Alibi (1942 film)

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Alibi
Alibi (1942 film).jpg
U.S. poster
Directed by Brian Desmond Hurst
Written byRoy Carter
Jacques Companéez
Brian Desmond Hurst (shooting script)
Herbert Juttke
Lesley Storm (additional dialogue)
Based onL'Alibi
by Marcel Achard
Produced by Josef Somlo
Herbert Smith (associate producer)
Starring Margaret Lockwood
Hugh Sinclair
James Mason
Raymond Lovell
Cinematography Otto Heller
William McLeod
Edited by
Music by Jack Beaver
Production
companies
Distributed by British Lion Film Corporation (UK)
Release date
  • 10 August 1942 (1942-08-10)(UK)
Running time
82 minutes
CountryUnited Kingdom
LanguageEnglish

Alibi is a 1942 British mystery film directed by Brian Desmond Hurst and starring Margaret Lockwood, James Mason and Hugh Sinclair. [1] [2] The screenplay was by Herbert Juttke, Roy Carter and Jacques Companeez, adapted from the French novel L'Alibi by Marcel Achard. [3]

Contents

Premise

Police hunt for the killer of a nightclub hostess in pre-war Paris.

Cast

Production

It was the first time Lockwood worked with James Mason. She said Mason wanted star billing and was unhappy at being given feature billing. She said the film "was anything but a success" but enjoyed working with him saying he "was a wonderful artist and extremely easy to work with. He was one of the people who helped me to enjoy making that rather bad film and to enjoy getting back into the routine of my work again." [4]

Critical reception

The Monthly Film Bulletin wrote: "Here is a bright film with a bit of everything in it ...The film is well directed, and Margaret Lockwood makes an appealing Helene, with James Mason playing opposite to her. Raymond Lovell is first-class as the sinister Winkler, and Rodney Ackland as his assistant and Principal Villain No. 2, plays up to him well, introducing an element of melodrama. The other members of the cast team up to make the whole a creditable production." [5]

Kine Weekly wrote: "Here we have a melodrama which deals with the psychological as well as physical aspect of crime. The intelligent approach demands a litle co-operation from the audience, but, although its style is less pugilistic than that adopted by its American counterparts, it seldom lessens its grip. Neither does it spare any expense. Its principal planks are its lifelike characterisation, near light relief, suspenseful climax and realistic and colourful impression of pre-war Paris night life. It definitely has a touch of class." [6]

Leslie Halliwell wrote "Interesting but disappointing minor suspenser copied from a sharper French original." [7]

In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "good", writing: "Quite credible remake of French thriller L'Alibi ." [8]

References

  1. ↑ "Alibi". British Film Institute Collections Search. Retrieved 22 May 2025.
  2. ↑ "Alibi (1942)". BFI. Archived from the original on 13 January 2009.
  3. ↑ Goble, Alan (1 January 1999). The Complete Index to Literary Sources in Film. Walter de Gruyter. ISBN   9783110951943 – via Google Books.
  4. ↑ Lockwood, Margaret (1955). Lucky Star: The Autobiography of Margaret Lockwood. Odhams Press Limited. p. 196.
  5. ↑ "Alibi (1942)". Archived from the original on 4 May 2011.
  6. ↑ "Alibi". Kine Weekly . 303 (1831): 31. 21 May 1942. ProQuest   3127093884.
  7. ↑ Halliwell, Leslie (1989). Halliwell's Film Guide (7th ed.). London: Paladin. p. 22. ISBN   0586088946.
  8. ↑ Quinlan, David (1984). British Sound Films: The Studio Years 1928–1959. London: B.T. Batsford Ltd. p. 190. ISBN   0-7134-1874-5.
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