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A Profound Hatred of Man | ||||
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EP by | ||||
Released | February 18, 1997 | |||
Recorded | 1996 | |||
Genre | Hardcore punk, metalcore | |||
Length | 8:43 | |||
Label | Crisis, Revelation | |||
Producer | Shai Hulud | |||
Shai Hulud chronology | ||||
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A Profound Hatred of Man: Shrapnel Inc. | ||||
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Compilation album by | ||||
Released | August 29, 2006 | |||
Recorded | 1996-2003 | |||
Genre | Hardcore punk, metalcore | |||
Length | 37:18 | |||
Label | Revelation | |||
Producer | Shai Hulud | |||
Shai Hulud chronology | ||||
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A Profound Hatred of Man is an extended play by hardcore punk band Shai Hulud, released on February 18, 1997, on the independent label Crisis Records. In 2006, Revelation Records released a remastered version of the album which also includes the material from all of Shai Hulud's split records with bands Indecision, Boy Sets Fire and Another Victim, and some B-sides and covers.
On the first 5000 copies, Shai Hulud's name is misspelled on the spine as "Shai Halud", but appears correctly on the cover.
In "If Born From This Soil", the lyric "A likeness only in structure, not in mind" came into his mind when an impatient, drunk man spoke for Matt Fox, while he was waiting in a long line at a gas station. The man said to the cashier while gesturing to himself and Matt, "We just want a beer." [1] The sample at the beginning of the song is Al Pacino in Glengarry Glen Ross (1992). Some other samples played are Kurt Russell in The Thing (1982) in "The Bonds of Those Who Have No Understanding of Consequences" ("Trust is a tough thing to come by these days.") and Siân Phillips in Dune (1984) in "Set Your Body Ablaze" ("Heat, upon heat, upon heat.")
Credits are adapted from the album's liner notes. [2] [3]
No. | Title | Lyrics | Music | Length |
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1. | "Hardly" | 3:21 | ||
2. | "If Born from This Soil" |
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| 2:27 |
3. | "For the World" |
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| 2:57 |
Total length: | 8:46 |
No. | Title | Lyrics | Music | Length |
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4. | "The Bonds of Those Who Have No Understanding of Consequence" (originally released on The Fall of Every Man ) |
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| 2:29 |
5. | "Love Is the Fall of Every Man" (originally released on The Fall of Every Man ) |
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| 2:34 |
6. | "When One Bests Defeat" (originally released on The Fall of Every Man ) |
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| 2:46 |
7. | "Fearless Vampire Killers" (Bad Brains cover, originally released on Never Give In: A Tribute to Bad Brains) | 2:30 | ||
8. | "Set Your Body Ablaze" (originally released on A Whole New Level of Sickness ) |
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| 3:40 |
9. | "Anesthesia" (Bad Religion cover, originally released on A Whole New Level of Sickness ) | 2:46 | ||
10. | "Linoleum" (NOFX cover, originally released on A Whole New Level of Sickness ) | 2:09 | ||
11. | "Damage Inc." (Metallica cover, originally released on Crush 'Em All Vol. 1 ) | 3:15 | ||
12. | "Lost Cause" (Negative Approach cover) | 0:35 | ||
13. | "Faithless Is He Who Says Farewell When the Road Darkens" (originally released on Revelation 100: A Fifteen Year Retrospective of Rare Recordings) |
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| 5:54 |
Total length: | 37:24 |
Original 1997 line-up:
Compilation songs:
Shai Hulud is an American metalcore band formed in Pompano Beach, Florida, in 1995, and later based in Poughkeepsie, New York. The band is named after the giant sandworms in Frank Herbert's novel Dune.
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The sound.. it's hard for me to answer it accurately, it would be better to ask somebody who is listening to it. If you ask me, when I listen to 'Hearts Once Nourished..' our first album, I think it's very rhythm based. It's very very melodic, but it's definitely more rhythm based. When you listen to 'That Within Blood Ill-Tempered', it's clearly more melody based... so a lot of my friends said: 'If you guys could combine the drive, the rock, and the aggression of "Hearts" and the structuring, the melody and the intelligence of "That Within Blood Ill Tempered", you might have my favorite album of all time.' So again, because I can never answer a question just directly, to answer your question directly, what we try to do is combine both albums. We wanted to make it smart, and heavy, we wanna make it sound great. We wanted to give something to people where they could groove along to it and rock for more than a second and a half without changing, but we also wanted to maintain some technical intelligent aspect, and the melodic nature of our last album. So if you take both those albums, throw them in a blender, I think you might have something that resembles 'Misanthrophy Pure'.
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