94 Diskont

Last updated

94 Diskont
Diskontcover.jpg
Studio album by
Released1995
Genre
Length52:09
Label Mille Plateaux, Thrill Jockey
Oval chronology
Systemisch
(1994)
94 Diskont
(1995)
Dok
(1998)

94 Diskont (stylised as 94diskont.) is the fourth album by German electronic music group Oval. It was released in 1995 via Mille Plateaux in Europe and in 1996 by Thrill Jockey in the United States. It was the final Oval release to feature Sebastian Oschatz and Frank Metzger. It has received critical acclaim.

Contents

Background

Oval received both praise and controversy for its styling methods, such as literally deconstructing music and digital audio by using exacto knives, paint, and tape to damage the surfaces of compact discs, only to stitch the sound back together in loops of melody punctuated by the disc's physical skips. [3] On its initial release, Select noted in their review that Oval "sound unlike any other combo" on 94 Diskont. [4] The review went on to note that group have been described in desperation as techno and critiqued this reference stating "try dancing to the sort of erratic pulsing and hiccuping that comes over like the read-out from a dying alien's electrocardiograph". [4]

94 Diskont was released as a companion piece to Oval's previous album, Systemisch . The album's centerpiece is "Do While," a 24-minute track originally composed for the group's 8-channel, 128-speaker modular sound installation named Wohnton (translates into home tone) in a stereo mixdown. The installation was shown throughout Europe between 1994 and 1996 on various occasions, ranging from art exhibitions to techno raves. [5] A radio edit of the song, "Do While X", is also included on the album. The US pressing by Thrill Jockey adds two additional songs and, on vinyl, moves "Do While X" up in the running order to appear directly after "Do While", instead of closing the album.

Both US and international vinyl versions of the album came with a remix LP that contains remixes by Mouse on Mars, Scanner, Cristian Vogel, and Jim O'Rourke. [5]

Reviews and influence

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [6]
Select 4/5 [4]

Dave Morrison of Select gave the album a four out of five rating, first mentioning the group's unorthodox method of obtaining the sounds on the album, then noting that "this out-on-a-limb approach wouldn't mean a thing if the results weren't so brilliant." [4] The Wire placed the album at number five on its 1995 of top albums of the year. [7]

Ben Tausig of AllMusic awarded the album five stars and stated, "94 Diskont is undoubtedly a standout in the field of electronically advanced, glitch-heavy music." [6] In their 1998 list of "100 Records That Set the World on Fire (While No One Was Listening)", The Wire wrote of the album: "From nothing but digital detritus, Oval construct a resonant holism of pure crystalline beauty. The balance of this disc is given over to brief excursions into textural exposition, pushing back the boundaries of sound as music." [8]

In a 2003 feature, the webzine Pitchfork placed 94 Diskont at number 47 on its list of the top 100 albums of the 1990s. Mark Richardson of Pitchfork declared, "Sounds appear as multi-layer holograms, with both sources and ghosted copies simultaneously vying for attention, a piece of sonic trickery used to create some of the most serene and aquatic music of the '90s." [9] Richardson would later state in a 2016 piece that 94 Diskont "was the first sound of a new future". [1] In 2016, Pitchfork named 94 Diskont the seventh best ambient album of all time. [2]

Track listing

Original Mille Plateaux pressing
No.TitleLength
1."Do While"24:04
2."Store Check"4:01
3."Line Extension"3:05
4."Cross Selling"6:09
5."Do While X"4:50
Thrill Jockey pressing (US)
No.TitleLength
1."Do While"24:04
2."Store Check"3:58
3."Line Extension"3:02
4."Cross Selling"6:06
5."Commerce Server"4:56
6."Shop in Store"4:00
7."Do While X"4:50
Bonus 12"
No.TitleLength
1."Do While (Jim O'Rourke)"5:36
2."Do While (Scanner)"6:53
3."Do While (Mouse on Mars)"8:55
4."Do While (Christian Vogel)"6:27

Notes and references

  1. 1 2 Richardson, Mark (5 October 2015). "A Glitch in Time: How Oval's 1995 Ambient Masterpiece Predicted Our Digital Present". Pitchfork . Retrieved 26 September 2016.
  2. 1 2 Sherburne, Philip (26 September 2016). "The 50 Best Ambient Albums of All Time". Pitchfork . p. 5. Retrieved 26 September 2016.
  3. Macdonald, Cameron (4 January 2006). "Oval: Do While". Stylus Magazine . Archived from the original on 30 December 2006. Retrieved 23 November 2006.
  4. 1 2 3 4 Morrison, Dave (May 1995). "Oval: 94 Diskont". Select . No. 59. p. 99.
  5. 1 2 Macdonald, Cameron. "Thrill Jockey Records: Oval: 94 Diskont". Thrill Jockey. Archived from the original on 17 December 2010. Retrieved 18 February 2011.
  6. 1 2 Tausig, Ben. "94 Diskont – Oval". AllMusic . Retrieved 29 June 2011.
  7. "Top 50 records of 1995". The Wire . Retrieved 18 February 2011.
  8. "100 Records That Set the World on Fire (While No One Was Listening)". The Wire . No. 175. September 1998.
  9. Richardson, Mark (17 November 2003). "Top 100 Albums of the 1990s". Pitchfork . p. 6. Retrieved 18 February 2011.

Related Research Articles

Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. A form of instrumental music, it may lack net composition, beat, or structured melody. It uses textural layers of sound which can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual", or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer.

Fennesz Austrian musician

Christian Fennesz is an Austrian producer and guitarist active in electronic music since the 1990s, often credited simply by his last name. His work utilizes guitar and laptop computers to blend melody with treated samples and glitch production. He lives and works in Vienna, and currently records on the UK label Touch.

<i>...I Care Because You Do</i> 1995 studio album by Aphex Twin

...I Care Because You Do is the third studio album by electronic musician Richard D. James under the alias Aphex Twin, released on 24 April 1995 by Warp. Containing material recorded between 1990 and 1994, the album marked James's return to a percussive sound following the largely beatless Selected Ambient Works Volume II (1994), and pairs abrasive rhythms with symphonic and ambient elements. The cover artwork is a self-portrait by James.

Ambient techno is an offshoot of techno that united the atmospheric textures of ambient music with the rhythmic elements and production of techno and house. It was pioneered by 1990s electronic artists such as The Orb, Carl Craig, Aphex Twin, B12, Pete Namlook and Biosphere.

Glitch is a genre of electronic music that emerged in the 1990s. It has been described as having an "aesthetic of failure" distinguished by the deliberate use of glitch-based audio media and other sonic artifacts.

Matmos Band

Matmos is an experimental electronic music duo originally from San Francisco but now residing in Baltimore. M. C. (Martin) Schmidt and Drew Daniel are the core members, but they frequently include other artists on their records and in their performances, including notably J Lesser. Apart from releasing nine full-length studio albums and numerous collaborative works, Matmos is also well known for their collaboration with Icelandic singer and musician Björk, both on studio recordings and live tours. After being signed to Matador Records for nine years, Matmos signed with Thrill Jockey in 2012. The name Matmos refers to the seething lake of evil slime beneath the city Sogo in the 1968 film Barbarella.

<i>Selected Ambient Works Volume II</i> 1994 studio album by Aphex Twin

Selected Ambient Works Volume II is the second studio album by Aphex Twin, the pseudonym of British electronic musician Richard D. James. It was released by Warp in March 1994. Billed as a follow-up to James' debut Selected Ambient Works 85–92, the album differs in sound by being largely beatless ambient music. James claimed that it was inspired by lucid dreaming, and likened the music to "standing in a power station on acid."

Mouse on Mars German electronic music duo formed 1993

Mouse on Mars is an electronic music duo formed in 1993 by Jan St. Werner and Andi Toma. Their music is a blend of electronic genres including IDM, dub, krautrock, breakbeat, and ambient, featuring heavy use of organic analog synth and cross-frequency modulation. Their music also features live instrumentation including strings, horns, drums, bass, and guitar.

<i>Amber</i> (Autechre album) 1994 studio album by Autechre

Amber is the second studio album by English electronic music duo Autechre, released on 7 November 1994 by Warp. It was the first Autechre album to be composed entirely of new material, as their debut album Incunabula (1993) was a compilation of older tracks.

Oval (musical project)

Oval is an electronic music group founded in Germany in 1991 by Markus Popp, Sebastian Oschatz, Frank Metzger and Holger Lindmüller. The group pioneered glitch music, writing on CDs to damage them and produce music with the resulting fragments. The project has been a solo venture by Popp since the departure of other members in 1995.

<i>TNT</i> (Tortoise album) 1998 studio album by Tortoise

TNT is the third studio album by American post-rock band Tortoise, released in 1998 by Thrill Jockey. After Jeff Parker joined the band in 1996, Tortoise recorded TNT over the course of a year with drummer John McEntire acting as producer, editor and mixing. Taking influence from their remix material of the 1990s, the band recorded the album using hard disk technology in a "forward-then-back" approach, with members individually adding parts to tracks at different stages until the tracks were completed. As with previous albums, the band members also shared instrumental roles.

<i>Endless Summer</i> (Fennesz album) 2001 studio album by Fennesz

Endless Summer is an album by Austrian electronic music producer and guitarist Fennesz, released on 3 July 2001 by Mego. The title was derived from the 1960s surf documentary by Bruce Brown, and is also shared with a 1974 compilation album by the Beach Boys. The album features Fennesz's melodic guitar run through digital processing and glitch textures.

<i>Ginger</i> (Speedy J album) 1993 studio album by Speedy J

Ginger is the debut studio album by Dutch electronic music producer Speedy J. Released via a joint deal between Plus 8 and Warp in September 1993, the album was the sixth release in Warp's Artificial Intelligence series, which focused on "electronic listening music" by different artists. It peaked at number 68 on the UK Albums Chart and remains Speedy J's most successful album there.

Aphex Twin British electronic musician

Richard David James, better known as his alias Aphex Twin or AFX, is a British musician, composer and DJ. He is best known for his idiosyncratic work in electronic styles such as techno, ambient, and jungle. He has often been called the most influential or important contemporary artist in electronic music: including by publications such as Mixmag, The New York Times, NME, Fact Magazine, Clash and The Guardian.

<i>Selected Ambient Works 85–92</i> 1992 studio album by Aphex Twin

Selected Ambient Works 85–92 is the debut studio album by Aphex Twin, the pseudonym of British electronic musician Richard D. James. It was released on 9 November 1992 through Apollo Records, a subsidiary of Belgian label R&S Records. The album consists of beat-orientated ambient tracks recorded onto cassette reputedly dating as far back as 1985, when James was thirteen to fourteen years old. An analogue remaster of the album was released in 2006, followed by a digital remaster in 2008.

<i>Replica</i> (Oneohtrix Point Never album) 2011 studio album by Oneohtrix Point Never

Replica is the fifth studio album by American electronic musician Daniel Lopatin under the stage name Oneohtrix Point Never, released on November 8, 2011 via Mexican Summer and Software. It features co-production by Joel Ford and Al Carlson, and was Lopatin's first work to be recorded in a studio. Stylistically, the album marks a shift away from Lopatin's previous synth-based works under the alias, instead showcasing a sample-based approach utilizing audio from 1980s and 1990s television advertisements.

<i>Glass Swords</i> 2011 studio album by Rustie

Glass Swords is the debut studio album by Scottish producer Russell Whyte under his alias of Rustie, released by Warp in 2011. The album was produced and recorded between 2008 and 2010 by Whyte, partially in his father's home in Glasgow, Scotland and partly in his own home in London, England. The album contains vocal work from Whyte as well as London based producer Nightwave.

<i>Reflection</i> (Brian Eno album) 2017 studio album by Brian Eno

Reflection is the twenty-sixth studio album by English musician Brian Eno, released on 1 January 2017 on Warp Records. It is a piece of generative ambient music produced by Eno, which plays indefinitely via an app, modulating its output at different times of the day. A pre-recorded version of the album is available on CD and vinyl, which runs for 54 minutes. Digital streaming versions of the album update on a seasonal basis. It was nominated for the 2017 Grammy Award for Best New Age Album.

<i>Narkopop</i> 2017 studio album by Gas

Narkopop is the fifth studio album by Wolfgang Voigt's Gas project, the first album under the moniker in 17 years and his first on Kompakt. The album was released on 21 April 2017.

<i>Present</i> (Sun Electric album) 1996 studio album by Sun Electric

Present is the third album by German techno duo Sun Electric, released in November 1996 by Belgian label Apollo Records. The duo's first full-length studio album for the label, the album is a return to Sun Electric's more beat-oriented material and incorporates styles of dub, jungle, IDM, breakbeat and downtempo. The album artwork by The Designer's Republic features a manipulated image similar to artworks of Madonna, reflecting the melancholic, fractured sound of the album. Music critics greeted Present favourably, praising its inventive style, and some have since recognised the record as overlooked.