"Angel in Disguise" | ||||
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Promotional single by Brandy | ||||
from the album Never Say Never | ||||
Released | January 21, 1999 | |||
Studio | Pacifique Recording Studios | |||
Genre | R&B | |||
Length | 4:48 | |||
Label | Atlantic | |||
Songwriter(s) | ||||
Producer(s) |
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Brandy singles chronology | ||||
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Audio video | ||||
"Angel in Disguise" on YouTube |
"Angel in Disguise" is a song recorded by American singer Brandy for her second studio album Never Say Never (1998). It was written by Rodney "Darkchild" Jerkins, Fred Jerkins III, LaShawn Daniels, Traci Hale, and Tye-V Turman, and was produced by Jerkins along with Brandy. The song was recorded and mixed by audio engineer Dave Way at the Pacifique Recording Studios in North Hollywood, California and features prominent backing vocals by singer Joe.
"Angel in Disguise" was well received by music critics. Billboard described it as "outstanding" and "spectacular" and said it would effectively shoot down all preconceived notions that Norwood only made bubblegum pop. The song was at one stage intended to be released as a single from Never Say Never but these plans did not materialize. It was instead released as a promo single on the North American music market on January 21, 1999.
The song peaked at number 72 on the U.S. Billboard Hot 100. It became Brandy's first song to chart without an actual single release or a video. On the Billboard Hot R&B/Hip-Hop Songs chart the song peaked at number 17, becoming Brandy's 8th consecutive top twenty song.
After starting her career as an actress in the short-lived television series Thea in 1993, the then fourteen-year-old Brandy Norwood began work on her self-titled debut album launched by Atlantic Records in 1994. The album sold platinum in the US and made Norwood one of the 50 biggest and most successful teenage stars in music history. [1] The following year, she chose to resume her acting career and took a break from music. Fearing not being able to match the debut album's success, Norwood was unsure if she wanted to continue her music career. Driven by Atlantic and her manager, she began working on her second studio album Never Say Never in 1997. She chose to work with completely different music producers than on the debut and wrote several of the album's lyrics. [2]
"Angel in Disguise" was written by LaShawn Daniels, Fred Jerkins III, Rodney "Darkchild" Jerkins, Isaac Philips, Nycolia Turman, and Traci Haleett. It was produced by Rodney Jerkins and Norwood and recorded by Ken Deranteriasian and Victor McCoy at Pacifique Recording Studios in North Hollywood, California. Daniels arranged the background song of the song, which was recorded by Norwood. "Angel in Disguise" also has a background song performed by the American singer Joe which consists of a looped verse where he sings "And I love you baby".Never Say Never but after Norwood heard the production and sampling with Joe, she wanted to make it a whole song. In an interview with Complex Magazine in 2012, she said: "'Angel in Disguise' is one of my absolute favorites. When I heard it, I said 'Oh my God. Are there really songs like this?' [...] At first it was only meant as an intro but I said 'Are you crazy, we have to make this a real song'." [3]
"Angel in Disguise" is a slow-paced R&B song. It has a total playing time of four minutes and forty-eight seconds. It consists of a "dribbling bass line" that Chuck Taylor of Billboard compared to a "dreamlike, moonlit night". [4] The harmonic background song, created using the so-called multi-track recording, was described as "enchanting" and "seductive". [4] The lyrics of "Angel in Disguise" describe that the performer still loves her partner despite his infidelity. Norwood quoted: "An angel in disguise she was / But somehow you fell for her / Till she broke your heart that day / And left you in the rain / But still I love you". [5]
In 1998, Never Say Never was certified triple platinum by the RIAA and sold three million copies in the United States. Her first two singles from the album were "The Boy Is Mine", a duet with Monica, and "Top of the World" with rapper Mase as the guest artist. Both of these songs were commercially successful and the former was thirteen weeks at number one on the Billboard Hot 100 list. In early 1999, Atlantic Records planned to release "Angel In Disguise" as the third single from Never Say Never. The plans did not materialize when Atlantic considered the power ballad "Have You Ever? "was a safer card when it was written by the well-known lyricist Diane Warren and was already in great demand on the radio. [6] " Angel in Disguise "was instead released as a promo single on January 21, 1999. The song was printed on 12" vinyl singles with the album mix, two acapella versions and an instrumental version. [7]
"Angel in Disguise" was praised by music critics. Chuck Taylor of Billboard wrote that the song was a "spectacular and funky mid-tempo production that borrows ingredients from Janet Jackson's creative pantry." He said the song would effectively shoot down any preconceived notion that Norwood was just bubblegum pop and continued: "This is the kind of song that attacks as soon as it comes out of the speakers and is one of the most unique and provocative songs to date of this teenage sensation." [4] Thomas Inskeep at Stylus Magazine described "Angel in Disguise" as "ridiculously good" and then went on to say: "It's definitely one of my Brandy favorites and a classic Darkchild production. In five, six years, some great, successful artist will, with great certainty, "Hopefully the song can then have a chance to be as big as it deserves to be." [8] Daryl Easlea, writer for the British website BBC Music, was positive about Never Say Never as a whole and wrote that "Angel in Disguise" was "loaded with emotion" thanks to her gospel-trained voices. [9] Aamir Yaqub from the British website Soul Culturewrote that Norwood's voice for the most part sounded restrained. He wrote: "The lyrics speak of betrayal and the pain that Brandy feels when her fears come true. Brandy emphasizes passion and longing with her artificial song that is instantly recognizable." [10]
A writer at Epinions compared the song's drum production to Aaliyah's "One in a Million", written and produced by Timbaland. The writer continued his review by writing: "The album begins with tasteful 'Angel in Disguise' which has a touch of adult sensuality. It feels familiar as it has the same beat that made Timbaland famous a few years ago." [11] The Spokesman wrote: "Brandy is obviously not Moesha but she lets a bit of that innocent character be heard on her record. Her young age and hence confusion towards love shines through on 'U Don't Know Me (Like U Used To)', the funky 'Happy' and 'Angel in Disguise'." [12]
"Angel in Disguise" was released during the period when Norwood's popularity was at its peak. Without any music video or marketing of Atlantic, the song became a success on American radio. [13] By November 21, 1998, several months before the song's official release date, it had reached a radio audience of over 22 million listeners. [13] It reached tenth place on 28 November 1998, which became its top position on the list. [14] The song entered Hot R&B/Hip-Hop Songs on January 23, 1999, where it peaked at number 17, becoming Norwood's eighth consecutive top 20 entry. [15] The song was ranked nineteenth in the Top 20 Jet Songs by Jet Magazine. [16]
Credits adapted from the liner notes of Never Say Never. [5]
Weekly charts
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Afrodisiac is the fourth studio album by American singer Brandy. It was released on June 25, 2004, by Atlantic Records. The album was recorded primarily in Los Angeles between spring 2003 and early 2004, following several major changes in Brandy's personal and professional life. After giving birth to her daughter and the demise of her relationship with Big Bert, Brandy's team was given an overhaul, including changes in production, management, and A&R. The album marked a departure from her previous work, with Brandy collaborating with producer Timbaland and songwriter Candice Nelson on the majority of the album's composition.
Rodney Roy Jerkins, also known by his stage name Darkchild, is an American record producer, rapper, and songwriter. He has collaborated with a broad range of popular artists.
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"The Boy Is Mine" is a duet by American singers Brandy and Monica. It was written by LaShawn Daniels, Japhe Tejeda, Fred Jerkins III, Rodney "Darkchild" Jerkins, and Brandy, while production was helmed by Jerkins, Brandy, and Dallas Austin. It was released as the lead single from both singers' second albums from 1998, Never Say Never by Brandy and the album of the same name by Monica. Inspired by Michael Jackson and Paul McCartney's 1982 duet "The Girl Is Mine", the lyrics of the mid-tempo R&B track revolve around two women fighting over a man.
LaShawn Ameen Daniels was an American songwriter, vocal producer and arranger. Often in tandem with producer Rodney Jerkins, he is known for his songwriting work for R&B singers such as Brandy, Beyoncé, Michael Jackson, Tamar Braxton, Toni Braxton, Jennifer Lopez, Ciara, and Whitney Houston, among others. Daniels won a Grammy Award—from nine nominations—for his work on Destiny's Child's 1999 single "Say My Name", which peaked atop the Billboard Hot 100.
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"Full Moon" is a song recorded by American singer Brandy for her third studio album of the same title (2002). A breakaway from Rodney Jerkins' dominating influence on the album, it was written and produced by Mike City, one of the few producers Norwood worked with on Full Moon apart from Jerkins and his production and songwriting crew. Described by Norwood as "ghetto", the track is an R&B and pop song with a simple, piano-led production. Lyrically, the song follows Norwood as she experiences love at first sight in a nightclub, whose circumstances she attributes to a full moon night.
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Never Say Never is the second studio album by American singer Brandy. It was released on June 9, 1998, by Atlantic Records. Atlantic consulted David Foster, as well as producer Rodney "Darkchild" Jerkins and his team to work with Norwood on the record; Jerkins went on to craft the majority of the album and would evolve as Norwood's mentor and head producer on her succeeding projects.
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