Afronauts | |
---|---|
Directed by | Nuotama Bodomo |
Written by | Nuotama Bodomo |
Produced by | Isabella Wing-Davey |
Starring | Diandra Forrest as Matha Yolonda Ross as Auntie Sunday Hoji Fortuna as Nkoloso |
Cinematography | Joshua James Richards |
Edited by | Sara Shaw |
Music by | Brian McOmber |
Release date |
|
Running time | 14 min. |
Country | United States |
Language | English |
Afronauts is a 2014 science fiction short film about Zambian outcasts preparing to beat America in the space race to the moon. Written and directed by Ghanaian filmmaker Nuotama Bodomo, Afronauts is her pre-thesis film for NYU's Tisch School of the Arts Graduate Film Program.[ citation needed ]
Set in the 1960s, 17-year-old Matha is chosen to be Zambia's first person to land on the moon. Through a series of space training experiments led by school teacher Nksoloso's space program, the group of Zambian exiles plan to beat the U.S. to the moon. Matha deals with the expectations and responsibility placed upon her while her aunt fears Matha is being used as a disposable sacrifice.
The Afrofuturist film is a work of speculative fiction. It challenges the "Western gaze" [1] and imagines Africans traveling to space with themes of technology being used as a tool to challenge colonialism and gain independence. It is inspired by the true story of school teacher and activist Edward Mukuka Nkoloso training 17-year-old Matha Mwamba and two cats by rolling them down hills in oil drums to become astronauts. [2] [3] [4] Nkoloso wrote an Op-Ed “We’re Going to Mars! With a Spacegirl, Two Cats and a Missionary” and requested a £7M grant from UNESCO. [3] [4]
Bodomo first discovered the afronauts on Tumblr in YouTube video of a 1964 newsreel of the Zambian space program. [2] [5] The black and white film aesthetic of Afronauts replicates 1960s black and white photos and videos of Africa and questions the validity and reality of ethnography and newsreels of the time, as well as creating a sense of "otherworldliness." [2]
The short film was shot in Brooklyn and New Jersey. [2]
A feature film of the same title and story is currently in the works. [6] [2] It will be written and directed by Nuotama Bodomo and produced by Vincho Nchogu and Ryan Zacarias. [7] The film is supported by Sundance Institute, Cinereach, Tribeca Film institute, IFP, Film independent, Alfred P. Sloan Foundation. [8] In 2014, Bodomo kicked off development for the feature as a part of a workshop with the Durban International Film Festival. [9]
Afronauts first premiered at the 2014 Sundance Film Festival and its international premiere was at the 2014 Berlin International Film Festival. [2] Other exhibitions include "Dreamlands: Immersive Cinema and Art, 1905–2016" at the Whitney Museum of American Art, [10] "Dimensions of Citizenship, Future Imperfect: The Uncanny in Science Fiction" at the Venice Biennale Architecture (US Pavilion), [11] "Future imperfect: The Uncanny in Science Fiction" at the Museum of Modern Art, [12] "Into the Unknown: A Journey Through Science Fiction" at Barbican Centre, [13] "African Futures" at Goethe-Institut Johannesburg, [14] "Making Africa" at Vitra Design Museum. [15]
For the 50th anniversary of Apollo 11, [16] [5] Afronauts made its online debut in 2019 on numerous sites including Vernac Media, NoBudge, and Boiler Room's 4:3.
Afrofuturism is a cultural aesthetic, philosophy of science, and history that explores the intersection of the African diaspora culture with science and technology. It addresses themes and concerns of the African diaspora through technoculture and speculative fiction, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afro-diasporic experiences. While Afrofuturism is most commonly associated with science fiction, it can also encompass other speculative genres such as fantasy, alternate history and magic realism, and can also be found in music.
The Museum of the African Diaspora (MoAD) is a contemporary art museum in San Francisco, California. MoAD holds exhibitions and presents artists exclusively of the African diaspora, one of only a few museums of its kind in the United States. Located at 685 Mission St. and occupying the first three floors of the St. Regis Museum Tower in the Yerba Buena Arts District, MoAD is a nonprofit organization as well as a Smithsonian Affiliate. Prior to 2014, MoAD educated visitors on the history, culture, and art of the African diaspora through permanent and rotating exhibitions. After a six-month refurbishment in 2014 to expand the gallery spaces, the museum reopened and transitioned into presenting exclusively fine arts exhibitions. MoAD does not have a permanent collection and instead works directly with artists or independent curators when developing exhibitions.
Mundane science fiction (MSF) is a niche literary movement within science fiction that developed in the early 2000s, with principles codified by the "Mundane Manifesto" in 2004, signed by author Geoff Ryman and the "2004 class" of the Clarion West Writers Workshop. The movement proposes "mundane science fiction" as its own subgenre of science fiction, typically characterized by its setting on Earth or within the Solar System; a lack of interstellar travel, intergalactic travel or human contact with extraterrestrials; and a believable use of technology and science as it exists at the time the story is written or a plausible extension of existing technology. There is debate over the boundaries of MSF and over which works can be considered canonical. Rudy Rucker has noted MSF's similarities to hard science fiction and Ritch Calvin has pointed out MSF's similarities to cyberpunk. Some commentators have identified science fiction films and television series which embody the MSF ethos of near-future realism.
Black science fiction or black speculative fiction is an umbrella term that covers a variety of activities within the science fiction, fantasy, and horror genres where people of the African descent take part or are depicted. Some of its defining characteristics include a critique of the social structures leading to black oppression paired with an investment in social change. Black science fiction is "fed by technology but not led by it." This means that black science fiction often explores with human engagement with technology instead of technology as an innate good.
Edward Festus Mukuka Nkoloso (1919–1989) was a member of the Zambian resistance movement and the founder of the Zambia National Academy of Science, Space Research and Philosophy. He was especially famous for attempting a space programme and its "Afronauts" have been the subject of subsequent art works and documentaries.
Bodys Isek Kingelez or Jean Baptiste was a Congolese sculptor and artist known for his models of fantastic cities, made of cardboard, paper, tape and other commonplace materials. His work has been presented in numerous exhibitions around the globe, including exhibitions at the Centre Georges Pompidou in Paris and the Museum of Modern Art in New York and at the documenta XI in Kassel.
Jiha Moon is a contemporary artist who focuses on painting, printmaking, and sculptural ceramic objects. Born in Daegu, South Korea, Moon is currently based in Tallahassee, Florida, after years of living and working in Atlanta, Georgia. She joined Florida State University's Art department faculty in the fall of 2023.
Akosua Adoma Owusu is a Ghanaian-American filmmaker and producer. Her films explore the colliding identities of black immigrants in America through multiple forms ranging from cinematic essays to experimental narratives to reconstructed Black popular media. Interpreting the notion of "double consciousness," coined by sociologist and civil rights activist W. E. B. Du Bois, Owusu aims to create a third cinematic space or consciousness. In her work, feminism, queerness, and African identities interact in African, white American, and black American cultural spaces.
The Southern Africa Freedom Trail is a route running through Lusaka, Zambia that leads to a number of historic sites significant to the region's anti-colonial and anti-apartheid struggles.
Jennifer Chihae Moon is a conceptual artist and life-artist living in Los Angeles. She was born in Lafayette, Indiana and completed her bachelor's degree at UCLA and master's degree at Art Center College of Design.
Karen Archey is an American art critic and curator based in New York City and Amsterdam. She is the Curator of Contemporary Art and Time-Based Media at Stedelijk Museum in Amsterdam, and the former editor of e-flux.
Erin Christovale is a Los Angeles–based curator and programmer who currently works as a curator at the Hammer Museum at the University of California, Los Angeles. Together with Hammer Museum senior curator Anne Ellegood, Christovale curated the museum's fourth Made in L.A. biennial in June 2018. She also leads Black Radical Imagination, an experimental film program she co-founded with Amir George. Black Radical Imagination tours internationally and has screened at MoMA PS1; Museum of Contemporary Art, Los Angeles; and the Museo Taller Jose Clemente Orozco, among other spaces. Christovale is best known for her work on identity, race and historical legacy. Prior to her appointment at the Hammer Museum, Christovale worked as a curator at the Los Angeles Municipal Art Gallery. She has a bachelor's degree from the University of Southern California School of Cinematic Arts.
Nuotama Frances Bodomo is a Ghanaian filmmaker, writer and director.
Black Quantum Futurism (BQF) is a literary and artistic collective composed of Moor Mother and Rasheedah Phillips. The pair are both queer Black women based in Philadelphia. It is also a name for the set of Afrofuturist theoretical frameworks and methodologies proposed by the collective.
Ja'Tovia Gary is an American artist and filmmaker based in Brooklyn, New York. Her work is held in the permanent collections at the Whitney Museum, Studio Museum of Harlem, and others. She is best known for her documentary film The Giverny Document (2019), which received awards including the Moving Ahead Award at the Locarno Film Festival, the Juror Award at the Ann Arbor Film Festival, Best Experimental Film at the Blackstar Film Festival, and the Douglas Edwards Experimental Film Award from the Los Angeles Film Critics Association.
Rasheedah Phillips is an American artist, author, community activist and lawyer based in Philadelphia. She is the creator of The Afrofuturist Affair and, together with Camae Ayewa, the Black Quantum Futurism multidisciplinary artist collective.
Jenn Nkiru is a Nigerian-British artist and director. She is known for directing the music video for Beyoncé's "Brown Skin Girl" and for being the second unit director of Ricky Saiz’s video for Beyoncé and Jay-Z, "APESHIT" which was released in 2018. She was selected to participate in the 2019 Whitney Biennial.
Before Yesterday We Could Fly: An Afrofuturist Period Room is an art exhibition at the Metropolitan Museum of Art in New York City. The exhibit, which opened on November 5, 2021, uses a period room format of installation to envision the past, present, and future home of someone who lived in Seneca Village, a largely African American settlement which was destroyed to make way for the construction of Central Park in the mid-1800s.
Anaïs Duplan is a queer and trans Haitian writer now based in the U.S., with three book publications from Action Books, Black Ocean Press, and Brooklyn Arts Press, along with a chapbook from Monster House Press. His work has been honored by a Whiting Award and a Marian Goodman fellowship from Independent Curators International. He is a Professor of postcolonial literature at Bennington College, of which he is also an alum.