1924 in British music

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This is a summary of 1924 in music in the United Kingdom.

Contents

Events

Classical music: new works

Opera

Musical theatre

Births

Deaths

See also

Related Research Articles

<span class="mw-page-title-main">Sabine Baring-Gould</span> English priest and scholar (1834–1924)

Sabine Baring-Gould of Lew Trenchard in Devon, England, was an Anglican priest, hagiographer, antiquarian, novelist, folk song collector and eclectic scholar. His bibliography consists of more than 1,240 publications, though this list continues to grow.

<span class="mw-page-title-main">Ralph Vaughan Williams</span> English composer (1872–1958)

Ralph Vaughan Williams was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century.

This is a list of notable events in music that took place in the year 1924.

<span class="mw-page-title-main">John Blow</span> English composer

John Blow was an English composer and organist of the Baroque period. Appointed organist of Westminster Abbey in late 1668, his pupils included William Croft, Jeremiah Clarke and Henry Purcell. In 1685 he was named a private musician to James II. His only stage composition, Venus and Adonis, is thought to have influenced Henry Purcell's later opera Dido and Aeneas. In 1687, he became choirmaster at St Paul's Cathedral, where many of his pieces were performed. In 1699 he was appointed to the newly created post of Composer to the Chapel Royal.

Master of the King's Music is a post in the Royal Household of the United Kingdom. The holder of the post originally served the monarch of England, directing the court orchestra and composing or commissioning music as required.

<span class="mw-page-title-main">William Boyce (composer)</span> English composer and organist(1711–1779)

William Boyce was an English composer and organist. Like Beethoven later on, he became deaf but continued to compose. He knew Handel, Arne, Gluck, Bach, Abel, and a very young Mozart, all of whom respected his work.

<span class="mw-page-title-main">Walter Parratt</span> English organist and composer

Sir Walter Parratt was an English organist and composer.

<span class="mw-page-title-main">John Ireland (composer)</span> British composer and music teacher (1879–1962)

John Nicholson Ireland was an English composer and teacher of music. The majority of his output consists of piano miniatures and of songs with piano. His best-known works include the short instrumental or orchestral work "The Holy Boy", a setting of the poem "Sea-Fever" by John Masefield, a formerly much-played Piano Concerto, the hymn tune Love Unknown and the choral motet "Greater Love Hath No Man".

<span class="mw-page-title-main">Francisco Guerrero (composer)</span> Spanish Catholic priest and composer

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<span class="mw-page-title-main">Harold Darke</span> English composer and organist (1888–1976)

Harold Edwin Darke was an English composer and organist. He is particularly known for his choral compositions, which are an established part of the respertoire of Anglican church music. Darke had a fifty-year association with the church of St Michael, Cornhill, in the City of London.

Sir Richard Runciman Terry was an English organist, choir director, composer and musicologist. He is noted for his pioneering revival of Tudor liturgical music.

George Guest CBE FRCO was a Welsh organist and choral conductor.

<span class="mw-page-title-main">William Mundy (composer)</span> C16 English composer

William Mundy was a Renaissance English composer of sacred music and father of composer John Mundy. Over four hundred years after his death, William Mundy's music is still performed and recorded.

Andrew Carwood is the Director of Music at St Paul's Cathedral in London and director of his own group, The Cardinall's Musick.

<span class="mw-page-title-main">Frederick Bridge</span> English organist, composer, teacher and writer

Sir John Frederick Bridge was an English organist, composer, teacher and writer.

<span class="mw-page-title-main">Cyril Rootham</span> English composer, educator and organist

Cyril Bradley Rootham was an English composer, educator and organist. His work at Cambridge University made him an influential figure in English music life. A Fellow of St John's College, where he was also organist, Rootham ran the Cambridge University Musical Society, whose innovative concert programming helped form English musical tastes of the time. One of his students was the younger composer Arthur Bliss, who valued his tuition in orchestration. Rootham's own compositions include two symphonies and several smaller orchestral pieces, an opera, chamber music, and many choral settings. Among his solo songs are some settings of verses by Siegfried Sassoon which were made in co-operation with the poet.

<span class="mw-page-title-main">Ernest Bullock</span> Musical artist

Sir Ernest Bullock (1890–1979) was an English organist, composer, and teacher. He was organist of Exeter Cathedral from 1917 to 1928 and of Westminster Abbey from 1928 to 1941. In the latter post he was jointly responsible for the music at the coronation of George VI in 1937.

Henry George Ley was an English organist, composer and music teacher.

Sir Percy Carter Buck was an English music educator, writer, organist, and composer.

<span class="mw-page-title-main">Edgar Pettman</span> English organist, choral conductor and music editor

Edgar Pettman (1866–1943) was an English organist, choral conductor and music editor. Born in Dunkirk, Kent, in 1881 he entered the Royal Academy of Music where he studied under George Alexander Macfarren. He was organist at a number of London churches, including St Mary's, Kilburn and St James's Church, Piccadilly until his retirement in 1924. Although the composer of a number of anthems and other church music, he is best known for his 1892 book Modern Christmas Carols. Pettman harmonized the now popular carols I Saw a Maiden and Gabriel's Message, both based on Basque carol melodies, publishing the latter in a pamphlet, The University Carol book, in 1922 with an English rendering by Sabine Baring-Gould. He was also an early editor of the works of Thomas Tallis, publishing an edition in 1900.

References

  1. The London Gazette, no. 32935, p. 3841, 13 May 1924. Accessed 27 October 2010.
  2. Peter Doyle, Westminster Cathedral 1895–1995, London, 1995, p.53
  3. Maria Kiladi. "The London Labour Choral Union,1924–1940: A Musical Institution of the Left". Royal Holloway University of London. Retrieved 16 April 2018.
  4. "Feedback". Autumn 2007. 2007-10-05. BBC Radio 4.
  5. Michael Kennedy, Liner notes to Hyperion recording of Hugh the Drover. Hyperion Records, 1994.
  6. Clive Barker; Simon Trussler (26 May 1994). New Theatre Quarterly 37: Volume 10. Cambridge University Press. p. 33. ISBN   978-0-521-46656-1.
  7. "Chronology of London Shows". The Guide to Musical Theatre. Retrieved 16 August 2017.
  8. Sabine Baring-Gould (1978). Curious Myths of the Middle Ages. Oxford University Press. ISBN   978-0-19-520078-2.
  9. Brompton Cemetery website Archived 23 August 2006 at the Wayback Machine
  10. Maggie Humphreys; Robert Evans (1 January 1997). Dictionary of Composers for the Church in Great Britain and Ireland. A&C Black. p. 42. ISBN   978-0-7201-2330-2.
  11. Stanley Sadie (1980). The New Grove Dictionary of Music and Musicians. Macmillan Publishers. p. 241. ISBN   978-0-333-23111-1.
  12. Dr Pippa Drummond (2013). Provincial Music Festival in England, 1784–1914. Ashgate Publishing, Ltd. ISBN   9781409494614.
  13. Robert David Griffith. "Roberts, John Henry (Pencerdd Gwynedd; 1848-1924), musician". Dictionary of Welsh Biography. National Library of Wales . Retrieved 6 January 2019.
  14. Rosenthal, Harold. "Hersee, Rose", Grove Music Online accessed 25 May 2009