A New Leaf (film)

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A New Leaf
A New Leaf.jpg
Theatrical release poster
Directed by Elaine May
Screenplay by Elaine May
Story by Jack Ritchie
Produced by Hillard Elkins
Howard W. Koch
Joseph Manduke [1]
Starring Walter Matthau
Elaine May
Jack Weston
George Rose
James Coco
Cinematography Gayne Rescher
Edited by Don Guidice
Fredric Steinkamp
Music by Neal Hefti
Distributed by Paramount Pictures
Release date
  • March 11, 1971 (1971-03-11)
Running time
102 minutes
CountryUnited States
LanguageEnglish
Budget$1.8 million (planned)
$4 million (final)
Box office$5 million (US/Canada) (rentals) [2]

A New Leaf is a 1971 American black comedy film written and directed by Elaine May in her directorial debut based on the short story "The Green Heart" by Jack Ritchie. It stars May, Walter Matthau, Jack Weston, George Rose, James Coco, and Doris Roberts. [1] Prior to the film, May was better known for her collaboration as a stage comedian with The Graduate director Mike Nichols.

Contents

In the film, a Patrician New York City playboy has run out of money. He decides to find a rich bride for himself, and soon enough finds a shy heiress. He takes charge of her finances after their wedding, and gets rid of her disloyal staff. He is carefully planning to poison her, but even his own best laid plans, go awry. When the opportunity to kill her arrives, he realizes that he has fallen in love with his wife and instead saves her life.

The film was a critical success upon its initial release. However, despite several accolades, award nominations, and a Radio City Music Hall run, [3] A New Leaf fared poorly at the box office and remains little known by the general public. It is now considered a cult classic. [4] In 2019, the film was selected by the Library of Congress for preservation in the United States National Film Registry for being "culturally, historically, or aesthetically significant". [5]

Plot

Henry Graham, a wealthy gadabout from a patrician New York City family, has run through his entire inheritance and is completely unequipped to provide for himself. When his avaricious uncle (and former guardian) Harry rebuffs his appeal to borrow money, Henry’s pragmatic valet Harold suggests to his depressed master that he should marry into wealth. Wheedling a $50,000 loan from Harry to tide him over, Henry has just six weeks to find a rich bride and repay the money or forfeit everything he owns (worth a half a million dollars). Though he conceals this from Harold, it is clear Henry, a confirmed bachelor, intends to do away with his hypothetical bride sometime after the wedding.

Desperation sets in as Henry's attempts to meet a suitable mate fail. With only days remaining, Henry meets the answer to his prayers: clumsy, painfully shy, immensely wealthy heiress Henrietta Lowell, a botany professor with no family. However, Henrietta's suspicious lawyer Andy McPherson opposes the union, and plots with Harry to reveal to Henrietta that Henry only wants her for her money. They fail, and the madly in love Henrietta marries. On a honeymoon to the Caribbean, Henrietta discovers what may be an unknown species of fern.

Never losing focus of his plan, Henry takes charge of his wife's life. He immediately fires her corrupt household staff, which had been taking full advantage of her naivete to bilk her for a running fortune, split 50-50 with the crooked Albert. Henry goes on to immerse himself in sorting out Henrietta’s accounts, learning about taxes, and managing and a vast estate. When Henrietta discovers that he has a B.A. in history, she suggests he could join her teaching where she works, allowing them to be together all the time. He gruffly refuses. But continues to take an interest in correcting her often disheveled appearance.

When Henrietta's fern is confirmed as a new species, her name Alsophila grahami dedicating it to Henry is accepted, touching him somewhat, since he's always desired some form of immortality. She invites him to join her on her annual field trip, a canoe adventure in the Adirondacks. Henry sees this as a perfect opportunity to finally rid himself of her. Instead, she proves so helpless he ends up taking care of her.

They embark on a canoe trip that takes them into dangerous whitewater Henry did not know about. Their canoe capsizes. Henrietta is left clinging to a fallen log, telling him she cannot swim. Seeing an opportunity to commit the perfect murder (that he did not plan in advance, since this would have been risking his own life), he makes it safely to shore, intending to leave her to her fate. There he comes across a fern he believes to be of the same species Henrietta named after him--even though it's an entirely different habitat, he has lost the sample of the tropical fern she'd given him as a token, and he's not qualified to identify any fern species. He takes this as an omen.

To his aghast horror, he is compelled to go back and rescue her. She asks him if he will always be there to take care of her. "I'm afraid so" is his glum response. She asks him again if he'll teach history at her college. After a weak refusal, he resignedly agrees, and they literally walk off into the sunset together, while syrupy music plays in the background.

Cast

Production

May wrote A New Leaf from Ritchie's short story, but she never intended to act in or direct the picture. She was originally offered $200,000 for the script, but her agent cut a deal with Paramount so that May could direct and he could produce. She was paid only $50,000, as her agent told her a first time director could not expect such a large sum of money.

May was told that she could not get the picture made without Matthau, and that Paramount wanted Carol Channing to play the part of Henrietta. May protested, saying it was the man's movie and that the woman had to be someone who disappeared. She asked if she could pick the actress, and the studio declined, saying that instead, May could play Henrietta, and all for the same money.

A New Leaf was filmed in both Maine and multiple sections of New York City, including Lutèce restaurant on 50th Street in Manhattan and the interchange between the Long Island Expressway and Cross Island Parkway in the Oakland Gardens section of Queens.

For this film, May consulted Dr. Dominick Basile, a botany professor at Columbia University. Dr. Basile wrote botanically accurate lines into the script and supplied the botanical equipment seen in the film. May also modeled Henrietta's office after his.

It was co-produced by Aries Productions and Elkins Productions International Corporation, whose only other production was A Doll's House (1973).

Financial issues

In what would become a hallmark for Elaine May, the film's original $1.8 million budget shot up to over $4 million by the time it was completed. Shooting went 40 days over schedule and editing took over ten months. Similar problems dogged her subsequent projects, Mikey and Nicky and Ishtar, the latter named by critics at the time as one of the worst films ever made.

During shooting, producer Howard W. Koch tried to have May replaced, but she had put a $200,000 (equivalent to $1.4 million in 2022) penalty clause in her contract and he was persuaded to keep her.

Alternate versions

After May would not show Paramount Pictures a rough cut of the film ten months into editing, Robert Evans took the film away from her and recut it even though she had final cut in her contract. May's version was rumored to run 180 minutes and contained the two murders in Ritchie's story, as well as subplots about misogyny. Evans shortened it to 102 minutes. Angered by the alterations, May tried to take her name off the film and unsuccessfully sued Paramount to keep it from being released.

The original story included a subplot in which Henry discovers from the household accounts that Henrietta is being blackmailed on dubious grounds by the lawyer, McPherson, and another character played by William Hickey; Henry poisons both of them. This darkly casts Henry's eventual acceptance of a conventional life with Henrietta as his "sentence". Paramount eliminated this subplot.

(In the early 1990s, then-head of Paramount Repertory Michael Schlesinger asked that the vaults be searched to see if the trims had survived, in the hopes of restoring May's original cut; nothing was found.)

May sued Paramount to get her name removed as writer and director, but no one with power was on her side. Matthau never thought her capable of holding all three roles of actor, director, and writer, and the judge eventually sided with Paramount, saying their version was hilarious and bound to be a hit.

Roger Ebert discusses this issue in his review: "Miss May is reportedly dissatisfied with the present version; newspaper reports indicate that her original cut was an hour longer and included two murders. Matthau, who likes this version better than the original, has suggested that writer-director-stars should be willing to let someone else have a hand in the editing. Maybe so. I'm generally prejudiced in favor of the director in these disputes. Whatever the merits of Miss May's case, however, the movie in its present form is hilarious, and cockeyed, and warm." [6]

Vincent Canby remarked: "Not having seen Miss May's version, I can only say that the film I saw should be a credit to almost any director, though, theoretically at least, Miss May is right. The only thing that gives me pause is the knowledge that its success will probably be used in the future as an argument to ignore the intentions of other directors, but with far less happy results." [3]

Release

Critical reception

The film was well received by critics. Contemporary reviewer Roger Ebert gave the film four stars out of four, and described the film as "hilarious, and cockeyed, and warm." [6] In his review for The New York Times , Vincent Canby called it "a beautifully and gently cockeyed movie that recalls at least two different traditions of American film comedy... The entire project is touched by a fine and knowing madness." [3] The film was placed at #2 on Gene Siskel's retrospective list of the best movies of 1971. [7]

As of 2019 the film had an approval rating of 94% at review aggregator Rotten Tomatoes based on 68 reviews, with an average score of 8.10/10. The website's critical consensus reads, "Elaine May is a comedic dynamo both behind and in front of the camera in this viciously funny screwball farce, with able support provided by Walter Matthau." [8]

Awards

YearAwardCategoryWorkResultWinnerRef.
1971 Golden Globe Awards Best Motion Picture - Musical or Comedy A New LeafNominated Fiddler on the Roof [9]
Best Actress - Musical of Comedy Elaine May Nominated Twiggy, The Boy Friend
1971 Writers Guild of America Award Best Comedy Adapted from Another MediumNominated John Paxton, Kotch

See also

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References

  1. 1 2 "A New Leaf". Turner Classic Movies . Archived from the original on November 16, 2018. Retrieved April 19, 2016.
  2. ↑ "All-time Film Rental Champs". Variety . January 7, 1976. p. 48.
  3. 1 2 3 Canby, Vincent (March 12, 1971). "Love Turns 'New Leaf' at Music Hall". The New York Times. Archived from the original on October 24, 2021. Retrieved January 2, 2011.
  4. ↑ McLean, Ralph (March 11, 2016). "Cult Movies: Walter Matthau shines in A New Leaf's superlative 70s screwball comedy". Irish News. Archived from the original on February 12, 2018. Retrieved February 11, 2018.
  5. ↑ Chow, Andrew R. (December 11, 2019). "See the 25 New Additions to the National Film Registry, From Purple Rain to Clerks". Time. New York, NY. Archived from the original on December 11, 2019. Retrieved December 11, 2019.
  6. 1 2 Ebert, Roger (April 6, 1971). "A New Leaf". RogerEbert.com . Archived from the original on March 20, 2021. Retrieved October 24, 2021.
  7. ↑ "Gene Siskel Top Ten Films as Published in Chicago Tribune (1970-1997)". Official website of Gene Siskel. Archived from the original on April 2, 2012.
  8. ↑ "Rotten Tomatoes". Rotten Tomatoes . Archived from the original on April 10, 2019. Retrieved January 27, 2023.
  9. ↑ "Golden Globes". Archived from the original on February 20, 2020. Retrieved February 20, 2020.
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