"Rain on the Roof" | ||||
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Single by the Lovin' Spoonful | ||||
from the album Hums of the Lovin' Spoonful | ||||
B-side |
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Released | October 1966 | |||
Genre | ||||
Length | 2:11 | |||
Label | Kama Sutra | |||
Songwriter(s) | John Sebastian | |||
Producer(s) | Erik Jacobsen | |||
The Lovin' Spoonful singles chronology | ||||
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Licensed audio | ||||
"Rain on the Roof" on YouTube |
"Rain on the Roof" (sometimes titled "You and Me and Rain on the Roof") is a song by the American folk-rock band the Lovin' Spoonful. Written by John Sebastian, the song was released as a single in October 1966 and was included on the album Hums of the Lovin' Spoonful the following month. The song reached number ten on the Billboard Hot 100 chart, making it the Lovin' Spoonful's sixth-consecutive single to reach the top ten in the United States.
"Rain on the Roof" features several guitars played by Sebastian and Zal Yanovsky, as well as an Irish harp. Released three months after the harder-rock styled single "Summer in the City", "Rain on the Roof" represented a return to the softer sound for which the Lovin' Spoonful had become known. Contemporary reviewers noted the difference between the singles, while still positively reviewing "Rain on the Roof".
John Sebastian composed "Rain on the Roof" after a night spent listening to the rain with his wife Loretta "Lorey" Kaye in their Greenwich Village apartment. [1] [2] The song similarly describes two lovers listening to the rain, [2] while featuring a melody suggestive of the Greek Mixolydian mode. [3] Produced and arranged by the Lovin' Spoonful's regular producer Erik Jacobsen, [2] the recording features an interplay of guitars between Zal Yanovsky and Sebastian, [1] including a Ditson acoustic twelve-string and a pedal steel guitar. [1] [2] In addition, Sebastian played an Irish harp, [4] a stringed instrument he acquired when the band visited Dublin in April 1966. [1] [5] Yanovsky added further elements with his Guild Thunderbird electric guitar. [6] [7] To generate a French horn-like sound, [1] [2] he turned the treble off on his guitar but turned up the amplifier's treble and gain, resulting in distortion and the beginning of feedback. [6] Yanovksy used his standard amplifier, a Fender Super Reverb, which he later said added extra bottom end while also being loud. [8]
Bassist Steve Boone later reflected being "mesmerized" by each of his bandmates' guitar work, characterizing it as "like music from heaven". [1] [2] Author Bernard Gendron considers the guitars reminiscent of harpsichords, leading him to place the song in the contemporary baroque rock trend. [9] Author Maury Dean instead considers the song soft rock, due to its twelve-string guitar melody. [10]
After recording the backing track, the band's earliest attempts at recording vocals featured a round sung by Sebastian, Yanovsky and drummer Joe Butler, [2] similar in style to their 1965 song "Didn't Want to Have to Do It". [1] They abandoned this format for the final recording, instead opting for a solo vocal from Sebastian. [2] The recording fades out on a dominant seventh chord, which according to musicologist Walter Everett means the song "never [achieves a] full-cadence closure", leaving it feeling unresolved. [11]
The possibility of releasing "Rain on the Roof" as a single generated disagreement among the members of the Lovin' Spoonful. [1] [12] The band's previous single "Summer in the City" featured a harder sound than their previous output, [13] [14] and it had attracted new fans to the group after it reached number one on the Billboard Hot 100 chart in August 1966. [15] [16] Both Boone and Butler worried that returning to a softer sound with "Rain on the Roof" would potentially alienate the band's new fans. [15] [17] Sebastian countered that the band ought to avoid releasing consecutive singles which sounded too similar, further contending that "Rain on the Roof" would add another dimension to their sound. [15] [nb 1]
Kama Sutra Records issued "Rain on the Roof" as a single in October 1966. [18] [19] In the October 8 issue of Billboard , the magazine's review panel highlighted the song as likely to reach the top 20 of the Hot 100, [20] and the single debuted on the chart the following week at number 76. [21] It remained on the chart for ten weeks and peaked at number ten, making it the Lovin' Spoonful's sixth consecutive single to reach the top ten. [16] The song was later included on the band's November 1966 album Hums of the Lovin' Spoonful , [22] where it appeared as the opening track of side two. [1] Because the song shared its name with a 1931 composition by songwriter Ann Ronell, [23] Kama Sutra altered its title on Hums of the Lovin' Spoonful to "You and Me and Rain on the Roof". [24]
Billboard's reviewer counted "Rain on the Roof" as a continuation of the band's "unpredictable, fresh, original material", writing that the "clever rhythm ballad with [a] baroque feel" was a likely blockbuster. [20] Reviewers in both Cash Box and Record World magazines highlighted the song's difference from "Summer in the City", [25] [26] Cash Box's reviewer calling it a return to the band's "soft-rock stylings". [25] In an interview with Melody Maker magazine in December 1966, Bruce Woodley of the Australian pop group the Seekers praised the song's guitar work as beautiful while questioning why the song was not popular in the United Kingdom. [27] Writing about the song decades later, author Charles Winick considers "Rain on the Roof"'s melody and lyrics as having more in common with the music of decades earlier than contemporary rock music. [28]
Chart (1966) | Peak position |
---|---|
Australia National Top 40 ( Go-Set ) [29] | 31 |
Canada Top Singles ( RPM ) [30] | 12 |
Finland ( Soumen Virallinen ) [31] | 28 |
Netherlands (Veronica Top 40) [32] | 11 |
Netherlands (Hilversum 3 Top 30) [33] | 13 |
Sweden (Kvällstoppen) [34] | 11 |
Sweden ( Tio i Topp ) [35] | 3 |
U.K. ( Disc and Music Echo ) [36] | 48 |
U.K. ( Melody Maker ) [37] | 47 |
U.S. Billboard Hot 100 [16] | 10 |
U.S. Cash Box Top 100 [38] | 9 |
U.S. Record World 100 Top Pops [39] | 6 |
John Benson Sebastian (born March 17, 1944) is an American singer, songwriter and musician who founded the rock band the Lovin' Spoonful in 1964 with Zal Yanovsky. During his time in the Lovin Spoonful, John would write and sing some of the bands biggest hits such as "Do You Believe in Magic", "Did You Ever Have to Make Up Your Mind", and "Daydream". Sebastian would leave the Spoonful in 1968 after the album Everything Playing. After leaving the Spoonful, Sebastian would focus on a solo career, releasing his first solo album in 1970 titled John B. Sebastian. Sebastian would continue on recording solo albums.
Zalman Yanovsky was a Canadian folk-rock musician and restaurateur. Born in Toronto, he was the son of political cartoonist Avrom Yanovsky and teacher Nechama Yanovsky, who died in 1958. He played lead guitar and sang for the Lovin' Spoonful, a rock band which he founded with John Sebastian in 1964.
The Lovin' Spoonful is an American folk-rock band formed in Greenwich Village, New York City, in 1964. The band were among the most popular groups in the United States for a short period in the mid-1960s and their music and image influenced many of the contemporary rock acts of their era. Beginning in July 1965 with their debut single "Do You Believe in Magic", the band had seven consecutive singles reach the Top Ten of the U.S. charts in the eighteen months that followed, including the number-two hits "Daydream" and "Did You Ever Have to Make Up Your Mind?" and the chart-topping "Summer in the City".
"Do You Believe in Magic" is a song by the American folk-rock band the Lovin' Spoonful. Written by John Sebastian, it was issued as the band's debut single in July 1965. The single peaked at number nine on the Billboard Hot 100. It later served as the title track of the band's debut album, issued that November. In 1978, Shaun Cassidy reached the Top 40 with his cover version.
Daydream is the second album by the Lovin' Spoonful, released in March 1966. It features two hits, "Daydream", which reached No. 2 in the U.S. Billboard Top 40 charts, and "You Didn't Have to Be So Nice".
Do You Believe in Magic is the debut album by the folk rock group the Lovin' Spoonful. It was released in the United States in November 1965, on the Kama Sutra label. Release in the United Kingdom followed in March 1966. The album features the hits "Do You Believe in Magic" and "Did You Ever Have to Make Up Your Mind?".
"Summer in the City" is a song by the American folk-rock band the Lovin' Spoonful. Written by John Sebastian, Mark Sebastian and Steve Boone, the song was released as a non-album single in July 1966 and was included on the album Hums of the Lovin' Spoonful later that year. The single was the Lovin' Spoonful's fifth to break the top ten in the United States, and the only one by the group to reach number one. A departure from the band's lighter sound, the recording features a harder rock style. The lyrics differ from most songs about the summer by lamenting the heat, contrasting the unpleasant warmth and noise of the daytime with the relief offered by the cool night, which allows for the nightlife to begin.
The Mugwumps was an American rock band formed in New York City in 1964. Signed to Warner Bros., the group released one single before disbanding in late 1964. An album by the band went unreleased until 1967, when some of its former members had become famous in the Mamas and the Papas and the Lovin' Spoonful.
Hums of the Lovin' Spoonful is the third studio album by the American folk rock band the Lovin' Spoonful. It was released in November 1966 by Kama Sutra Records. It peaked at No. 14 on the Billboard Pop Albums chart.
Everything Playing is the fourth studio album by the American folk-rock band the Lovin' Spoonful, released in December 1967.
Steve Boone is an American bass guitarist and music producer, best-known as a member of the American folk-rock group the Lovin' Spoonful. Boone co-wrote two of the groups' biggest hits, "You Didn't Have to Be So Nice" and "Summer in the City". Besides the Spoonful, Boone is also a record producer, he produced albums by several artists. He also was the owner of Blue Sea Studios, a recording studio that recorded albums by Little Feat, Robert Palmer and many other artists.
The Lovin' Spoonful Anthology is a compilation album by the folk rock group the Lovin' Spoonful, released in 1990.
The Best of the Lovin' Spoonful is a 1967 compilation album by the Lovin' Spoonful featuring hits and other tracks from their first three albums. It charted the highest of the group's career, hitting number three on the Billboard Top LPs chart.
"You Didn't Have to Be So Nice" is a song by the American folk-rock band the Lovin' Spoonful. Written by John Sebastian and Steve Boone, it was issued on a non-album single in November 1965. The song was the Lovin' Spoonful's second-consecutive single to enter the top ten in the United States, peaking at number ten. It was later included on the band's second album, Daydream, released in March 1966.
"Daydream" is a song by the American folk-rock band the Lovin' Spoonful. Written by John Sebastian, it was issued as a single in February 1966 and was the title track of the band's second album, Daydream, released the following month. The song was the Lovin' Spoonful's third consecutive single to enter the top ten in the United States, and it was their best performing to that point, reaching number two. The single's European release coincided with a British and Swedish promotional tour, leading the song to be the band's first major hit outside North America. It topped sales charts in Canada and Sweden, and it was ultimately the band's most successful record in the United Kingdom, where it reached number two.
"Darling Be Home Soon" is a song written by John Sebastian of the Lovin' Spoonful for the soundtrack of the 1966 Francis Ford Coppola film You're a Big Boy Now. It appeared on the Lovin' Spoonful's 1967 soundtrack album You're a Big Boy Now. Sebastian performed his composition at Woodstock; it was the fourth song out of the five he performed at the 1969 music festival in White Lake, New York.
"Nashville Cats" is a song by the American folk-rock band the Lovin' Spoonful. Written by John Sebastian, the song appeared on the band's 1966 album Hums of the Lovin' Spoonful, and it was also issued on a single released the same day as the album. The single peaked at number eight on the Billboard Hot 100 chart, marking the seventh and final time the band reached the American Top Ten.
"Crazy 'Bout My Baby" is a song first written and recorded by musician Robert Mosley in 1963. His third solo single, it failed to chart, leading to it becoming his final single released. Initially an obscure single, it was brought to light by mainstream acts such as The Swinging Blue Jeans and Tages, the latter of which charted in Sweden with it.
The Lovin' Spoonful is an American folk-rock band which was originally active between 1964 and 1968. During their original tenure, they released five studio albums, two soundtrack albums, four compilation albums, and fourteen singles in the United States. Between October 1965 and January 1967, their first-seven singles reached the Top Ten in the United States on Billboard magazine's Hot 100 chart, and the magazine's 1966 end-of-year issue ranked the group as that year's third-best-performing singles artist, after the Beatles and the Rolling Stones. Though the Lovin' Spoonful achieved success during the transition to the album era, they and their label remained focused on the singles market; the group's 1966 album Daydream was their only studio album to break the Top Ten of the Billboard Top LPs chart, and its performance was bested only by a 1967 compilation album, The Best of the Lovin' Spoonful, which RIAA certified for gold that year. The Lovin' Spoonful saw diminished success in 1967, when only two of their singles entered the top twenty in the U.S. Following further chart disappointments, the group disbanded in 1968.
In May 1966, Zal Yanovsky and Steve Boone of the American folk-rock band the Lovin' Spoonful were arrested in San Francisco, California, for possessing one ounce of marijuana. The Spoonful were at the height of their success, and Yanovsky, a Canadian, worried that a conviction would lead to his deportation and a breakup of the band. To avoid this eventuality, he and Boone cooperated with law enforcement, revealing their drug source to an undercover agent at a party a week after their initial arrest.