Dianic Wicca, also known as Dianic Witchcraft, is a modern pagan goddess tradition focused on female experience and empowerment. Leadership is by women, who may be ordained as priestesses, or in less formal groups that function as collectives. While some adherents identify as Wiccan, it differs from most traditions of Wicca in that only goddesses are honored.
Wicca, also known as "The Craft", is a modern pagan, syncretic, earth-centered religion. Scholars of religion categorize it as both a new religious movement and as part of occultist Western esotericism. It was developed in England during the first half of the 20th century and was introduced to the public in 1954 by Gerald Gardner, a retired British civil servant. Wicca draws upon a diverse set of ancient pagan and 20th-century hermetic motifs for its theological structure and ritual practices.
Zsuzsanna Emese Mokcsay is a Hungarian-American writer, activist, playwright and songwriter living in America who writes about feminist spirituality and Dianic Wicca under the pen name Zsuzsanna Budapest or Z. Budapest. She is the founder of the Susan B. Anthony Coven #1, which was founded in 1971 as the first women-only witches' coven. She founded the female-only style of Dianic Wicca.
Alexandrian Wicca or Alexandrian Witchcraft is a tradition of the Neopagan religion of Wicca, founded by Alex Sanders who, with his wife Maxine Sanders, established the tradition in the United Kingdom in the 1960s. Alexandrian Wicca is similar in many ways to Gardnerian Wicca, and receives regular mention in books on Wicca as one of the religion's most widely recognised traditions.
Stregheria is a neo-pagan tradition similar to Wicca, with Italian and Italian American origins. While most practitioners consider Stregheria to be a distinct tradition from Wicca, some academics consider it to be a form of Wicca or an offshoot. Both have similar beliefs and practices. For example, Stregheria honors a pantheon centered on a Moon Goddess and a Horned God, similar to Wiccan views of divinity.
The Triple Goddess is a deity or deity archetype revered in many Neopagan religious and spiritual traditions. In common Neopagan usage, the Triple Goddess is viewed as a triunity of three distinct aspects or figures united in one being. These three figures are often described as the Maiden, the Mother, and the Crone, each of which symbolizes both a separate stage in the female life cycle and a phase of the Moon, and often rules one of the realms of heavens, earth, and underworld. In various forms of Wicca, her masculine consort is the Horned God.
Scott Douglas Cunningham was an American writer. Cunningham is the author of several books on Wicca and various other alternative religious subjects.
Drawing Down the Moon: Witches, Druids, Goddess-Worshippers, and Other Pagans in America Today is a sociological study of contemporary Paganism in the United States written by the American Wiccan and journalist Margot Adler. First published in 1979 by Viking Press, it was later republished in a revised and expanded edition by Beacon Press in 1986, with third and fourth revised editions being brought out by Penguin Books in 1996 and then 2006 respectively.
Celtic Wicca is a modern form of Wicca that incorporates some elements of Celtic mythology. It employs the same basic theology, rituals and beliefs as most other forms of Wicca. Celtic Wiccans use the names of Celtic deities, mythological figures, and seasonal festivals within a Wiccan ritual structure and belief system, rather than a traditional or historically Celtic one.
A covenstead is a meeting place of a coven. The term relates specifically to the meeting place of witches within certain modern religious movements such as Wicca that fall under the collective term Modern Paganism, also referred to as Contemporary Paganism or Neopaganism. It functions to provide a place for the group to conduct rituals, undertake lessons and recognise festivals. It can also be referred to as the home of the coven.
European witchcraft is a multifaceted historical and cultural phenomenon that unfolded over centuries, leaving a mark on the continent's social, religious, and legal landscapes. The roots of European witchcraft trace back to classical antiquity when concepts of magic and religion were closely related, and society closely integrated magic and supernatural beliefs. Ancient Rome, then a pagan society, had laws against harmful magic. In the Middle Ages, accusations of heresy and devil worship grew more prevalent. By the early modern period, major witch hunts began to take place, partly fueled by religious tensions, societal anxieties, and economic upheaval. Witches were often viewed as dangerous sorceresses or sorcerers in a pact with the Devil, capable of causing harm through black magic. A feminist interpretation of the witch trials is that misogynist views of women led to the association of women and malevolent witchcraft.
The history of Wicca documents the rise of the Neopagan religion of Wicca and related witchcraft-based Neopagan religions. Wicca originated in the early 20th century, when it developed amongst secretive covens in England who were basing their religious beliefs and practices upon what they read of the historical witch-cult in the works of such writers as Margaret Murray. It also is based on the beliefs from the magic that Gerald Gardner saw when he was in India. It was subsequently founded in the 1950s by Gardner, who claimed to have been initiated into the Craft – as Wicca is often known – by the New Forest coven in 1939. Gardner's form of Wicca, the Gardnerian tradition, was spread by both him and his followers like the High Priestesses Doreen Valiente, Patricia Crowther and Eleanor Bone into other parts of the British Isles, and also into other, predominantly English-speaking, countries across the world. In the 1960s, new figures arose in Britain who popularized their own forms of the religion, including Robert Cochrane, Sybil Leek and Alex Sanders, and organizations began to be formed to propagate it, such as the Witchcraft Research Association. It was during this decade that the faith was transported to the United States, where it was further adapted into new traditions such as Feri, 1734 and Dianic Wicca in the ensuing decades, and where organizations such as the Covenant of the Goddess were formed.
Wiccan views of divinity are generally theistic, and revolve around a Goddess and a Horned God, thereby being generally dualistic. In traditional Wicca, as expressed in the writings of Gerald Gardner and Doreen Valiente, the emphasis is on the theme of divine gender polarity, and the God and Goddess are regarded as equal and opposite divine cosmic forces. In some newer forms of Wicca, such as feminist or Dianic Wicca, the Goddess is given primacy or even exclusivity. In some forms of traditional witchcraft that share a similar duotheistic theology, the Horned God is given precedence over the Goddess.
In the neopagan religion of Wicca a range of magical tools are used in ritual practice. Each of these tools has different uses and associations and are commonly used at an altar, inside a magic circle.
Neopagan witchcraft, sometimes referred to as The Craft, is an umbrella term for some neo-pagan traditions that include the practice of magic. These traditions began in the mid-20th century, and many were influenced by the witch-cult hypothesis; a now-rejected theory that persecuted witches in Europe had actually been followers of a surviving pagan religion. The largest and most influential of these movements was Wicca. Some other groups and movements describe themselves as "Traditional Witchcraft" to distinguish themselves from Wicca.
Postmodern religion is any type of religion that is influenced by postmodernism and postmodern philosophies. Examples of religions that may be interpreted using postmodern philosophy include Postmodern Christianity, Postmodern Neopaganism, and Postmodern Buddhism. Postmodern religion is not an attempt to banish religion from the public sphere; rather, it is a philosophical approach to religion that critically considers orthodox assumptions. Postmodern religious systems of thought view realities as plural, subjective, and dependent on the individual's worldview. Postmodern interpretations of religion acknowledge and value a multiplicity of diverse interpretations of truth, being, and ways of seeing. There is a rejection of sharp distinctions and global or dominant metanarratives in postmodern religion, and this reflects one of the core principles of postmodern philosophy. A postmodern interpretation of religion emphasises the key point that religious truth is highly individualistic, subjective, and resides within the individual.
Never Again the Burning Times: Paganism Revisited is an anthropological study of the Wiccan and wider Pagan community in the United States. It was written by the American anthropologist Loretta Orion and published by Waveland Press in 1995.
Magic, Witchcraft and the Otherworld: An Anthropology is an anthropological study of contemporary Pagan and ceremonial magic groups that practiced magic in London, England, during the 1990s. It was written by English anthropologist Susan Greenwood based upon her doctoral research undertaken at Goldsmiths' College, a part of the University of London, and first published in 2000 by Berg Publishers.
Neopaganism in South Africa is primarily represented by the traditions of Wicca, Neopagan witchcraft, Germanic neopaganism and Neo-Druidism. The movement is related to comparable trends in the United States and Western Europe and is mostly practiced by White South Africans of urban background; it is to be distinguished from folk healing and mythology in local Bantu culture.
Modern paganviews on LGBT people vary considerably among different paths, sects, and belief systems. There are some popular neopagan traditions which have beliefs often in conflict with the LGBT community, and there are also traditions accepting of, created by, or led by LGBT individuals. The majority of conflicts concern heteronormativity and cisnormativity.
