40th NSFC Awards
January 7, 2006
Best Film:
Capote
The 40th National Society of Film Critics Awards, given on 7 January 2006, honored the best in film for 2005. [1] [2] [3]
1. Capote (12)
2. A History of Violence (11)
3. 2046
1. David Cronenberg – A History of Violence (32)
2. Wong Kar-wai – 2046 (26)
3. Bennett Miller – Capote (23)
1. Philip Seymour Hoffman – Capote (68)
2. Jeff Daniels – The Squid and the Whale (41)
3. Heath Ledger – Brokeback Mountain (40)
1. Reese Witherspoon – Walk the Line (37)
2. Keira Knightley – Pride & Prejudice (27)
3. Kate Dollenmayer – Funny Ha Ha (18)
3. Vera Farmiga – Down to the Bone (18)
1. Ed Harris – A History of Violence (27)
2. Mathieu Amalric – Munich (22)
2. Frank Langella – Good Night, and Good Luck. (22)
1. Amy Adams – Junebug (33)
2. Zhang Ziyi – 2046 (28)
3. Catherine Keener – The 40-Year-Old Virgin , The Ballad of Jack and Rose , Capote , and The Interpreter (22)
1. Noah Baumbach – The Squid and the Whale (37)
2. Dan Futterman – Capote (33)
3. Tony Kushner and Eric Roth – Munich (14)
1. Christopher Doyle, Kwan Pun Leung, and Lai Yiu-fai – 2046 (50)
2. Robert Elswit – Good Night, and Good Luck. (16)
3. Emmanuel Lubezki – The New World (11)
1. Grizzly Man (60)
2. Darwin's Nightmare (27)
3. Ballets Russes (19)
1. Symbiopsychotaxiplasm: Take One (1968) and Symbiopsychotaxiplasm: Take 21⁄2 (2005), William Greaves' remarkable investigation into the nature of the acting process and power relationships on a movie set.
2. 13 Lakes , Ten Skies, and 27 Years Later, the three 2005 productions of James Benning. Few have done more over the last thirty years to expand the sensory and temporal boundaries of moving pictures.
2005 in film is an overview of events, including the highest-grossing films, award ceremonies, festivals, a list of country-specific lists of films released, notable deaths and film debuts.
The Squid and the Whale is a 2005 American independent comedy-drama film written and directed by Noah Baumbach and produced by Wes Anderson. It tells the semi-autobiographical story of two boys in Brooklyn dealing with their parents' divorce in 1986. The film is named after the giant squid and sperm whale diorama housed at the American Museum of Natural History, which is seen in the film. The film was shot on Super 16 mm, mostly using a handheld camera.
The 71st New York Film Critics Circle Awards, honoring the best in film for 2005, were announced on 12 December 2005 and presented on 8 January 2006.
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The 11th Dallas-Fort Worth Film Critics Association Awards, given by the Dallas-Fort Worth Film Critics Association on December 19, 2005, honored the best in film for 2005. The organization, founded in 1990, includes 33 film critics for print, radio, television, and internet publications based in North Texas.
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The National Society of Film Critics (NSFC) is an American film critic organization. The organization is known for its highbrow tastes, and its annual awards are one of the most prestigious film critics awards in the United States. In January 2014, the NSFC had approximately 60 members who wrote for a variety of weekly and daily newspapers along with major publications and media outlets.
The 77th National Board of Review Awards, honoring the best in film for 2005, were given on 10 January 2006.
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The 2nd St. Louis Gateway Film Critics Association Awards were given on January 8, 2006.
Emanuel Levy is an American film critic and professor who has taught at Columbia University, New School for Social Research, Wellesley College, Arizona State University and UCLA Film School. Levy currently teaches in the department of cinema studies at New York University.
Robert Christopher Elswit, ASC is an American cinematographer. He has collaborated with Paul Thomas Anderson on six of his films and won the Academy Award for Best Cinematography for There Will Be Blood. Elswit has also collaborated with directors and screenwriters Tony and Dan Gilroy on all of the six films that either brother directed.
The 27th London Film Critics Circle Awards, honouring the best in film for 2006, were announced by the London Film Critics Circle on 8 February 2007.