Boston", neither of which were included on The Preflyte Sessions album. [29] As of 2010, the two World Pacific recordings of "You Movin'" and "Boston" found on this single have not been released on CD.
In 2006, Sundazed Records reissued the original Preflyte album in a remastered edition. [30]
In 2012, Floating World Records issued another compilation of the Byrds' World Pacific recordings titled Preflyte Plus. [31] This compilation was essentially a re-release of the earlier Sundazed 2 CD compilation, but with an additional eight previously unreleased tracks.
All tracks written by Gene Clark except noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "You Showed Me" | Jim McGuinn, Gene Clark | 2:05 |
2. | "Here Without You" | 2:30 | |
3. | "She Has a Way" | 2:34 | |
4. | "The Reason Why" | 2:34 | |
5. | "For Me Again" | 2:32 | |
6. | "Boston" | 2:07 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "You Movin'" | 2:10 | |
2. | "The Airport Song" | Jim McGuinn, David Crosby | 2:03 |
3. | "You Won't Have to Cry" | Jim McGuinn, Gene Clark | 2:17 |
4. | "I Knew I'd Want You" | 2:19 | |
5. | "Mr. Tambourine Man" | Bob Dylan | 2:20 |
The 2012 CD reissue titled Preflyte Plus is essentially the same compilation as The Preflyte Session 2-disc set, with the following songs added to the end of disc 2:
No. | Title | Writer(s) | Length |
---|---|---|---|
21. | "Tomorrow Is a Long Ways Away" | Gene Clark | 2:02 |
22. | "You Won't Have to Cry" | Jim McGuinn, Gene Clark | 2:22 |
23. | "You Showed Me" | Jim McGuinn, Gene Clark | 2:06 |
24. | "I Knew I'd Want You" (Acoustic) | Gene Clark | 2:19 |
25. | "Mr. Tambourine Man" | Bob Dylan | 2:15 |
26. | "She's the Kind of Girl" | Gene Clark | 3:06 |
27. | "I'm Just a Young Man" | David Crosby | 2:08 |
28. | "Everybody's Been Burned" | David Crosby | 3:05 |
Sources for this section are as follows: [12] [18]
Date | Label | Format | Country | Catalog # | Notes |
---|---|---|---|---|---|
July 29, 1969 | Together | LP | US | ST-1-1001 | original release. |
January 1973 | Bumble | LP | UK | GEXP 8001 | |
April 27, 1973 | Columbia | LP | US | C 32183 | |
1973 | Ariola | LP | Holland | 86 468 IT | |
July 9, 2001 | Poptones | CD | UK | MC5044CD | |
December 3, 2001 | Poptones | LP | UK | MC33150441LP | |
December 17, 2001 | Sundazed | CD | US | SC 11116 | The Preflyte Sessions expanded release. |
December 18, 2001 | Sundazed | LP | US | LP 5114 | The Preflyte Sessions expanded release. |
February 21, 2006 | Sundazed | CD | US | SC 6234 | |
February 27, 2012 | Floating World | CD | UK | FLOATD6122 | Preflyte Plus: reissue of the earlier Sundazed compilation with extra tracks. |
June 14, 2012 | Air Mail Archive | CD | JPN | AIRAC 1659/61 | Preflyte – Complete Edition: Blu-spec CD reissue of the Together, Bumble and Columbia releases of Preflyte in miniature replica LP sleeves. |
The Byrds were an American rock band formed in Los Angeles, California, in 1964. The band underwent multiple lineup changes throughout its existence, with frontman Roger McGuinn remaining the sole consistent member. Although their time as one of the most popular groups in the world only lasted for a short period in the mid-1960s, the Byrds are today considered by critics to be among the most influential rock acts of their era. Their signature blend of clear harmony singing and McGuinn's jangly 12-string Rickenbacker guitar was "absorbed into the vocabulary of rock" and has continued to be influential.
Harold Eugene Clark was an American singer-songwriter and founding member of the folk rock band the Byrds. He was the Byrds' principal songwriter between 1964 and early 1966, writing most of the band's best-known originals from this period, including "I'll Feel a Whole Lot Better", "She Don't Care About Time", "Eight Miles High" and "Set You Free This Time". Although he did not achieve commercial success as a solo artist, Clark was in the vanguard of popular music during much of his career, prefiguring developments in such disparate subgenres as psychedelic rock, baroque pop, newgrass, country rock, and alternative country. He was inducted into the Rock and Roll Hall of Fame in 1991 as a member of the Byrds.
Younger Than Yesterday is the fourth studio album by the American rock band the Byrds and was released on February 6, 1967, on Columbia Records. It saw the band continuing to integrate elements of psychedelia and jazz into their music, a process they had begun on their previous album, Fifth Dimension. In addition, the album captured the band and record producer Gary Usher experimenting with new musical textures, including brass instruments, reverse tape effects and an electronic oscillator.
Mr. Tambourine Man is the debut studio album by the American rock band the Byrds and was released on June 21, 1965, by Columbia Records. The album is characterized by the Byrds' signature sound of Jim McGuinn's 12-string Rickenbacker guitar and the band's complex harmony singing. The material on the album mostly consists of cover versions of folk songs, primarily composed by Bob Dylan, and originals written or co-written by singer Gene Clark. Along with the Dylan-penned single of the same name, Mr. Tambourine Man established the band as an internationally successful act and is widely regarded by critics as representing the first effective American challenge to the chart dominance of the Beatles and other British Invasion bands during the mid-1960s.
The Notorious Byrd Brothers is the fifth album by the American rock band the Byrds, and was released in January 1968, on Columbia Records. The album represents the pinnacle of the Byrds' late-‘60s musical experimentation, with the band blending together elements of psychedelia, folk rock, country, electronic music, baroque pop, and jazz. With producer Gary Usher, they made extensive use of a number of studio effects and production techniques, including phasing, flanging, and spatial panning. The Byrds also introduced the sound of the pedal steel guitar and the Moog modular synthesizer into their music, making it one of the first LP releases on which the Moog appears.
Turn! Turn! Turn! is the second studio album by American rock band the Byrds, released on December 6, 1965, by Columbia Records. Like its predecessor, Mr. Tambourine Man, the album epitomized the folk rock genre and continued the band's successful mix of vocal harmony and jangly twelve-string Rickenbacker guitar. The album's lead single and title track, "Turn! Turn! Turn!", which was adapted by Pete Seeger from text in the Book of Ecclesiastes, had previously been arranged in a chamber-folk style by the Byrd's lead guitarist Jim McGuinn for folk singer Judy Collins' third album, but the arrangement he used for the Byrds' recording of the song utilizes the same folk-rock style as the band's previous hit singles.
Fifth Dimension is the third album by the American rock band the Byrds and was released in July 1966 on Columbia Records. Most of the album was recorded following the February 1966 departure of the band's principal songwriter Gene Clark. In an attempt to compensate for Clark's absence, guitarists Jim McGuinn and David Crosby increased their songwriting output. In spite of this, the loss of Clark resulted in an album with four cover versions and an instrumental, which critics have described as "wildly uneven" and "awkward and scattered". However, it was the first Byrds album not to include any songs written by Bob Dylan, whose material had previously been a mainstay of the band's repertoire.
The Byrds' Greatest Hits is the first greatest hits album by the American rock band the Byrds and was released in August 1967 on Columbia Records. It is the top-selling album in the Byrds' catalogue and reached number 6 on the Billboard Top LPs chart, but failed to chart in the UK.
(Untitled) is the ninth album by the American rock band the Byrds and was released in September 1970 on Columbia Records. It is a double album, with the first LP featuring live concert recordings from early 1970, and a second disc consisting of new studio recordings. The album represented the first official release of any live recordings by the band, as well as the first appearance on a Byrds' record of new recruit Skip Battin, who had replaced the band's previous bass player, John York, in late 1969.
Byrds is the twelfth and final studio album by the American rock band the Byrds and was released in March 1973 on Asylum Records. It was recorded as the centerpiece of a reunion among the five original band members: Roger McGuinn, Gene Clark, David Crosby, Chris Hillman, and Michael Clarke. The last time that all five members had worked together as the Byrds was in 1966, prior to Clark's departure from the band. During the reunion, the current, latter-day lineup of the band continued to make live appearances until February 1973, with McGuinn being the only member common to both versions of the group.
The Byrds is a four-CD box set by the American rock band the Byrds. It features music that had previously been released between the mid-1960s and early 1970s, along with a number of previously unreleased tracks and some new recordings from 1990. The box set was issued on October 19, 1990, by Columbia/Legacy and reached number 151 on the Billboard albums chart.
"I'll Feel a Whole Lot Better" is a song by the Los Angeles folk rock band the Byrds, first released in June 1965 on the B-side of the band's second single, "All I Really Want to Do". Despite initially being released as a B-side, the song managed to chart in its own right in the U.S., just outside the Billboard Hot 100. It was also included on the Byrds' debut album, Mr. Tambourine Man.
There Is a Season is a four-CD and one DVD box set by the American rock band the Byrds that was released on September 26, 2006 by Columbia/Legacy. It comprises 99 tracks and includes material from every one of the band's twelve studio albums, presented in roughly chronological order. The bonus DVD features ten clips of the Byrds lip-synching their hits on television programs between 1965 and 1967. Upon release, the box set failed to reach the Billboard 200 chart or the UK Albums Chart. There Is a Season supplants the band's earlier box set, The Byrds, which was released in October 1990.
"It Won't Be Wrong" is a song by the American folk rock band the Byrds, which appeared as the second track on their 1965 album, Turn! Turn! Turn! It was also coupled with the song "Set You Free This Time" for a single release in 1966, resulting in "It Won't Be Wrong" charting at number 63 on the Billboard Hot 100. The song was written by Byrds band member Jim McGuinn and his friend Harvey Gerst in 1964.
"Why" is a song by the American rock band the Byrds, written by David Crosby and Jim McGuinn and first released as the B-side of the band's "Eight Miles High" single in March 1966. The song was re-recorded in December 1966 and released for a second time as part of the band's Younger Than Yesterday album.
Never Before is a compilation album by the American rock band the Byrds, consisting of previously unreleased outtakes, alternate versions, and rarities. It was initially released by Re-Flyte Records in December 1987 and was subsequently reissued on CD in 1989, with an additional seven bonus tracks.
In the Beginning is a compilation album by the American folk rock band the Byrds and was released in August 1988 by Rhino Records. It features demo recordings made during 1964, before the band became famous.
McGuinn, Clark & Hillman were an American rock group consisting of Roger McGuinn, Gene Clark, and Chris Hillman, who were all former members of the band the Byrds. The group formed in 1977 and was partly modeled after Crosby, Stills, Nash & Young and, to a lesser extent, the Eagles. They were reasonably successful commercially in the United States, with their debut album reaching number 39 on the Billboard Top LPs & Tapes chart and the single "Don't You Write Her Off" reaching number 33 on the Billboard Hot 100.
"She Don't Care About Time" is a song by American folk rock band the Byrds. It was released on a non-album single in October 1965, as the B-side to "Turn! Turn! Turn!". The song was written by Gene Clark, the Byrds' main songwriter between 1964 and early 1966. "She Don't Care About Time" was recorded during sessions for the group's second album Turn! Turn! Turn!. The song is on most of the band's hits compilations.
"I Knew I'd Want You" is a song by the folk rock band the Byrds, written by band member Gene Clark, and first released as the B-side to their 1965 debut single, "Mr. Tambourine Man". It was also later included on their debut album, Mr. Tambourine Man.