All Through the Night | |
---|---|
Directed by | Vincent Sherman |
Screenplay by | Leonard Spigelgass Edwin Gilbert |
Story by | Leo Rosten (as Leonard Q. Ross) Leonard Spigelgass |
Produced by | Hal B. Wallis (executive producer) Jerry Wald (associate producer) |
Starring | Humphrey Bogart Conrad Veidt Kaaren Verne Peter Lorre Jackie Gleason Phil Silvers |
Cinematography | Sidney Hickox |
Edited by | Rudi Fehr |
Music by | Adolph Deutsch (score) Song: "All Through the Night" Arthur Schwartz (music) Johnny Mercer (lyrics) |
Production company | |
Distributed by | Warner Bros. |
Release date |
|
Running time | 107 minutes |
Country | United States |
Language | English |
Budget | $643,000 [2] [3] |
Box office | $1,968,000 [2] |
All Through the Night is a 1942 American comedy-crime-spy thriller film directed by Vincent Sherman and starring Humphrey Bogart, Conrad Veidt and Kaaren Verne, and featuring many of the Warner Bros. company of character actors. It was released by Warner Brothers. The supporting cast features Peter Lorre, Frank McHugh, Jackie Gleason, Phil Silvers, Barton MacLane, and William Demarest.
Alfred "Gloves" Donahue, a big-shot Broadway gambler, is alerted by his mother, "Ma" Donahue, that her neighbor, Mr. Miller, a baker who makes Gloves' favorite cheesecake, is missing and she's "got a feeling" something sinister has happened. Gloves searches the bakery and finds Miller's dead body. A young singer, Leda Hamilton, quickly leaves the shop upon hearing about Miller's demise. Mrs. Donahue believes that the girl knows something and tracks her down to a night club, where she creates a racket by "crabbing" about Miller's death. Marty Callahan, co-owner of the club, calls Gloves, insisting that he come down and take care of the situation. While at the club, Gloves has a drink with Leda that is interrupted by her piano player, Pepi, who takes her away to a back room, where he shoots Marty's partner, Joe Denning. Leda and Pepi then disappear in a taxi as Gloves stumbles upon Joe. Before dying, Joe raises up five fingers to indicate who took Leda. Gloves quickly leaves to search for Leda, inadvertently leaving one of his gloves at the murder scene.
While being suspected of Joe's murder by Marty and the police, Gloves traces the taxi to an antiques auction house operated by Hall Ebbing and his assistant, Madame. Gloves poses as a bidder but is recognized by Pepi. He subsequently gets knocked out by Leda, tied up, and left in a storage room with one of his boys, Sunshine, who was captured earlier. Later, Leda visits them and helps them break free before they can be shipped out in crates. While escaping, Gloves and Sunshine walk into a room with maps, charts, a short-wave radio, and a portrait of Adolf Hitler. They realize what Joe was indicating before he died: their captors are "fivers" or Nazi fifth columnists. Gloves finds a notebook and reads Miller's name in it as well as that of "Leda Hamilton", her Jewish name "Uda Hammel", and the death of her father in Dachau concentration camp.
With Leda in tow, they escape. They are chased by Ebbing and his cronies into Central Park. Here, Leda explains that she works with Ebbing only to save her father's life. While Gloves fights with a Nazi, Leda reads the torn-out page that states her father is already dead. Gloves and Leda go to the police, who search the antique house, but find it empty. Not believing Gloves's story, they attempt to arrest him, but he escapes by diving into the East River. He arrives at his lawyer's apartment, only to have Marty and his mob break in, eager to avenge Joe's murder. After Gloves convinces them of his innocence, the two gangs join forces against the Nazi spies.
Gloves, Sunshine, and Barney go to the police station where Leda is being held. Ebbing, however, has bailed her out, and they arrive as she is being forced into a car. Following the car, they find a large underground Nazi meeting. Gloves and Sunshine capture two Nazis and impersonate them to get in, but the explosives expert Gloves is impersonating is asked to report on his work. Gloves and Sunshine stall the meeting using a double talk ruse until the combined gangs arrive to break it up. Ebbing escapes, asking Pepi to join him in a suicide attack to blow up a battleship in New York harbor. Pepi refuses, so Ebbing kills him and proceeds alone. Gloves follows him to the docks, but Ebbing surprises him and forces him into a motorboat containing high explosives. At gunpoint, Ebbing forces Gloves to steer the boat toward the battleship. Gloves suddenly steers the boat off course and jumps into the water, while the boat with Ebbing still on board crashes into a barge and explodes.
Back at the police station, Gloves and Leda find out that all charges have been dropped and that the mayor is going to honor him at city hall. Ma Donahue enters complaining that the milkman has disappeared, and as before, she's "got a feeling" about it.
Cast notes
Production was completed in early October 1941, two months before the attack on Pearl Harbor. The film was released in New York on January 23, 1942. [4]
Producer Hal B. Wallis made All Through the Night as a "companion piece" to his earlier anti-Nazi melodrama, Underground , despite the poor box office of the prior film. [3]
Humphrey Bogart was not the first person considered for the lead in the film: it was originally supposed to be played by Walter Winchell, the gossip columnist who would later be the narrator for the TV series The Untouchables . When Winchell could not get the time off to make the film, Wallis offered it to George Raft, and then, when Raft turned it down, to Bogart. [3] It was one of several parts Bogart played which had originally been offered to Raft. [5]
Olivia de Havilland and Marlene Dietrich were considered for the female lead. [6]
On TCM.com, Mark Frankel reports that the scene in which Bogart and William Demarest confuse a room full of Nazi sympathizers with doubletalk was not part of the original script, “Sherman thought the idea up himself and presented it to producer Hal Wallis. Wallis hated the idea, but Sherman was so convinced that the film needed it, that he shot it anyway. When Wallis saw the scene in the rough cut, he angrily told Sherman to take it out. Sherman, however, left a bit of it in and when the film had a sneak preview, the audience ‘exploded with laughter' at the double-talk. Wallis told Sherman to put it all back in.” [7]
Review aggregator Rotten Tomatoes gives the film a 100% rating based on ten contemporary reviews, with an average rating of 7.5/10. [8]
Leonard Maltin gives it 3 out of 4 stars: "Interesting blend of spy, gangster, and comedy genres, with memorable double-talk and auction scenes". [9] [ failed verification ]
Bosley Crowther of The New York Times gave the film a mostly positive review, writing: "In spite of its slap-bang construction and its hour-and-three-quarters length, the picture does move with precision and steadily maintained suspense ... All Through the Night is not exactly a melodrama out of the top drawer, but it is a super-duper action picture—mostly duper, when you stop to think." [10]
On Dec. 3, 1941, before the attack on Pearl Harbor, a reviewer for Variety wrote: "Somewhat on the lurid side and with the Nazi menace motif of familiar timber, shortcomings are compensated for by fast-moving continuity which smartly builds suspense and hold (sic) attention." [11] By December 31, Variety had changed its tune: "Chase and gunbattle in Central Park, scraps in the warehouse district, the mystery girl in distress, emphasis on danger to American institutions from foreign conspirators add up to elementary but surefire audience appeal." [12]
Film Daily called it a "fast-moving and exciting melodrama". [13] Russell Maloney of The New Yorker panned the film, writing that "Hitchcock himself couldn't have asked for a better plot," but claiming that it was brought down by "the feebleness of invention, the wordiness of the dialogue, [and] the sluggishly paced direction". [14]
According to Warner Bros records the film earned $1,009,000 domestically and $959,000 foreign during its initial run. [2]
Variety estimated the film had earned $1.1 million domestically by the end of 1942. [15]
Casablanca is a 1942 American romantic drama film directed by Michael Curtiz and starring Humphrey Bogart, Ingrid Bergman, and Paul Henreid. Filmed and set during World War II, it focuses on an American expatriate (Bogart) who must choose between his love for a woman (Bergman) and helping her husband (Henreid), a Czechoslovak resistance leader, escape from the Vichy-controlled city of Casablanca to continue his fight against the Germans. The screenplay is based on Everybody Comes to Rick's, an unproduced stage play by Murray Burnett and Joan Alison. The supporting cast features Claude Rains, Conrad Veidt, Sydney Greenstreet, Peter Lorre, and Dooley Wilson.
Peter Lorre was a Slovak and American actor, active first in Europe and later in the United States. He began his stage career in Vienna, in the Austro-Hungarian Empire, before moving to Germany, where he worked first on the stage, then in film, in Berlin during the late 1920s and early 1930s. Lorre caused an international sensation in the Weimar Republic–era film M (1931). Directed by Fritz Lang, Lorre portrayed a serial killer who preys on little girls.
John Herbert Gleason, known as Jackie Gleason, was an American actor, comedian, writer, and composer also known as "The Great One". He developed a style and characters from growing up in Brooklyn, New York, and was known for his brash visual and verbal comedy, exemplified by his city bus driver character Ralph Kramden in the television series The Honeymooners. He also developed The Jackie Gleason Show, which maintained high ratings from the mid-1950s through 1970. The series originated in New York City, but filming moved to Miami Beach, Florida, in 1964 after Gleason took up permanent residence there.
Edward G. Robinson was an American actor of stage and screen, who was popular during Hollywood's Golden Age. He appeared in 30 Broadway plays, and more than 100 films, during a 50-year career, and is best remembered for his tough-guy roles as gangsters in such films as Little Caesar and Key Largo. During his career, Robinson received the Cannes Film Festival Award for Best Actor for his performance in House of Strangers.
High Sierra is a 1941 American film noir directed by Raoul Walsh, written by William R. Burnett and John Huston from the novel by Burnett, and starring Ida Lupino and Humphrey Bogart. Its plot follows a career criminal who becomes involved in a jewel heist in a resort town in California's Sierra Nevada, along with a young former taxi dancer (Lupino).
Jerome Irving Wald was an American screenwriter and a producer of films and radio programs.
Marked Woman is a 1937 American dramatic crime film directed by Lloyd Bacon and starring Bette Davis and Humphrey Bogart, with featured performances by Lola Lane, Isabel Jewell, Rosalind Marquis, Mayo Methot, Jane Bryan, Eduardo Ciannelli and Allen Jenkins. Set in the underworld of Manhattan, Marked Woman tells the story of a woman who dares to stand up to one of the city's most powerful gangsters.
George Raft was an American film actor and dancer identified with portrayals of gangsters in crime melodramas of the 1930s and 1940s. A stylish leading man in dozens of movies, Raft is remembered for his gangster roles in Quick Millions (1931) with Spencer Tracy, Scarface (1932) with Paul Muni, Each Dawn I Die (1939) with James Cagney, Invisible Stripes (1939) with Humphrey Bogart, and Billy Wilder's comedy Some Like It Hot (1959) with Marilyn Monroe and Jack Lemmon; and as a dancer in Bolero (1934) with Carole Lombard and a truck driver in They Drive by Night (1940) with Ann Sheridan, Ida Lupino and Bogart.
Harold B. Wallis was an American film producer. He is best known for producing Casablanca (1942), The Adventures of Robin Hood (1938), and True Grit (1969), along with many other major films for Warner Bros. featuring such film stars as Humphrey Bogart, John Wayne, Bette Davis, and Errol Flynn. As a producer, he received 19 nominations for the Academy Award for Best Picture.
They Drive by Night is a 1940 American film noir directed by Raoul Walsh and starring George Raft, Ann Sheridan, Ida Lupino, and Humphrey Bogart, and featuring Gale Page, Alan Hale, Roscoe Karns, John Litel and George Tobias. The picture involves a pair of embattled truck drivers and was released in the UK under the title The Road to Frisco. The film was based on A. I. Bezzerides' 1938 novel Long Haul, which was later reprinted under the title They Drive by Night to capitalize on the success of the film.
The Maltese Falcon is a 1941 American film noir written and directed by John Huston in his directorial debut. Based on the 1930 novel The Maltese Falcon by Dashiell Hammett, this remakes the 1931 film of the same name.
Background to Danger is a 1943 World War II spy thriller film starring George Raft and featuring Brenda Marshall, Sydney Greenstreet, and Peter Lorre.
Manpower is a 1941 American crime melodrama directed by Raoul Walsh and starring Edward G. Robinson, Marlene Dietrich, and George Raft. The picture was written by Richard Macaulay and Jerry Wald, and the supporting cast features Alan Hale, Frank McHugh, Eve Arden, Barton MacLane, Ward Bond and Walter Catlett.
Invisible Stripes is a 1939 Warner Bros. crime film starring George Raft as a gangster unable to go straight after returning home from prison. The movie was directed by Lloyd Bacon and also features William Holden, Jane Bryan and Humphrey Bogart. The screenplay by Warren Duff was based on the novel of the same title by Warden Lewis E. Lawes, a fervent crusader for prison reform, as adapted by Jonathan Finn.
Across the Pacific is a 1942 American spy film set on the eve of the entry of the United States into World War II. It was directed first by John Huston, then by Vincent Sherman after Huston joined the United States Army Signal Corps. It stars Humphrey Bogart, Mary Astor, and Sydney Greenstreet. Despite the title, the action never progresses across the Pacific, concluding in Panama. The original script portrayed an attempt to avert a Japanese plan to invade Pearl Harbor. When the real-life attack on Pearl Harbor occurred, production was shut down for three months, resuming on March 2, 1942, with a revised script changing the target to Panama.
Action in the North Atlantic is a 1943 American war film from Warner Bros. Pictures. It was produced by Jerry Wald, directed by Lloyd Bacon, and adapted by John Howard Lawson from a story by Guy Gilpatric. The film stars Humphrey Bogart and Raymond Massey as officers in the U.S. Merchant Marine during World War II.
Louis V. Arco was an Austrian stage and film actor whose career began in the late 1910s.
Brother Orchid is a 1940 American crime/comedy film directed by Lloyd Bacon and starring Edward G. Robinson, Ann Sothern and Humphrey Bogart, with featured performances by Donald Crisp, Ralph Bellamy and Allen Jenkins. The screenplay was written by Earl Baldwin, with uncredited contributions from Jerry Wald and Richard Macauley, based on a story by Richard Connell originally published in Collier's Magazine on May 21, 1938. Prior to the creation of the movie version of Connell's story, a stage adaptation was written by playwright/novelist Leo Brady. The script was originally produced at Catholic University of America in Washington, D.C..
Black Legion is a 1937 American crime drama film, directed by Archie Mayo, with a script by Abem Finkel and William Wister Haines based on an original story by producer Robert Lord. The film stars Humphrey Bogart, Dick Foran, Erin O'Brien-Moore and Ann Sheridan. It is a fictionalized treatment of the historic Black Legion of the 1930s in Michigan, a white vigilante group. A third of its members lived in Detroit, which had also been a center of the Ku Klux Klan in the 1920s.
Underground is a 1941 American war thriller film directed by Vincent Sherman and starring Jeffrey Lynn, Philip Dorn and Kaaren Verne. Focusing on the German Nazi Resistance opposing the Nazis in World War II, Lynn and Dorn play two brothers initially on opposite sides. It was produced and distributed by Warner Brothers.