1922 in British music

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This is a summary of 1922 in music in the United Kingdom.

Contents

Events

Classical music: new works

Musical theatre

Births

Deaths

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<i>The Yeomen of the Guard</i> 1888 comic opera by Gilbert and Sullivan

The Yeomen of the Guard; or, The Merryman and His Maid, is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 3 October 1888 and ran for 423 performances. This was the eleventh collaboration of fourteen between Gilbert and Sullivan.

This is a list of notable events in music that took place in the year 1922.

<i>The Gondoliers</i> 1889 comic opera by Gilbert & Sullivan

The Gondoliers; or, The King of Barataria is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 7 December 1889 and ran for a very successful 554 performances, closing on 30 June 1891. This was the twelfth comic opera collaboration of fourteen between Gilbert and Sullivan.

<span class="mw-page-title-main">D'Oyly Carte Opera Company</span> British theatre company

The D'Oyly Carte Opera Company is a professional British light opera company that, from the 1870s until 1982, staged Gilbert and Sullivan's Savoy operas nearly year-round in the UK and sometimes toured in Europe, North America and elsewhere. The company was revived for short seasons and tours from 1988 to 2003, and since 2013 it has co-produced four of the operas with Scottish Opera.

<span class="mw-page-title-main">Henry Lytton</span> British actor and singer (1865–1936)

Sir Henry Lytton was an English actor and singer who was the leading exponent of the starring comic patter-baritone roles in Gilbert and Sullivan operas from 1909 to 1934. He also starred in musical comedies. His career with the D'Oyly Carte Opera Company spanned 50 years, and he is the only performer ever knighted for achievements in Gilbert and Sullivan roles.

<i>Ivanhoe</i> (opera)

Ivanhoe is a romantic opera in three acts based on the 1819 novel by Sir Walter Scott, with music by Sir Arthur Sullivan and a libretto by Julian Sturgis. It premiered at the Royal English Opera House on 31 January 1891 for a consecutive run of 155 performances, a record for a grand opera. Later that year it was performed six more times, making a total of 161 performances. It was toured by Carl Rosa Opera Company in 1894–1895 but has rarely been performed since. The first complete, fully professional recording was released in 2010 on the Chandos Records label.

<span class="mw-page-title-main">Darrell Fancourt</span> British opera singer and actor

Darrell Louis Fancourt Leverson, known as Darrell Fancourt, was an English bass-baritone and actor, known for his performances and recordings of the Savoy operas.

<span class="mw-page-title-main">George Thorne (actor)</span>

George Tyrell Thorne was an English singer and actor, best known for his performances in the comic baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company, especially on tour and in the original New York City productions. He married D'Oyly Carte chorister Geraldine Thompson.

<span class="mw-page-title-main">John Ayldon</span> English singer and actor

John Ayldon was an English opera singer and comic actor, best known for his performances in bass-baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company.

<span class="mw-page-title-main">Geoffrey Toye</span> English conductor, composer and opera producer

Edward Geoffrey Toye, known as Geoffrey Toye, was an English conductor, composer and opera producer.

<span class="mw-page-title-main">Fisher Morgan</span> Welsh singer and actor

Thomas Fisher Morgan was a Welsh singer and actor best remembered as a principal bass-baritone with the D'Oyly Carte Opera Company during the 1950s.

<span class="mw-page-title-main">Frederick Hobbs (singer)</span> Singer, actor and theatre manager

Frederick Henry Hobbs was a New Zealand-born singer, actor and theatre manager. After performing as a concert singer in New Zealand and Australia, and in opera and musicals in Britain, he joined the D'Oyly Carte Opera Company in 1914. There he played leading baritone and bass-baritone roles in the Gilbert and Sullivan operas for six years. After touring in Australasia with the J. C. Williamson company, he returned to England and became the stage manager for D'Oyly Carte in 1923 and its business manager from 1927 until his death.

<span class="mw-page-title-main">Richard Watson (bass)</span>

Richard Charles Watson was an Australian bass opera and concert singer and actor. He is probably best remembered for his performances and recordings of the comic bass-baritone roles of the Gilbert and Sullivan operas with the D'Oyly Carte Opera Company, but he appeared in a wide range of operas at the Royal Opera House and with the Carl Rosa Opera Company with such singers as Lotte Lehmann and Lauritz Melchior, under conductors including Sir Thomas Beecham and Bruno Walter.

<span class="mw-page-title-main">Frederick Ranalow</span>

Frederick Baring Ranalow was an Irish baritone who was distinguished in opera, oratorio, and musical theatre, but whose name is now principally associated with the role of Captain Macheath in the ballad opera The Beggar's Opera, which he sang close to 1,500 times. He was also a minor film actor and writer of songs.

This is a summary of 1934 in music in the United Kingdom.

This is a summary of 1928 in music in the United Kingdom.

This is a summary of 1927 in music in the United Kingdom.

This is a summary of 1926 in music in the United Kingdom.

Frederick Tomlinson was a British singer, choral director and composer. He founded the Fred Tomlinson Singers, who sang the music featured on Monty Python's Flying Circus, The Two Ronnies and other British television shows. Tomlinson also composed and wrote songs for Monty Python, including "The Lumberjack Song", which he co-wrote with Terry Jones and Michael Palin. He and his Fred Tomlinson Singers then performed "The Lumberjack Song" on Monty Python's Flying Circus in December 1969, as well as the song "Spam" in 1970 while dressed as Vikings.

This is a summary of 1908 in music in the United Kingdom.

References

  1. The Times, 7 February 1922, p. 8 and The Manchester Guardian, 10 February 1922, p. 4
  2. Jacob, Naomi (1972). Our Marie, Marie Lloyd: A Biography. London: Chivers Press. ISBN   978-0-85594-721-7.
  3. "The King as Patron". Yorkshire Post and Leeds Intelligencer. West Yorkshire, England. 4 February 1922. Retrieved 22 September 2015 via Genes Reunited). THE KING PATRON. His Majesty the King (George V) has consented (to) become a patron of the Leeds Musical Festival, which will take place October next. (The King's daughter) Princess Mary, (and her fiancé) Viscount Lascelles .... are also on the list of patrons, which further includes...
  4. BBC Cymru Y gantores ysbrydegol: Llyfr am Leila Megane yn dwyn atgofion (Welsh language)
  5. "Resignation Honours – Four New Peers – Music Knighthoods", The Times, 11 November 1922, p. 14
  6. "Beard, Paul", Oxford Dictionary of Music, Oxford University Press, accessed 17 June 2013 (subscription required)
  7. Hillandale News. B. Brott. 1976. p. 173.
  8. Randel, Don Michael (2003). The Harvard dictionary of music. Harvard University Press. p.  191. ISBN   978-0-674-01163-2.
  9. Scowcroft, Philip. "Edward German: Serious or Light?" MusicWeb-International, 1 December 2001
  10. Gordon Bottomley, "The Curlew" and Peter Warlock, 'The Gramophone', December 1931 p.9 ff [ permanent dead link ].
  11. "Theatres", The Times, 16 December 1922, p. 10
  12. Elizabeth Forbes (21 September 1992). "Obituary: Sir Geraint Evans" . The Independent. Archived from the original on 2022-05-01. Retrieved 25 February 2019.
  13. "Flanders, Michael". Ukwhoswho.com. Retrieved 27 September 2014.
  14. Hugh Wood (3 August 2000). "Iain Hamilton". The Guardian. Retrieved 25 February 2019.
  15. David Wright (18 January 2007). "John Veale". The Guardian. Retrieved 25 February 2019.
  16. "Ray Steadman-Allen - obituary". The Telegraph. 2 January 2015. Retrieved 25 February 2019.
  17. Harris M. Lentz III (19 April 2013). Obituaries in the Performing Arts, 2012. McFarland. p. 47. ISBN   978-1-4766-0385-8.
  18. Musical Times through Google Books. Vol. 37. 1 February 1896. p. 98. Retrieved 7 February 2011.
  19. Musical Times through Google Books. 1 April 1899. pp. 239–240. Retrieved 23 January 2011.
  20. Who's who in the Theatre. Pitman. 1930. p. 1399.
  21. Burns Mantle; John Arthur Chapman; Garrison P. Sherwood; Louis Kronenberger (1923). The Best Plays. Dodd, Mead. p. 596.
  22. "Miss Marie Lloyd", The Sunday Post, 8 October 1922, p. 1