Santo Domingo Pueblo, also known Kewa Pueblo is a federally recognized tribe of Native American Pueblo people in northern New Mexico. A population of 2,456 live in structures some of which date from circa 1700; in Sandoval County described by the U.S. Census Bureau as a census-designated place.
The Santa Fe Indian Market is an annual art market held in Santa Fe, New Mexico on the weekend following the third Thursday in August. The event draws an estimated 150,000 people to the city from around the world. The Southwestern Association for Indian Arts (SWAIA), a nonprofit organization hosts the market, which showcases work by about 1,000 Native American and First Nations artists from Native American tribes and Indigenous nations from coast to coast.
Inlay covers a range of techniques in sculpture and the decorative arts for inserting pieces of contrasting, often colored materials into depressions in a base object to form ornament or pictures that normally are flush with the matrix. A great range of materials have been used both for the base or matrix and for the inlays inserted into it. Inlay is commonly used in the production of decorative furniture, where pieces of colored wood, precious metals or even diamonds are inserted into the surface of the carcass using various matrices including clear coats and varnishes. Lutherie inlays are frequently used as decoration and marking on musical instruments, particularly the smaller strings.
Charles Sequevya Loloma was a Hopi Native American artist known for his jewelry. He also worked in pottery, painting and ceramics.
The visual arts of the Indigenous peoples of the Americas encompasses the visual artistic practices of the Indigenous peoples of the Americas from ancient times to the present. These include works from South America and North America, which includes Central America and Greenland. The Siberian Yupiit, who have great cultural overlap with Native Alaskan Yupiit, are also included.
Martha Hopkins Struever (1931–2017) was an American Indian art dealer, author, and leading scholar on historic and contemporary Pueblo Indian pottery and Pueblo and Navajo Indian jewelry. In June 2015, a new gallery in the Wheelwright Museum of the American Indian, was named for her. The first permanent museum gallery devoted to Native American jewelry, the Martha Hopkins Struever Gallery, is part of the Center for the Study of Southwestern Jewelry.
Gail Bird and Yazzie Johnson are Southwest American Indian artists known for their innovative jewelry partnership that has led to unique creations using stone and metalwork which blends both contemporary and prehistoric design motifs. Bird and Johnson have been crafting jewelry together since 1972, with Bird designing the pieces and Johnson leading on fabrication and metalwork.
This is a chronological list of significant or pivotal moments in the development of Native American art or the visual arts of the Indigenous peoples of the Americas. Earlier dates, especially before the 18th century, are mostly approximate.
Native American jewelry refers to items of personal adornment, whether for personal use, sale or as art; examples of which include necklaces, earrings, bracelets, rings and pins, as well as ketohs, wampum, and labrets, made by one of the Indigenous peoples of the United States. Native American jewelry normally reflects the cultural diversity and history of its makers, but tribal groups have often borrowed and copied designs and methods from other, neighboring tribes or nations with which they had trade, and this practice continues today. Native American tribes continue to develop distinct aesthetics rooted in their personal artistic visions and cultural traditions. Artists may create jewelry for adornment, ceremonies, and display, or for sale or trade. Lois Sherr Dubin writes, "[i]n the absence of written languages, adornment became an important element of Indian communication, conveying many levels of information." Later, jewelry and personal adornment "...signaled resistance to assimilation. It remains a major statement of tribal and individual identity."
Art of the American Southwest is the visual arts of the Southwestern United States. This region encompasses Arizona, New Mexico, and parts of California, Colorado, Nevada, Texas, and Utah. These arts include architecture, ceramics, drawing, filmmaking, painting, photography, sculpture, printmaking, and other media, ranging from the ancient past to the contemporary arts of the present day.
Lisa Holt and Harlan Reano are a husband-and-wife team of Pueblo potters and artists from northern New Mexico. They have been making pottery together in 1999, they use traditional Cochiti pottery techniques and create modern work.
Virgil Ortiz is a Pueblo artist, known for his pottery and fashion design from Cochiti Pueblo, New Mexico. Ortiz makes a variety of pottery, including traditional Cochiti figurative pottery, experimental figurative pottery, traditional pottery vessels. His clothing and jewelry designs are influenced by traditional Native American pattern and aesthetics. He is best known for his edgy pottery figures, his contemporary take on the traditional Cochiti pottery figures (monos) from the late 1800s.
Phillip Sekaquaptewa was a Hopi artist and silversmith in Hopi silver overlay and stone inlay, featuring the lapidary genres of commesso and intarsia. Sekaquaptewa used colorful stones and shell for his Hopi silver overlay, not only plain silver decorated with chisel strokes on black oxide surfaces, a Hopi-signature technique known as matting.
Rose B. Simpson is a Tewa sculptor of Khaʼpʼoe Ówîngeh is a mixed-media artist who works in ceramic, metal, fashion, painting, music, performance, and installation. She lives and works in Santa Clara Pueblo, New Mexico. Her work has been exhibited at SITE Santa Fe ; the Heard Museum ; the Museum of Contemporary Native Art, Santa Fe (2010); the National Museum of the American Indian, Smithsonian (2008); the Denver Art Museum; Pomona College Museum of Art (2016); Ford Foundation Gallery (2019); The Wheelwright Museum of the American Indian (2017); the Minneapolis Institute of Art (2019); the Savannah College of Art and Design (2020); the Nevada Museum of Art (2021); Whitney Museum of American Art, and the Norton Museum of Art (2024).
Christine McHorse, also known as Christine Nofchissey McHorse, was a Navajo ceramic artist from Santa Fe, New Mexico.
Juanita Inez Ortiz, also known as Inez Ortiz was a Native American Cochiti Pueblo artist, specializing in pottery. She is of the Herrera family of Pueblo potters in New Mexico, whose work is often found in art collections and in art museums. She was from the Cochiti Pueblo in Cochiti, New Mexico.
Black-on-black ware is a 20th and 21st-century pottery tradition developed by Puebloan Native American ceramic artists in Northern New Mexico. Traditional reduction-fired blackware has been made for centuries by Pueblo artists and other artists around the world. Pueblo black-on-black ware of the past century is produced with a smooth surface, with the designs applied through selective burnishing or the application of refractory slip. Another style involves carving or incising designs and selectively polishing the raised areas. For generations several families from Kha'po Owingeh and P'ohwhóge Owingeh pueblos have been making black-on-black ware with the techniques passed down from matriarch potters. Artists from other pueblos have also produced black-on-black ware. Several contemporary artists have created works honoring the pottery of their ancestors.
Loren Aragon is a Native American fashion designer from Acoma Pueblo whose work is inspired by Acoma pottery and culture. His ACONAV couture brand is known for its asymetrical designs, patterns and materials such as silk and leather that blend cultural ideas with modern silhouettes.
Orville Z. Tsinnie was a Diné silversmith, jewelry maker and katsina carver from the Navajo Nation. He lived and worked in Shiprock, New Mexico for most of his life.
Gomeo Bobelu, was a Zuni lapidary jeweler and silversmith who was known for his gemstone-inlayed silver jewelry. He was also a social justice advocate.
