50-Minute Fun Break | ||||
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Studio album by | ||||
Released | 1992 | |||
Recorded | 1991–1992 | |||
Studio | Astral Sound in San Jose, California | |||
Genre | ||||
Length | 53:31 | |||
Producer |
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Stanford Fleet Street Singers chronology | ||||
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50-Minute Fun Break, released in 1992, is the fourth studio album by the collegiate comedy a cappella group the Stanford Fleet Street Singers. It was a landmark album in the a cappella genre for its pioneering recording techniques and use of studio effects. The album won critical acclaim for its studio work, including a special award in engineering from the Contemporary A Cappella Recording Awards, although some critics criticized the studio engineering as "intrusive." 50-Minute Fun Break marked a breakout album for its audio engineer, Bill Hare, who went on to become the most-awarded engineer in a cappella.
The album was generally well-received, with critics noting its new style of studio engineering, the group's original songs, and 3D-modeled computer-generated cover art. A critic from the Recorded A Cappella Review Board wrote of the album: "Of all of the collegiate albums I have heard, this is the one that I would recommend most readily. If I could have only one collegiate album, this would be it." [1] At the Contemporary A Cappella Recording Awards (CARAs), the album won awards in five categories, a new record for the Awards. [2]
50-Minute Fun Break featured a number of studio effects never heard before in recorded a cappella. At the turn of the 1990s, through collaborations with Fleet Street and with other Stanford a cappella group the Mendicants, audio engineer Bill Hare had developed new methods for recording a cappella. Before, a cappella was generally recorded exactly as a listener would perceive a live performance: with two microphones capturing the whole group at once, singing in a room. [3] Hare's new techniques, which he'd deployed in part on Fleet Street's 1990 album curious..., principally involved recording every voice as one would record instruments: each voice with its own microphone, and each singer just a few inches away from their microphone. [3] [4] Placing all the voices so close to the listener's ear increased the presence of each voice, creating a new sound that would come to define contemporary a cappella recording. [5]
At the time of the album's release, its engineering polarized a cappella critics. On the one hand, one critic praised the album, saying "[Fleet Street's] studio engineering work is incredible", and a second said, "This is technically one of the best albums I've heard from the collegiate scene." On the other hand, some critics took issue with the studio work, calling it "intrusive," "unnatural," and "strange." One argued that a studio "should be used to enhance and perfect the original sound of the group, not add odd effects and sounds unachievable on stage." [1] Another hedged their positive commentary, saying, "I didn't care for some of the strange studio effects on the basses." [1]
At the 1993 Contemporary A Cappella Recording Awards, CASA president Deke Sharon praised the album, writing in a statement that 50-Minute Fun Break had "the best engineering we've ever heard on any collegiate album. Ever." [5] In a podcast twenty-five years later, Sharon recalled, "It was so exemplary, it was so ahead of its time, that Bill Hare just walked away with a special award in best engineering." [6]
The Contemporary A Cappella Society announced the second annual Recording Awards in 1993. 50-Minute Fun Break won a record-setting five categories at the Recording Awards, including Best Album and Best Song in the male collegiate category. [2]
Year | Award | Category | Nominee(s) | Result | Ref. |
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1993 | Contemporary A Cappella Recording Awards | Best Male Collegiate Album | 50-Minute Fun Break (1992) | Won | [2] [7] |
Best Male Collegiate Song | "You Always Hurt the One You Love" | Won | |||
Best Original Collegiate Song | "Prayer to the God of Partial Credit" [lower-alpha 1] | Won | |||
Best Collegiate Cover Design | Gray Norton | Won | |||
Best Mixing and Engineering | Ben Evans and Bill Hare | Won |
This section is missing information about the influence of this album on Fleet Street after its release, perhaps as it relates to original songs.(January 2020) |
Audio engineer Bill Hare had been pioneering contemporary a cappella recording techniques for a few years, including on albums by the Stanford Mendicants and on Fleet Street's prior release, curious... (1990). But it was Hare's engineering on 50-Minute Fun Break that landed him on the map for good. [5] Hare would go on to work with a cappella's biggest groups, including winners of The Sing-Off such as Nota, Home Free, and Pentatonix, with whom Hare would earn a 2× multi-platinum certification. [8] [9]
Credits adapted from liner notes. [10]
Credits adapted from liner notes. [10]
A cappella music is a performance by a singer or a singing group without instrumental accompaniment, or a piece intended to be performed in this way. The term a cappella was originally intended to differentiate between Renaissance polyphony and Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for alla breve.
Collegiate a cappella ensembles are college-affiliated singing groups, primarily in the United States, and, increasingly, the United Kingdom and Ireland, that perform entirely without musical instruments. The groups are typically composed of, operated by, and directed by students. In the context of collegiate a cappella, the term a cappella typically also refers to the music genre performed by pop-centric student singing groups. Consequently, an ensemble that sings unaccompanied classical music may not be considered an a cappella group, even though technically it is performing a cappella.
"You Always Hurt the One You Love" is a pop standard, with words by Allan Roberts and music by Doris Fisher. First recorded by The Mills Brothers, whose recording reached the top of the Billboard charts in 1944, it was also a hit for Sammy Kaye in 1945.
Deke Sharon is an American singer, arranger, composer, director, producer and teacher of a cappella music, and is one of the leaders and promoters of the contemporary a cappella community. He has been referred to as "the father of contemporary a cappella" by some authors, and "the godfather of a cappella" by others.
The Contemporary A Cappella Society, or CASA, is a 501(c)(3) charitable organization dedicated to fostering and promoting a cappella music of all styles around the world. CASA was founded in 1991 by Deke Sharon in San Francisco just after graduation. In his Tufts University dorm room during his senior year, Sharon published a newsletter, The "C.A.N.", mailed to all known collegiate a cappella groups by merging "The List," founded in 1988 & distributed by Rex Solomon, with the database maintained by his college a cappella group the Beelzebubs. The organization boasts over 6,000 current members, and serves as a resource for media and scholarly work in the area of contemporary a cappella.
The Tufts Beelzebubs, frequently referred to as "The Bubs", is a male a cappella group of students from Tufts University that performs a mix of pop, rock, R&B, and other types of music while spreading their motto of "Fun through Song." Founded in 1962, they have toured in Europe, Asia, South America, and North America, and they competed on NBC's The Sing-Off in December 2009, finishing in second place.
The Stanford Harmonics are a co-ed a cappella group from Stanford University. Known for their alternative rock repertoire and award-winning recordings, the Harmonics have garnered international recognition for their performances and have been featured on BOCA, Sing, and Voices Only a cappella compilations. The Harmonics are one of the few collegiate a cappella groups that own their own wireless microphone equipment and have developed a live performance style that includes the use of electronic distortion and sound effects.
Straight No Chaser (SNC) is a professional American a cappella group that originated in 1996 at Indiana University. Originally a student group at Indiana University, they recorded a video in 1998 of a comical version of "The 12 Days of Christmas". The founding members all graduated, to be replaced by other students, in 1999. In 2007, the 1998 video went viral on YouTube, and subsequently led to a reunion of the founding members and a five-album record deal with Atlantic Records in 2008. The YouTube video has been viewed over 24 million times.
Nota is an a cappella group of six male vocalists from San Juan, Puerto Rico. The group met in 1994 and started singing together occasionally. The group won the first season of the musical competition The Sing-Off.
The Academical Village People (AVP) is an a cappella group at the University of Virginia founded in 1993 by a group of people who vowed to "never take themselves too seriously." They set themselves apart from other groups by being able to keep professional while maintaining their lax attitude, wild antics while performing, and their less traditional uniform of a garage mechanic style shirt. The name "Academical Village People" comes from Thomas Jefferson's Academical Village at the university in Charlottesville, Virginia. As of 2017, AVP, as it is often called for short, has released thirteen studio albums, including a greatest hits album, DECADEmical: Best of 1993-2003, of its first ten years in existence. The group has recorded many notable performances such as opening for Dana Carvey and Girl Talk, performing for Reba McEntire at the White House, concerts at the Kennedy Center, and performances in such countries as England, Spain, and Scotland.
Street Corner Symphony is an a cappella group from Nashville, Tennessee and a contestant on the second season of NBC's reality show The Sing-Off. During The Sing-Off's season finale, Street Corner Symphony claimed the second place title, losing the championship to Huntsville, Alabama group Committed. It was formed in 2010 for the sole purpose of entering The Sing-Off. The members are from several of the Southeastern United States, including Tennessee, Alabama and Florida; the group is based out of Nashville.
The House Jacks is a professional a cappella quintet from San Francisco, founded in 1991 by Deke Sharon.
Peter James Hollens is an American singer/songwriter, producer and entrepreneur. He has been involved with a cappella music since 1999 when he and Leo da Silva founded the University of Oregon's a cappella group, On The Rocks, known as the first official collegiate a cappella group in Oregon. He regularly releases new music videos to his YouTube channel. With over 5 million followers and subscribers, his content has received over a billion total views since 2011.
Mitchell Coby Michael Grassi is an American singer, musician and songwriter from Arlington, Texas. Known for his high tenor voice, Grassi came to international attention as the founder and performer of two groups—the quintet a cappella collective Pentatonix and the duo Superfruit with Scott Hoying. As of June 2021, Pentatonix has released eleven albums and two EPs, have had four songs in the Billboard Hot 100, and won three Grammy awards as "the first a cappella group to achieve mainstream success in the modern market". As of February 2019, Superfruit's YouTube channel has over 2.5 million subscribers and has accumulated over 392 million views.
The Stanford Fleet Street Singers is a comedy a cappella group from Stanford University. The group performs original songs and sketch comedy, and wears a uniform of black vests and red bow ties. Fleet Street is perhaps best known for having published the first collegiate a cappella album composed entirely of original music. In total, Fleet Street has released 13 studio albums and has received a dozen national awards.
Fleet Street, released in 2004, is the eleventh studio album by the collegiate comedy a cappella group the Stanford Fleet Street Singers. It was the first entirely original album in collegiate a cappella, for which it received critical recognition.
Bill Hare is an American Grammy Award-winning audio engineer known for pioneering contemporary recording techniques in a cappella. He was the first to record voices individually, and the first to mic singers exactly as one would mic instruments. Over the course of his career, Hare has become well known for his outsize role in shaping the sound of recorded a cappella. Industry observers have called him the "patriarch" and "the Dr. Dre" of a cappella recording. Deke Sharon, founder and longtime president of the Contemporary A Cappella Society, wrote of Hare's influence in 2018: "The sound of contemporary recorded a cappella owes more to his technique, style, and pioneering than any other person."
Stanford Counterpoint is an all-femme a cappella group from Stanford University. It is the second-oldest a cappella group from Stanford and the oldest female a cappella group on the West Coast.