Auditorium Building

Last updated

Auditorium Building
Auditorium Building Chicago June 30, 2012-92.jpg
Building's exterior in 2012
Chicago central map.png
Red pog.svg
USA Illinois location map.svg
Red pog.svg
Usa edcp location map.svg
Red pog.svg
Location430 S. Michigan Ave.
Chicago, Illinois
Coordinates 41°52′34″N87°37′31″W / 41.87611°N 87.62528°W / 41.87611; -87.62528
Area67,699.5 square feet (6,289.49 m2)
Built1889
Architect Louis Sullivan
Dankmar Adler
Architectural styleLate-19th- and early-20th-century American movements
Part of Historic Michigan Boulevard District
NRHP reference No. 70000230 [1]
Significant dates
Added to NRHPApril 17, 1970 [2]
Designated NHLMay 15, 1975 [3]
Designated CLSeptember 15, 1976
Historical markers Auditorium Building Chicago June 30, 2012-91.jpg
Historical markers

The Auditorium Building in Chicago is one of the best-known designs of Louis Sullivan and Dankmar Adler. Completed in 1889, the building is located at the northwest corner of South Michigan Avenue and Ida B. Wells Drive. The building was designed to be a multi-use complex, including offices, a theater, and a hotel. As a young apprentice, Frank Lloyd Wright worked on some of the interior design.

Contents

The Auditorium Theatre is part of the Auditorium Building and is located at 50 East Ida B. Wells Drive. The theater was the first home of the Chicago Civic Opera and the Chicago Symphony Orchestra.

The building was added to the National Register of Historic Places on April 17, 1970. [2] It was declared a National Historic Landmark in 1975, [3] and was designated a Chicago Landmark on September 15, 1976. [4] In addition, it is a historic district contributing property for the Chicago Landmark Historic Michigan Boulevard District. Since 1947, the Auditorium Building has been part of Roosevelt University.

Origin and purpose

Ferdinand Peck, a Chicago businessman, incorporated the Chicago Auditorium Association in December 1886 to develop what he wanted to be the world's largest, grandest, most expensive theater that would rival such institutions as the Metropolitan Opera House in New York City. He was said to have wanted to make high culture accessible to the working classes of Chicago.

The building was to include an office block and a first class hotel. Peck persuaded many Chicago business tycoons to go on board with him, including Marshall Field, Edson Keith, Martin A. Ryerson, Charles L. Hutchinson and George Pullman. The association hired the renowned architectural firm of Dankmar Adler and Louis Sullivan to design the building. At the time, a young Frank Lloyd Wright was employed at the firm as draftsman, and he may have contributed to the design. [5]

The Auditorium was built for a syndicate of businessmen to house a large civic opera house; to provide an economic base it was decided to wrap the auditorium with a hotel and office block. Hence Adler & Sullivan had to plan a complex multiple-use building. Fronting on Michigan Avenue, overlooking the lake, was the hotel (now Roosevelt University) while the offices were placed to the west on Wabash Avenue. The entrance to the auditorium is on the south side beneath the tall blocky eighteen-story tower. The rest of the building is a uniform ten stories, organized in the same way as Richardson's Marshall Field Wholesale Store. The interior embellishment, however, is wholly Sullivan's, and some of the details, because of their continuous curvilinear foliate motifs, are among the nearest equivalents to European Art Nouveau architecture. [6]

Design

Sullivan and Adler designed a tall structure with load-bearing outer walls, and based the exterior appearance partly on the design of H.H. Richardson's Marshall Field Warehouse, another Chicago landmark. [7] The Auditorium is a heavy, impressive structure externally, and was more striking in its day when buildings of its scale were less common. When completed, it was the tallest building in the city and largest building in the United States. [8]

One of the most innovative features of the building was its massive raft foundation, designed by Adler in conjunction with engineer Paul Mueller. The soil beneath the Auditorium consists of soft blue clay to a depth of over 100 feet, which made conventional foundations impossible. Adler and Mueller designed a floating mat of crisscrossed railroad ties, topped with a double layer of steel rails embedded in concrete, the whole assemblage coated with pitch.

The resulting raft distributed the weight of the massive outer walls over a large area. However, the weight of the masonry outer walls in relation to the relatively lightweight interior deformed the raft during the course of a century, and today portions of the building have settled as much as 29 inches. This deflection is clearly visible in the theater lobby, where the mosaic floor takes on a distinct slope as it nears the outer walls. This settlement is not because of poor engineering but the fact the design was changed during construction. The original plan had the exterior covered in lightweight terra-cotta, but this was changed to stone after the foundations were under construction. Most of the settlement occurred within a decade after construction, and at one time a plan existed to shorten the interior supports to level the floors but this was never carried out.

In the center of the building was a 4,300 seat auditorium, originally intended primarily for production of Grand Opera. In keeping with Peck's democratic ideals, the auditorium was designed so that all seats would have good views and acoustics. The original plans had no box seats and when these were added to the plans they did not receive prime locations.

Housed in the building around the central space were an 1890 addition of 136 offices and a 400-room hotel, [8] [9] whose purpose was to generate much of the revenue to support the opera. While the Auditorium Building was not intended as a commercial building, Peck wanted it to be self-sufficient. Revenue from the offices and hotel was meant to allow ticket prices to remain reasonable. In reality, both the hotel and office block became unprofitable within a few years.

Later uses

On October 5, 1887, President Grover Cleveland laid the cornerstone for the Auditorium Building. The 1888 Republican National Convention was held in a partially finished building where Benjamin Harrison was nominated as a presidential candidate. On December 9, 1889, President Benjamin Harrison dedicated the building and opera star Adelina Patti sang "Home Sweet Home" to thunderous applause.[ citation needed ] Adler & Sullivan had also opened their offices on the 16th and 17th floors of the Auditorium tower.

Roosevelt University's Murray-Green Library on the 10th floor of the Auditorium Building Roosevelt university murray green library 2017-09-10.jpg
Roosevelt University's Murray-Green Library on the 10th floor of the Auditorium Building

The Chicago Symphony Orchestra debuted on October 16, 1891, and made its home in the Auditorium Theatre until moving to Orchestra Hall in 1904. [8]

The opera company renting the accommodation moved to the Civic Opera House in 1929, and the Auditorium Theatre closed during the Great Depression. In 1941, it was taken over by the city of Chicago to be used as a World War II servicemen's center. By 1946, Roosevelt University moved into the Auditorium Building, [8] but the theater was not restored to its former splendor.

In 1952, Congress Parkway was widened, bringing the curb to the southern edge of the building. To make room for a sidewalk, some ground-floor rooms and part of the theater lobby were removed and a sidewalk arcade created. [10]

Crowd outside the Auditorium Theatre during Obama's Grant Park rally on the night of the 2008 election OBAMANOMENON (3004814871).jpg
Crowd outside the Auditorium Theatre during Obama's Grant Park rally on the night of the 2008 election

On October 31, 1967, the Auditorium Theatre reopened and through 1975, the Auditorium served as a rock venue. Among other notable acts, the Grateful Dead played there ten times from 1971 through 1977.

The Doors also played their first concert at the Auditorium Building after their arrest of singer Jim Morrison on June 14, 1969.

It was declared a National Historic Landmark by the U.S. Department of the Interior in 1975.

The building was equipped with the first central air conditioning system and the theater was the first to be entirely lit by incandescent light bulbs. [8] In 2001, a major restoration of the Auditorium Theatre was begun by Daniel P. Coffey and Associates in conjunction with EverGreene Architectural Arts to return the theater to its original colors and finishes.

On April 30, 2015, the National Football League held its 2015 NFL Draft in the Auditorium Theatre, the first time the league had held its annual draft in Chicago in more than 50 years.

Related Research Articles

<span class="mw-page-title-main">Louis Sullivan</span> American architect

Louis Henry Sullivan was an American architect, and has been called a "father of skyscrapers" and "father of modernism." He was an influential architect of the Chicago School, a mentor to Frank Lloyd Wright, and an inspiration to the Chicago group of architects who have come to be known as the Prairie School. Along with Wright and Henry Hobson Richardson, Sullivan is one of "the recognized trinity of American architecture." The phrase "form follows function" is attributed to him, although the idea was theorised by Viollet le Duc who considered that structure and function in architecture should be the sole determinants of form. In 1944, Sullivan was the second architect to posthumously receive the AIA Gold Medal.

<span class="mw-page-title-main">Dankmar Adler</span> American architect

Dankmar Adler was a German-born American architect and civil engineer. He is best known for his fifteen-year partnership with Louis Sullivan, during which they designed influential skyscrapers that boldly addressed their steel skeleton through their exterior design: the Wainwright Building in St. Louis, Missouri (1891), the Chicago Stock Exchange Building (1894), and the Guaranty Building in Buffalo, New York (1896).

<span class="mw-page-title-main">Ferdinand Peck</span>

Ferdinand Wythe Peck (1848-1924) was a wealthy Chicago, Illinois, businessman and philanthropist, best known for financing Chicago's Auditorium Building.

<span class="mw-page-title-main">Wainwright Building</span> United States historic place

The Wainwright Building is a 10-story, 41 m (135 ft) terra cotta office building at 709 Chestnut Street in downtown St. Louis, Missouri. The Wainwright Building is considered to be one of the first aesthetically fully expressed early skyscrapers. It was designed by Dankmar Adler and Louis Sullivan and built between 1890 and 1891. It was named for local brewer, building contractor, and financier Ellis Wainwright.

<span class="mw-page-title-main">Auditorium Theatre</span>

The Auditorium Theatre is a music and performance venue located in the Auditorium Building at 50 E. Ida B. Wells Drive in Chicago, Illinois. Inspired by the Richardsonian Romanesque Style of architect Henry Hobson Richardson, the building was designed by Dankmar Adler and Louis Sullivan and completed in 1889. The Chicago Symphony Orchestra performed in the theatre until 1904 as well as the Chicago Grand Opera Company and its successors the Chicago Opera Association and Chicago Civic Opera until its relocation to the Civic Opera House in 1929. The theater was home to the Joffrey Ballet from 1998 until 2020. It currently hosts a variety of concerts, musicals, performances, and events. Since the 1940s, it has been owned by Roosevelt University and since the 1960s it has been refurbished and managed by an independent non-profit arts organization.

<span class="mw-page-title-main">Pilgrim Baptist Church</span> Historic church in Illinois, United States

Pilgrim Baptist Church is a historic church located on the south side of Chicago, Illinois, USA. The landmarked building was originally constructed for a synagogue, Kehilath Anshe Ma'arav. The church is notable both as an architectural landmark and for the cultural contributions by the congregation of the church. Located at 3301 S. Indiana Ave, the church is in the heart of Chicago's Bronzeville neighborhood. In 2017, the church was sold to the National Museum of Gospel Music.

<span class="mw-page-title-main">Prudential (Guaranty) Building</span> Early skyscraper in Buffalo, New York

The Guaranty Building, formerly called the Prudential Building, is an early skyscraper in Buffalo, New York. It was designed by Louis Sullivan and Dankmar Adler and completed in 1896. The building has been declared a National Historic Landmark and is located within the Joseph Ellicott Historic District.

<span class="mw-page-title-main">Chicago College of Performing Arts</span>

Chicago College of Performing Arts is a performing arts college that is housed at Roosevelt University in Chicago, Illinois, United States.

<span class="mw-page-title-main">Dexter Building</span> Building in Chicago

The Dexter Building was a landmark building located at 630 South Wabash Avenue, in the South Loop area of Chicago, Illinois. The building was designed by the firm of Dankmar Adler and Louis Sullivan, and built in 1887. Prior to its destruction in 2006 it was one of the earliest surviving Louis Sullivan buildings, and was considered a precursor of the nearby Auditorium Building. It was designated as a Chicago Landmark in 1996 and was described by the Landmarks Division of the City of Chicago Department of Planning and Development as an "irreplaceable link in the chain of work of one of the nation's most important architectural partnerships". It was distinctive in its use of exterior perforated girders, prefiguring designs of seven decades later.

<span class="mw-page-title-main">Walter Gale House</span> Historic house in Illinois, United States

The Walter H. Gale House, located in the Chicago suburb of Oak Park, Illinois, was designed by Frank Lloyd Wright and constructed in 1893. The house was commissioned by Walter H. Gale of a prominent Oak Park family and is the first home Wright designed after leaving the firm of Adler & Sullivan. The Gale House was listed on the U.S. National Register of Historic Places on August 17, 1973.

<span class="mw-page-title-main">Robert P. Parker House</span> Historic house in Illinois, United States

The Robert P. Parker House is a house located in the Chicago suburb of Oak Park, Illinois, United States. The house was designed by American architect Frank Lloyd Wright in 1892 and is an example of his early work. Real-estate agent Thomas H. Gale had it built and sold it to Robert P. Parker later that year. The house was designed by Wright independently while he was still employed by the firm Adler & Sullivan, run by engineer Dankmar Adler and architect, Louis Sullivan; taking outside commissions was something that Sullivan forbade. The Parker House is listed as a contributing property to a U.S. federally Registered Historic District.

<span class="mw-page-title-main">Thomas H. Gale House</span> Historic house in Illinois, United States

The Thomas H. Gale House, or simply Thomas Gale House, is a house located in the Chicago suburb of Oak Park, Illinois, United States. The house was designed by famous American architect Frank Lloyd Wright in 1892 and is an example of his early work. The house was designed by Wright independently while he was still employed in the architecture firm of Adler & Sullivan, run by engineer Dankmar Adler and architect, Louis Sullivan; taking outside commissions was something that Sullivan forbade. The house is significant because of what it shows about Wright's early development period. The Parker House is listed as contributing property to a U.S. federally Registered Historic District. The house was designated an Oak Park Landmark in 2002.

John Mills Van Osdel was an American architect who is considered the first Chicago architect. He is considered a peer of the most prominent architects in the history of Chicago. He has also done significant work throughout Illinois and the Midwest, although much of it no longer exists.

Currently there are 124 properties listed on the National Register of Historic Places in Central Chicago, out of more than 350 listings in the City of Chicago. Central Chicago includes 3 of the 77 well-defined community areas of Chicago: the historic business and cultural center of Chicago known as the Loop, as well as the Near North Side and the Near South Side. The combined area is bounded by Lake Michigan on the east, the Chicago River on the west, North Avenue on the north, and 26th Street on the south. This area runs 5.25 miles (8.45 km) from north to south and about 1.5 miles (2.4 km) from east to west.

Adler & Sullivan was an architectural firm founded by Dankmar Adler and Louis Sullivan in Chicago. Among its projects was the multi-purpose Auditorium Building in Chicago and the Wainwright Building skyscraper in St Louis. In 1883 Louis Sullivan was added to Adler's architectural firm, creating the Adler & Sullivan partnership. According to Architect Ward Miller:

Adler & Sullivan are most associated with being an innovative and progressive architectural practice, forwarding the idea of an American style and expressing this in a truly modern format. Their work was widely published and at the forefront of building construction. Their buildings and especially their multipurpose structures. .. were unequaled. Furthermore, the expression of a tall building, its structure with a definite base, middle section or shaft and top or cornice was a new approach for the high building design. These types of tall structures developed into a format.. .. Even today, the vertical expression of a building employs these design principals.

<span class="mw-page-title-main">Garrick Theater (Chicago)</span> Former theater in Chicago, Illinois, USA

The Schiller Theater Building was designed by Louis Sullivan and Dankmar Adler of the firm Adler & Sullivan for the German Opera Company. At the time of its construction, it was among the tallest buildings in Chicago. Its centerpiece was a 1300-seat theater, which is considered by architectural historians to be one of the greatest collaborations between Adler and Sullivan.

<span class="mw-page-title-main">Steinway Hall (Chicago)</span> Office building / indoor theater in Illinois, United States

Steinway Hall was an 11-story office building, and ground-floor theater, located at 64 East Van Buren Street in Chicago, Illinois. The theater had at least 14 names over the years, opening in 1896 as the Steinway Music Hall, and closing in the late 1960s as Capri Cinema. In the early 1900s, the building held the offices and nucleus of a group of famous Chicago architects that included a young Frank Lloyd Wright. These architects, inspired by the Arts and Crafts Movement and the philosophies of Louis Sullivan, formed what would become known as the Prairie School.

<span class="mw-page-title-main">Central Music Hall (Chicago)</span>

Central Music Hall (1879–1900) was a mixed-use commercial building and theater in Chicago, situated on the southeast corner of State and Randolph Streets. It was designed by celebrated German-born American architect Dankmar Adler. It was the first important building designed by the famous architect, in which he made initial use of his knowledge of acoustics. The building was demolished in 1900, around the same time Adler died, in order to build the Marshall Field & Company store, now Macy's.

<span class="mw-page-title-main">McVicker's Theater</span> Playhouse

McVicker's Theater (1857–1984) was a playhouse in Chicago, Illinois, United States. Built for actor James Hubert McVicker, the theater was the leading stage for comedic plays in Chicago's early years. It often hosted performances by Edwin Booth, who married McVicker's daughter and was once targeted there in an attempted murder. Adler & Sullivan designed a remodel in 1883. Although destroyed in two fires, including the Great Chicago Fire, McVicker's remained an operating theater until 1984. It was demolished the next year.

<span class="mw-page-title-main">Pueblo Opera House</span> Former theater in Colorado (USA)

The Pueblo Opera House was a theater built in Pueblo, Colorado, and opened in 1890. The building was completely destroyed by a fire in 1922.

References

Notes

  1. "National Register Information System". National Register of Historic Places . National Park Service. July 9, 2010.
  2. 1 2 Pitts, Carolyn (March 10, 1975). "National Register of Historic Places Inventory/Nomination: Auditorium Building". National Park Service. Retrieved December 8, 2011.{{cite journal}}: Cite journal requires |journal= (help)
  3. 1 2 "Auditorium Building". National Historic Landmark summary listing. National Park Service. May 15, 1975. Archived from the original on October 9, 2012. Retrieved December 8, 2011.
  4. "Auditorium Building". Commission on Chicago Landmarks. Chicago Department of Housing and Economic Development, Historic Preservation Division. Retrieved December 8, 2011.
  5. "Some interior details were probably drawn by Frank Lloyd Wright, who started in Sullivan's office as a draftsman in 1887." Banister Fletcher. A History of Architecture. p. 1241.
  6. Roth, Leland M. A Concise History of American Architecture. p. 179-80
  7. Sarkowski, John (1956). The Idea of Louis Sullivan. Bulfinch Press. p. 22. ISBN   0-8212-2667-3.
  8. 1 2 3 4 5 Henning, Joel (September 6, 2008). "Form Follows Function, Elegantly: Louis Sullivan designed the Auditorium Theatre's interior to complement its acoustics-driven shape". The Wall Street Journal . Dow Jones & Company. Archived from the original on September 11, 2008. Retrieved September 7, 2008.
  9. Carey, Heidi Pawlowski (2005). "Auditorium Building". The Electronic Encyclopedia of Chicago. Chicago Historical Society . Retrieved September 7, 2008.
  10. "Auditorium Building". Emporis . Archived from the original on May 12, 2015.

Further reading