Years in anime: | 1980 1981 1982 1983 1984 1985 1986 |
Centuries: | 19th century · 20th century · 21st century |
Decades: | 1950s 1960s 1970s 1980s 1990s 2000s 2010s |
Years: | 1980 1981 1982 1983 1984 1985 1986 |
The events of 1983 in anime .
The first original video animation (OVA), Dallos , is released.
Animation is a method by which still figures are manipulated to appear as moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets to be photographed and exhibited on film. Today, many animations are made with computer-generated imagery (CGI). Computer animation can be very detailed 3D animation, while 2D computer animation can be used for stylistic reasons, low bandwidth, or faster real-time renderings. Other common animation methods apply a stop motion technique to two- and three-dimensional objects like paper cutouts, puppets, or clay figures.
Rotoscoping is an animation technique that animators use to trace over motion picture footage, frame by frame, to produce realistic action. Originally, animators projected photographed live-action movie images onto a glass panel and traced over the image. This projection equipment is referred to as a rotoscope, developed by Polish-American animator Max Fleischer, and the result is a rotograph. This device was eventually replaced by computers, but the process is still called rotoscoping.
Donald Virgil Bluth is an American film director, animator, production designer, and animation instructor, best known for his animated films, including The Secret of NIMH (1982), An American Tail (1986), The Land Before Time (1988), All Dogs Go to Heaven (1989), Anastasia (1997), and Titan A.E. (2000), for his involvement in the LaserDisc game Dragon's Lair (1983), and for competing with former employer Walt Disney Productions during the years leading up to the films that became the Disney Renaissance. He is the older brother of illustrator Toby Bluth.
Madhouse, Inc. is a Japanese animation studio founded in 1972 by ex–Mushi Pro staff, including Masao Maruyama, Osamu Dezaki, and Yoshiaki Kawajiri.
Ivor Sydney Wood was a prolific Anglo-French animator, director, producer and writer. He was known for his work on children's television series.
John Alan Lasseter is an American film director, producer, screenwriter, animator, voice actor, and the head of animation at Skydance Animation. He was previously the chief creative officer of Pixar Animation Studios, Walt Disney Animation Studios, and Disneytoon Studios, as well as the Principal Creative Advisor for Walt Disney Imagineering.
Yoshinori Kanada was an influential Japanese animator originally from Nara, Japan. He is best known for his popular 1984 work Birth, one of the first original video animations released in the market. Though he did not create many character designs, he was famous for his character animation skills. His work on Galaxy Express 999 (1979) and Harmagedon (1983) were very influential to an entire generation of animators in Japan. These two works also served as partial inspiration for Takashi Murakami's Superflat art movement. During the 1980s and 1990s, he worked closely with director Hayao Miyazaki on several movies from Nausicaä of the Valley of the Wind to Princess Mononoke. He was also known for breaking down the directorial system in animation, allowing individual key animators to exert their own style into a particular work. He died at the age of 57 of a heart attack on July 21, 2009. His works inspired the art and works of animators such as Hiroyuki Imaishi, Masahito Yamashita, Akira Amemiya and Masami Obari. The final episode of Panty & Stocking with Garterbelt was dedicated in memory of him, and his influential work garnered special praise from many industry figures, such as Hayao Miyazaki.
Takashi Nakamura is an accomplished Japanese animator and anime director. He is also a founding member of the Japan Animation Creators Association (JAniCA) labor group.
Pete Michels is an American animation director who is the supervising director of Future-Worm! on Disney XD. Prior, he was a supervising director on seasons 1 and 2 of Rick and Morty, an animation and supervising director on Family Guy, and supervising director of the short-lived TV show Kid Notorious. He started working on The Simpsons in 1990 as a background layout artist, and eventually became a director. He has also been a director on Rugrats, Rocko's Modern Life, and Bless the Harts.
Clay painting animation is a form of clay animation, which is one of the many kinds of stop motion animation. It blurs the distinction between clay animation, cel animation and cutout animation.
Gisaburō Sugii is a Japanese anime director and Nihonga artist. He is best known for his work as director of the Touch series, the movie adaptation of the Arashi no Yoru ni children's book series, and the movie Night on the Galactic Railroad. He is a member of the Directors Guild of Japan and the Japanese Animation Creators Association.
Magic Bus, Inc. is a Japanese animation studio headquartered in Nishi-Tokyo, Tokyo, Japan. The company was founded in April 1972 by producer and director Satoshi Dezaki, and the studio's first work was Shin Kyojin no Hoshi in 1977. In 1983, with Dezaki directing, Magic Bus collaborated in the animation production of Captain. Magic Bus has since become largely an animation subcontractor for other animation studios.
Tsuchida Production was an anime production company in Japan. After Osamu Tsuchida left Studio Yuni, he founded Tsuchida Production in 1976 to do animation, production, finish animation, and other contract work related to the production of anime. The company became well known after working on Captain Tsubasa in 1983. However, when the Japanese economy went into a depression in the mid-1980s, Tsuchida Production collapsed into bankruptcy in July 1986 after being unable to reimburse its investors and various toy manufacturers with which it was working. Some of the employees went on to form Studio Comet.
Aurora Productions was a film production company established in Hollywood, California in 1978 by former executives of The Walt Disney Company Rich Irvine and James L. Stewart. It became defunct in 1990.
Burbank Animation Studios was an Australian film animation production company, formerly named Burbank Films Australia.
Eric Ernest Porter was an Australian filmmaker and animator who specialised in documentaries and commercials, but also made several features. He directed Australia's first animated feature, Marco Polo Junior Versus the Red Dragon (1972). That film's financial failure forced him to close his animation studio.
Conversation Pieces is a reworking of the Animated Conversations concept. It consists of a series of five shorts which aired on Channel Four between 1982 and 1983. Each of the 5 shorts were five minutes long.
Estonian animation tradition dates back to the 1930s when the first experimental films were made. The only surviving short film from the era is Kutsu-Juku seiklusi (1931). After the Great Depression, World War II, and Soviet Occupation interrupted its development, Estonian animation was reborn in 1958. Elbert Tuganov founded a puppet film division Nukufilm in Tallinnfilm Studio. The first film was titled Peetrikese unenägu based on a Danish writer Jens Sigsgaard's children story Palle alene i verden. Joonisfilm an 2D and 3D animation division of Tallinnfilm was founded by Rein Raamat in 1971. Films like Põld (1978), nominee for Golden Palm at the Cannes Film Festival in 1979; Lend (1973), the winner of Special Jury Award at the Zagreb World Festival of Animated Films; the Suur Tõll (1980), 2nd place at Ottawa International Animation Festival in 1982 and Põrgu (Hell) (1983), the winner of FIPRESCI Prize and Special Jury Award at the Annecy International Animated Film Festival made Raamat the first internationally recognized Estonian animation director.
Spinnolio is a Canadian animated short film, directed by John Weldon and released in 1977. A parody of Pinocchio, the film tells the story of an old man who carves a wooden boy; however, as the fairy never arrives to grant him life, Spinnolio remains wooden and inanimate, but nevertheless successfully establishes a career working at the complaints desk of a department store because of his apparent skill at listening without talking.