Author | Lloyd Alexander |
---|---|
Cover artist | Evaline Ness |
Language | English |
Series | The Chronicles of Prydain |
Genre | Fantasy |
Published | October 27, 1968 |
Publisher | Holt, Rinehart and Winston |
Publication place | United States |
Media type | Print (hardcover & paperback) |
Pages | 288 |
ISBN | 0-8050-1114-5 (first edition, hard) |
OCLC | 23225498 |
LC Class | PZ7.A3774 Hi |
Preceded by | Taran Wanderer |
The High King (1968) is a children's fantasy novel by American author Lloyd Alexander. It concludes the Chronicles of Prydain series and won the Newbery Medal for children's literature. [1] In the series, main character Taran matures from an impulsive and childish Assistant Pig-Keeper to a colleague and counselor of kings. Throughout this installment, Taran is required to sacrifice his desires for the greater good. [2] This arc leads him to become High King of Prydain. The novel also draws on Lloyd Alexander's life experiences, including as a soldier in the Second World War. [3]
Scholarship and literary criticism of The High King have touched on numerous themes. These include meditations on masculinity, power, and maturation as well as broader analyses of American high fantasy. Reviews have been mixed, with some considering the work juvenile and others considering it excellent.
While Alexander's experience in World War Two informs the Prydain series as a whole, some specific instances inspired events in The High King. One notable case is Alexander's involvement in Alsace-Lorraine under Alexander Patch directly inspiring an episode where Taran and the companions nearly freeze to death near Annuvin and fight in the snow. [3] The action near Luneville, as well as the general icy and snowy conditions, caused Alexander great discomfort and served as direct inspiration for the episode. [4]
Taran and Gurgi return to Caer Dallben and are greeted by friends including Rhun (now King of Mona), Eilonwy, and the former giant (now returned to a dimunitive size) Glew. Eilonwy presents Taran with an embroidery of Hen Wen, and the two are about to discuss their relationship. Suddenly, Fflewdur Fflam arrives bearing a wounded Gwydion. The bard is shocked that Taran is safely arrived at the farm, as Gwydion had been wounded rescuing Taran, with the magical sword Dyrnwyn being lost in the endeavor. Achren, the former sorceress and queen of Prydain, interrupts and explains that Arawn can shapeshift and therefore led the attack on Gwydion.
Distressed, Dallben and Coll ask Hen Wen the white pig to divine what they must do. Hen Wen delivers a cryptic prophecy and her oracular letter sticks shatter as she is revealing it, rendering her functionally mute. Determined, Gwydion, Coll, Gurgi. and Taran head directly to King Smoit's lands while Rhun, Fflewdur, Glew and Eilonwy depart to communicate with Rhun's fleet. The groups plan to reunite at Caer Cadarn.
When Gwydion, Taran, Gurgi, and Coll arrive at the castle, they are captured by Magg. Magg has seized control of Smoit's dominion and declared his allegiance to Annuvin. The companions are imprisoned with Smoit in a larder and begin to plot. Meanwhile, Eilonwy, Glew, Rhun, and Fflewdur discover the situation and plan a rescue. This is aided by Gwystyl, who has left his waystation by Annuvin to report on Arawn's movements to the Fair Folk. With magical items from Gwystyl and the cover of night, Smoit's realm is liberated and he is restored to his throne. Unfortunately, Magg has escaped and Rhun has sacrificed his life for his friends. Taran and the remaining companions regroup and mourn.
Gwydion decides to rally the people of Prydain to war. He orders Smoit and Fflewdur to raise armies in their lands and among their allies while Taran, Coll, Gurgi, and Eilonwy go to bring the Free Commots to the banner of the Sons of Don and Gwystyl rouses the Fair Folk. Gwydion himself heads to Caer Dathyl and sends messages to King Pryderi of the West Domains and other leaders to alert them of the war. Meanwhile, unbeknownst to the heroes, Taran's crow Kaw reports to Medwyn, who begins organizing the animals to aid the resistance to the Death Lord.
Eilonwy's tapestry of Hen Wen becomes Taran's banner of the White Pig as they, Gurgi, and Coll collect the men and boys of the Free Commots in the army, including lucky Llonio. The Commots are raided by the forces of Annuvin and Annlaw Clay-Shaper is slain. Taran leads the army to Caer Dathyl and reunites with Gwydion and his other friends. When Pryderi arrives, he is initially met with rejoicing until he declares that he is aligned with Arawn. Pryderi's forces are supplemented by Cauldron-Born. His army is repulsed at the cost of the lives of many, including Llonio and the High King Math, and the Cauldron-Born manage to force the Sons of Don into hiding in the mountains.
Taran's army is tasked with harassing the Cauldron-Born on their return to Annuvin through the Red Fallows. Gwydion's forces will launch an amphibious invasion of Annuvin. As Taran and the folk of the Free Commots fight the Cauldron-Born, they suffer significant losses—Coll among them. The army is saved by a legion of Fair Folk and by the beasts of Prydain. Eilonwy and Gurgi have been abducted by Dorath and his raiders and Dorath threatens Eilonwy with sexual violence. Gurgi and Eilonwy are rescued by Medwyn's wolves. The Fair Folk in turn overcome the forces of Annuvin. Eilonwy and Gurgi reunite with Taran and his friends, who have been separated from the army. Back at Caer Dallben, King Pryderi attempts to slay the enchanter Dallben and is struck down.
The Fair Folk leave Taran's group at the gates of Annuvin. In the midst of a snowstorm that threatens to kill the companions, Fflewdur sacrifices his magical harp to start a life saving fire. As it burns, the harp sings beautifully. The group rejoins the Free Commots forces and commences the assault on Annuvin. Taran is saved from a fall by the gwythaint that he had saved earlier and discovers Dyrnwyn. With it, he destroys the army of Cauldron-Born and enters Arawn's fortress.
Arawn and Taran fight, with Arawn shapeshifting throughout. In the chaos, Magg attempts to seize the throne of Annuvin and dies. Achren also attacks Arawn and, as she dies, exposes Arawn to Taran's fatal strike with Dyrnwyn. Upon the victory over Arawn, Dallben, Gurgi, and the surviving Sons of Don (including Eilonwy and Fflewdur) prepare to leave for the Summer Country. Orddu, Orwen, and Orgoch bid Taran a final farewell. Taran turns down the invitation to the Summer Country, feeling he must help Prydain rebuild. Dallben then acclaims him as the prophesied High King of Prydain and Eilonwy renounces the Summer Country to marry Taran. They reign as High King and Queen.
Critically, The High King has attracted diverse reactions. One contemporary review, by Houston L. Maples, noted that "the [novel's] bald appeal to juvenile risibilities is, in the end, rather too calculated, and inconsistent with the eloquence and grandeur of the best episodes." [5] Another, by Marjorie D. Hamlin, called the book "imaginative literature at its finest." [6] Robert Ostermann, writing in The National Observer , said that Alexander's "kingdom and annals of Prydain are so complete, so compelling, that the reader leaves them for the last time with genuine regret." [7] Also at the time of publication, Kirkus Reviews said: "The last may be the best--movement toward an ultimate confrontation between the forces of life and the forces of death give this final Prydain adventure a stronger frame and tighter weave than the preceding four." [8] In a retrospective essay about the Newbery Medal-winning books from 1966 to 1975, children's author John Rowe Townsend wrote, "Yet when every allowance has been made, one faces, reluctantly, the fact that the Prydain saga, with its constant anachronism, its slack repetitive action, its cast of two-dimensional figures and failure to compel serious belief, is not a satisfying epic; not, I believe, a front-rank work. The High King, however, is probably the best of the five books." [9]
Academically, The High King has garnered some attention. An example of this is the attention paid to Eilonwy and Taran's relationship. Writing for the Children's Literature Association Quarterly , Rona Glass contrasted it negatively with A Wrinkle in Time's depiction of gender relations. In her view, "Alexander has created a strong female of brave behavior [Eilonwy], scarcely a stereotype, but he allows Taran to treat her as if she were one... In such an otherwise excellent story, this is a great pity." [10] According to Judith N. Mitchell, the novel argues for leadership that is "able to grieve with all who grieve; to be a symbol of striving, yet of never coming to terms with evil; always rallying those who look to him for inspiration, always consoling those who look to him for strength." In her reading, this is in line with the Arthurian tradition, particularly as adapted by T. H. White. [11] Brian Attebery considers the end of the novel resonant with the forward facing ethos of American literature. He observes that "without ties or ancestry, and with a wife who renounces her own heritage, he [Taran] becomes King of Prydain and leads it into a new, unmagical age... Taran and Eilonwy stand together at the end of the story... ready to move together into a soberer world." [12] Similarly, Cath Filmer-Davies writes that Taran becomes fully individuated by the end of High King; Taran's comfort as an Assistant Pig-Keeper reflects the maturity needed for the novel's vision of a leader. [13] Kath Filmer-Davies compares the sober tone to C. S. Lewis's The Last Battle and notes that Alexander "shows that battles, while often necessary, can mean the death of a friend; and victory can often have a sour taste, even when 'good' wins over evil." In her view, this reflects Alexander's "humanist and universal" values. [14]
Lloyd Chudley Alexander was an American author of more than 40 books, primarily fantasy novels for children and young adults. Over his seven-decade career, Alexander wrote 48 books, and his work has been translated into 20 languages. His most famous work is The Chronicles of Prydain, a series of five high fantasy novels whose conclusion, The High King, was awarded the 1969 Newbery Medal for excellence in American children's literature. He won U.S. National Book Awards in 1971 and 1982.
Gwydion fab Dôn is a magician, hero and trickster of Welsh mythology, appearing most prominently in the Fourth Branch of the Mabinogi, which focuses largely on his relationship with his young nephew, Lleu Llaw Gyffes. He also appears prominently in the Welsh Triads, the Book of Taliesin and the Stanzas of the Graves.
Pryderi fab Pwyll is a prominent figure in Welsh mythology, the son of Pwyll and Rhiannon, and king of Dyfed after his father's death. He is the only character to appear in all Four Branches of the Mabinogi, although the size of his role varies from tale to tale. He is often equated with the divine son figure of Mabon ap Modron, while Jeffrey Gantz compares him to Peredur fab Efrawg, who is himself associated with the continental figure of Sir Percival de Galles.
Lleu Llaw Gyffes is a hero of Welsh mythology. He appears most prominently in the Fourth Branch of the Mabinogi, the tale of Math fab Mathonwy, which tells the tale of his birth, his marriage, his death, his resurrection and his accession to the throne of Gwynedd. He is a warrior and magician, invariably associated with his uncle Gwydion.
Annwn, Annwfn, or Annwfyn is the Otherworld in Welsh mythology. Ruled by Arawn, it was essentially a world of delights and eternal youth where disease was absent and food was ever-abundant.
In Welsh mythology, Arawn was the king of the otherworld realm of Annwn who appears prominently in the first branch of the Mabinogi, and alluded to in the fourth. In later tradition, the role of the king of Annwn was largely attributed to the Welsh psychopomp, Gwyn ap Nudd - meaning "white" a possible kenning for his true name. However, Arawn's memory is retained in a traditional saying found in an old Cardigan folktale:
The Chronicles of Prydain is a pentalogy of children's high fantasy Bildungsroman novels written by American author Lloyd Alexander and published by Henry Holt and Company. The series includes: The Book of Three (1964), The Black Cauldron (1965), The Castle of Llyr (1966), Taran Wanderer (1967), and The High King (1968). The Black Cauldron earned a 1966 Newbery Honor, and The High King won the 1969 Newbery Medal.
The Black Cauldron is a 1985 American animated dark fantasy adventure film produced by Walt Disney Productions in association with Silver Screen Partners II and released by Walt Disney Pictures. It is loosely based on the first two books in The Chronicles of Prydain by Lloyd Alexander, a series of five novels that are in turn based on Welsh mythology.
Princess Eilonwy is a fictional character in Lloyd Alexander's The Chronicles of Prydain. She appears in four of the five novels in the series, as well as Disney's 1985 animated film adaptation The Black Cauldron. Eilonwy is a member of the Royal House of Llyr, and the women in her line are formidable enchantresses, including her mother, Angharad, and grandmother Regat. She has inherited this characteristic, most readily visible in her manipulation of a magical item she calls her "bauble", a small golden sphere that glows with magical light when activated by her willpower. Eilonwy's father, Geraint, was a commoner with whom her mother fell in love.
The Black Cauldron (1965) is a high fantasy novel by American writer Lloyd Alexander, the second of five volumes in The Chronicles of Prydain. The story continues the adventures of Taran, the Assistant Pig-Keeper, as he joins in a quest to capture the eponymous Magical Cauldron from Arawn Death-Lord. It was a Newbery Honor book in 1966, runner-up for the year's "most distinguished contribution to American literature for children".
A high king is a king who holds a position of seniority over a group of other kings, without the title of emperor. Similar titles include great king and king of kings. The high kings of history usually ruled over lands of cultural unity; thus high kings differentiate from emperors who control culturally different lands, and feudal monarchs, where subordinates assume lesser positions. High kings can be chosen by lesser rulers through elections, or be put into power by force through conquest of weaker kingdoms.
The Black Cauldron is an adventure game designed by Al Lowe of Sierra On-Line and published in 1985. The game is based on the Disney film The Black Cauldron, which was itself based on the Chronicles of Prydain novel of the same name by Lloyd Alexander. It was made shortly after the first King's Quest game, so it resembles that game in many ways. Along with The Dark Crystal it remains one of only a few adventure games by Sierra to be based on films.
Taran Wanderer (1967) is an American high fantasy novel by Lloyd Alexander. It follows The Castle of Llyr and precedes The High King in the series The Chronicles of Prydain, which takes place in a setting inspired by Welsh myth. In the course of the story, Taran goes on a quest to understand who he is and what it means to be a man. He is aided by familiar friends such as Gurgi, Dallben, and others. Taran's hope to have noble lineage stems from his desire to marry the absent Eilonwy.
The Castle of Llyr (1966) is a high fantasy novel by Lloyd Alexander, the third of five volumes in The Chronicles of Prydain. The story continues the adventures of Taran, the "Assistant Pig-Keeper", and his companions.
The Book of Three (1964) is a high fantasy novel by American writer Lloyd Alexander, the first of five volumes in The Chronicles of Prydain. The series follows the adventures of Taran the Assistant Pig-Keeper, a youth raised by Dallben the enchanter, as he nears manhood while helping to resist the forces of Arawn Death-Lord.
Gurgi is a fictional character in The Chronicles of Prydain, the series of fantasy novels by Lloyd Alexander. Gurgi is the hero Taran's faithful companion, appearing in all five books.
The Four Branches of the Mabinogi or Pedair Cainc Y Mabinogi are the earliest prose stories in the literature of Britain. Originally written in Wales in Middle Welsh, but widely available in translations, the Mabinogi is generally agreed to be a single work in four parts, or "branches." The interrelated tales can be read as mythology, political themes, romances, or magical fantasies. They appeal to a wide range of readers, from young children to the most sophisticated adult. The tales are popular today in book format, as storytelling or theatre performances; they appear in recordings and on film, and continue to inspire many reinterpretations in artwork and modern fiction.
The Foundling and Other Tales of Prydain is a collection of short high fantasy stories for children by Lloyd Alexander and illustrator Margot Zemach. The 1973 first edition includes six stories; the 1982 edition, eight. The 1999 edition adds a map of Prydain and a pronunciation guide . All are prequels to The Chronicles of Prydain, Alexander's award-winning series of five novels published 1964 to 1968.
Taran is a fictional character from Lloyd Alexander's The Chronicles of Prydain series of novels. Serving as the series's central protagonist, he is first introduced as the assistant pig-keeper at Caer Dallben charged with the care of Hen Wen, the oracular white pig. With dreams of becoming a great hero, over the course of the series, his character matures as he is drawn into the war against Arawn Death-Lord.
Math fab Mathonwy, "Math, the son of Mathonwy" is a legendary tale from medieval Welsh literature and the final of the four branches of the Mabinogi. It tells of a vicious war between the north and the south, of the birth of Lleu Llaw Gyffes and Dylan ail Don, of the tyngedau of Arianrhod, and of the creation of Blodeuwedd, a woman made of flowers. The chief characters of the tale are Math, king of Gwynedd, his nephew Gwydion, a magician, warrior and trickster, and Gwydion's own nephew, Lleu, cursed by his mother Arianrhod.
Lloyd Alexander at the Internet Speculative Fiction Database