Malta Story | |
---|---|
Directed by | Brian Desmond Hurst |
Written by | Nigel Balchin William Fairchild |
Based on | Story by William Fairchild an idea by Thorold Dickinson Peter de Sarigny Sir Hugh P. Lloyd (book, Briefed to Attack) |
Produced by | Peter De Sarigny |
Starring | Alec Guinness Jack Hawkins Anthony Steel Muriel Pavlow Flora Robson |
Cinematography | Robert Krasker |
Edited by | Michael Gordon |
Music by | William Alwyn |
Production company | Theta Film Productions [1] |
Distributed by | GFD (UK) United Artists (US) |
Release dates |
|
Running time | 103 minutes (UK) 97 minutes (US) |
Country | United Kingdom |
Language | English |
Malta Story is a 1953 British war film, directed by Brian Desmond Hurst, which is set during the air defence of Malta during the Siege of Malta in the Second World War. [2] The film uses real and unique footage of the locations at which the battles were fought and includes a love story between a RAF reconnaissance pilot and a Maltese woman, as well as the anticipated execution of her brother, caught as an Italian spy. The pilot is loosely based on Adrian Warburton; the Maltese woman's brother is based on Carmelo Borg Pisani, who was executed in 1942.
In 1942 Britain is desperately holding onto Malta. Invasion seems imminent; the Italians and Germans are regularly bombing the airfields and towns. Flight Lieutenant Peter Ross, an archaeologist in civilian life, is on his way to an RAF posting in Egypt, but is stranded when the Lockheed Hudson on which he was a passenger is bombed while attempting to refuel on Malta. Air Commodore Frank, having just lost a photo reconnaissance pilot, has Ross reassigned to him, as that is Ross's speciality.
Peter meets Maria, a young Maltese woman working in the RAF operations room. The two fall in love and spend a few romantic hours at the Neolithic temples of Mnajdra and Ħaġar Qim. In the meantime, the situation at Malta becomes desperate. Famine looms, as relief convoys fall prey to Axis aircraft. A crucial convoy is severely mauled by day and night aerial attacks, but enough ships, including the vital oil tanker SS Ohio, reach Malta.
Peter proposes marriage to Maria, although they realise that wartime is not favourable to lasting love affairs, as Maria's mother suggests; nevertheless, the young couple remain hopeful of the future. Maria's brother Giuseppe is caught returning to the island from Italy, where he had been studying before the war. He finally admits to being a spy, but tries to justify by saying it is his country and he wanted to end his people's suffering. [Note 1]
The RAF holds on, and, along with Royal Navy submarines, is eventually able to take the offensive, targeting enemy shipping on its way to Rommel's Afrika Korps in Libya. Spitfires are flown in from aircraft carriers to defend the island, while attacks are carried out by aircraft such as Bristol Beaufighter fighter-bombers and Bristol Beaufort and Fairey Albacore torpedo bombers.
Then a crucial enemy convoy sails for Libya under cover of poor visibility. Frank needs desperately to locate it; he orders Peter to find it at any cost and to radio in immediately if he does. Peter, flying in his Spitfire, finally spots it, but after he reports its position, he is attacked by six enemy fighters and killed, while Maria in the operations room listens helplessly to his final radio transmissions. When there are no more messages, she picks up Peter's marker from the operations table.
Later, a newspaper article reports that Rommel has lost the Second Battle of El Alamein (in part due to supply shortages).
As appearing in Malta Story, (main roles and screen credits identified): [3]
The film was the idea of the Labour Government's Central Office of Information, who wanted a movie to illustrate co-operation between the three branches of the armed services during World War Two, and thought the Siege of Malta was an ideal background. Producer Peter de Sarigny, director Thorold Dickinson and writer William Fairchild set up a company, Theta, to make it.
The movie was originally called The Bright Flame and was about the story of the actual siege with a fictional story about Lt Ross, who falls in love with a Maltese girl, Maria, whose brother is hanged as a spy by the British. Ross is shot down on a mission but survives and is visited by Maria's mother, who remains loyal to Britain. [4]
J. Arthur Rank and John Davis, who ran Rank Productions, wanted the film to move in a different direction. Nigel Balchin was hired to rewrite the script, adding a plot line to emphasise the loneliness of command, emphasised the British characters over the Maltese, and having Ross die at the end, but after having obtained information to help the British win at the Battle of El Alamein. Dickinson was replaced as director by Brian Desmond Hurst. [4]
The Ulster born director Brian Desmond Hurst was persuaded by his lifelong friend, John Ford, to direct the Malta Story. Ford told Hurst, "it's right up your street." [5] [6] Hurst says Alec Guinness approached him asking to play the role of Ross, saying he wanted a change of pace. [4]
The unique footage used in the Malta Story is actual historic archive material. In the aerial sequences, combat footage of aircraft that attacked Malta, such as the Italian Savoia-Marchetti SM.79 torpedo/horizontal bomber and the German Messerschmitt Bf 109F fighters and Junkers Ju 88 bombers can be seen, along with many other wartime RAF aircraft. [2] Additionally, many scenes were shot in Malta with the real types of aircraft still in operational service at that time, some of which did not exist any longer elsewhere. The production only had the use of three later Supermarine Spitfire Mk XVIs, which had been located in storage. [7] Although a modicum of model work and studio rear projection footage was needed, careful editing of archival newsreel and location photography created an authentic looking, near-documentary style. [5] [Note 2]
Alec Guinness, cast and playing against type, [5] as part of the Old Vic Company, had played in Malta as part of a tour that had travelled to Portugal, Egypt, Italy and Greece in 1939. [8] Guinness had served in the Royal Navy Volunteer Reserve during the Second World War, joining first as a seaman in 1941 and being commissioned the following year, and actually serving in the Mediterranean Theatre. [Note 3] [Note 4] During the Malta Story production, he found that he was drawn to the social life of the large Royal Navy base on the island, often joining with servicemen at the local "watering holes." [11]
The Fast Minelaying Cruiser HMS Manxman is mentioned by name in the film as bringing Vice-Admiral Payne to Malta to relieve Vice-Admiral Willie Banks. In the film Manxman is briefly depicted by a Dido-class cruiser – clearly identifiable from her 5.25-inch gun turrets which were unique to this cruiser class. (HMS Manxman herself was coincidentally used in another 1953 film which was also shot in Malta. This was Sailor of the King, in which she depicted the fictional German raider Essen. This film also used the Dido-class Cruiser HMS Cleopatra, which was then operating as part of the Mediterranean Fleet).
It was one of several war films Anthony Steel made where he played in support of an older male actor. [12]
Malta Story was the fourth most popular movie at the British box office in 1953. [13] "The combination of an A-list cast, the portrayal of the iron resilience of the Maltese people, the gallantry of the RAF pilots and a tragic love story were the four components of its success." [14]
Contemporary reviews judged Malta Story to be a fairly average war picture.
In a contemporary review in The New York Times , critic A. H. Weiler considered it "restrained, routine fare" with "rickety, stock love stories," concluding that "the commendable British reserve [the characters] display in the face of peril does not add luster to the standard yarn in which they are involved. This 'Malta Story,' unlike the actual one, does not stir the senses or send the spirit soaring." [15]
Variety wrote that the film had some "highly dramatic moments," but found that "this type of war story no longer packs the big punch. It's like watching a slightly aged film with its characters out of relation to present times." The review added that Guinness "isn't given much of a chance to emote and his performance therefore is slightly disappointing." [16]
John L. Scott of the Los Angeles Times called the film "long on bombing scenes but somewhat short on human drama." [17] The Monthly Film Bulletin wrote, "The action scenes are, as expected, capably handled. But the film misses out entirely on characterisation. Most of the men are pure 'Boys Own Paper,' all clean-cut profiles and noble, far-seeing gazes." [18] John McCarten of The New Yorker wrote, "Regrettably, there is lacking—as there is in most fictionalized accounts of war—some of the awful impact of impersonal horror that can be caught in documentary films, and the plot spins slowly from a familiar dramatic spool." [19] Richard L. Coe of The Washington Post found the romance subplot "too pat and self-consciously contrived to give much life to the film," but praised the battle scenes, concluding: "Robert Krasker's on-the-spot photography and the clips from wartime film records are splendid and give 'Malta Story' its essential spirit. [20]
In a later review of Malta Story, Leonard Maltin commented that "on-location filming of this WW2 British-air-force-in-action yarn is sparked by underplayed acting." [21] Aviation film historians, Jack Hardwick and Ed Schnepf gave it a 3/5 rating, noting the use of period aircraft made it "good buff material". [22]
In 1955 Guinness called it his "worst" movie "because of the lost time element". [23]
Theirs is the Glory: Arnhem, Hurst and Conflict on Film takes Hurst's Battle of Arnhem epic as its centrepiece and then chronicles Hurst's life and experiences during the First World War and profiles each of his other nine films on conflict, including Malta Story. [24]
Battle of Britain is a 1969 British war film directed by Guy Hamilton, and produced by Harry Saltzman and S. Benjamin Fisz. The film documents the events of the Battle of Britain. The film drew many respected British actors to accept roles as key figures of the battle, including Laurence Olivier as Air Chief Marshal Sir Hugh Dowding, Trevor Howard as Air Vice-Marshal Keith Park, and Patrick Wymark as Air Vice-Marshal Trafford Leigh-Mallory. It also starred Michael Caine, Christopher Plummer, and Robert Shaw as Squadron Leaders. The script by James Kennaway and Wilfred Greatorex was based on the book The Narrow Margin by Derek Wood and Derek Dempster.
The siege of Malta in World War II was a military campaign in the Mediterranean theatre. From June 1940 to November 1942, the fight for the control of the strategically important island of the British Crown Colony of Malta pitted the air and naval forces of Fascist Italy and Nazi Germany against the Royal Air Force (RAF) and the Royal Navy.
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633 Squadron is a 1964 war film directed by Walter Grauman and starring Cliff Robertson, George Chakiris, and Maria Perschy. The plot, which involves the exploits of a fictional World War II British fighter-bomber squadron, was based on the 1956 novel of the same name by former Royal Air Force officer Frederick E. Smith, which itself drew on several real RAF operations. The film was produced by Cecil F. Ford for the second film of Mirisch Productions UK subsidiary Mirisch Films for United Artists. 633 Squadron was the first aviation film to be shot in colour and Panavision widescreen.
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A Yank in the R.A.F. is a 1941 American black-and-white war film directed by Henry King and starring Tyrone Power and Betty Grable. Released three months before the attack on Pearl Harbor plunged the United States into World War II, it is considered a typical early-World War II production. Originally titled The Eagle Squadron, it is based on a story by "Melville Crossman", the pen name for 20th Century Fox studio chief Darryl F. Zanuck. It follows an American pilot who joins the Royal Air Force (RAF), during a period when the United States was still neutral.
No. 603 Squadron is a squadron of the Royal Auxiliary Air Force, based in Edinburgh, Scotland. On reforming on 1 October 1999, the primary role of 603 Squadron was as a Survive to Operate squadron, as well as providing force protection.
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Angels One Five is a 1952 British war film directed by George More O'Ferrall and starring Jack Hawkins, Michael Denison, Dulcie Gray, John Gregson, Cyril Raymond and Veronica Hurst. Based on the book What Are Your Angels Now? by Pelham Groom, the plot centres on a young fighter pilot immediately before and during the Battle of Britain in the Second World War. Some scenes in the film were shot at RAF Uxbridge, where there was a wartime operations room.
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No. 242 Squadron RAF was a Royal Air Force (RAF) squadron. It flew in many roles during the First World War, Second World War and Cold War.
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High Flight is a 1957, CinemaScope, British, cold war film, directed by John Gilling and featuring Ray Milland, Bernard Lee and Leslie Phillips. High Flight was filmed with the co-operation of the Royal Air Force (RAF). The title of the film was derived from the poem of the same title by Pilot Officer John Gillespie Magee Jr., an American aviator who flew for the Royal Canadian Air Force (RCAF) and lost his life in 1941 over RAF Cranwell, where much of the film was shot.
Thunder Birds is a 1942 Technicolor film directed by William A. Wellman and starring Gene Tierney, Preston Foster, and John Sutton. It features aerial photography and location filming at an actual Arizona training base of the United States Army Air Forces named Thunderbird Field No. 1 during World War II.
Captain Joseph "Mutt" Summers, was chief test pilot at Vickers-Armstrongs and Supermarine.
Ronald George Hinings Adams,, known professionally as Ronald Adam, was a British officer of the Royal Flying Corps and Royal Air Force, an actor on stage and screen, and a successful theatre manager.
The Supermarine Spitfire is a British single-seat fighter aircraft used by the Royal Air Force and other Allied countries before, during, and after World War II. Many variants of the Spitfire were built, from the Mk 1 to the Rolls-Royce Griffon-engined Mk 24 using several wing configurations and guns. It was the only British fighter produced continuously throughout the war. The Spitfire remains popular among enthusiasts; around 70 remain airworthy, and many more are static exhibits in aviation museums throughout the world.
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Wings of the Navy, Captaincies, Eric Brown, Published by Naval Institute Press, 1980.