Clarice Cliff was an English ceramic artist and designer. Active from 1922 to 1963, Cliff became the head of the Newport Pottery factory creative department.
Fiesta is a line of ceramic glazed dinnerware manufactured and marketed by the Fiesta Tableware Company of Newell, West Virginia since its introduction in 1936, with a hiatus from 1973 to 1985. Fiesta is noted for its Art Deco styling and its range of often bold, solid colors.
Spode is an English brand of pottery and homewares produced in Stoke-on-Trent, England. Spode was founded by Josiah Spode (1733–1797) in 1770, and was responsible for perfecting two important techniques that were crucial to the worldwide success of the English pottery industry in the 19th century: transfer printing on earthenware, and the formula for fine bone china.
Lustreware or lusterware is a type of pottery or porcelain with a metallic glaze that gives the effect of iridescence. It is produced by metallic oxides in an overglaze finish, which is given a second firing at a lower temperature in a "muffle kiln", or a reduction kiln, excluding oxygen.
Poole Pottery is a British pottery brand owned by Denby Pottery Company, with the products made in Stoke on Trent, Staffordshire.
Islamic pottery occupied a geographical position between Chinese ceramics, and the pottery of the Byzantine Empire and Europe. For most of the period, it made great aesthetic achievements and influence as well, influencing Byzantium and Europe. The use of drinking and eating vessels in gold and silver, the ideal in ancient Rome and Persia as well as medieval Christian societies, is prohibited by the Hadiths, with the result that pottery and glass were used for tableware by Muslim elites, as pottery also was in China but was much rarer in Europe and Byzantium. In the same way, Islamic restrictions greatly discouraged figurative wall painting, encouraging the architectural use of schemes of decorative and often geometrically patterned titles, which are the most distinctive and original speciality of Islamic ceramics.
Hispano-Moresque ware is a style of initially Islamic pottery created in Al-Andalus, which continued to be produced under Christian rule in styles blending Islamic and European elements. It was the most elaborate and luxurious pottery being produced in Europe until the Italian maiolica industry developed sophisticated styles in the 15th century, and was exported over most of Europe. The industry's most successful period was the 14th and 15th centuries.
Wedgwood is an English fine china, porcelain and luxury accessories manufacturer that was founded on 1 May 1759 by the potter and entrepreneur Josiah Wedgwood and was first incorporated in 1895 as Josiah Wedgwood and Sons Ltd. It was rapidly successful and was soon one of the largest manufacturers of Staffordshire pottery, "a firm that has done more to spread the knowledge and enhance the reputation of British ceramic art than any other manufacturer", exporting across Europe as far as Russia, and to the Americas. It was especially successful at producing fine earthenware and stoneware that were accepted as equivalent in quality to porcelain but were considerably cheaper.
Palissy was the trade name under which the English firm of A. E. Jones and Sons, of Stoke-on-Trent, marketed their china and pottery. The name was chosen as a tribute to Bernard Palissy, the famous French potter of the 16th century, creator of Palissy ware.
Portmeirion is a British pottery company based in Stoke-on-Trent, England. They specialise in earthenware tableware.
W. Moorcroft Limited is a British art pottery manufacturer specialising in richly decorated earthenware. based at Burslem in Stoke-on-Trent, England. The company was founded by William Moorcroft in 1913.
Mintons was a major company in Staffordshire pottery, "Europe's leading ceramic factory during the Victorian era", an independent business from 1793 to 1968. It was a leader in ceramic design, working in a number of different ceramic bodies, decorative techniques, and "a glorious pot-pourri of styles - Rococo shapes with Oriental motifs, Classical shapes with Medieval designs and Art Nouveau borders were among the many wonderful concoctions". As well as pottery vessels and sculptures, the firm was a leading manufacturer of tiles and other architectural ceramics, producing work for both the Houses of Parliament and United States Capitol.
Fielding majolica is pottery made at the Railway Pottery in Stoke on Trent under the proprietorship of Simon Fielding (1827–1906) and Abraham Fielding. Victorian majolica is a generic name given to the brightly coloured lead-glazed earthenware that was originally developed by Mintons for the Great Exhibition of 1851.
Norman Carling (1902–1971) was an English designer/modeller in ceramics, who created a large number of Art Deco models and joined Maling pottery in 1935 from the firm of A.J. Wilkinson, a company which also employed Clarice Cliff. He was responsible for Maling's classic 1930s art deco design called "Blossom Time". Carling was one of a talented design team working for Maling in the 1930s, the other two being Miss Theo Maling and Lucien George Boullemier.
Shelley Potteries, situated in Staffordshire, was earlier known as Wileman & Co. which had also traded as The Foley Potteries. The first Shelley to join the company was Joseph Ball Shelley in 1862 and in 1896 his son Percy Shelley became the sole proprietor, after which it remained a Shelley family business until 1966 when it was taken over by Allied English Potteries. Its china and earthenware products were many and varied although the major output was table ware. In the late Victorian period the Art Nouveau style pottery and Intarsio ranges designed by art director Frederick Alfred Rhead were extremely popular but Shelley is probably best known for its fine bone china “Art Deco” ware of the inter-war years and post-war fashionable tea ware.
Ironstone china, ironstone ware or most commonly just ironstone, is a type of vitreous pottery first made in the United Kingdom in the early 19th century. It is often classed as earthenware although in appearance and properties it is similar to fine stoneware. It was developed in the 19th century by potters in Staffordshire, England, as a cheaper, mass-produced alternative for porcelain.
China painting, or porcelain painting, is the decoration of glazed porcelain objects such as plates, bowls, vases or statues. The body of the object may be hard-paste porcelain, developed in China in the 7th or 8th century, or soft-paste porcelain, developed in 18th-century Europe. The broader term ceramic painting includes painted decoration on lead-glazed earthenware such as creamware or tin-glazed pottery such as maiolica or faience.
Leeds Pottery, also known as Hartley Greens & Co., is a pottery manufacturer founded around 1756 in Hunslet, just south of Leeds, England. It is best known for its creamware, which is often called Leedsware; it was the "most important rival" in this highly popular ware of Wedgwood, who had invented the improved version used from the 1760s on. Many pieces include openwork, made either by piercing solid parts, or "basketwork", weaving thin strips of clay together. Several other types of ware were produced, mostly earthenware but with some stoneware.
Roger Michell was a British studio potter, artist, illustrator, poet and writer. Although foremost a potter, his deep insight, curiosity and his singular skills enabled him to work across a range of disciplines. He was a prolific reader, often reading several books a week. His mind was constantly working on future projects, he had a vivid and complex imagination which was evident in his work. He was most known for designing Walking Ware, a tea set on legs with over-sized Mary Jane shoes. During the nineteen seventies and eighties, thousands of these tea sets were sold, either hand made from Lustre Pottery studio or manufactured by Carltonware in Stoke-on-Trent.
Millicent (Millie) Jane Taplin (1902–1980) was a British designer and painter of ceramics who spent most of her career at Josiah Wedgwood and Sons (1917–1962). She was trained in painting by Alfred and Louise Powell, and supervised Wedgwood's ceramics painters. She became a designer of decorative patterns in 1929 and by the mid-to-late 1930s was one of the company's main designers, although she did not design pottery shapes. She was one of only two working-class women to become a successful ceramics designer before the Second World War. Her tableware designs were exhibited by Wedgwood at Grafton Galleries in London in 1936, and several of her designs are now on display at the V&A Museum. Her design "Strawberry Hill", with Victor Skellern, was awarded the Council of Industrial Design's Design of the Year Award in 1957.
