After Bach

Last updated
After Bach
Afterbach.jpg
Recording by
ReleasedMarch 9, 2018
RecordedApril 18–20, 2017
Studio Mechanics Hall (Worcester, Massachusetts)
Genre Classical
Length69:16
Label Nonesuch
Producer Brad Mehldau
Brad Mehldau chronology
Chris Thile & Brad Mehldau
(2015–16)
After Bach
(2017)
Finding Gabriel
(2017–18)

After Bach is a solo album by pianist Brad Mehldau. It consists of five compositions from Johann Sebastian Bach's Well-Tempered Clavier interspersed with pieces by Mehldau that were inspired by them. The performances were recorded in 2017 and released by Nonesuch Records the following year.

Contents

Background

Pianist Brad Mehldau is known predominantly as a jazz musician who incorporates numerous influences into his playing. [1] Among these influences is classical music—Mehldau was classically trained—including the works of Johann Sebastian Bach. [2] Bach was an excellent keyboardist, a necessary part of which, during his lifetime, was the ability to improvise. [1] [3] While such improvisation has largely been lost from classical music performance, it is fundamental to jazz musicians. [1]

The origins of After Bach were 2015 performances by Mehldau of his compositions that were inspired by Bach and commissioned by Carnegie Hall, The Royal Conservatory of Music, The National Concert Hall, and Wigmore Hall. [4] These were known as "Three Pieces After Bach". [5]

Music and recording

The album was recorded on April 18–20, 2017, at Mechanics Hall, Worcester, Massachusetts. [4] Mehldau also produced the album. [4]

The first and last pieces on the album are Mehldau compositions. [3] In the first, "a few simple lines are developed in unexpected ways, gather complexity and then resolve with the simplicity of a perfect cadence". [3] For the last, "the bustle of counterpoint is set aside as stark voicings gain warmth, sparse lines hover in space and a wistful melody lingers in the air". [3] Between these two, Mehldau plays four preludes and one fugue from Bach's The Well-Tempered Clavier ; each is followed by one of his own compositions that is an interpretation of the Bach piece. [2] [3] One is of the Prelude No. 3 in C-sharp major, which features the pianist "resetting Bach's original riff in a jerky 5/4 rhythm and taking it into a harmonically adventurous labyrinth. Similarly, a romantic, rubato-heavy reading of the F minor Prelude and Fugue is followed by a dreamlike meditation on some of the themes hinted at in Bach's original". [2]

Release and reception

Professional ratings
Review scores
SourceRating
All About Jazz Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [1]
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [6]
Financial Times Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [3]
The Irish Times Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [7]
laut.de Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [8]
Le Devoir Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [9]
PopMatters 8/10 [10]
Stereophile Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [11]
The Times Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [12]
Tom Hull B [13]

After Bach was released by Nonesuch Records on March 9, 2018. [14] The Financial Times reviewer described it as a "beautifully formed solo piano album". [3] The reviewer for The Guardian commented on the harmonic complexities in the Mehldau pieces, and noted that the last two tracks were more straightforward to engage with emotionally. [2] AllMusic summarized the record as "a warm, endlessly listenable album that still pushes plenty of musical boundaries". [6]

Track listing

  1. "Before Bach: Benediction" – 5:27
  2. "The Well-Tempered Clavier Book I, BWV 848: Prelude No. 3 in C# Major" – 1:21
  3. "After Bach: Rondo" – 8:21
  4. "The Well-Tempered Clavier Book II, BWV 870: Prelude No. 1 in C Major" – 2:36
  5. "After Bach: Pastorale" – 3:46
  6. "The Well-Tempered Clavier Book I, BWV 855: Prelude No. 10 in E Minor" – 2:16
  7. "After Bach: Flux" – 5:06
  8. "The Well-Tempered Clavier Book I, BWV 857: Prelude and Fugue No. 12 in F Minor" – 6:10
  9. "After Bach: Dream" – 7:50
  10. "The Well-Tempered Clavier Book II, BWV 885: Fugue No. 16 in G Minor" – 3:04
  11. "After Bach: Ostinato" – 12:20
  12. "Prayer for Healing" – 11:06

Source: [4]

Personnel

Charts

Chart (2018)Peak
position
Belgian Albums (Ultratop Flanders) [15] 61
Belgian Albums (Ultratop Wallonia) [16] 84
French Albums (SNEP) [17] 142
German Albums (Offizielle Top 100) [18] 94
Italian Albums (FIMI) [19] 78
Portuguese Albums (AFP) [20] 45
Swiss Albums (Schweizer Hitparade) [21] 78
US Top Classical Albums (Billboard) [22] 3
US Top Jazz Albums (Billboard) [23] 1

Related Research Articles

<span class="mw-page-title-main">24 Preludes and Fugues (Shostakovich)</span> 1951 cycle of piano preludes and fugues by Dmitri Shostakovich

The 24 Preludes and Fugues, Op. 87 by Dmitri Shostakovich are a set of 24 musical pieces for solo piano, one in each of the major and minor keys of the chromatic scale. The cycle was composed in 1950 and 1951 while Shostakovich was in Moscow, and premiered by pianist Tatiana Nikolayeva in Leningrad in December 1952; it was published the same year. A complete performance takes approximately 2 hours and 32 minutes. It is one of several examples of music written in all major and/or minor keys.

<span class="mw-page-title-main">Brad Mehldau</span> American jazz pianist, composer, and arranger

Bradford Alexander Mehldau is an American jazz pianist, composer, and arranger.

<i>Klavierbüchlein für Wilhelm Friedemann Bach</i> Collection of keyboard music

Klavierbüchlein für Wilhelm Friedemann Bach is a collection of keyboard music compiled by the German Baroque composer Johann Sebastian Bach for his eldest son Wilhelm Friedemann. It is frequently referred to simply as Klavierbüchlein.

<i>The Well-Tempered Clavier</i> Collection of keyboard music by J.S. Bach

The Well-Tempered Clavier, BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, clavier referred to a variety of stringed keyboard instruments, most typically the harpsichord or clavichord, but not excluding the organ, although it is not a stringed keyboard.

<i>Bachs Greatest Hits</i> 1963 studio album by The Swingle Singers

Jazz Sébastien Bach is the debut album released by the Paris-based Swingle Singers. The album was a 1964 Grammy award winner for "Best Performance by a Chorus" and the group also won the 1964 Grammy award for "Best New Artist".

<i>Jazz Sebastian Bach</i> 2000 compilation album by The Swingle Singers

Jazz Sebastian Bach is a compilation album/re-issue of music by the Paris-based Swingle Singers. It combines the tracks from two previous releases:

The Prelude and Fugue in F minor, BWV 881, is a keyboard composition written by Johann Sebastian Bach. It is the twelfth prelude and fugue in the second book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer.

Prelude and Fugue in C Minor, BWV 847, is a keyboard composition written by Johann Sebastian Bach. It is the second prelude and fugue in the first book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer.

<span class="mw-page-title-main">Prelude and Fugue in E minor, BWV 548</span>

Prelude and Fugue in E minor, BWV 548 is a piece of organ music written by Johann Sebastian Bach sometime between 1727 and 1736, during his time in Leipzig. The work is sometimes called "The Wedge" due to the chromatic outward motion of the fugue theme. Unlike most other organ preludes and fugues of Bach, the autograph fair copy of the score survives, though the handwriting changes twenty two measures into the fugue to the hand of Johann Peter Kellner, a likely pupil and acquaintance of Bach who played an important role in the copying of his manuscripts. Because of the work's immense scope, it has been referred to as "a two-movement symphony" for the organ.

Prelude and Fugue in C major, BWV 870, is a keyboard composition written by Johann Sebastian Bach. It is the first prelude and fugue in the second book of The Well-Tempered Clavier, a series of 48 preludes and fugues in every major and minor key.

Prelude and Fugue in E minor, BWV 855, is the 10th prelude and fugue for keyboard (harpsichord) in the first book of The Well Tempered Clavier, composed in 1722 by Johann Sebastian Bach. The Prelude in E minor, BWV 855a, features as No. 18 ("Praeludium 5") in the 1720 Klavierbüchlein für Wilhelm Friedemann Bach. BWV 855a may also refer to both this Prelude and a Fughetta in the same key, an early version of BWV 855. Alexander Siloti made a piano arrangement in B minor of the Prelude BWV 855a.

<span class="mw-page-title-main">Prelude and Fugue in C-sharp minor, BWV 873</span> Keyboard composition by Johann Sebastian Bach

Prelude and Fugue in C-sharp minor, BWV 873, is a keyboard composition written by Johann Sebastian Bach in 1738. It is the 4th prelude and fugue in Book II of The Well-Tempered Clavier.

<span class="mw-page-title-main">Prelude and Fugue in B minor, BWV 893</span> Keyboard composition by Johann Sebastian Bach

Prelude and Fugue in B minor, BWV 893, is a keyboard composition by Johann Sebastian Bach. It is the 24th and final prelude and fugue in the second book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer. It was composed in 1738.

<i>Seymour Reads the Constitution!</i> 2018 studio album by Brad Mehldau

Seymour Reads the Constitution! is an album by pianist Brad Mehldau. The trio recording, with Larry Grenadier on bass and Jeff Ballard on drums, was released by Nonesuch Records in 2018. The pianist reported that the melody and name of the title track came from a dream, during which actor Philip Seymour Hoffman read to him. The album received two Grammy nominations at the end of 2018.

The Prelude and Fugue in D minor, BWV 875 is a keyboard composition written by Johann Sebastian Bach. It is the sixth prelude and fugue in the second book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer.

The Prelude and Fugue in C minor, BWV 871, is a keyboard composition by Johann Sebastian Bach. It is the second prelude and fugue in the second book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer. It was composed in 1738.

<span class="mw-page-title-main">Toccatas for Keyboard (Bach)</span>

The Toccatas for Keyboard, BWV 910–916, are seven pieces for clavier written by Johann Sebastian Bach. Although the pieces were not originally organized into a collection by Bach himself, the pieces share many similarities, and are frequently grouped and performed together under a collective title.

The Prelude and Fugue in B-flat minor, BWV 867, is a keyboard composition by Johann Sebastian Bach. It is the 22nd prelude and fugue in the first book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer. It was composed in 1722 or earlier.

References

  1. 1 2 3 4 Georgievski, Nenad (March 2, 2018). "Brad Mehldau: After Bach album review @ All About Jazz". All About Jazz . Retrieved 6 August 2020.
  2. 1 2 3 4 Lewis, John (March 1, 2018). "Contemporary Album of the Month – Brad Mehldau: After Bach". The Guardian. Retrieved March 13, 2018.
  3. 1 2 3 4 5 6 7 Hobart, Mike (March 9, 2018). "Brad Mehldau: After Bach – 'Beautifully Formed Solo Album'" . Financial Times. Retrieved March 13, 2018.
  4. 1 2 3 4 "After Bach by Brad Mehldau". nonesuch.com. Retrieved March 13, 2018.
  5. Fordham, John (December 18, 2015). "Brad Mehldau Review – A Balance of Space and Intensity Perfectly Struck". The Guardian. Retrieved March 13, 2018.
  6. 1 2 Collar, Matt. "Brad Mehldau – After Bach". AllMusic . Retrieved March 15, 2018.
  7. Larkin, Cormac (9 March 2018). "Brad Mehldau: After Bach review – Bigging up, not jazzing up, the great composer". The Irish Times . irishtimes.com. Retrieved 20 May 2018.
  8. Benassi, Giuliano. "Der New Yorker Pianist spielt Bach auf eigene Weise" (in German). laut.de . Retrieved 27 July 2020.
  9. Rondo, Écoutez (23 March 2018). "After Bach, Brad Mehldau". Le Devoir (in French). Retrieved 6 August 2020.
  10. INGALLS, CHRIS (21 March 2018). "A Mere Listen to Brad Mehldau's 'After Bach' Can Stave Off Life's Stresses". PopMatters . popmatters.com. Retrieved 20 May 2018.
  11. Baird, Robert (18 May 2018). "Recording of June 2018: After Bach". Stereophile . stereophile.com. Retrieved 20 May 2018.
  12. Bungey, John (16 March 2018). "Jazz reviews: Brad Mehldau: After Bach/ Michael Wollny Trio: Oslo/ Wartburg". The Times . thetimes.co.uk. Retrieved 20 May 2018.
  13. "Tom Hull: Grade List: Brad Mehldau". Tom Hull . Retrieved 13 July 2020.
  14. "Nonesuch Releases Brad Mehldau's After Bach on March 9". bradmehldau.com. January 24, 2018. Archived from the original on March 14, 2018. Retrieved March 13, 2018.
  15. "Ultratop.be – Brad Mehldau – After Bach" (in Dutch). Hung Medien. Retrieved March 17, 2018.
  16. "Ultratop.be – Brad Mehldau – After Bach" (in French). Hung Medien. Retrieved March 17, 2018.
  17. "Lescharts.com – Brad Mehldau – After Bach". Hung Medien. Retrieved April 3, 2018.
  18. "Offiziellecharts.de – Brad Mehldau – After Bach" (in German). GfK Entertainment Charts. Retrieved March 16, 2018.
  19. "Italiancharts.com – Brad Mehldau – After Bach". Hung Medien. Retrieved March 17, 2018.
  20. "Portuguesecharts.com – Brad Mehldau – After Bach". Hung Medien. Retrieved April 3, 2018.
  21. "Swisscharts.com – Brad Mehldau – After Bach". Hung Medien. Retrieved March 21, 2018.
  22. "Brad Mehldau Chart History (Top Classical Albums)". Billboard. Retrieved March 21, 2018.
  23. "Brad Mehldau Chart History (Top Jazz Albums)". Billboard. Retrieved July 6, 2018.