"Stop! In the Name of Love" is a 1965 song recorded by the Supremes for the Motown label.
"In the Midnight Hour" is a song originally performed by Wilson Pickett in 1965 and released on his 1965 album of the same name, also appearing on the 1966 album The Exciting Wilson Pickett. The song was composed by Pickett and Steve Cropper at the historic Lorraine Motel in Memphis, later the site of the assassination of Martin Luther King Jr. Pickett's first hit on Atlantic Records, it reached number one on the R&B charts and peaked at number 21 on the pop charts.
"You Can't Hurry Love" is a 1966 song originally recorded by the Supremes on the Motown label. It was released on July 25 of 1966 as the second single from their studio album The Supremes A' Go-Go (1966).
"Reach Out I'll Be There" (also formatted as "Reach Out (I'll Be There)") is a song recorded by the Four Tops from their fourth studio album Reach Out (1967). Written and produced by Motown's main production team, Holland–Dozier–Holland, the song is one of the most widely-known Motown hits of the 1960s and is today considered the Four Tops' signature song.
"Too Busy Thinking About My Baby" is a Motown song written by Norman Whitfield, Barrett Strong, and Janie Bradford. The song was first recorded by The Temptations as a track on their 1966 album Gettin' Ready. Eddie Kendricks sings lead on the recording, which was produced by Whitfield. Jimmy Ruffin also recorded a version with The Temptations providing background vocals in 1966. It remained unreleased until 1997.
"Mr. Sandman" is a popular song written by Pat Ballard and published in 1954. It was first recorded in May of that year by Vaughn Monroe & His Orchestra and later that year by The Chordettes and the Four Aces. The song's lyrics convey a request to "Mr. Sandman" to "bring me a dream" – the traditional association of the folkloric figure. The pronoun used to refer to the desired dream is often changed depending on the sex of the singer or group performing the song, as the original sheet music publication, which includes male and female versions of the lyrics, intended.
"Do You Believe in Magic" is a song by American rock band the Lovin' Spoonful, written by John Sebastian in 1965. The single peaked at number 9 on the Billboard Hot 100 chart. In 1978, Shaun Cassidy reached the Top 40 with his cover version.
"Elvira" is a song written and originally recorded by Dallas Frazier in 1966 on his album of the same name. Though a minor hit for Frazier at the time of release, the song became a bigger and much more famous country and pop hit by The Oak Ridge Boys in 1981. "Elvira" is now considered one of the Oak Ridge Boys' signature songs.
"There's a Kind of Hush" is a popular song written by Les Reed and Geoff Stephens. Originally recorded by Stephens' group the New Vaudeville Band in 1967 as a neo-British music hall number, this version of the track became a hit in Australia and South Africa. However, in the rest of the world, a near-simultaneous cover was a big hit for Herman's Hermits. The song was a charted hit again in 1976 for The Carpenters.
"You've Got Your Troubles" became the inaugural composition by the prolific songwriting team of Roger Cook and Roger Greenaway in 1964. "You've Got Your Troubles" became a number 2 UK hit for the Fortunes in the United Kingdom in August 1965, affording the group international success including a Top Ten ranking in the US. The track was included on the Fortunes' self-titled 1965 debut album release, the group's only album release of the 1960s.
"(Your Love Keeps Lifting Me) Higher and Higher" is an R&B song written by Gary Jackson, Raynard Miner, and Carl Smith. It was recorded by Jackie Wilson for his album Higher and Higher (1967), produced by Carl Davis, and became a Top 10 pop and number one R&B hit.
"To Know Him Is to Love Him" is a song written by Phil Spector, inspired by words on his father's tombstone, "To Know Him Was to Love Him." It was first recorded by the only vocal group of which he was a member, the Teddy Bears. Their recording spent three weeks at No. 1 on the Billboard Hot 100 chart in 1958, while reaching No. 2 on the UK's New Musical Express chart. Peter & Gordon and Bobby Vinton later had hits with the song, with its title and lyrics changed to "To Know You Is to Love You". In 1987, the song was resurrected by Dolly Parton, Linda Ronstadt, and Emmylou Harris, whose Trio recording topped the U.S. country singles chart. The song is in 12/8 time.
"Da Doo Ron Ron" is a song written by Jeff Barry, Ellie Greenwich and Phil Spector. It first became a popular top five hit single for the American girl group the Crystals in 1963. American teen idol Shaun Cassidy recorded the song in 1977 and his version hit number one on the Billboard Hot 100 chart. There have also been many other cover versions of this song, including one by the songwriters Jeff Barry and Ellie Greenwich themselves, performing as the Raindrops.
"Cecilia" is a song by American musical duo Simon & Garfunkel. It was released in April 1970 as the third single from the group's fifth and last studio album, Bridge over Troubled Water (1970). Written by Paul Simon, the song's origins lie in a late-night party, in which the duo and friends began banging on a piano bench. They recorded the sound with a tape recorder, employing reverb and matching the rhythm created by the machine. Simon later wrote the song's guitar line and lyrics on the subject of an untrustworthy lover.
"Georgy Girl" is a song by the Australian pop/folk music group The Seekers. It was used as the title song for the 1966 film of the same title. Tom Springfield, who had written "I'll Never Find Another You", composed the music and Jim Dale supplied the lyrics. The song is heard at both the beginning and end of the film, with markedly different lyrics. It was nominated for an Academy Award for Best Original Song but the prize went to "Born Free".
"Everybody Dance" is a song by American band Chic. The disco song, which features Norma Jean Wright on lead vocals and Luther Vandross, Diva Gray, Robin Clark and David Lasley on background vocals, was released as the second single from the band's self-titled debut album Chic (1977). According to guitarist Nile Rodgers, it was the first song specifically written for Chic, and, due to its historical status and popularity, is usually played as the opening song of the band's live set. It was later heavily sampled by British group Steps on their song "Stomp" and echoed by the Manic Street Preachers on their single "(It's Not War) Just the End of Love".
"Husbands and Wives" is a song written and first recorded by American country music singer Roger Miller. Miller's original, from his album Words and Music, was released in February 1966 and was a crossover hit for him, reaching Top Ten on the U.S. country and Adult Contemporary charts, as well as Top 40 on the pop charts. Since the release of Miller's original, the song has been covered by several other artists, including The Everly Brothers, Ringo Starr, Neil Diamond, a duet between David Frizzell and Shelly West, Jules Shear, and Brooks & Dunn, whose version was a number-one country hit in 1998.
"I'll Try Something New" is a song written by Smokey Robinson and originally released in 1962 by The Miracles on Motown Records' Tamla subsidiary label. Their version was a Billboard Top 40 hit, peaking at #39, and just missed the Top 10 of its R&B chart, peaking at #11. The song was released later as a joint single by Diana Ross & the Supremes and The Temptations, also becoming a charting version on the Billboard 100 pop singles chart, peaking for two weeks in April 1969 at number 25.
"That Same Old Feeling" is the title of a pop song composed by John Macleod and Tony Macaulay which in 1970 was a Top Ten UK hit for Pickettywitch, an English band fronted by Polly Brown. In the US the Pickettywitch single vied with a rival version by The Fortunes, with both versions scoring well-enough regionally to reach the Top 70 of the Hot 100, the national hit parade maintained by Billboard magazine.
"He Understands Me" is a song released in 1963 by Teresa Brewer. The song was a hit single for Johnny Tillotson in 1964, retitled "She Understands Me", and Bobby Vinton in 1966, retitled "Dum-De-Da".
