List of quarter tone pieces

Last updated

A selection of compositions using quarter tones:

Contents

A

B

C

D

E

F

G

H

I

K

L

M

N

O

P

R

S

T

W

Y

See also

Notes

  1. Saito 2008, p. 12.
  2. Bach, "Concert Variations", JanBach.com.
  3. Op de Coul 2012, "Uses quarter tones."
  4. Clements 2008.
  5. Couture & [2001].
  6. Gagné 2012, p. 26.
  7. Read 1990, p. 51.
  8. Somfai 1996 , p. 269; Bayley 2001 , p. 168
  9. Riley 1996 , p. 275; Gagné 2012 , p. 217
  10. Gagné 2012 , p. 217; Read 1990 , p. 52
  11. Johnston 2013; Michaels 2013
  12. Skinner 2007, p. vii.
  13. Read 1964, pp. 143–144.
  14. 1 2 3 4 5 6 Gagné 2012, p. 217.
  15. Skinner 2007, p. 45.
  16. Gagné 2012 , p. 217; Read 1990 , p. 58
  17. Boulez 1986, pp. 129–131.
  18. "Jacob Collier - in the Bleak Midwinter (Transcription)". YouTube .
  19. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 Read 1990, p. 2.
  20. Gagné 2012 , p. 217; Latham 2008 , p. 11
  21. Hinson 1983, p. 42.
  22. Couper 1937.
  23. Saffle 2000, p. 230.
  24. Hinson 1983, pp. 52–53.
  25. Keislar 1991 , p. 185, "The nine harps are divided into three groups of three and tuned in sixth-tones, and the flute plays in quarter-steps"
  26. Lanser and Monahan & [1999].
  27. Oteri 2004 , n. 12, "At some point, he outfitted his entire trumpet section with four-valved trumpets whose additional valve allowed them to play quarter-tones"
  28. Bentoiu 2010, pp. 242–244.
  29. Patterson 2009, pp. 38–39.
  30. Anon. 2011.
  31. Anon. 2001 , p. 347; Anon. 2007 , p. 106
  32. Kurtz 2007, p. 232.
  33. Lhermet 2016.
  34. Fiilin 2020.
  35. "Georg Friedrich Haas: 3 Hommages", UniversalEdition.com.
  36. Macdonald 2001.
  37. Gagné 2012 , p. 217; Rosner and Wolverton 2001 , [ page needed ]
  38. Pappastavrou 1974; Sherwood 2002 , pp. 123–126
  39. Borchert 2015.
  40. "The Legendary Microtonal Trio by Jeronimas Kačinskas – a challenge for performers". Music Information Centre Lithuania. Retrieved June 3, 2021.
  41. "Classical Music". The New Yorker . Vol. 74, no. 1–10. p. 23.
  42. Steinitz 2003 , p. 201. However, Duchesneau (2011 , p. 135) states that Ramifications is Ligeti's "only work in quarter tones".
  43. Steinitz 2003 , p. 183. However, Duchesneau (2011 , p. 135) states that Ramifications is Ligeti's "only work in quarter tones".
  44. Clendinning 1993 , p. 219; Duchesneau 2011 , p. 135; Griffiths 2001; Roig-Francolí 1995 , p. 244; Steinitz 2003 , pp. 179–180; Toop 1999 , pp. 134–135.
  45. Richards 1992, [ page needed ].
  46. Benedetti, Brown, Laramie, and Williams 2004, p. 134.
  47. Brown 1994, pp. 177–178.
  48. 1 2 Froom 1994, p. 135.
  49. 1 2 Fether 2005, pp. 5, 36, and 51.
  50. Fether 2005, p. 36.
  51. Fether 2005, pp. 36, and 105.
  52. Gagné 2012, p. 172.
  53. Oteri n.d.
  54. Anon. 2015.
  55. He et al. 2006, [ page needed ].
  56. Benson 2007, p. 228.
  57. Brotbeck 2004, pp. 56–57.
  58. Stockhausen 1964 , p. 15, "Konträr-Klangräume: 6 Pauken, deren Stimmung ganztönig, und zur Klavierstimmung vierteltönig verschoben [Contrasting sound spaces: 6 timpani, the whole tone of which is tuned and quarter-tone shifted to the piano tuning]".
  59. Everett, Walter (2009). The Foundations of Rock: From "Blue Suede Shoes" to "Suite: Judy Blue Eyes". Oxford University Press, USA. p. 32. ISBN   978-0-19-531023-8.
  60. 1 2 Hansen 2005, p. 285.
  61. Tucker 1970 , p. 7, "An arrow head pointing down over a note lowers it approximately a quarter step".
    Hettrick 1971, "Both pieces require performing techniques not encountered in traditional music for recorder. The most striking is the production of quarter-tones, notated as pitches in the chromatic scale to be lowered slightly. Charts provided by the composer give fingering for all half- and quarter-tones from the low f' up to a precarious c''''."
  62. Tucker 1986 , pp. 2–3, "'V' over a tone lowers it a quartertone … 'V' below a group of tones lowers that group a quartertone".
  63. Hettrick 1971.
    Tucker 1970 , p. 4, "An arrow head pointing down over a note lowers it approximately a quarter step".
  64. Anon. 1997, p. 921.
  65. Maxwell 1993, p. 103.
  66. Read 1990, p. 76.
  67. Ysaÿe 1924, pp. 24, 26, 39, and 43.

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References

Further reading