| 15th Visual Effects Society Awards | |
|---|---|
| Date | February 7, 2017 |
| Highlights | |
| Best Visual Effects in a Visual Effects Driven Motion Picture | The Jungle Book |
The 15th Visual Effects Society Awards was held in Los Angeles on February 7, 2017, in honor to the best visual effects in film and television of 2016. The nominations were announced on January 10, 2017. [1] The Jungle Book took five awards at the ceremony. [2] [3]
(winners in bold)
Lifetime Achievement Award:
VES Visionary Award
| Outstanding Visual Effects in a Photoreal Feature | Outstanding Supporting Visual Effects in a Photoreal Feature |
|---|---|
The Jungle Book – Robert Legato, Joyce Cox, Andrew R. Jones, Adam Valdez, JD Schwalm
| Deepwater Horizon – Craig Hammack, Petra Holtorf-Stratton, Jason Snell, John Galloway, Burt Dalton
|
| Outstanding Visual Effects in an Animated Feature | Outstanding Animated Performance in a Photoreal Feature |
Kubo and the Two Strings – Travis Knight, Arianne Sutner, Steve Emerson, Brad Schiff
| The Jungle Book – King Louie – Paul Story, Dennis Yoo, Jack Tema, Andrei Coval
|
| Outstanding Animated Performance in an Animated Feature | Outstanding Created Environment in a Photoreal Feature |
Finding Dory – Hank – Jonathan Hoffman, Steven Clay Hunter, Mark Piretti, Audrey Wong
| Doctor Strange – New York City – Adam Watkins, Martinjn van Herk, Tim Belsher, Jon Mitchell
|
| Outstanding Created Environment in an Animated Feature | Outstanding Virtual Cinematography in a Photoreal Project |
Moana – Motonui Island – Rob Dressel, Andy Harkness, Brien Hindman, Larry Wu
| The Jungle Book – Bill Pope, Robert Legato, Gary Roberts, John Brennan
|
| Outstanding Model in a Photoreal or Animated Project | Outstanding Effects Simulations in a Photoreal Feature |
Deepwater Horizon – Deepwater Horizon Rig – Kelvin Lau, Jean Bolte, Kevin Sprout, Kim Vongbunyong
| The Jungle Book – Nature Effects – Oliver Winwood, Fabian Nowak, David Schneider, Ludovic Ramisandraina
|
| Outstanding Effects Simulations in an Animated Feature | Outstanding Compositing in a Photoreal Feature |
Moana – Marc Henry Bryant, David Hutchins, John M. Kosnik, Dale Mayeda
| The Jungle Book – Christoph Salzmann, Masaki Mitchell, Matthew Adams, Max Stummer
|
| Outstanding Visual Effects in a Photoreal Episode | Outstanding Supporting Visual Effects in a Photoreal Episode |
|---|---|
Game of Thrones – "Battle of the Bastards" – Joe Bauer, Steve Kullback, Glenn Melenhorst, Matthew Rouleau, Sam Conway
| Black Sails – "XX" – Erik Henry, Terron Pratt, Aladino Debert, Yafei Wu, Paul Stephenson
|
| Outstanding Visual Effects in a Commercial | Outstanding Animated Performance in an Episode or Real-Time Project |
John Lewis – Buster the Boxer – Diarmid Harrison-Murray, Hannah Ruddleston, Fabian Frank, William Laban
| Game of Thrones – "Battle of the Bastards" – Drogon – James Kinnings, Michael Holzi, Matt Derksen, Joeseph Hoback
|
| Outstanding Animated Performance in a Commercial | Outstanding Created Environment in an Episode, Commercial, or Real-Time Project |
John Lewis – Buster the Boxer – Tim van Hussen, David Bryan, Chloe Dawe, Maximillian Mallman
| Game of Thrones – "Battle of the Bastards" – Meereen City – Deak Ferrand, Dominic Daigle, Francois Croteau, Alexandru Banuta
|
| Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project | Outstanding Compositing in a Photoreal Episode |
Game of Thrones – "Battle of the Bastards" – Meereen City – Thomas Hullin, Dominik Kirouac, James Dong, Xavier Fourmond
| Game of Thrones – "Battle of the Bastards" – Retaking Winterfell – Dominic Hellier, Morgan Jones, Thijs Noij, Caleb Thompson
|
| Outstanding Compositing in a Photoreal Commercial | |
John Lewis – Buster the Boxer – Tom Harding, Alex Snookes, David Filipe, Andreas Feix
|
| Outstanding Visual Effects in a Real-Time Project | Outstanding Visual Effects in a Special Venue Project |
|---|---|
Uncharted 4 – Bruce Straley, Eben Cook, Iki Ikram
| Pirates of the Caribbean – Battle for the Sunken Treasure – Bill George, Amy Jupiter, Hayden Landis, David Lester
|
| Outstanding Visual Effects in a Student Project | |
Breaking Point – Johannes Franz, Nicole Rothermel, Thomas Sali, Alexander Richter
| |
| Nominations | Films/Programs |
|---|---|
11 | Game of Thrones |
7 | Rogue One: A Star Wars Story |
| 6 | Doctor Strange |
| The Jungle Book | |
| Kubo and the Two Strings | |
| Wins | Films/Programs |
|---|---|
| 5 | Game of Thrones |
| The Jungle Book | |
3 | John Lewis |
| 2 | Deepwater Horizon |
| Moana |
The Visual Effects Society Award for Outstanding Visual Effects in an Animated Feature is one of the annual awards given by the Visual Effects Society starting from 2008.
The Visual Effects Society Award for Outstanding Animated Character in a Photoreal Feature is one of the annual awards given by the Visual Effects Society starting from 2002. Since its inception, the award's title has gone through six different title changes, and one major category shift. First awarded in 2002, the award was titled "Outstanding Character Animation in a Live Action Motion Picture" and given to the best character animation in a live action film, with no specific character cited. This would change in 2004, when the category was re-titled "Outstanding Performance by an Animated Character in a Live Action Motion Picture", and given to visual effects artists for work on a specified character. The category was again re-titled in 2008, this time to "Outstanding Animated Character in a Live Action Feature Motion Picture". In 2014, it was titled "Outstanding Performance of an Animated Character in a Photoreal/Live Action Feature Motion Picture", but changed in 2016 to "Outstanding Animated Performance in a Photoreal Feature" and once again in 2017 to its current title.
The Visual Effects Society Award for Outstanding Created Environment in a Photoreal Feature is one of the annual awards given by the Visual Effects Society starting from 2004. The award was originally titled "Outstanding Created Environment in a Live Action Motion Picture", and changed in 2007 to "Outstanding Created Environment in a Live Action Feature Motion Picture". It was again changed in 2009, this time to "Outstanding Created Environment in a Feature Motion Picture", and again in 2011 to "Outstanding Created Environment in a Live Action Feature Motion Picture". Before its final change in 2015, to its current title, it was re-titled in 2014 to "Outstanding Created Environment in a Photoreal/Live Action Feature Motion Picture".
The Visual Effects Society Award for Outstanding Visual Effects in a Photoreal Picture is one of the annual awards given by the Visual Effects Society starting in 2002. While the award's title has changed several time within this period, the recipient has always been a visual effects-heavy feature film; film's with more background effects work have their own category, the Visual Effects Society Award for Outstanding Supporting Visual Effects in a Feature Motion Picture.
The Visual Effects Society Award for Outstanding Animated Character in an Animated Feature is one of the annual awards given by the Visual Effects Society starting from 2002. Since its inception, the award's title has gone through six title changes, and one major category shift. First awarded in 2002, the award was titled "Best Character Animation in an Animated Motion Picture" and given to the best character animation in an animated film, with no specific character cited. This would change in 2004, when the category was re-titled "Outstanding Performance by an Animated Character in an Animated Motion Picture", and given to visual effects artists for work on a specified character. as well as the voice actor for the character. The category was again re-titled in 2008, this time to "Outstanding Animated Character in an Animated Feature Motion Picture". In 2015, it was titled "Outstanding Animated Performance in an Animated Feature", but changed in 2017 to "Outstanding Animated Character in an Animated Feature", its current title.
The Visual Effects Society Award for Outstanding Created Environment in an Animated Feature is one of the annual awards given by the Visual Effects Society starting from 2011. The award was originally titled "Outstanding Created Environment in an Animated Feature Motion Picture", before being re-titled in 2016.
The Visual Effects Society Award for Outstanding Model in a Photoreal or Animated Project is one of the annual awards given by the Visual Effects Society. The award goes to artists whose work in models, miniatures, have been deemed worthy of recognition. Originally, the award was given separately to artists in both film and television, with the categories "Best Models and Miniatures in a Motion Picture" and "Best Models and Miniatures in a Televised Program, Music Video or Commercial". In 2004, there was only one category, recognizing only work in motion pictures with "Outstanding Models and Miniatures in a Motion Picture". In 2005, television was honored, once again, with "Outstanding Models and Miniatures in a Broadcast Program, Commercial or Music Video". Television series and/or televised content would be honored, intermittently, until 2015, when the category was redesigned to honor any motion media project. It has continued to do so since then.
The Visual Effects Society Award for Outstanding Virtual Cinematography in a CG Project is one of the annual awards given by the Visual Effects Society. The award goes to artists whose work in virtual cinematography. It was first awarded in 2003 and 2004 for, under the title "Best Visual Effects Photography in a Motion Picture", before being scrapped from the ceremony. The award was given separately to artists in live-action film, animated film, and commercials/television. These categories were first awarded in 2012. The following year, the category specifically awarding animated film was dropped, with only live-action film and commercial/television being awarded. In 2015, only live-action films were awarded. The following year, the category's title changed to "Outstanding Virtual Cinematography in a Photoreal Project". It has held its current title since 2020.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Feature is one of the annual awards given by the Visual Effects Society, starting in 2002. It is awarded to visual effects artists for their work in compositing.
The Visual Effects Society Award for Outstanding Visual Effects in a Photoreal Episode is one of the annual awards given by the Visual Effects Society starting in 2002. While the award's title has changed several time within this period, the recipient has always been a visual effects-heavy television episode. Episodes with more background effects work have their own category, the Outstanding Supporting Visual Effects in a Photoreal Episode. Until 2012, miniseries and television movies had their own category.
The Visual Effects Society Award for Outstanding Supporting Visual Effects in a Photoreal Episode is one of the annual awards given by the Visual Effects Society, starting in 2004. While the award's title has changed several time within this period, the recipients have been television episodes and/or movies or specials with less prominent, more subtle visual effects work.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Feature is one of the annual awards given by the Visual Effects Society, starting in 2012. It is awarded to visual effects artists for their work in effects simulations.
The Visual Effects Society Award for Outstanding Special (Practical) Effects in a Photoreal or Animated Project is one of the annual awards given by the Visual Effects Society. The award goes to artists whose work in special/practical effects, have been deemed worthy of recognition. The award has been handed out intermittently since the first VES awards. Only twice was it awarded to television broadcasts or commercials, and was award for film from 2003 to 2009, with the exception being 2006. It was reintroduced in 2020, awarding any photoreal and/or animated project.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Episode is one of the annual awards given by the Visual Effects Society, starting in 2003. It is awarded to visual effects artists for their work in compositing. It has gone through several title changes over the years; from 2003 to 2012, the category included commercials in the category, before refocusing in 2013, specifically nominating television programs.
The Visual Effects Society Award for Outstanding Animated Character in an Episode or Real-Time Project is one of the annual awards given by the Visual Effects Society, starting from 2002. Since its inception, the award's title has gone through several title changes, and one major category shift. First awarded in 2002, the award was titled "Best Character Animation in a Live Action Televised Program, Music Video or Commercial" and given to the best character animation in a televised program, with no specific character cited. This would change in 2004, when the category was re-titled "Outstanding Performance by an Animated Character in a Live Action Broadcast Program", and given to visual effects artists for work on a specified character. The category was again re-titled the following year, this time to "Outstanding Performance by an Animated Character in a Live Action Broadcast Program, Commercial, or Music Video". In 2008, it was titled "Outstanding Animated Character in a Live Action Broadcast Program or Commercial", but changed in 2014 to "Outstanding Performance of an Animated Character in a Commercial, Broadcast Program, or Video Game" and once again the next year to "Outstanding Animated Performance in an Episode, Commercial, or Real-Time Project". In the title changed to "Outstanding Animated Performance in an Episode or Real-Time Project" and, finally, in 2017 to "Outstanding Animated Character in an Episode or Real-Time Project"
The Visual Effects Society Award for Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project is one of the annual awards given by the Visual Effects Society, starting in 2012. It is awarded to visual effects artists for their work in effects simulations.
The Visual Effects Society Award for Outstanding Created Environment in an Episode, Commercial, or Real-Time Project is one of the annual awards given by the Visual Effects Society starting from 2004. The award was originally titled "Outstanding Created Environment in a Live Action Broadcast Program", and changed in 2005 to "Outstanding Created Environment in a Live Action Broadcast Program, Commercial, or Music Video". It was again changed in 2009, this time to "Outstanding Created Environment in a Feature Motion Picture", and again in 2011 to "Outstanding Created Environment in a Live Action Feature Motion Picture". Before its final change in 2015, to its current title, it was re-titled in 2014 to "Outstanding Created Environment in a Photoreal/Live Action Feature Motion Picture".