"Should I Go" | |
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Song by Brandy | |
from the album Afrodisiac | |
Recorded | 2003 |
Studio | Hit Factory Criteria (Miami) |
Genre | |
Length | 4:56 |
Label | Atlantic |
Songwriter(s) |
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Producer(s) | Timbaland |
"Should I Go" is a song by American recording artist Brandy Norwood from her fourth studio album, Afrodisiac (2004). It was written by Walter Millsap III, his collaborative partner Candice Nelson, and mentor Timbaland, while production was helmed by the latter. "Should I Go" is built on percussive beats, syncopated handclaps and a piano riff that samples British alternative rock band Coldplay's song "Clocks", written by Guy Berryman, Jonny Buckland, Will Champion, and Chris Martin for their second album, A Rush of Blood to the Head (2002). Lyrically, Norwood as the protagonist openly talks about contemplating stepping away from the music business, admitting that she is trying to figure out where she fits in today.
In June 2002, Norwood gave birth to her daughter Sy'rai. Soon, she resumed work on her then-untitled fourth studio album with producer Mike City and companion Robert "Big Bert" Smith, the latter of which served as the album's executive producer and A&R. [1] He replaced longtime contributor and mentor Rodney "Darkchild" Jerkins, who Norwood felt was not going in the same direction creatively after all, [2] and kept her from exploring her "versatility, [her] creativity and [her] art." [3] [4] The couple eventually finished a number of demo recordings and at least four full songs until late November 2002, [5] and although Smith expected the album to drop by spring 2003 at one time or another, [2] Norwood and Big Bert ended their relationship in mid-2003, resulting in the album's delay and several personnel changes. [6] [7] Norwood eventually decided to scrap most of the project, and instead enlisted rapper Timbaland, with whom the couple had previously worked on Kiley Dean's Simple Girl album, as the album's main contributor. [8] Impressed by Timaland's input, Norwood rediscovered the musical affection, she had missed on previous album Full Moon . [9]
Timbaland consulted his protégé Walter Millsap III and writing partner Candice Nelson to work with him on the bulk of Norwood's fourth album. [6] Many of the themes and musical styles of their records were inspired by British alternative rock band Coldplay's debut album Parachutes (2000) which Nelson had just started listening to at the time. [10] Conceived after the production of "I Tried" which samples Coldplay's "Sparks", "Should I Go" was written along a backing track Timbaland had produced around "Clocks", another Coldplay song from their second album A Rush of Blood to the Head . [10] Impressed with Millsap and Nelson's knowledge of the British band, he played them the music he had crafted prior to recording sessions for Afrodisiac. [10] The pair took it to the car, driving around while listening to it. [10]
The development of "Should I Go" was motivated by the idea of what Millsap and Nelson imagined Norwood might feel at times and in the business as it was constantly changing. [10] On the accompanying writing process, Nelson commented that "it was like 'What else does Brandy feel besides love and all that? What else might be going through her mind?' That’s what we came up with. She had already been in the business for awhile and she had put out a few albums, so it was like 'What might somebody at that point in their career been thinking?'" [10] Upon hearing the demo, Norwood felt shocked but could relate to its topic. [10] Her vocals were recorded at The Hit Factory Criteria in Miami, Florida and Amerycan Recording Studios, Los Angeles, California, with production overseen by herself. [11] Timbaland and Jimmy Douglass mixed the track, while Douglass, Blake English, Demacio Castellon, Jeremal Hicks, and Halsey Quemere all assisted in the audio engineering of the track. [11]
"Should I Go" is a downtempo R&B and pop ballad, [12] that displays influences of dream pop and alternative rock. [12] Built around a repeating melody, it features a minimalist soundscape of bluesy guitar and syncopated hand claps, while incorporating a cascading piano arpeggio that samples from the instrumental break of Coldplay's 2002 song "Clocks". [13] The song itself was inspired by the English rock band Muse, [14] and penned by band members Guy Berryman, Jonny Buckland, Will Champion, and Chris Martin. [11]
"Should I Go" features the female protagonist wondering aloud whether it's worth bothering with the bureaucracy of the music industry when she is not even sure it's part of her long-term goals. [15] These interpretations are shown in the lines: "Should I Go? / Should I Stay? / I'm In Control / Either Way". [15] Murmuring about her career concerns, Norwood sings "I'm standing on the edge of the industry / Wondering if it’s all that important to me / To get my records back out there on the street again / This game ain’t what I’m used to". [7] Norwood also alludes to the late 1990s when she dominated female urban contemporary with other female teen singers such as Aaliyah and Monica and she felt that the "Industry was more like a different world." [3] Vocally, the song concludes with intricately layered vocal harmonies with Norwood dropping the chorus a cappella at the end. [3]
Slant Magazine's Sal Cinquemani ranked "Should I Go" among Afrodisiac's highlights and commented that the song sounded like a "shout-out to the band it's become excruciatingly cool to say you like." [13] David Browne from Entertainment Weekly found that while "Coldplay fixation reaches critical mass" on the song, the results of sampling "Clocks" were "still pretty striking, almost theatrical. The song [...] reminds you that a dose of over-the-top melodrama can be good for pop, R&B, or any genre." [16] In his review for Allmusic, Andy Kellman concluded that "Should I Go" was "about as honest and searching as anyone gets these days, and while it's also noteworthy for allowing Brandy and Timbaland to pay tribute to shared love Coldplay, it's the music industry that's being contemplated, not a romantic relationship. Whatever Brandy decides to do, consider her mark made." [17]
Less enthusiastic with the track, Terry Sawyers from PopMatters commented that "Should I Go" sounded "exhausted and porously dull", and that "without the punch up of a good backbeat, Brandy can drift and drain, melting into the song without making more than a breeze of an impression [...] despite the limp handclaps, which seem placed more to keep you awake than to actually support the song." [18] Andy Battaglia of The A.V. Club wrote that the song "floats over a clunky sample [...] that goes nowhere" and added that the song showed "Brandy in her best and worst form: Unmoored as a musical presence, she sounds most at home in pop-R&B clothes that would seem to make her one of many stars that twinkle more than shine." [12] Stylus Magazine's Josh Love called the song a "rarity in Brandy’s catalogue", [15] while Keya Modessa from The Situation declared it a "spectacular close." [19] Kitty Empire, writing for The Observer , remarked that "Timbaland samples great swaths of Coldplay's "Clocks" on the splendid, soul-searching "Should I Go"." [20] Billboard magazine summed the track as "gorgeous" and found that it demanded repeated plays. [21]
Credits adapted from the liner notes of Afrodisiac. [11]
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Brandy Rayana Norwood, better known mononymously as Brandy, is an American singer, songwriter and actress. Her sound is characterized by heavy voice-layering and melisma. As of 2024, she has sold over 40 million records worldwide, with approximately 8.62 million albums sold in the United States. Her work has earned her numerous awards and accolades, including a Grammy Award and an American Music Award.
Brandy is the debut studio album by American singer Brandy. It was released on September 27, 1994, by Atlantic Records. Chiefly produced by Keith Crouch, the album contains a range of contemporary genres, including hip-hop, pop-soul, and R&B. Aside from Crouch, Norwood worked with a range of other writers and producers, including R&B group Somethin' for the People, Arvel McClinton, and Damon Thomas.
Afrodisiac is the fourth studio album by American singer Brandy. It was released on June 25, 2004, by Atlantic Records. The album was recorded primarily in Los Angeles between spring 2003 and early 2004, following several major changes in Brandy's personal and professional life. After giving birth to her daughter and the demise of her relationship with Big Bert, Brandy's team was given an overhaul, including changes in production, management, and A&R. The album marked a departure from her previous work, with Brandy collaborating with producer Timbaland and songwriter Candice Nelson on the majority of the album's composition.
Full Moon is the third studio album by American singer Brandy. It was released by Atlantic Records on March 5, 2002 in the United States. The album was recorded primarily during the summer and fall of 2001 at the Hit Factory Criteria in Miami, amid a three-year musical hiatus following the success of her multi-platinum previous studio album Never Say Never (1998) and the finale of her highly successful television sitcom Moesha in May 2001. As with Never Say Never, Brandy collaborated with producer Rodney Jerkins and his Darkchild production and songwriting team on the majority of the album's composition, while Mike City, Warryn Campbell, and Keith Crouch contributed additional production.
The Best of Brandy is the first greatest hits album by American singer Brandy. It was released on March 28, 2005 by Atlantic Records, completing her contract with the label after being signed since 1994. The album comprises nearly all of Norwood's 1994–2004 singles, compiling her first four studio albums Brandy (1994), Never Say Never (1998), Full Moon (2002) and Afrodisiac (2004), as well as songs she contributed to film soundtracks such as Waiting to Exhale (1995) and Set It Off (1996).
"Talk About Our Love" is a song recorded by American singer Brandy for her fourth studio album Afrodisiac (2004). It was written by Kanye West, who also appears as a featured artist on it, and Harold Lilly, while production was handled by the former. Due to the song's use of a sample of Mandrill's 1978 song "Gilly Hines", band members Claude Cave II, and Carlos, Louis, and Ricardo Wilson are also credited as writers. Lyrically, "Talk About Our Love" is about a relationship lacking support from family and friends.
"Who Is She 2 U" is a song by American recording artist Brandy Norwood from her fourth studio album, Afrodisiac (2004). It was written by Candice Nelson, Walter Millsap III and Timbaland, and produced by the latter. The song is built around a sample of "Instant Love" (1977) by American singer Leon Ware. Due to the inclusion of the sample, he and Jacqueline Hilliard are also credited as songwriters. Based on true events, the song describes a woman who is suspicious about her mate's awkward behavior around a seemingly unfamiliar woman. The dramatic up-tempo incorporates piano keys, flutes, chamber pop string melodies and go-go drum programming.
"Afrodisiac" is a song by American recording artist Brandy. It was written by Isaac Phillips, Kenisha Pratt, Kenneth Pratt and Timbaland for her same-titled fourth studio album (2004), with production was handled by the latter. One of the first songs Norwood and Timbaland collaborated on, the record is an uptempo–offbeat contemporary R&B song with pop and dance-pop elements, built along on a flute, Afro-Caribbean music influences and 1980s electro sounds. Considered by Norwood as one of her favorites on the album, the track expresses a female's addictive passion for a special person, whom she declares her very own aphrodisiac.
"Make Me a Song" is a song by American singer Kiley Dean. It was written by Candice Nelson, Walter "Lil Walt" Millsap and Timbaland for her unreleased debut album Simple Girl, while production was helmed by the latter, with additional production by Scott Storch. A rhythmic and lyrical push and pull in which Dean describes her journey to the studio to find the perfect melody and beat, the song references "Rock the Boat" (2001) by American R&B singer Aaliyah. Released as Dean's debut single, "Make Me a Song" peaked at number 99 on the US Billboard Hot 100.
"Angel in Disguise" is a song recorded by American singer Brandy for her second studio album Never Say Never (1998). It was written by Rodney "Darkchild" Jerkins, Fred Jerkins III, LaShawn Daniels, Traci Hale, and Tye-V Turman, and was produced by Jerkins along with Brandy. The song was recorded and mixed by audio engineer Dave Way at the Pacifique Recording Studios in North Hollywood, California and features prominent backing vocals by singer Joe.
"Clocks" is a song by British rock band Coldplay, released on 17 March 2003 via Parlophone Records in the United Kingdom. It was written and composed as a collaboration among all the members of the band for their second album, A Rush of Blood to the Head. The song is built around a piano riff, and features cryptic lyrics concerning themes of contrast and urgency. Several remixes of the track exist, and its riff has been widely sampled.
American singer Brandy Norwood entered the music business as a backing vocalist for R&B boy bands such as Immature, prior to launching her own career in 1994. Her discography, as a solo artist, includes eight studio albums, one compilation album, one extended play, 42 singles, 46 album appearances and 26 soundtrack appearances. Norwood has sold over 8.6 million albums in the United States, and more than 40 million records worldwide. Additionally, she has won over 100 awards as a recording artist. In 1999, Billboard ranked Norwood among the top 20 of the Top Pop Artists of the 1990s.
Brandy Norwood, an American singer, songwriter and actress, has released various music videos. She first appeared in the music video for her debut single "I Wanna Be Down (1994). The Keith Ward-directed clip won the Billboard Music Award for Best New Clip, R&B/Urban. A second version, shot alongside female rappers MC Lyte, Queen Latifah, and Yo-Yo for the Human Rhythm Hip Hop Remix of "I Wanna Be Down", earned Norwood her first MTV Video Music Award nomination in the Best Rap Video at the 1995 ceremony, and received Billboard Music Award and Billboard Music Video Award nods. Norwood's video for follow-up "Baby", a collaboration with director Hype Williams, garnered a Best Choreography nomination at the 1995 MTV Video Music Awards. Other videos from the album included for the singles "Best Friend", and "Brokenhearted".
"Turn It Up" is a song by American singer Brandy Norwood from her fourth studio album, Afrodisiac (2004). It was written by Timbaland along with protégé Walter Millsap III and Candice Nelson, while production was helmed by the former. The song was recorded at the Hit Factory Criteria and mixed by Jimmy Douglass in Miami, Florida. An uptempo R&B song, which also contains elements of rap, bounce music, and old school hip hop, the track serves as musical tribute to the early 1990s. Built on a pounding drum pattern and Timbaland's beatboxing, in "Turn It Up", Norwood expresses her desire to collaborate with the producer on a nostalgic club banger to assume her position atop the game.
"Right Here (Departed)" is a song by American recording artist Brandy Norwood. It was written by Rodney "Darkchild" Jerkins and The Writing Camp members Evan "Kidd" Bogart, Victoria Horn, Erika Nuri, and David "DQ" Quiñones and produced by Jerkins for her fifth studio album, Human (2008). Not recorded until late into the production of the album, it set much of the tone for the final Human track listing as it was the first out of several new songs Norwood and Jerkins recorded together following his absence on her previous album Afrodisiac (2004). Its lyrics chronicle a woman's talks about mutual support with loved ones.
Human is the fifth studio album by American singer Brandy. It was released on December 5, 2008 by Epic Records, Knockout Entertainment and Koch Records. The album was Norwood's debut Epic Records release, following her split with Atlantic Records in 2005, and her reunion with longtime collaborator and mentor Rodney "Darkchild" Jerkins, who executively produced and wrote most of the album with his songwriting collective.
"Return the Favor" is a song by American recording artist and songwriter Keri Hilson. The song features Timbaland, who wrote the song with Hilson and her songwriting/production team The Clutch, as well as Walter Milsap. Following the moderate international chart success of Hilson's lead single, "Energy", "Return the Favor" was released from Hilson's debut album, In a Perfect World..., serving as the international second single while the urban single, "Turnin Me On" was released in the US.
Shock Value II is the third and latest studio album by American record producer Timbaland. It serves as the sequel to his previous album, Shock Value. Initially slated for a 2008 release, the project was pushed into 2009 and tentatively confirmed for November 23, 2009 through Blackground Records, however, it was pushed back once more and finally released on December 7, 2009 in the UK and December 8 in the US.
Two Eleven is the sixth studio album by American recording artist Brandy. Released on October 16, 2012, it served as the singer's debut release with Chameleon Entertainment and RCA Records after departing from Epic Records soon after releasing her previous album, Human (2008). The album's title is taken from Norwood's birthday; it is also the day on which her idol and friend, entertainer Whitney Houston died eight months before Two Eleven's release.
"Beggin & Pleadin" is song by American recording artist Brandy. It was written by Ronald Colson, Warren "Oak" Felder, Kirby Lauryen, Steve Mostyn, Andrew "Pop" Wansel, and Brandy, while production was helmed by Pop & Oak, Mostyn, and Colson. "Beggin & Pleadin'" is influenced by 1950s blues, particularly the music of Ray Charles. The song is unconventionally built on a modern trap beat, and samples John Lee Hooker's song "Boom Boom". Autobiographical in nature, the lyrics are a point of view account of a female protagonist, who sings cathartically about her mercurial temperament, following an inflammatory argument with her fiancé.
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