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This article is about music-related events in 1851.
This article is about music-related events in 1839.
The Canadian Opera Company (COC) is an opera company in Toronto, Ontario, Canada. It is the largest opera company in Canada and one of the largest producers of opera in North America. The COC performs at the Four Seasons Centre for the Performing Arts, which was purpose-built for opera and ballet and is shared with the National Ballet of Canada. For forty years until April 2006, the COC had performed at the O'Keefe Centre.
Leyla Gencer was a Turkish operatic soprano.
A coloratura soprano is a type of operatic soprano voice that specializes in music that is distinguished by agile runs, leaps and trills.
Dame Gwyneth Jones is a Welsh dramatic soprano, widely regarded as one of the greatest Wagnerian sopranos in the second half of the 20th century.
Adolfo Fumagalli was a 19th-century Italian virtuoso pianist and composer, known today primarily for his virtuosic compositions for the left hand alone.
Carlo Colombara is an Italian operatic bass. He has sung leading roles in many major opera houses including Teatro alla Scala ; the Vienna State Opera ; the Real Teatro di San Carlo ; the Arena di Verona ; the Royal Opera House, and the Metropolitan Opera.
Teresa Stolz was a Czech spinto soprano, for long a resident in Italy, who was associated with significant performances of the works of Giuseppe Verdi, some with his supervision including Aida in the first performance in Italy, and the soprano part in his Requiem. She was his companion from 1897.
Eugenia Tadolini was an Italian operatic soprano. Admired for the beauty of her voice and stage presence, she was one of Donizetti's favourite singers. During her career she created over 20 leading roles, including the title roles in Donizetti's Linda di Chamounix and Maria di Rohan and Verdi's Alzira. She was born in Forlì and studied music there and in Bologna before making her debut in Florence in 1828. She sang in all of Italy's leading opera houses, as well as in Paris, Vienna, and London before retiring from the stage in 1852. She spent her remaining years first in Naples, where she had been the Teatro San Carlo's reigning prima donna for many years, and then in Paris, where she died of typhoid fever at the age of 63. From 1827 to 1834, she was married to the Italian composer and singing teacher, Giovanni Tadolini.
Raffaele Mirate was a celebrated Italian operatic tenor who had an active career from the 1830s through the 1860s. Known for his intelligent phrasing and bright and powerful vocal timbre, he was regarded as an outstanding interpreter of the tenor roles in the early and middle period operas of Giuseppe Verdi. He notably created the role of the Duke of Mantua in the world premiere of Verdi's Rigoletto in 1851. He was also a highly regarded interpreter of bel canto roles, excelling in the operas of Vincenzo Bellini, Gaetano Donizetti, and Gioachino Rossini.
Maria Spezia-Aldighieri (1828–1907) was an Italian operatic soprano who had an active international career from 1849 up into the 1870s. She excelled in the coloratura soprano repertoire and was particularly admired for her portrayals in the operas of Giuseppe Verdi. Her performance of Violetta in Verdi's La traviata at the Teatro San Benedetto in Venice in 1854 is credited with popularizing the opera after it had initially flopped at its premiere in 1853. She was married to baritone Gottardo Aldighieri and is the great grandmother of singer George Aaron.
Marita Napier was a South African operatic soprano, known internationally as a performer of music by Strauss and Wagner. She performed in 19 productions of Wagner's Der Ring des Nibelungen. In 1989, a recording of Wagner's Die Walküre with her in a Metropolitan Opera production was awarded the Grammy Award for Best Opera Recording. Napier was considered one of the best Turandot, having performed the role for over 70 times including 1989 production by Franco Zeffirelli at the Met.