"Full Moon" | ||||
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Single by Brandy | ||||
from the album Full Moon | ||||
Released | April 1, 2002 | |||
Recorded | 2001 | |||
Studio | Record Plant (Los Angeles) | |||
Length |
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Label | Atlantic | |||
Songwriter(s) | Mike City | |||
Producer(s) | Mike City | |||
Brandy singles chronology | ||||
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"Full Moon" is a song recorded by American singer Brandy for her third studio album of the same title (2002). A breakaway from Rodney Jerkins' dominating influence on the album, it was written and produced by Mike City, one of the few producers Norwood worked with on Full Moon apart from Jerkins and his production and songwriting crew. Described by Norwood as "ghetto", the track is an R&B and pop song with a simple, piano-led production. Lyrically, the song follows Norwood as she experiences love at first sight in a nightclub, whose circumstances she attributes to a full moon night.
"Full Moon" was released as the second single from Full Moon on April 1, 2002, by Atlantic Records. The song was well-received by music critics, with many complimenting Norwood's voice as well as the bass-heavy production, calling it a standout track from the album. A moderate commercial success, it peaked at number 18 on the US Billboard Hot 100 and at number 15 on the UK Singles Chart.
The accompanying music video for "Full Moon", directed by Chris Robinson, features Norwood telescoping at night. As the video progresses, she attends a house party where she meets a man with whom she is eventually riding off through Los Angeles, watching the rising full moon. Norwood was nearly six months pregnant at the time of the filming. "Full Moon" was included on set lists of the Human World Tour (2009) and the Slayana World Tour (2016), and has been performed live by Norwood during several televised events.
After the end of the promotional tour for her second studio album Never Say Never (1998), the cancellation of her UPN sitcom Moesha (1996–2001), and a flurry of tabloid headlines discussing her nervous breakdown in November 1999, [1] Norwood went on a lengthy hiatus to reflect and take some introspective looks. [2] In mid-2000, she started reconsecrating herself on her musical career, contributing songs to albums such as Urban Renewal (2001), which introduced a scratchy, evocative edge to Norwood's voice, now having a deeper and warmer tone with a textured lower register and notably stronger falsetto. [3]
In fall 2000, Norwood finally began conceiving ideas for a third studio album with her label Atlantic Records. [2] While Rodney Jerkins, the main producer of her previous album, and his team had been working on several new songs for her then-upcoming project in hopes of recreating the winning chemistry of Never Say Never, [4] Norwood wanted to make sure that she was gaining more creative control over the project, thus arranging meetings with all her writers and musicians to discuss the lyrical topics and sounds she wanted for the album. [2]
While Jerkins maintained his status as the executive producer of Full Moon, contributing most to its track listing with his team, Norwood decided to record with several producers for the album, including the head of Unsung Entertainment Mike City, with whom she had previously worked on the song "Open" for the soundtrack of the animated comedy film Osmosis Jones (2001). According to City, he wrote "Full Moon" in "two or three weeks, writing a line a day". [5]
Although Norwood and City crafted several more songs, they were insecure about "Full Moon" being included on the final track listing since it differentiated stylistically from what she had recorded before. [6] "I'm glad it did because it really showed where I was coming from musically and vocally [...] and I could relate to the lyrics of the song", Brandy said the following year in an interview with MTV News , adding: "It took him a while to understand my crazy ideas, but [...] he really challenged himself. If you listen to it, it's different from what he's already done in the past [...]". [7]
Norwood has characterized "Full Moon" as "ghetto", explaining that it is "pop and R&B at the same time [and] has a lot of elements to it". Lyrically, the song deals with the circumstances of an unexpected love at first sight. Norwood stated: "Anything can happen on a full moon. On that particular [song], I'm actually falling in love with somebody I'm just meeting", adding: "I hope that's the second single, because it's different. I've never heard anything like it." [7]
"Full Moon" was released as the second single from Full Moon by Atlantic Records. It was added to rhythmic contemporary and urban radio stations in the United States on April 1, 2002. [9] The song was released as a CD single –including "Die Without You", a cover version of P.M. Dawn's 1992 single "I'd Die Without You", featuring Norwood's younger brother Ray J, and remixes of "What About Us?"–as well as 12-inch and limited maxi CD singles. [10] In addition, "Full Moon" was remixed by several producers and DJs. Rappers Fat Joe and Twista both appeared on separate versions of the Precision Remix, which was crafted by Glen Marchese. [11] Danish production duo Cutfather & Joe produced a remix laying Brandy's vocals over the electro–funk song "I.O.U." (1983) by British band Freeez, while Gorillaz' collaborator Soulchild utilized American singer Michael Wycoff's "Lookin' Up to You". [8] Producer Damien Mendis reworked the song entirely around the basis of the disco song "I Want Your Love" (1979) by Chic. [10]
Upon its release, "Full Moon" garnered widespread critical acclaim. Sal Cinquemani from Slant Magazine felt that Norwood afforded "the tired love at first sight genre new life" on the song. He complimented it for its "hypnotic oscillating bassline and a chorus catchy enough to make the track the next summer anthem". [12] Chuck Taylor of Billboard noted that the song portrayed "how a few years off have allowed [Norwood] to evolve and grow" and called it "another hit destined for the R&B and pop saturation". [13] He found that "the best part of the song is in the verses, which Brandy delivers with a rich, bassy sensuality" while he declared the chorus as "sing-songy and on the repetitious side, but multiple layers of creamy harmonies help it rise above the mundane". [13] Music Week called the song "a perfect slice of R&B-lite with a fine hook line". [14] They also felt that it should emulate the chart success of "What About Us?", and help "refocus interest on the album, as well as scoring in its own right". [14] J. Victoria Sanders from PopMatters called the record "a club-ready song, with a lulling drumbeat and heavy bass". She further added that "her voice on this song, like many of the others, is slightly computerized without sounding overdone". [15] AllMusic's Stephen Thomas Erlewine ranked the song among his favorites from Full Moon alongside "What About Us?" and "He Is". [16]
For the week ending May 4, 2002, "Full Moon" entered the US Billboard Hot 100 at number 68, becoming Norwood's 13th entry on the chart. [17] The song peaked at number 18 after ten weeks on the chart, on the issue dated July 6, 2002, becoming Norwood's second single from Full Moon to enter the top 20. [18] "Full Moon" fared slightly better on the US Hot R&B/Hip-Hop Songs, where it debuted at number 38 the week ending April 15, 2002, becoming the highest debut on the chart that year. [19] Norwood's 12th top-20 entry, it eventually reached number 16 in the week of June 8, 2002. [20] In addition, the song reached number 11 on the Rhythmic chart, number 15 on the R&B/Hip-Hop Airplay chart and number 20 on the Mainstream Top 40. [21] The dance mixes reached number two on the Hot Dance Music/Maxi-Singles Sales. [21] The final international single from Full Moon, "Full Moon" entered the top 40 in the Belgian region Wallonia, France, Ireland, Italy, Scotland and the United Kingdom, but failed to match the success of its predecessor "What About Us?".
A music video for "Full Moon" was directed by Chris Robinson and filmed on various locations throughout Los Angeles, California on March 1–2, 2002. [23] Norwood, who was nearly six months pregnant at the time of the video shoot, does not dance in the video, [22] which features model and Moesha actor Yoki Brown as her male counterpart. [23] The final edit premiered on MTV's music video chart program Total Request Live on April 3, 2002, where it debuted at number ten and reached number one. [24] [25] It stayed on the show for forty-three days. [24]
The video opens with Norwood stargazing through a telescope on her Los Angeles balcony at a full moon night. Through the instrument she turns her attention to someone's house party a few miles away, where she spots a longhaired male, portrayed by Brown, among the guests. She changes clothes and then rides through the hillside along the coast in her silver cabriolet. Once she has arrived, Norwood enters the shindig in hopes of meeting him. This serves as the catalyst for a distant flirt between her and Brown that continues as the song plays. During the bridge, he follows her back into the car. In the end, they stop by a viewpoint, watching the sinking full moon. [22]
On March 25, 2020, Vibe named "Full Moon" Norwood's seventh best song. [26] The same year, Grant Rindner from Oprah Daily included it in his Brandy's 20 Best Songs listing and noted: "The hook is one of her most creative, with staccato vocal runs stacked atop harmonic swells." [27] In 2022, Spin magazine ranked the song 30th in its list of The 50 Best Songs of 2002. [28] In her commentary, editor Jaelani Turner-Williams wrote: "Equally grown up, "Full Moon" solidified Brandy as "the Vocal Bible," her deep tone fluttering and trilling over Mike City’s bouncy, piano-driven production." [28]
In 2023, In celebration of Black Music Month, R&B singer Coco Jones performed a special live rendition of "Full Moon" for Revolt 's The Link Up. [29] In 2024, Rolling Stone ranked the song at number ten on their list of The 100 Greatest R&B Songs of the 21st Century, writing: "The trope of meeting in the club and locking eyes across the dance floor is R&B’s super glue, but Brandy fortifies it as she gets trapped in an orbit of lunar infatuation." [30]
Enhanced maxi single [31]
UK CD single [32]
US CD single
| US remix single [8]
Limited UK 12 [33]
|
Sample credits
Weekly charts
| Year-end charts
|
Region | Date | Format(s) | Label(s) | Ref. |
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United States | April 1, 2002 | Atlantic | ||
April 22, 2002 | Contemporary hit radio | |||
Australia | May 13, 2002 | Maxi CD | Warner Music | |
Germany | June 3, 2002 | CD | ||
United Kingdom | June 17, 2002 |
| Atlantic | |
France | July 23, 2002 | CD | East West | |
July 30, 2002 | Maxi CD | |||
August 20, 2002 | 12-inch vinyl | |||
United States | August 27, 2002 |
| Atlantic |
Brandy is the debut studio album by American singer Brandy. It was released on September 27, 1994, by Atlantic Records. Chiefly produced by Keith Crouch, the album contains a range of contemporary genres, including hip-hop, pop-soul, and R&B. Aside from Crouch, Norwood worked with a range of other writers and producers, including R&B group Somethin' for the People, Arvel McClinton, Damon Thomas, and Crouch's brother Kenneth.
Full Moon is the third studio album by American singer Brandy. It was released by Atlantic Records on March 5, 2002 in the United States. The album was recorded primarily during the summer and fall of 2001 at the Hit Factory Criteria in Miami, amid a three-year musical hiatus following the success of her multi-platinum previous studio album Never Say Never (1998) and the finale of her highly successful television sitcom Moesha in May 2001. As with Never Say Never, Brandy collaborated with producer Rodney Jerkins and his Darkchild production and songwriting team on the majority of the album's composition, while Mike City, Warryn Campbell, and Keith Crouch contributed additional production.
"The Boy Is Mine" is a duet by American singers Brandy and Monica. It was written by LaShawn Daniels, Japhe Tejeda, Fred Jerkins III, Rodney "Darkchild" Jerkins, and Brandy, while production was helmed by Jerkins and Dallas Austin. It was released as the lead single from both singers' second albums from 1998, Never Say Never by Brandy and the album of the same name by Monica. Inspired by Michael Jackson and Paul McCartney's 1982 duet "The Girl Is Mine", the lyrics of the mid-tempo R&B track revolve around two women fighting over a man.
"Talk About Our Love" is a song recorded by American singer Brandy for her fourth studio album Afrodisiac (2004). It was written by Kanye West, who also appears as a featured artist on it, and Harold Lilly, while production was handled by the former. Due to the song's use of a sample of Mandrill's 1978 song "Gilly Hines", band members Claude Cave II, and Carlos, Louis, and Ricardo Wilson are also credited as writers. Lyrically, "Talk About Our Love" is about a relationship lacking support from family and friends.
"Who Is She 2 U" is a song by American recording artist Brandy Norwood from her fourth studio album, Afrodisiac (2004). It was written by Candice Nelson, Walter Millsap III and Timbaland, and produced by the latter. The song is built around a sample of "Instant Love" (1977) by American singer Leon Ware. Due to the inclusion of the sample, he and Jacqueline Hilliard are also credited as songwriters. Based on true events, the song describes a woman who is suspicious about her mate's awkward behavior around a seemingly unfamiliar woman. The dramatic up-tempo incorporates piano keys, flutes, chamber pop string melodies and go-go drum programming.
"What About Us?" is a song by American singer Brandy from her third studio album, Full Moon (2002). It was written by LaShawn Daniels, Rodney Jerkins, Kenisha Pratt, Nora Payne and Norwood, featuring main production by Jerkins. An offbeat, aggressive high-tech track, the song's development was motivated by the fact that the singer wanted something different–an aggressive, sexier and edgier sound with a message which would empower women while also reflecting her own growth and maturity.
"He Is" is a song recorded by American singer Brandy for her third studio album Full Moon (2002). It was written by Warryn Campbell, Harold Lilly and Brandy, with production handled by Campbell and the latter. Conceived during spiritual discussions with the singer, Campbell and Lilly conceptualized the pop and R&B-influenced ballad secretly as a gospel song, as they were keen to hear her sing a religious track, a genre which Brandy declined to record at the time. Lyrically speaking about God in third person, she was unaware "He Is" was not a relationship-themed song when she recorded it.
"Top of the World" is a song by American singer Brandy Norwood, from her second studio album, Never Say Never (1998). The song was written by Rodney "Darkchild" Jerkins, Fred Jerkins III, LaShawn Daniels, Isaac Phillips, Nycolia "Tye-V" Turman, and Mason Betha, with Darkchild and Norwood producing and Mase having featured vocals. Released as the album's second international single in 1998, the track peaked at number two on the UK Singles Chart and reached the top 20 in Iceland, Ireland, and New Zealand.
"Have You Ever?" is a song by American recording artist Brandy for her second studio album, Never Say Never (1998). The song was written by Diane Warren, while production was handled by David Foster. It was released as the album's third single by Atlantic Records in October 1998. The song became Norwood's second song to reach the top position on the US Billboard Hot 100, following the worldwide chart-topping of "The Boy Is Mine". The former further reached number one in New Zealand, number two in Iceland, number eight in Australia, and the top 30 in Canada, Ireland, and the United Kingdom.
"Angel in Disguise" is a song recorded by American singer Brandy for her second studio album Never Say Never (1998). It was written by Rodney "Darkchild" Jerkins, Fred Jerkins III, LaShawn Daniels, Traci Hale, and Tye-V Turman, and was produced by Jerkins along with Brandy. The song was recorded and mixed by audio engineer Dave Way at the Pacifique Recording Studios in North Hollywood, California and features prominent backing vocals by singer Joe.
"Almost Doesn't Count" is a song by American singer Brandy Norwood. It was written by Shelly Peiken and Guy Roche and recorded by Norwood for her second studio album, Never Say Never (1998). Atlantic Records consulted Fred Jerkins III to recut the song to be more consistent with the overall sound of the album. He would subsequently share production credit along with Roche. A pop and R&B-ballad combining elements of country, it incorporates Latin flavored riffs. The song's lyrics are based on an on-again, off-again relationship that Peiken had experienced during her college years.
"U Don't Know Me (Like U Used To)" is a song by American recording artist Brandy Norwood. It was written by Isaac Phillips, Paris Davis, Sean Bryant, Rodney "Darkchild" Jerkins, and Norwood for her second studio album Never Say Never (1998). Production was handled by Jerkins, with additional production from Norwood.
American singer Brandy Norwood entered the music business as a backing vocalist for R&B boy bands such as Immature, prior to launching her own career in 1994. Her discography, as a solo artist, includes eight studio albums, one compilation album, one extended play, 42 singles, 46 album appearances and 28 soundtrack appearances. Norwood has sold over 8.6 million albums in the United States, and more than 40 million records worldwide. Additionally, she has won over 100 awards as a recording artist. In 1999, Billboard ranked Norwood among the top 20 of the Top Pop Artists of the 1990s.
"Sittin' Up in My Room" is a song by American recording artist Brandy. It was written and produced by Babyface and recorded by Norwood for the soundtrack of the 1995 film Waiting to Exhale, starring Whitney Houston and Angela Bassett. The song was among five of the album's singles and peaked at number two on the US Billboard Hot 100, seeing Norwood's furthest commercial success on the chart at that time. The bass intro is similar to that of the riff performed by bassist Larry Graham, of Sly and the Family Stone, on their hit "Thank You ", and its remix featuring LL Cool J contains a sample of "Haven't You Heard" by Patrice Rushen.
"I Wanna Be Down" is the debut single of American recording artist Brandy from her self-titled debut album (1994). It was written by musicians Keith Crouch and Kipper Jones, with production helmed by the former, it was released on September 5, 1994, by the Atlantic Recording Corporation. The song is a mid-tempo track that features a thunderous beat and light synth riffs. Lyrically, "I Wanna Be Down" describes a flirt with a boy, who Norwood tries to convince of her loveliness.
"Right Here (Departed)" is a song by American recording artist Brandy Norwood. It was written by Rodney "Darkchild" Jerkins and The Writing Camp members Evan "Kidd" Bogart, Victoria Horn, Erika Nuri, and David "DQ" Quiñones and produced by Jerkins for her fifth studio album, Human (2008). Not recorded until late into the production of the album, it set much of the tone for the final Human track listing as it was the first out of several new songs Norwood and Jerkins recorded together following his absence on her previous album Afrodisiac (2004). Its lyrics chronicle a woman's talks about mutual support with loved ones.
Human is the fifth studio album by American singer Brandy. It was released on December 5, 2008 by Epic Records, Knockout Entertainment and Koch Records. The album was Norwood's debut Epic Records release, following her split with Atlantic Records in 2005, and her reunion with longtime collaborator and mentor Rodney "Darkchild" Jerkins, who executively produced and wrote most of the album with his songwriting collective.
"Long Distance" is a song by American recording artist Brandy Norwood. It was written by Bruno Mars, Philip Lawrence, Jeff Bhasker, and Rodney "Darkchild" Jerkins, and was co-produced by Jerkins and Mars for her fifth studio album Human (2008) based on a demo by Mars. It appears as the seventh track on the album on which it is interluded by a telephone conversation between two lovers. The lyrics of the piano–led power ballad describe the protagonist's emotional state towards an ongoing long-distance relationship, which leaves her in depression.
"Put It Down" is a song by American singer Brandy featuring Chris Brown. Taken from her sixth studio album Two Eleven (2012), it was written and produced by Sean Garrett, Shondrae "Bangladesh" Crawford and Dwayne "Dem Jointz" Abernathy along with Brown, telling the story of Norwood complimenting a prospective beau on his swag. The bass-heavy, R&B up-tempo track served as Norwood's first release under RCA Records, since signing to Chameleon Records under the label, and was released to US digital outlets on May 4, 2012.
Never Say Never is the second studio album by American singer Brandy. It was released on June 9, 1998, by Atlantic Records. Atlantic consulted David Foster, as well as producer Rodney "Darkchild" Jerkins and his team to work with Norwood on the record; Jerkins went on to craft the majority of the album and would evolve as Norwood's mentor and head producer on her succeeding projects.
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