534 | ||||
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Studio album by | ||||
Released | May 17, 2005 | |||
Recorded | 2004–2005 | |||
Genre | Hip hop | |||
Length | 48:51 | |||
Label | ||||
Producer |
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Memphis Bleek chronology | ||||
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Singles from 534 | ||||
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534 is the fourth studio album by rapper Memphis Bleek. It was released by Get Low Records, Roc-A-Fella Records, and Def Jam Recordings on May 17, 2005. The album was executive produced Bleek's mentor and childhood friend Jay-Z, who also recorded the song "Dear Summer" for the album. Other guests include Young Gunz, M.O.P., and Rihanna, whose appearance on the song "The One" was the major label debut.
534 debuted at number 11 on the Billboard 200 chart, selling 60,000 copies in the first week. The album received mixed reviews from music critics, with most of them praising the production on the album, while criticizing Memphis Bleek's lyrics and performance.
534 was recorded in a "relatively stripped down studio setting", with help from Young Guru. In an interview with Billboard magazine Memphis Bleek said this setup was reminiscent of the times when he just started rapping. [1] The album was executive produced by Bleek's childhood friend Jay-Z, under the name "The Carter Administration". [2] Jay-Z, who previously announced his retirement, also recorded a song for the album, "Dear Summer", which was supposed to be his final song. [3] Unlike other songs on the album, "Dear Summer" doesn't feature Memphis Bleek's vocals. [4]
According to Memphis Bleek, 534 was a "people's album", as he was trying to appeal to the tastes of various people around him. "I let a good opportunity slip by", said Bleek in an interview to HipHopDX . [5]
534 included the first major-label recording from Rihanna, "The One", which preceded her debut single "Pon de Replay" by a few weeks. [6]
The album's title is a reference to the address of Marcy Houses, 534 Flushing Ave., where Bleek and Jay-Z grew up. [1]
534 was released on May 17, 2005, [7] by Roc-A-Fella Records and Def Jam Recordings. [8] Upon its release, the album charted in the US Billboard 200, where it debuted at number 11 with 60,000 copies sold in the first week. [9] [10] 534 also reached number 3 on Billboard's US Top R&B/Hip-Hop Albums chart and number 1 on US Top Rap Albums. [11] [12] As of 2009, the album sold 164,000 copies. [13]
Review scores | |
---|---|
Source | Rating |
AllMusic | [7] |
Blender | [14] |
Entertainment Weekly | C [15] |
HipHopDX | [16] |
Los Angeles Times | [17] |
Pitchfork Media | 4.3/10 [18] |
PopMatters | 5/10 [19] |
RapReviews | 7.5/10 [20] |
Rolling Stone | [21] |
Vibe | [22] |
534 received mixed reviews from music critics. In his review for AllMusic, Andy Kellman said that "[e]ven in its best moments [...] it's usually the production work [...] that attracts the attention, not Bleek". [7] Margeaux Watson of Entertainment Weekly praised Jay-Z's performance on the track "Dear Summer", while simultaneously criticized Memphis Bleek as his "unimaginative apprentice", who's left with the rest of the album, which she called an "uneven mix of contrived party songs and well-produced yet lyrically insipid street tales". [15] Anthony Springer from HipHopDX wrote of the album: "While 534 is a step up for Bleek, several missteps keep this album from reaching its full potential". Despite that, he considered 534 to be one of the best Bleek's albums. [16] Soren Baker of Los Angeles Times thought 534 was an "uneven [collection] of rap cliches and music production styles that have been pioneered by other artists", similar to Bleek's previous albums. [17] Pitchfork 's Tom Breihan criticized the album, calling Bleek's lyrics "staggeringly lame" and "bizarrely terrible", but praised the production and Jay-Z's performance on "Dear Summer". [18] Justin Cober-Lake of PopMatters described Memphis Bleek's performance on the album as "a steady if uninventive flow and straightforward lyrics". [19] James Corne from RapReviews assessed the album as above average, claiming that it's a "good listen, but [Bleek is] just not a top rank contender" and that 534 is "still too generic to stand out". He ended his review stating: "Each song aims at hitting a different listener instead of using the universal appeal of emotion and empathy to sell us all". [20] Rolling Stone magazine published a positive review for the album, saying that Memphis Bleek "matches the sleek intensity of Just Blaze's beats, providing smart and brassy [...] rhymes". [21] The Washington Post 's Joe Warminsky characterized Bleek's performance as "monosyllabic, slang-heavy lyrics [that] rarely offer more than one-dimensional descriptions of life", while commending the album's producers. [23]
Credits are adapted from Tidal. [24]
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "534" | Just Blaze | 2:42 | |
2. | "Interlude" |
| Just Blaze | 0:16 |
3. | "Dear Summer" (performed by Jay-Z) |
| Just Blaze | 2:53 |
4. | "Like That" | Swizz Beatz | 3:16 | |
5. | "Infatuated" (featuring Boxie) |
|
| 4:05 |
6. | "The One" (featuring Rihanna) | Bink! | 4:00 | |
7. | "First, Last and Only" (featuring M.O.P.) |
| LeQwan Bell | 3:01 |
8. | "Get Low" (featuring Livin' Proof) |
|
| 3:03 |
9. | "Oh Baby" (featuring Young Gunz) |
| Bink! | 4:06 |
10. | "Smoke the Pain Away" (featuring Denim) | 9th Wonder | 4:27 | |
11. | "Hater Free" |
| Shea Taylor | 3:58 |
12. | "Alright" |
| 9th Wonder | 3:52 |
13. | "All About Me" |
|
| 4:20 |
14. | "Straight Path" |
| Just Blaze | 4:52 |
Total length: | 48:51 |
Sample credits [25]
Credits are adapted from the album's liner notes and Tidal. [25] [24]
Chart (2005) | Peak position |
---|---|
US Billboard 200 [9] | 11 |
US Top R&B/Hip-Hop Albums ( Billboard ) [11] | 3 |
US Top Rap Albums ( Billboard ) [12] | 1 |
Roc-A-Fella Records was an American hip hop record label and music management company founded by record executives and entrepreneurs Shawn "Jay-Z" Carter, Damon Dash, and Kareem "Biggs" Burke in 1994. Carter issued his debut album, Reasonable Doubt (1996) as the label's first release, in a joint venture with Priority Records. The label has signed and released albums for acts including Kanye West, Cam'ron, Beanie Sigel, Memphis Bleek, Juelz Santana, Freeway, Jadakiss, Teairra Marí, State Property, and The Diplomats before its dissolution in 2013.
Malik Deshawn Cox, known by his stage name Memphis Bleek, is an American rapper. He is best known for his affiliation with fellow New York City-based rapper Jay-Z, with Cox often described as his hype man and protégé. Cox signed with his Roc-A-Fella Records label imprint in the late 1990s, through which he has released four major label studio albums: Coming of Age (1999), The Understanding (2000), M.A.D.E. (2003), and 534 (2005). He has since founded his own labels: Get Low Records in 1998, and Warehouse Music Group in 2016—through which he signed rapper Casanova.
Young Gunz is an American hip hop duo from Philadelphia, composed of rappers Young Chris and Neef Buck. The group is part of Beanie Sigel's State Property collective and were signed to Jay-Z's Roc-A-Fella Records. Young Gunz' 2003 debut single, "Can't Stop, Won't Stop", reached the top 15 on the Billboard Hot 100.
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M.A.D.E. is the third studio album by American rapper Memphis Bleek, released by Get Low Records, Roc-A-Fella Records, and Def Jam Recordings. Originally scheduled for a summer 2003 release, the album was ultimately released on December 16, 2003. The album reached #35 on the Billboard 200 charts.
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