All Hour Cymbals | ||||
---|---|---|---|---|
Studio album by | ||||
Released | October 23, 2007 | |||
Genre | Experimental rock, worldbeat, neo-psychedelia | |||
Length | 46:54 | |||
Label | We Are Free | |||
Producer | Yeasayer | |||
Yeasayer chronology | ||||
|
All Hour Cymbals is the debut studio album by Brooklyn-based experimental rock group Yeasayer. It was released by We Are Free on 23 October 2007, and 24 March 2008 in the UK.
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
The A.V. Club | A [2] |
Entertainment Weekly | A− [3] |
The Irish Times | [4] |
NME | 8/10 [5] |
Pitchfork | 7.8/10 [6] |
The Skinny | [7] |
Spin | [8] |
Uncut | [9] |
XLR8R | 8/10 [10] |
All Hour Cymbals received positive reviews from publications and websites such as Entertainment Weekly , [3] NME , [5] Pitchfork , [6] and Spin . [8] Pitchfork placed it at number 197 on their list of top 200 albums of the 2000s. [11]
As of 2012, sales in the United States have exceeded 55,000 copies, according to Nielsen SoundScan. [12]
No. | Title | Length |
---|---|---|
1. | "Sunrise" | 4:07 |
2. | "Wait for the Summer" | 4:53 |
3. | "2080" | 5:24 |
4. | "Germs" | 3:13 |
5. | "Ah, Weir" | 1:21 |
6. | "No Need to Worry" | 5:26 |
7. | "Forgiveness" | 3:40 |
8. | "Wait for the Wintertime" | 4:52 |
9. | "Worms" | 4:07 |
10. | "Waves" | 4:57 |
11. | "Red Cave" (hidden track) | 4:59 |
Songs for the Deaf is the third studio album by the American rock band Queens of the Stone Age, released on August 27, 2002, by Interscope Records. It features guest musicians including Dave Grohl on drums, and was the last Queens of the Stone Age album to feature Nick Oliveri on bass. Songs for the Deaf is a loose concept album, taking the listener on a drive through the California desert from Los Angeles to Joshua Tree, tuning into radio stations from towns along the way such as Banning and Chino Hills.
The Argument is the sixth and final studio album from the post-hardcore band Fugazi released on October 16, 2001, through Dischord Records. It was recorded at Don Zientara's Inner Ear Studios in Arlington, VA and the Dischord House between January and April 2001. It was the band's last release before going on hiatus in 2003, until the release of First Demo over thirteen years later.
The Moon & Antarctica is the third studio album by American rock band Modest Mouse, released on June 13, 2000, by Epic Records. The album's title is taken from the opening scene of the 1982 film Blade Runner, where the main character reads a newspaper headlined "Farming the Oceans, the Moon and Antarctica".
Turn On the Bright Lights is the debut studio album by American rock band Interpol. It was released in the United Kingdom on August 19, 2002, and in the United States the following day, through independent record label Matador Records. The album was recorded in November 2001 at Tarquin Studios in Bridgeport, Connecticut, and was co-produced, mixed and engineered by Peter Katis and Gareth Jones. Its title is taken from a repeated line in the song "NYC".
Up the Bracket is the debut album by English indie rock band The Libertines, released in October 2002. It reached #35 in the UK Albums Chart. The album was part of a resurgence for the British indie/alternative scene and received widespread praise from critics and has quickly become considered one of the greatest albums of the 2000s.
Hot Shots II is the second studio album by the Scottish musical group The Beta Band, released on 16 July 2001. Colin "C-Swing" Emmanuel and the band co-produced the album. The band's previous work had used dense experimentation but Hot Shots II had a minimal style influenced by R&B, hip hop and electronica.
Original Pirate Material is the debut studio album by English hip hop project the Streets, released on 25 March 2002. Recorded mostly in a room in a south London house rented at the time by principal member Mike Skinner, the album is musically influenced by UK garage and American hip hop, while its lyrics tell stories of British working-class life. It was supported by four singles: "Has It Come to This?", "Let's Push Things Forward", "Weak Become Heroes", and "Don't Mug Yourself".
Talkie Walkie is the third studio album by French electronic music duo Air, released on 26 January 2004 by Virgin Records. "Alone in Kyoto" was included on the soundtrack to the 2003 film Lost in Translation, and "Run" was used in both the Veronica Mars episode "Nobody Puts Baby in a Corner" and the 2004 French film Lila Says. "Talkie-walkie" means walkie-talkie in French.
Funeral is the debut studio album by Canadian indie rock band Arcade Fire, released on September 14, 2004 by Merge Records. Preliminary recordings for Funeral were made during the course of a week in August 2003 at the Hotel2Tango in Montreal, Quebec, and the recording was completed later that year all in an analogue recording format.
The Sunset Tree is the ninth studio album by the Mountain Goats, released on April 26, 2005 by 4AD. The album's songs revolve around the house John Darnielle grew up in and the people who lived there, including his mother, sister, stepfather, friends, and enemies.
Things We Lost in the Fire is the fifth studio album by American indie rock band Low. It was released on January 22, 2001, on Kranky.
It's Never Been Like That is the third studio album by French indie pop band Phoenix. It was released 15 May 2006 in Europe. The album was preceded by the release of the singles "Long Distance Call" and "Consolation Prizes"
Hell Hath No Fury is the third studio album by hip hop duo Clipse. The album was released on November 28, 2006 in the United States by Re-Up, Star Trak and Jive. Recording sessions for the album took place over a period of several years, and suffered numerous delays prior to release. Production was handled by The Neptunes.
Ys is the second studio album by the American singer-songwriter Joanna Newsom, released by Drag City on November 14, 2006. It was produced by Newsom and Van Dyke Parks, recorded by Steve Albini and mixed by Jim O'Rourke, with orchestral arrangements by Van Dyke Parks. It features guest vocals from Bill Callahan and Emily Newsom. The vocals and harp were recorded at the Village Recording Studio in Los Angeles in December 2005, with the orchestration recorded between May and June 2006 at the Entourage Studios in Los Angeles.
The Letting Go is a 2006 studio album by Bonnie "Prince" Billy. It was released on Drag City.
Suburban Light is the debut studio album by English indie pop band The Clientele. The album was released on 28 November 2000 by Pointy Records in the United Kingdom. In 2001, it was released by Merge Records in the United States. Suburban Light contains several tracks originally released on singles and compilations from 1997 through 2000, causing some websites such as Pitchfork to label it a compilation album.
Yeasayer was an American experimental rock band from Brooklyn, New York, formed in 2006. The band consisted of Chris Keating, Ira Wolf Tuton, and Anand Wilder. They announced their split on December 19, 2019.
Dear Science is the third studio album by the band TV on the Radio. It was released on September 16, 2008, digitally through Touch and Go Records, with the physical release coming a week later through Interscope Records and DGC Records in North America and 4AD elsewhere.
Odd Blood is the self-produced second studio album by American experimental rock band Yeasayer. Recorded in the state of New York during 2009, it was released on February 8, 2010 in Europe and a day later in North America, with Secretly Canadian as the primary label. "Ambling Alp", "O.N.E.", "Madder Red", and "I Remember" were released as singles. Odd Blood peaked at number 63 on the US Billboard 200 and at number 64 on the UK Albums Chart. It reached number five on the US Billboard Independent Albums chart. Yeasayer followed the record's release with an extended tour throughout 2010.
White Blood Cells is the third studio album by American rock duo the White Stripes, independently released by the Sympathy for the Record Industry on July 3, 2001. Recording took place in Memphis, Tennessee at Easley-McCain Recording over three days, and was produced by guitarist and lead vocalist Jack White. Production was rushed in order to capture a "real tense feeling" and the band's energy, and was their first album to be mastered in a studio.