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This is a summary of 1925 in music in the United Kingdom.
Gustav Theodore Holst was an English composer, arranger and teacher. Best known for his orchestral suite The Planets, he composed many other works across a range of genres, although none achieved comparable success. His distinctive compositional style was the product of many influences, Richard Wagner and Richard Strauss being most crucial early in his development. The subsequent inspiration of the English folksong revival of the early 20th century, and the example of such rising modern composers as Maurice Ravel, led Holst to develop and refine an individual style.
This is a list of notable events in music that took place in the year 1959.
This is a list of notable events in music that took place in the year 1925.
This is a list of notable events in music that took place in 1931.
John Harris Harbison is an American composer and academic.
Alun Hoddinott CBE was a Welsh composer of classical music, one of the first to receive international recognition.
Imogen Clare Holst was a British composer, arranger, conductor, teacher, musicologist, and festival administrator. The only child of the composer Gustav Holst, she is particularly known for her educational work at Dartington Hall in the 1940s, and for her 20 years as joint artistic director of the Aldeburgh Festival. In addition to composing music, she wrote composer biographies, much educational material, and several books on the life and works of her father.
Steven Edward Stucky was a Pulitzer Prize-winning American composer.
John Maynard La Montaine, also later LaMontaine, was an American pianist and composer, born in Oak Park, Illinois, who won the 1959 Pulitzer Prize for Music for his Piano Concerto No. 1 "In Time of War" (1958), which was premiered by Jorge Bolet.
Edgar Leslie Bainton was a British-born, latterly Australian-resident composer. He is remembered today mainly for his liturgical anthem And I saw a new heaven, a popular work in the repertoire of Anglican church music, but during recent years Bainton's other musical works, neglected for decades, have been increasingly available in commercial recordings.
This is a summary of 1982 in music in the United Kingdom, including the official charts from that year.
David Blair Hamilton is a New Zealand composer and teacher.
Jane Marian Joseph was an English composer, arranger and music teacher. She was a pupil and later associate of the composer Gustav Holst, and was instrumental in the organisation and management of various of the music festivals which Holst sponsored. Many of her works were composed for performance at these festivals and similar occasions. Her early death at age 35, which prevented the full realisation of her talents, was considered by her contemporaries as a considerable loss to English music.
Gerhard Präsent is an Austrian composer, conductor and academic teacher.
This is a summary of 1932 in music in the United Kingdom.
This is a summary of 1931 in music in the United Kingdom.
The Carnegie Collection of British Music was founded in 1917 by the Carnegie Trust to encourage the publication of large scale British musical works. Composers were asked to submit their manuscripts to an anonymous panel. On the panel at various times were Hugh Allen, Granville Bantock, Arnold Bax, Dan Godfrey, Henry Hadow and Donald Tovey. Up to six works per year were chosen for an award – publication at the expense of the Trust, in conjunction with music publishers Stainer & Bell. Unfortunately the war delayed things for the earliest prizewinners. The first to be published was the Piano Quartet in A minor by Herbert Howells.. By the end of 1920 some 13 works were available. 30 were out by the end of 1922, and when the scheme finally closed in 1928 some 60 substantial works that might not otherwise have seen the light of day had been issued under the Carnegie Collection of British Music imprint.
Kenneth Harding was a violist in the BBC Symphony Orchestra for thirty-five years and a British composer, composing primarily for viola.
"This Have I Done for My True Love", or "Tomorrow Shall Be My Dancing Day", Op. 34, no. 1 [H128], is a motet or part song composed in 1916 by Gustav Holst. The words are taken from an ancient carol, and the music is so strongly influenced by English folk music that it has sometimes been mistaken for a traditional folk song itself. It has often been described as a small masterpiece.