Raku ware is a type of Japanese pottery traditionally used in Japanese tea ceremonies, most often in the form of chawan tea bowls. It is traditionally characterised by being hand-shaped rather than thrown, fairly porous vessels, which result from low firing temperatures, lead glazes and the removal of pieces from the kiln while still glowing hot. In the traditional Japanese process, the fired raku piece is removed from the hot kiln and is allowed to cool in the open air.
Pottery and porcelain, is one of the oldest Japanese crafts and art forms, dating back to the Neolithic period. Kilns have produced earthenware, pottery, stoneware, glazed pottery, glazed stoneware, porcelain, and blue-and-white ware. Japan has an exceptionally long and successful history of ceramic production. Earthenwares were made as early as the Jōmon period, giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics hold within its artistic tradition, owing to the enduring popularity of the tea ceremony.
Celadon is a term for pottery denoting both wares glazed in the jade green celadon color, also known as greenware or "green ware", and a type of transparent glaze, often with small cracks, that was first used on greenware, but later used on other porcelains. Celadon originated in China, though the term is purely European, and notable kilns such as the Longquan kiln in Zhejiang province are renowned for their celadon glazes. Celadon production later spread to other parts of East Asia, such as Japan and Korea as well as Southeast Asian countries, such as Thailand. Eventually, European potteries produced some pieces, but it was never a major element there. Finer pieces are in porcelain, but both the color and the glaze can be produced in stoneware and earthenware. Most of the earlier Longquan celadon is on the border of stoneware and porcelain, meeting the Chinese but not the European definitions of porcelain.
Korean ceramic history begins with the oldest earthenware from around 8000 BC. Throughout the history, the Korean peninsula has been home to lively, innovative, and sophisticated art making. Long periods of stability have allowed for the establishment of spiritual traditions, and artisan technologies specific to the region. Korean ceramics in Neolithic period have a unique geometric patterns of sunshine, or it is decorated with twists. In Southern part of Korea, Mumun pottery were popular. Mumun togi used specific minerals to make colors of red and black. Korean pottery developed a distinct style of its own, with its own shapes, such as the moon jar or Buncheong sagi which is a new form between earthenware and porcelain, white clay inlay celadon of Goryeo, and later styles like minimalism that represents Korean Joseon philosophers' idea. Many talented Korean potters were captured and brought to Japan during the invasions of Korea, where they heavily contributed to advancing Japanese pottery. Arita ware, founded by Yi Sam-pyeong opened a new era of porcelain in Japan. Another Japanese representative porcelain, Satsuma ware was also founded by Dang-gil Shim and Pyeong-ui Park. 14th generation of Su-kwan Shim have been using the same name to his grandfather and father to honor they are originally Korean, 14th Su-kwan Shim is honorable citizen of Namwon, Korea.
Kakiemon is a style of Japanese porcelain, with overglaze decoration called "enameled" ceramics. It was originally produced at the factories around Arita, in Japan's Hizen province from the Edo period's mid-17th century onwards. The style shares much in common with the Chinese "Famille Verte" style. The quality of its decoration was highly prized in the West and widely imitated by major European porcelain manufacturers during the Rococo period.
Euphronios was an ancient Greek vase painter and potter, active in Athens in the late 6th and early 5th centuries BC. As part of the so-called "Pioneer Group,", Euphronios was one of the most important artists of the red-figure technique. His works place him at the transition from Late Archaic to Early Classical art, and he is one of the first known artists in history to have signed his work.
Chinese ceramics show a continuous development since pre-dynastic times and are one of the most significant forms of Chinese art and ceramics globally. The first pottery was made during the Palaeolithic era. Chinese ceramics range from construction materials such as bricks and tiles, to hand-built pottery vessels fired in bonfires or kilns, to the sophisticated Chinese porcelain wares made for the imperial court and for export. Porcelain was a Chinese invention and is so identified with China that it is still called "china" in everyday English usage.
Mintons was a major company in Staffordshire pottery, "Europe's leading ceramic factory during the Victorian era", an independent business from 1793 to 1968. It was a leader in ceramic design, working in a number of different ceramic bodies, decorative techniques, and "a glorious pot-pourri of styles - Rococo shapes with Oriental motifs, Classical shapes with Medieval designs and Art Nouveau borders were among the many wonderful concoctions". As well as pottery vessels and sculptures, the firm was a leading manufacturer of tiles and other architectural ceramics, producing work for both the Houses of Parliament and United States Capitol.
Fielding majolica is pottery made at the Railway Pottery in Stoke on Trent under the proprietorship of Simon Fielding (1827–1906) and Abraham Fielding. Victorian majolica is a generic name given to the brightly coloured lead-glazed earthenware that was originally developed by Mintons for the Great Exhibition of 1851.
Pottery and ceramics have been produced in the Levant since prehistoric times.
Reg Preston studied sculpture at the Westminster School of Art in London, in 1938. At the beginning of WW2, he returned to Australia and spent three months in 1944 potting at the Melbourne Technical College with John A. Barnard Knight and Klytie Pate. Throughout 1945–1946, he worked at Cooper and Cooke's Pottery.
Catawba Valley Pottery describes alkaline glazed stoneware made in the Catawba River Valley of Western North Carolina from the early 19th century, as well as certain contemporary pottery made in the region utilizing traditional methods and forms.
Jerry Dolyn Brown was an American folk artist and traditional stoneware pottery maker who lived and worked in Hamilton, Alabama. He was a 1992 recipient of a National Heritage Fellowship from the National Endowment for the Arts and a 2003 recipient of the Alabama Folk Heritage Award. His numerous showings included the 1984 Smithsonian Festival of American Folklife with his uncle, potter Gerald Stewart.
Giant is a 2010 South Korean television series starring Lee Beom-soo, Park Jin-hee, Joo Sang-wook, Hwang Jung-eum, Park Sang-min, and Jeong Bo-seok. It aired on SBS from May 10 to December 7, 2010 every Mondays and Tuesdays at 21:55 (KST) time slot for 60 episodes. Giant is a sprawling period drama about three siblings' quest for revenge during the economic boom of 1970-80s Korea. Tragically separated during childhood, the three reunite as adults and set out to avenge their parents' deaths, their fates playing out against a larger tide of power, money, politics, and the growth of a city.
Eric Norstad (1924-2013) was an American potter and architect who worked primarily on the west coast of the United States.
Goddess of Fire is a 2013 South Korean television series starring Moon Geun-young, Lee Sang-yoon, Kim Bum, Park Gun-hyung, Seo Hyun-jin, Jun Kwang-ryul, Jeong Bo-seok, Byun Hee-bong, Han Go-eun, and Lee Kwang-soo. It aired on MBC from July 1 to October 22, 2013 on Mondays and Tuesdays at 21:55 for 32 episodes.
Iga ware is a style of Japanese pottery traditionally produced in Iga, Mie, former Iga Province, central Japan.
Lawless Lawyer is a 2018 South Korean television series ran starring Lee Joon-gi, Seo Yea-ji, Lee Hye-young, and Choi Min-soo. The series was written by Yoon Hyun-ho and directed by Kim Jin-min. The series is set in the fictional city of Kisung which is described as lawless and corrupt.
Linthorpe Art Pottery was a British pottery that operated between 1878 and 1890 in Linthorpe, Middlesbrough. It produced art pottery, and is especially known for the early collaboration of the designer Christopher Dresser; many of the early wares have his impressed signature.
Oregon Pottery Company was established in the United States at Buena Vista, Oregon, in 1866. The largest pottery business on the West Coast of the United States at the time, it produced stoneware jars, jugs, and sewer pipe between 1866 and 1897 in Buena Vista and Portland, Oregon.
