Herbert Banemann Rawlinson was an English-born stage, film, radio, and television actor. A leading man during Hollywood's silent film era, Rawlinson transitioned to character roles after the advent of sound films.
My Baby is a 1912 American short comedy film directed by D. W. Griffith and Frank Powell. Prints of the film exist in the film archives of the Museum of Modern Art and the Library of Congress.
Cradle Snatchers is a 1927 American silent comedy film directed by Howard Hawks. The picture is based on the 1925 Russell Medcraft and Norma Mitchell stage play of the same name that starred Mary Boland, Edna May Oliver, Raymond Hackett, Gene Raymond, and Humphrey Bogart.
Expensive Women is a 1931 American pre-Code film drama. It was produced by First National Pictures and distributed through their parent company Warner Bros. The film was directed by silent film veteran Hobart Henley and stars Dolores Costello. It was Costello's final film as a leading lady and star for Warners, which she had been since 1925. She retired to be the wife of John Barrymore and to raise their family. Costello would return to films five years later after a long hiatus and the end of her marriage to Barrymore, but never regained the luster she enjoyed as a Warners star.
Beware of Blondes is a 1928 American silent drama film directed by George B. Seitz. With no copies listed in any film archives, Beware of Blondes is now lost with a trailer surviving in the Library of Congress collection.
Blackbirds is an extant 1915 American silent film drama produced by Jesse Lasky and distributed through Paramount Pictures. The film marks an early starring screen appearance by actress Laura Hope Crews in this her second motion picture. The film is based on a 1913 Broadway play, Blackbirds, by Harry James Smith which also starred Crews. This is a surviving film at the Library of Congress.
The Woman on the Jury is a lost 1924 American silent drama film produced and released by Associated First National and directed by Harry Hoyt. It is based on a Broadway stage play, The Woman on the Jury, and stars Sylvia Breamer and Bessie Love. The story was refilmed in 1929 as an early talkie under the title The Love Racket starring Dorothy Mackaill.
Lovers in Quarantine is an extant 1925 American silent comedy film starring Bebe Daniels and directed by Frank Tuttle. It was produced by Famous Players–Lasky and distributed by Paramount Pictures. The film is based on a 1924 Broadway play Quarantine by F. Tennyson Jesse. The film entered the public domain on January 1, 2021.
Lilies of the Field is a 1924 American silent drama film directed by John Francis Dillon, produced by and starring actress Corinne Griffith, and distributed by Associated First National Pictures. It is based on a 1921 play, Lilies of the Field, by William J. Hurlbut. The film was remade by Griffith as an early sound film in 1930.
Party Husband is a 1931 American pre-Code comedy film produced by First National Pictures and released through their parent company Warner Bros. It was directed by Clarence G. Badger and stars Dorothy Mackaill. It is preserved at the Library of Congress.
Penrod and Sam is a 1931 American pre-Code comedy film directed by William Beaudine and starring Leon Janney and Frank Coghlan Jr. It is an adaptation of the novel Penrod and Sam by Booth Tarkington. Beaudine had previously directed a 1923 silent version, and was invited to remake his earlier success.
Swim Girl, Swim is a lost 1927 American silent romantic comedy film produced and distributed by Famous Players–Lasky and Paramount Pictures, now amalgamated as Paramount Famous Lasky. It was directed by Clarence Badger and starred Bebe Daniels. English Channel swimmer Gertrude Ederle has a guest appearance.
Nancy from Nowhere is a 1922 American silent romantic comedy film directed by Chester Franklin and starring Bebe Daniels. It was produced by Realart Pictures and distributed by Paramount Pictures.
The Unknown is a 1915 American silent drama film produced by Jesse Lasky and distributed by Paramount Pictures. Directed by George Melford, it stars Lou Tellegen, Theodore Roberts, and Dorothy Davenport.
Boots is a lost 1919 American silent comedy film directed by Elmer Clifton and starring Dorothy Gish. It was produced by D. W. Griffith, his New Art Film Co., and distributed through Famous Players–Lasky and Paramount Pictures.
Let Katie Do It is a 1916 American silent film drama directed by Chester and Sidney Franklin and was produced by D. W. Griffith's Fine Arts company. It is also known as Let Katy Do It. A copy is preserved in the Library of Congress collection and UCLA Film & TV.
Classified is a 1925 American silent drama film directed by Alfred Santell and produced by and starring Corinne Griffith. It was based on a novel by Edna Ferber and distributed through First National Pictures.
The Woman from Mellon's is a 1910 silent short film directed by D. W. Griffith and starring Mary Pickford and Billy Quirk. It was produced and distributed by the Biograph Company.
His Captive Woman is a 1929 American sound part-talkie part-talking drama film directed by George Fitzmaurice and starring Milton Sills and Dorothy Mackaill. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. This film is "based on the short story "Changeling" by Donn Byrne in Changeling and Other Stories ." It was produced and distributed by First National Pictures which was already a subsidiary of the Warner Brothers studios. Both Mackaill and Sills as well as director Fitzmaurice had worked together on the previous year's The Barker.
Mothers of Men is a 1917 silent film directed by Willis Robards, promoting woman's suffrage. The seven-reel drama is considered lost. A five-reel re-edited version also directed by Robards was released in 1921—following ratification of the Nineteenth Amendment—under the title Every Woman's Problem. This version survives through a single 35mm print preserved by the British Film Institute. The 1921 re-release was restored in 2016, in a collaboration between the BFI and the San Francisco Silent Film Festival.
