5th NSFC Awards
January 10, 1971
Best Film:
M*A*S*H
The 5th National Society of Film Critics Awards, given on 10 January 1971, honored the best filmmaking of 1970. [1] [2] [3]
The member critics voting for the awards were Hollis Alpert of the Saturday Review , Gary Arnold of The Washington Post , Harold Clurman of The Nation , Jay Cocks of Time , David Denby of The Atlantic , Penelope Gilliatt of The New Yorker , Philip T. Hartung of Commonweal , Pauline Kael of The New Yorker , Stefan Kanfer of Time , Stanley Kauffmann of The New Republic , Arthur Knight of Saturday Review , Robert Kotlowitz of Harper's Magazine , Joseph Morgenstern of Newsweek , Andrew Sarris of The Village Voice , Richard Schickel of Life , Arthur M. Schlesinger, Jr. of Vogue , John Simon of The New Leader , Bruce Williamson of Playboy , and Paul D. Zimmerman of Newsweek . [4]
M*A*S*H (27 points)
2. The Passion of Anna (25 points)
3. The Wild Child (18 points)
4. My Night at Maud's (16 points)
5. Five Easy Pieces (10 points)
Ingmar Bergman – The Passion of Anna (24 points)
2. François Truffaut – The Wild Child (20 points)
3. Robert Altman – M*A*S*H (19 points)
4. Luis Buñuel – Tristana (10 points)
5. Bob Rafelson – Five Easy Pieces (9 points)
George C. Scott – Patton (18 points)
2. George Segal – Loving , The Owl and the Pussycat , and Where's Poppa? (14 points)
3. Jean-Louis Trintignant – My Night at Maud's (12 points)
4. Jack Nicholson – Five Easy Pieces (11 points)
5. Alan Arkin – Catch-22 (9 points)
Glenda Jackson – Women in Love (27 points)
2. Françoise Fabian – My Night at Maud's (20 points)
3. Liv Ullmann – The Passion of Anna (15 points)
4. Barbra Streisand – The Owl and the Pussycat (9 points)
5. Carrie Snodgress – Diary of a Mad Housewife (8 points)
Chief Dan George – Little Big Man (21 points)
2. Anthony Perkins – Catch-22 and WUSA (16 points)
3. Richard Castellano – Lovers and Other Strangers (11 points)
4. Peter Boyle – Joe (8 points)
4. Paul Mazursky – Alex in Wonderland (8 points)
Lois Smith – Five Easy Pieces (29 points)
2. Sally Kellerman – M*A*S*H (12 points)
3. Eva Marie Saint – Loving (10 points)
4. Karen Black – Five Easy Pieces (9 points)
4. Trish Van Devere – Where's Poppa? (9 points)
Éric Rohmer – My Night at Maud's (23 points)
2. Ingmar Bergman – The Passion of Anna (17 points)
3. Adrien Joyce [Carole Eastman] – Five Easy Pieces (15 points)
4. François Truffaut and Jean Gruault – The Wild Child (13 points)
5. Jorge Semprún – The Confession (10 points)
Néstor Almendros – The Wild Child and My Night at Maud's (24 points)
2. Sven Nykvist – The Passion of Anna and First Love (18 points)
3. Billy Williams – Women in Love (16 points)
4. Giuseppe Rotunno – Fellini Satyricon (7 points)
François Roland Truffaut was a French film director, screenwriter, producer, actor, and film critic. He is widely regarded as one of the founders of the French New Wave. After a career of more than 25 years, he remains an icon of the French film industry.
Ernst Ingmar Bergman was a Swedish filmmaker and dramatist. Widely considered one of the greatest and most influential filmmakers of all time, his films are known as "profoundly personal meditations into the myriad struggles facing the psyche and the soul." Some of his most acclaimed works include The Seventh Seal (1957), Wild Strawberries (1957), Persona (1966), and Fanny and Alexander (1982); these four films were included in the Sight & Sound Greatest Films of All Time 2012 critics poll. Bergman was ranked 8th in Sight & Sound's 2002 poll of The Greatest Directors of All Time.
Wild Strawberries is a 1957 Swedish drama film written and directed by Ingmar Bergman. The original Swedish title is Smultronstället, which literally means "the wild strawberry patch" but idiomatically signifies a hidden gem of a place, often with personal or sentimental value, and not widely known. The cast includes Victor Sjöström in his final screen performance as an old man recalling his past, as well as Bergman regulars Bibi Andersson, Ingrid Thulin, and Gunnar Björnstrand. Max von Sydow also appears in a small role.
Cries and Whispers is a 1972 Swedish period drama film written and directed by Ingmar Bergman and starring Harriet Andersson, Kari Sylwan, Ingrid Thulin and Liv Ullmann. The film, set in a mansion at the end of the 19th century, is about three sisters and a servant who struggle with the terminal cancer of one of the sisters (Andersson). The servant (Sylwan) is close to her, while the other two sisters confront their emotional distance from each other.
Pauline Kael was an American film critic who wrote for The New Yorker from 1968 to 1991. Known for her "witty, biting, highly opinionated and sharply focused" reviews, Kael's opinions often ran contrary to those of her contemporaries.
Day for Night is a 1973 romantic comedy-drama film co-written and directed by François Truffaut, starring Jacqueline Bisset, Jean-Pierre Léaud and Truffaut himself. The original French title, La Nuit américaine, refers to the French name for the filmmaking process whereby sequences filmed outdoors in daylight are shot with a filter over the camera lens or also using film stock balanced for tungsten (indoor) light and underexposed to appear as if they are taking place at night. In English, the technique is called day for night.
Hour of the Wolf is a 1968 Swedish psychological horror film directed by Ingmar Bergman and starring Max von Sydow and Liv Ullmann. The story explores the disappearance of fictional painter Johan Borg, who lived on an island with his wife Alma (Ullmann) while plagued with frightening visions and insomnia.
Berit Elisabet Andersson, known professionally as Bibi Andersson, was a Swedish actress who was best known for her frequent collaborations with filmmaker Ingmar Bergman.
Stanley Kauffmann was an American writer, editor, and critic of film and theater.
The Silence is a 1963 Swedish drama film written and directed by Ingmar Bergman and starring Ingrid Thulin and Gunnel Lindblom. The plot focuses on two sisters, the younger a sensuous woman with a young son, the elder more intellectually oriented and seriously ill, and their tense relationship as they travel toward home through a fictional Central European country on the brink of war.
Metacinema, also meta-cinema, is a mode of filmmaking in which the film informs the audience that they are watching a work of fiction. Metacinema often references its own production, working against narrative conventions that aim to maintain the audience's suspension of disbelief. Elements of metacinema includes scenes where characters discuss the making of the film or where production equipment and facilities are shown. It is analogous to metafiction in literature.
David Denby is an American journalist. He served as film critic for The New Yorker until December 2014.
The 36th New York Film Critics Circle Awards, honored the best filmmaking of 1970.
The 42nd National Board of Review Awards were announced on January 3, 1971.
The French Syndicate of Cinema Critics has, each year since 1946, awarded a prize, the Prix Méliès, to the best French film of the preceding year. More awards have been added over time: the Prix Léon Moussinac for the best foreign film, added in 1967; the Prix Novaïs-Texeira for the best short film, added in 1999; prizes for the best first French and best first foreign films, added in 2001 and 2014, respectively; etc.
The 2nd National Society of Film Critics Awards, given by the National Society of Film Critics in January 1968, honored the best in film for 1967.
The 7th National Society of Film Critics Awards, given on 29 December 1972, honored the best filmmaking of 1972.
The 4th National Society of Film Critics Awards, given on 5 January 1970, honored the best filmmaking of 1969.
Ida is a 2013 drama film directed by Paweł Pawlikowski and written by Pawlikowski and Rebecca Lenkiewicz. Set in Poland in 1962, it follows a young woman on the verge of taking vows as a Catholic nun. Orphaned as an infant during the German occupation of World War II, she must meet her aunt, a former Communist state prosecutor and only surviving relative, who tells her that her parents were Jewish. The two women embark on a road trip into the Polish countryside to learn the fate of their relatives.
A list of the published works of David Denby, American journalist and film critic.