17th Visual Effects Society Awards
February 5, 2019
Best Visual Effects in a Visual Effects Driven Motion Picture:
Avengers: Infinity War
Best Visual Effects in a Photoreal Episode:
Lost in Space – Danger, Will Robinson
The 17th Visual Effects Society Awards was an awards ceremony held by the Visual Effects Society, honoring the best visual effects in film and television of 2018. Nominations were announced on January 15, 2019, and the ceremony took place on February 5, 2019, hosted by Patton Oswalt. [1]
Lifetime Achievement Award:
VES Visionary Award:
VES Award for Creative Excellence
| Outstanding Visual Effects in a Photoreal Feature | Outstanding Supporting Visual Effects in a Photoreal Feature |
|---|---|
Avengers: Infinity War – Daniel DeLeeuw, Jen Underdahl, Kelly Port, Matt Aitken, Dan Sudick
| First Man - Paul Lambert, Kevin Elam, Tristan Myles, Ian Hunter, JD Schwalm
|
| Outstanding Visual Effects in an Animated Feature | Outstanding Animated Character in a Photoreal Feature |
Spider-Man: Into the Spider-Verse - Joshua Beveridge, Christian Hejnal, Danny Dimian, Bret St. Clair
| Avengers: Infinity War - Thanos - Jan Philip Cramer, Darren Hendler, Paul Story, Sidney Kombo-Kintombo
|
| Outstanding Animated Character in an Animated Feature | Outstanding Created Environment in a Photoreal Feature |
Spider-Man: Into the Spider-Verse - Miles Morales - Marcos Kang, Chad Belteau, Humberto Rosa, Julie Bernier Gosselin
| Ready Player One - Overlook Hotel - Mert Yamak, Stanley Wong, Joana Garrido, Daniel Gagiu
|
| Outstanding Created Environment in an Animated Feature | Outstanding Virtual Cinematography in a Photoreal Project |
Spider-Man: Into the Spider-Verse - Graphic New York City - Terry Park, Bret St. Clair, Kimberly Liptrap, Dave Morehead
| Ready Player One - New York Race - Daniele Bigi, Edmund Kolloen, Mathieu Vig, Jean-Baptiste Noyau
|
| Outstanding Model in a Photoreal or Animated Project | Outstanding Effects Simulations in a Photoreal Feature |
Mortal Engines - London - Matthew Sandoval, James Ogle, Nick Keller, Sam Tack
| Avengers: Infinity War - Titan - Gerardo Aguilera, Ashraf Ghoniem, Vasilis Pazionis, Hartwell Durfor
|
| Outstanding Effects Simulations in an Animated Feature | Outstanding Compositing in a Photoreal Feature |
Spider-Man: Into the Spider-Verse - Ian Farnsworth, Pav Grochola, Simon Corbaux, Brian D. Casper
| Avengers: Infinity War - Titan - Sabine Laimer, Tim Walker, Tobias Wiesner, Massimo Pasquetti
|
| Outstanding Visual Effects in a Photoreal Episode | Outstanding Supporting Visual Effects in a Photoreal Episode |
|---|---|
Lost in Space – Danger, Will Robinson – Jabbar Raisani, Terron Pratt, Niklas Jacobson, Joao Sita
| Tom Clancy's Jack Ryan – Pilot – Erik Henry, Matt Robken, Bobo Skipper, Deak Ferrand, Pau Costa
|
| Outstanding Visual Effects in a Commercial | Outstanding Animated Character in an Episode or Real-Time Project |
John Lewis – The Boy and the Piano – Kamen Markov, Philip Whalley, Anthony Bloor, Andy Steele
| Lost in Space – Humanoid – Chad Shattuck, Paul Zeke, Julia Flanagan, Andrew McCartney
|
| Outstanding Animated Character in a Commercial | Outstanding Created Environment in an Episode, Commercial, or Real-Time Project |
Volkswagen – Born Confident – Bam – David Bryan, Chris Welsby, Fabian Frank, Chloe Dawe
| Lost in Space – Pilot – Impact Area – Philip Engström, Kenny Vähäkari, Jason Martin, Martin Bergquist
|
| Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project | Outstanding Compositing in a Photoreal Episode |
Altered Carbon – Philipp Kratzer, Daniel Fernandez, Xavier Lestourneaud, Andrea Rosa
| Lost in Space – Crash Site Rescue – David Wahlberg, Douglas Roshamn, Sofie Ljunggren, Fredrik Lönn
|
| Outstanding Compositing in a Photoreal Commercial | |
Apple – Welcome Home – Michael Ralla, Steve Drew, Alejandro Villabon, Peter Timberlake
|
| Outstanding Visual Effects in a Real-Time Project | Outstanding Visual Effects in a Special Venue Project |
|---|---|
Age of Sail – John Kahrs, Kevin Dart, Cassidy Curtis, Theresa Latzko
| Childish Gambino's Pharos – Keith Miller, Alejandro Crawford,Thelvin Cabezas, Jeremy Thompson
|
| Outstanding Visual Effects in a Student Project | |
Terra Nova – Thomas Battistetti, Mélanie Geley, Mickael Le Mezo, Guillaume Hoarau
| |
| Wins | Films/Programs |
|---|---|
| 4 | Avengers: Infinity War |
| Lost in Space | |
| Spider-Man: Into the Spider-Verse | |
| 2 | Ready Player One |
The Visual Effects Society Award for Outstanding Visual Effects in an Animated Feature is one of the annual awards given by the Visual Effects Society starting from 2008.
The Visual Effects Society Award for Outstanding Supporting Visual Effects in a Motion Picture is one of the annual awards given by the Visual Effects Society starting from 2002.
The Visual Effects Society Award for Outstanding Animated Character in a Photoreal Feature is one of the annual awards given by the Visual Effects Society starting from 2002. Since its inception, the award's title has gone through six different title changes, and one major category shift. First awarded in 2002, the award was titled "Outstanding Character Animation in a Live Action Motion Picture" and given to the best character animation in a live action film, with no specific character cited. This would change in 2004, when the category was re-titled "Outstanding Performance by an Animated Character in a Live Action Motion Picture", and given to visual effects artists for work on a specified character. The category was again re-titled in 2008, this time to "Outstanding Animated Character in a Live Action Feature Motion Picture". In 2014, it was titled "Outstanding Performance of an Animated Character in a Photoreal/Live Action Feature Motion Picture", but changed in 2016 to "Outstanding Animated Performance in a Photoreal Feature" and once again in 2017 to its current title.
The Visual Effects Society Award for Outstanding Created Environment in a Photoreal Feature is one of the annual awards given by the Visual Effects Society starting from 2004. The award was originally titled "Outstanding Created Environment in a Live Action Motion Picture", and changed in 2007 to "Outstanding Created Environment in a Live Action Feature Motion Picture". It was again changed in 2009, this time to "Outstanding Created Environment in a Feature Motion Picture", and again in 2011 to "Outstanding Created Environment in a Live Action Feature Motion Picture". Before its final change in 2015, to its current title, it was re-titled in 2014 to "Outstanding Created Environment in a Photoreal/Live Action Feature Motion Picture".
The Visual Effects Society Award for Outstanding Visual Effects in a Photoreal Picture is one of the annual awards given by the Visual Effects Society starting in 2002. While the award's title has changed several time within this period, the recipient has always been a visual effects-heavy feature film; film's with more background effects work have their own category, the Visual Effects Society Award for Outstanding Supporting Visual Effects in a Feature Motion Picture.
The Visual Effects Society Award for Outstanding Animated Character in an Animated Feature is one of the annual awards given by the Visual Effects Society starting from 2002. Since its inception, the award's title has gone through six title changes, and one major category shift. First awarded in 2002, the award was titled "Best Character Animation in an Animated Motion Picture" and given to the best character animation in an animated film, with no specific character cited. This would change in 2004, when the category was re-titled "Outstanding Performance by an Animated Character in an Animated Motion Picture", and given to visual effects artists for work on a specified character. as well as the voice actor for the character. The category was again re-titled in 2008, this time to "Outstanding Animated Character in an Animated Feature Motion Picture". In 2015, it was titled "Outstanding Animated Performance in an Animated Feature", but changed in 2017 to "Outstanding Animated Character in an Animated Feature", its current title.
The Visual Effects Society Award for Outstanding Created Environment in an Animated Feature is one of the annual awards given by the Visual Effects Society starting from 2011. The award was originally titled "Outstanding Created Environment in an Animated Feature Motion Picture", before being re-titled in 2016.
The Visual Effects Society Award for Outstanding Model in a Photoreal or Animated Project is one of the annual awards given by the Visual Effects Society. The award goes to artists whose work in models, miniatures, have been deemed worthy of recognition. Originally, the award was given separately to artists in both film and television, with the categories "Best Models and Miniatures in a Motion Picture" and "Best Models and Miniatures in a Televised Program, Music Video or Commercial". In 2004, there was only one category, recognizing only work in motion pictures with "Outstanding Models and Miniatures in a Motion Picture". In 2005, television was honored, once again, with "Outstanding Models and Miniatures in a Broadcast Program, Commercial or Music Video". Television series and/or televised content would be honored, intermittently, until 2015, when the category was redesigned to honor any motion media project. It has continued to do so since then.
The Visual Effects Society Award for Outstanding Virtual Cinematography in a CG Project is one of the annual awards given by the Visual Effects Society. The award goes to artists whose work in virtual cinematography. It was first awarded in 2003 and 2004 for, under the title "Best Visual Effects Photography in a Motion Picture", before being scrapped from the ceremony. The award was given separately to artists in live-action film, animated film, and commercials/television. These categories were first awarded in 2012. The following year, the category specifically awarding animated film was dropped, with only live-action film and commercial/television being awarded. In 2015, only live-action films were awarded. The following year, the category's title changed to "Outstanding Virtual Cinematography in a Photoreal Project". It has held its current title since 2020.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Feature is one of the annual awards given by the Visual Effects Society, starting in 2002. It is awarded to visual effects artists for their work in compositing.
The Visual Effects Society Award for Outstanding Visual Effects in a Photoreal Episode is one of the annual awards given by the Visual Effects Society starting in 2002. While the award's title has changed several time within this period, the recipient has always been a visual effects-heavy television episode. Episodes with more background effects work have their own category, the Outstanding Supporting Visual Effects in a Photoreal Episode. Until 2012, miniseries and television movies had their own category.
The Visual Effects Society Award for Outstanding Supporting Visual Effects in a Photoreal Episode is one of the annual awards given by the Visual Effects Society, starting in 2004. While the award's title has changed several time within this period, the recipients have been television episodes and/or movies or specials with less prominent, more subtle visual effects work.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Feature is one of the annual awards given by the Visual Effects Society, starting in 2012. It is awarded to visual effects artists for their work in effects simulations.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Episode is one of the annual awards given by the Visual Effects Society, starting in 2003. It is awarded to visual effects artists for their work in compositing. It has gone through several title changes over the years; from 2003 to 2012, the category included commercials in the category, before refocusing in 2013, specifically nominating television programs.
The Visual Effects Society Award for Outstanding Animated Character in an Episode or Real-Time Project is one of the annual awards given by the Visual Effects Society, starting from 2002. Since its inception, the award's title has gone through several title changes, and one major category shift. First awarded in 2002, the award was titled "Best Character Animation in a Live Action Televised Program, Music Video or Commercial" and given to the best character animation in a televised program, with no specific character cited. This would change in 2004, when the category was re-titled "Outstanding Performance by an Animated Character in a Live Action Broadcast Program", and given to visual effects artists for work on a specified character. The category was again re-titled the following year, this time to "Outstanding Performance by an Animated Character in a Live Action Broadcast Program, Commercial, or Music Video". In 2008, it was titled "Outstanding Animated Character in a Live Action Broadcast Program or Commercial", but changed in 2014 to "Outstanding Performance of an Animated Character in a Commercial, Broadcast Program, or Video Game" and once again the next year to "Outstanding Animated Performance in an Episode, Commercial, or Real-Time Project". In the title changed to "Outstanding Animated Performance in an Episode or Real-Time Project" and, finally, in 2017 to "Outstanding Animated Character in an Episode or Real-Time Project"
The Visual Effects Society Award for Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project is one of the annual awards given by the Visual Effects Society, starting in 2012. It is awarded to visual effects artists for their work in effects simulations.
The Visual Effects Society Award for Outstanding Created Environment in an Episode, Commercial, or Real-Time Project is one of the annual awards given by the Visual Effects Society starting from 2004. The award was originally titled "Outstanding Created Environment in a Live Action Broadcast Program", and changed in 2005 to "Outstanding Created Environment in a Live Action Broadcast Program, Commercial, or Music Video". It was again changed in 2009, this time to "Outstanding Created Environment in a Feature Motion Picture", and again in 2011 to "Outstanding Created Environment in a Live Action Feature Motion Picture". Before its final change in 2015, to its current title, it was re-titled in 2014 to "Outstanding Created Environment in a Photoreal/Live Action Feature Motion Picture".