"...(And That's No Lie)" | ||||
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Single by Heaven 17 | ||||
from the album How Men Are | ||||
B-side | "The Fuse" | |||
Released | 7 January 1985 | |||
Genre | Synthpop, new wave | |||
Length | 3:25 | |||
Label | Virgin | |||
Songwriter(s) | ||||
Producer(s) |
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Heaven 17 singles chronology | ||||
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"...(And That's No Lie)" is a song by the British new wave and synth-pop band Heaven 17, released on 7 January 1985 as the third single from their third studio album, How Men Are (1984). [1] The song was written by Glenn Gregory, Ian Craig Marsh and Martyn Ware, and produced by Ware and Greg Walsh. It reached number 52 in the UK Singles Chart and remained in the top 100 for five weeks. [2] A music video was filmed to promote the single.
In the UK, the 12-inch single was issued in five different sleeves. [3] All track listings were the same, except on the fifth and final 12-inch variation, which contains the exclusive "The Heaven 17 Megamix". It features extracts of "This Is Mine", "Crushed by the Wheels of Industry", "The Height of the Fighting (He-La-Hu)", "Penthouse and Pavement", "Temptation", "I'm Your Money" and "Play to Win".
On its release as a single, Martin Townsend of Number One picked "...(And That's No Lie)" as joint "single of the week" and predicted it would be a minor hit. He considered it to be "a densely melodic 7-inch and a truly awesome ten-minute ride on the 12-inch". [4] Mike Gardiner of Record Mirror felt it was "another disappointing release from a group who should know better". He compared the song to "looking at a construction site" which is "messy, noisy, a lot of activity but the building's only half complete". [5] Danny Kelly of New Musical Express commented, "This highlights the oft forgotten melodic strengths of Heaven 17 but are we really expected to get excited about a three minute edit from a ten minute track, the fourth A side from a non too thrilling LP?" He questioned how successful the single would be in the charts, but noted the "nice sleeve". [6]
DJ Mark Hollis, writing for the Daily Mirror stated, "Heaven 17 disappointed me with this on first hearing. Maybe a few plays will change that." [7] Frank Edmonds of the Bury Free Press gave the song a 5 out of 10 rating and wrote, "After two great singles this is pretty damn boring." [8] In a retrospective review of How Men Are, Aaron Badgley of AllMusic picked the song as a "highlight", describing it as "very long but very wonderful". He noted the "strong melody", "stunning vocals" and "tight production". [9]
7-inch single
12-inch single
12-inch single (UK 5/5 release)
Credits sourced from the original album liner notes.
Heaven 17
Additional personnel
Chart (1985) | Peak position |
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Irish Singles Chart [10] | 22 |
UK Singles Chart [2] | 52 |
Heaven 17 are an English synth-pop band formed in Sheffield in 1980. The band were a trio for most of their career, composed of founding Human League members Martyn Ware and Ian Craig Marsh (keyboards) with vocalist Glenn Gregory.
Penthouse and Pavement is the debut studio album by English synth-pop band Heaven 17, released in September 1981 by Virgin Records.
The Luxury Gap is the second studio album by English synth-pop band Heaven 17, released on 25 April 1983 by Virgin Records. It is the band's best-selling studio album, peaking at number 4 on the UK Albums Chart – eventually becoming the 17th best-selling album of the year – and being certified platinum by the BPI in 1984.
How Men Are is the third studio album by English synth-pop band Heaven 17, released on 24 September 1984 by Virgin Records. The album peaked at No. 12 in the UK and was certified Silver by the BPI in October 1984.
"Temptation" is a single by British band Heaven 17 featuring Carol Kenyon, originally released in April 1983 by Virgin Records, peaking at number two on the UK Singles Chart. This was the second single to be taken from their second album, The Luxury Gap (1983), after "Let Me Go" in November 1982. It was written by Glenn Gregory, Ian Craig Marsh and Martyn Ware, and produced by B.E.F. and Greg Walsh. The music video for the song was directed by Steve Barron. "Temptation" was certified silver by the BPI in May 1983, for sales exceeding 250,000 copies, subsequently listed by the Official Charts Company as the 34th best-selling single of 1983 in the UK.
"Terry" is a song by Kirsty MacColl, released as a single in October 1983, and charting at No. 82 in the UK the following month. It was her first release after returning to Stiff Records, and was the last in a run of poorly selling singles released between "There's a Guy Works Down the Chip Shop Swears He's Elvis" and "A New England". The music video featured an appearance from actor and comedian Ade Edmondson, who played MacColl's rejected boyfriend who got her back after fighting off a rival man. The photo on the front sleeve features MacColl and Chris Heester.
Pleasure One is the fourth studio album by English synth-pop synth-funk band Heaven 17, released on 17 November 1986 by Virgin Records. It was the band's last studio album chart entry within the UK Top 100.
Teddy Bear, Duke & Psycho is the fifth studio album by the English synth-pop band Heaven 17, released in September 1988 by Virgin Records, the band's last studio album for the label.
"7 Year Bitch" is a song by English rock band Slade, released in 1985 as the second single from their twelfth studio album, Rogues Gallery. The song was written by lead vocalist Noddy Holder and bassist Jim Lea, and was produced by John Punter. It reached number 60 in the UK Singles Chart and remained in the top 100 for three weeks.
"(We Don't Need This) Fascist Groove Thang" is a song by British synth-pop band Heaven 17. It was their debut single, released on 6 March 1981, and the lead single from their debut studio album, Penthouse and Pavement (1981). It was a minor hit in the UK in 1981, despite being banned by the BBC. It was also a minor dance hit in the US. It developed from an instrumental, "Groove Thang", that Martyn Ware and Ian Craig Marsh created earlier that year for Music for Stowaways, an album they released as British Electric Foundation.
"The Ballad of Go Go Brown" is a song by the British new wave and synth-pop band Heaven 17, released on 15 August 1988 as the lead single from their fifth studio album, Teddy Bear, Duke & Psycho. The song was written and produced by band members Glenn Gregory, Ian Craig Marsh and Martyn Ware. "The Ballad of Go Go Brown" reached number 91 in the UK Singles Chart and remained in the top 100 for two weeks.
"Trouble" is a song by the British new wave and synth-pop band Heaven 17, released on 5 January 1987 as the second and final single from their fourth studio album, Pleasure One (1986). It was written and produced by Glenn Gregory, Ian Craig Marsh and Martyn Ware. The song peaked at No. 51 in the UK and spent four weeks on the chart. It was a bigger success in Germany where it reached No. 17.
"Come Live With Me" is a song by the British synthpop band Heaven 17, which was released in 1983 as the fourth single from their second album The Luxury Gap. It was written by Glenn Gregory, Ian Craig Marsh and Martyn Ware, and produced by Marsh and Ware and Greg Walsh. "Come Live with Me" peaked at number 5 in the UK Singles Chart and remained in the top 100 for eleven weeks. It would be the band's last UK top 10 hit until the Brothers in Rhythm remix of "Temptation" in 1992.
"Contenders" is a song by the British new wave and synth-pop band Heaven 17, released on 6 October 1986 as the first single from their fourth studio album, Pleasure One. It was written and produced by Glenn Gregory, Ian Craig Marsh and Martyn Ware. The song reached No. 80 in the UK and spent four weeks on the chart. It also reached No. 6 on the U.S. Billboard Dance/Club Play Singles Chart.
"Sunset Now" is a song by the British new wave and synth-pop band Heaven 17, released on 20 August 1984 as the first single from their third studio album, How Men Are (1984). It was written by Glenn Gregory, Ian Craig Marsh and Martyn Ware, and produced by Marsh and Ware and Greg Walsh. It reached No. 24 in the UK, remaining on the charts for six weeks on. A music video was filmed to promote the single.
"This Is Mine" is a song by the British new wave and synth-pop band Heaven 17, released on 19 October 1984 as the second single from their third studio album, How Men Are (1984). It was written by Glenn Gregory, Ian Craig Marsh and Martyn Ware, and produced by Marsh and Greg Walsh. The song reached No. 23 in the UK, remaining in the charts for seven weeks. It would be the band's last Top 30 single until 1992's "Temptation "
"The Foolish Thing to Do" is a song by the British synthpop band Heaven 17, featuring American singer Jimmy Ruffin. It was released by Virgin on 21 April 1986 as a non-album single. The song was written by Glenn Gregory, Ian Craig Marsh, Martyn Ware and Nick Plytas, and produced by Marsh and Ware.
"Designing Heaven" is a song by the British new wave and synth-pop band Heaven 17, released in 1996 as the lead single from their sixth studio album, Bigger Than America. It was written by band members Glenn Gregory, Ian Craig Marsh and Martyn Ware, and was produced by Marsh and Ware under their production company British Electric Foundation. The song peaked at number 128 in the UK Singles Chart. It was the band's first release of new material since 1988.
"The Height of the Fighting (He-La-Hu)" is a song by British new wave and synth-pop band Heaven 17, released on 12 February 1982 as the fifth and final single from their debut album, Penthouse and Pavement. It was written by Martyn Ware, Ian Craig Marsh and Glenn Gregory, and produced by Ware and Marsh.
"I'm Your Money" is a song by English new wave and synth-pop band Heaven 17, released in 1981 by Virgin as a non-album single. The song was written by band members Ian Craig Marsh, Martyn Ware and Glenn Gregory, and produced by B.E.F..