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Framestore is a British animation and visual effects studio based on Chancery Lane in London, England. Formed in 1985, Framestore specialises in effects for film and prestige TV, advertising, rides and immersive experiences. It is the largest production house in Europe, employing roughly 3,000 staff, including 1,000 in London, and 1,500 across studios in Chicago, New York, Los Angeles, Montreal, Melbourne, Vancouver and Mumbai.
The Academy Award for Best Visual Effects is presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) for the best achievement in visual effects. It has been handed to four members of the team directly responsible for creating the film's visual effects since 1980.
Richard Baneham is an Irish animator and visual effects supervisor, who has worked on several film series, including The Lord of the Rings film trilogy, the Chronicles of Narnia films and the Avatar franchise. Amongst other awards, Baneham has received a BAFTA Award for Best Special Visual Effects and an Academy Award for Best Visual Effects in 2009, both for his work on Avatar, and a further Academy Award in 2023, for visual effects on Avatar: The Way of Water.
The 6th Visual Effects Society Awards, given on 10 February 2008 at the Kodak Grand Ballroom, honored the best visual effects in film and television in 2007. An edited version of the awards was later broadcast on HDNet on April 2, 2008.
The Visual Effects Society Award for Outstanding Visual Effects in an Animated Feature is one of the annual awards given by the Visual Effects Society starting from 2008.
The 9th Visual Effects Society Awards, held on February 1, 2011 at the Beverly Hilton Hotel in Beverly Hills, California, honored the best visual effects in film and television of 2010. The show was hosted by Patton Oswalt and broadcast, in an edited version, on the ReelzChannel on February 19, 2011.
The Visual Effects Society Award for Outstanding Supporting Visual Effects in a Motion Picture is one of the annual awards given by the Visual Effects Society starting from 2002.
Karen Goulekas is a visual effects artist.
Andrew Jackson is an English Australian visual effects supervisor. He has worked on various feature films, including 300 (2006), Knowing (2009), Mad Max: Fury Road (2015), Dunkirk (2017), The King (2019), Tenet (2020), and Oppenheimer (2023).
The 15th Visual Effects Society Awards was held in Los Angeles on February 7, 2017, in honor to the best visual effects in film and television of 2016. The nominations were announced on January 10, 2017. The Jungle Book took five awards at the ceremony.
The 17th Visual Effects Society Awards was an awards ceremony held by the Visual Effects Society, honoring the best visual effects in film and television of 2018. Nominations were announced on January 15, 2019, and the ceremony took place on February 5, 2019, hosted by Patton Oswalt.
The Visual Effects Society Award for Outstanding Animated Character in an Animated Feature is one of the annual awards given by the Visual Effects Society starting from 2002. Since its inception, the award's title has gone through six title changes, and one major category shift. First awarded in 2002, the award was titled "Best Character Animation in an Animated Motion Picture" and given to the best character animation in an animated film, with no specific character cited. This would change in 2004, when the category was re-titled "Outstanding Performance by an Animated Character in an Animated Motion Picture", and given to visual effects artists for work on a specified character. as well as the voice actor for the character. The category was again re-titled in 2008, this time to "Outstanding Animated Character in an Animated Feature Motion Picture". In 2015, it was titled "Outstanding Animated Performance in an Animated Feature", but changed in 2017 to "Outstanding Animated Character in an Animated Feature", its current title.
The Visual Effects Society Award for Outstanding Model in a Photoreal or Animated Project is one of the annual awards given by the Visual Effects Society. The award goes to artists whose work in models, miniatures, have been deemed worthy of recognition. Originally, the award was given separately to artists in both film and television, with the categories "Best Models and Miniatures in a Motion Picture" and "Best Models and Miniatures in a Televised Program, Music Video or Commercial". In 2004, there was only one category, recognizing only work in motion pictures with "Outstanding Models and Miniatures in a Motion Picture". In 2005, television was honored, once again, with "Outstanding Models and Miniatures in a Broadcast Program, Commercial or Music Video". Television series and/or televised content would be honored, intermittently, until 2015, when the category was redesigned to honor any motion media project. It has continued to do so since then.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Feature is one of the annual awards given by the Visual Effects Society, starting in 2002. It is awarded to visual effects artists for their work in compositing.
The Visual Effects Society Award for Outstanding Visual Effects in a Photoreal Episode is one of the annual awards given by the Visual Effects Society starting in 2002. While the award's title has changed several time within this period, the recipient has always been a visual effects-heavy television episode. Episodes with more background effects work have their own category, the Outstanding Supporting Visual Effects in a Photoreal Episode. Until 2012, miniseries and television movies had their own category.
The Visual Effects Society Award for Outstanding Animated Character in an Episode or Real-Time Project is one of the annual awards given by the Visual Effects Society, starting from 2002. Since its inception, the award's title has gone through several title changes, and one major category shift. First awarded in 2002, the award was titled "Best Character Animation in a Live Action Televised Program, Music Video or Commercial" and given to the best character animation in a televised program, with no specific character cited. This would change in 2004, when the category was re-titled "Outstanding Performance by an Animated Character in a Live Action Broadcast Program", and given to visual effects artists for work on a specified character. The category was again re-titled the following year, this time to "Outstanding Performance by an Animated Character in a Live Action Broadcast Program, Commercial, or Music Video". In 2008, it was titled "Outstanding Animated Character in a Live Action Broadcast Program or Commercial", but changed in 2014 to "Outstanding Performance of an Animated Character in a Commercial, Broadcast Program, or Video Game" and once again the next year to "Outstanding Animated Performance in an Episode, Commercial, or Real-Time Project". In the title changed to "Outstanding Animated Performance in an Episode or Real-Time Project" and, finally, in 2017 to "Outstanding Animated Character in an Episode or Real-Time Project"
References
- ↑ "8th Annual VES Awards". visual effects society. Retrieved December 22, 2017.