Location | West Berlin, Germany |
---|---|
Founded | 1951 |
Awards | Golden Bear: La Notte |
Festival date | 23 June–4 July 1961 |
Website | Website |
The 11th annual Berlin International Film Festival was held from 23 June to 4 July 1961. [1]
The Golden Bear was awarded to the Italian film La Notte directed by Michelangelo Antonioni. [2]
The following people were announced as being on the jury for the festival: [3]
The following films were in competition for the Golden Bear award: [4]
English title | Original title | Director(s) | Production Country |
---|---|---|---|
14,000 Witnesses | 證人 萬 四千 個 證人 | Wang Hao | Taiwan, Hong Kong |
Amelie or The Time to Love | Amélie ou le Temps d'aimer | Michel Drach | France |
Antigone | Aντιγόνη | Yorgos Javellas | Greece |
Anuradha | अनुराधा | Hrishikesh Mukherjee | India |
The Assassin | L'assassino | Elio Petri | Italy, France |
A Woman Is a Woman | Une femme est une femme | Jean-Luc Godard | France |
The Bad Sleep Well | 悪い奴ほどよく眠る | Akira Kurosawa | Japan |
Black Silk | Prae dum | Rattana Pestonji and Ratanavadi Ratanabhand | Thailand |
The Broken Pots | Kırık Çanaklar | Memduh Ün | Turkey |
The Coachman | 마부 | Kang Dae-jin | South Korea |
The End of the Cancageiros | A Morte Comanda o Cangaço | Carlos Coimbra and Walter Guimares Motta | Brazil |
Five Day Lover | L'Amant de cinq jours | Philippe de Broca | France, Italy |
La Notte | Michelangelo Antonioni | Italy, France | |
La patota | Daniel Tinayre | Argentina | |
Macbeth | George Schaefer | United States, United Kingdom | |
The Marriage of Mr. Mississippi | Die Ehe des Herrn Mississippi | Kurt Hoffmann | West Germany, Switzerland |
The Miracle of Father Malachia | Das Wunder des Malachias | Bernhard Wicki | Austria |
No Love for Johnnie | Ralph Thomas | United Kingdom | |
The Pleasure of His Company | George Seaton | United States | |
Question 7 | Stuart Rosenberg | United States, West Germany | |
Romanoff and Juliet | Peter Ustinov | United States | |
The Scarlet Dove | Tulipunainen kyyhkynen | Matti Kassila | Finland |
Teenagers | Almurahikat | Ahmed Diaa Eddine | Egypt |
That Joyous Eve | Makkers Staakt uw Wild Geraas | Fons Rademakers | Netherlands |
Two Loves | Charles Walters | United States | |
Young People | Los jóvenes | Luis Alcoriza | Mexico |
Zone of Danger | I faresonen | Bjørn Breigutu | Norway |
English title | Original title | Director(s) | Production Country |
---|---|---|---|
A Country Called Chile | Un país llamado Chile | B.H. Hardy | Chile |
Chimichimito | José Martín | Venezuela | |
Dreamland of Desire | Traumland der Sehnsucht | Wolfgang Müller-Sehn | West Germany, Greece |
Gesicht von der Stange? | Raimund Ruehl | West Germany | |
Hold Back the Sea | De lage landen | George Sluizer | Netherlands |
Lo specchio, la tigre e la pianura | Raffaele Andreassi | Italy | |
Morning on the Lièvre | David Bairstow | Canada | |
Third Side of the Coin | Description d'un combat | Chris Marker | France, Israel |
Sirènes | Emile Degelin | Belgium |
The following prizes were awarded by the Jury: [2]
Michelangelo Antonioni was an Italian director and filmmaker. He is best known for his "trilogy on modernity and its discontents"—L'Avventura (1960), La Notte (1961), and L'Eclisse (1962)—as well as the English-language film Blowup (1966). His films have been described as "enigmatic and intricate mood pieces" that feature elusive plots, striking visual composition, and a preoccupation with modern landscapes. His work substantially influenced subsequent art cinema. Antonioni received numerous awards and nominations throughout his career, being the only director to have won the Palme d'Or, the Golden Lion, the Golden Bear and the Golden Leopard.
La Notte is a 1961 Italian drama film directed by Michelangelo Antonioni and starring Marcello Mastroianni, Jeanne Moreau and Monica Vitti. Filmed on location in Milan, the film depicts a single day and night in the lives of a disillusioned novelist (Mastroianni) and his alienated wife (Moreau) as they move through various social circles. The film continues Antonioni's tradition of abandoning traditional storytelling in favor of visual composition, atmosphere, and mood.
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